From Idaho to Omo — that’s how far Christine Corbin went to help her students redefine beauty and identity.
An art teacher at Boise‘s Riverstone International School, Christine was researching ideas for a portrait-painting unit when she found photographs of the Omo River Valley tribe in Ethiopia. She immediately wanted her students to paint these “hauntingly beautiful” people, so began with the inquiry question, “What is beauty?”
“My students went bonkers,” said Christine. “Who are these people? What is their concept of beauty? And how is their view different from ours? were just a few of the questions I took with me to Ethiopia last summer on my Fund for Teachers fellowship.”
For four weeks, this sixty-something-year-old traveled alone in Africa with a dishonest guide, lived in areas of extreme poverty and traversed remote areas experiencing conflict between the government and various tribes. These conditions paled in comparison to the learning, however. “I was able to immerse myself completely in the beauty of the unknown and be amazed at what it taught me,” she said.
She’s now teaching her students about the art, customs and culture of the people with whom she fell in love. Eighth graders completed a photography unit based on her research, which included replicating versions of the images Christine brought back from her fellowship. She spent time with the Karo tribal people, whose face and body painting became the inspiration for students’ photo shoot assignments. The finished products (i.e. faces) appear in books they produced using Shutterfly. After a cross-curricular mask-making unit in conjunction with the music teacher this spring, her students will exhibit their art in a school-wide event at the local community center.
Christine’s students shared their take aways from the unit on beauty:
“Beauty is pure, simple, and happy. The Omo Valley tribes gauge their lips and ears and scar their bodies to be beautiful. It is pure and beautiful to them. We used our photography to portray our emotions and the emotions of the tribes. Beauty is different for everyone.” -Alease
“My concept of beauty is a person who is confident and wise,” added Soloriana, another student. “I believe that cultures everywhere continue to redefine their definition of beauty. Beauty changes from culture to culture.” -Soloriana
“It’s important to understand others’ ideas of beauty. The Omo River Valley people use their painted bodies, scarification, lip and ear gauging to express themselves and their ideas of what is beautiful to them. People aren’t typically used to those types of things as something beautiful. It is important to understand what other cultures think is beautiful.” -Aiden
“They saw beauty in showing how tough they were and in their ability to endure pain. Using photography, I expressed my concept of beauty as seen by the Omo River Valley tribes. We got to create our own headpieces and used paint, flowers, scarves, jewelry, and makeup to express ourselves in different ways. We used angle, lighting, and special effects to create a story. A face can tell a story.” – Salma
An unintended outcome of the art study was learning about the Gibe III Dam and it’s potentially devastating impact on the Omo River Valley tribe. Her students are now brainstorming on how they can help save the people with whom they also fell in love.
“My personal and professional perspective has profoundly changed,” said Christina. “My research drove home the fact that, as an educator, I have the power to be the catalyst for change. Everything I say and do in my classroom must motivate my students to be original thinkers to impact our interconnected world, especially the marginalized and disenfranchised who have no voice or power.”
Kate Moore (Citizens of the World Charter Schools – Kansas City. MO) used her Fund for Teachers grant to explore at a Creativity Workshop in Reykjavik, Iceland, the concept of creativity. Her goal in attending was to support diverse thinkers and learners and implement strategies to help students, staff and the community hone creativity despite fear and discomfort. Along the way, she faced her own fear and discomfort, as well.
Iceland totally amazed me. I attended the Creativity Workshop in Reykjavik and had the opportunity to work with some of the greatest minds in education. We discussed obstacles and hurdles that keep us from stretching our students’ comfort zones in the classroom and how to pull beauty from chaos – which is a pretty good description of most classrooms now and then – chaos.
Like a lot of teachers, I have a side-hustle that keeps me busy after school. I have a small photography business that grew from taking family portraits of my low-income students who otherwise wouldn’t have such memories captured. It just grew from there. Part of my own personal journey with this fellowship was to challenge my own notions of perfection and creativity in photography. It is the medium in which I feel I am the strongest, but also that which I am the most critical of myself. I had a tougher time with this than I thought. Iceland is full of ridiculously picture-esque vistas, and my inner critic was screaming much of the time: “Kate, you are not giving this justice. Way too over exposed. Crappy composition. You didn’t bring a filter for long exposures at the waterfalls, are you kidding?”
I gave myself a pre-test of sorts when I arrived and again at the conclusion of my trip after attending the Creativity Conference. The biggest change I saw: I was noticing my critic and allowing that quiet voice to fade out to another ear. As an art teacher, I do not expect or want perfection from my students. A fantastic book called “Beautiful Oops” helps prove this point in my classroom: mistakes can create something amazing, something new, something we never knew was possible.
I realized I have to practice this same philosophy in my own artwork, despite carrying the “I’m an art teacher, therefore my artwork should be pristine” mindset. I am still working on this, as any habit takes time, but taking what I learned from the workshop to apply to my OWN work really set the concept and its significance into stone for me and jazzed me up for the new school year. And let’s be honest, that is tough for everyone after two months of eating slow-cooked omelettes, going to the pool and watching Ellen 🙂
Check out Kate’s photography here.
I also learned a lot of small things by simply talking to locals and having the awesome opportunity to visit a family’s home and dine with them and their children for a night. Here are a few big categories that resonated with me and make me want to return to this amazing country:
Iceland & Animals:
Miscellaneous Info I Learned and LOVED:
I would highly recommend the Creativity Conference to any teacher who feels stagnant or that they want to reach students who strive a little too hard for perfection or to the student who feels lost in numbers and reading does not come easily. This conference can be a benefit to all types of classrooms. And Iceland, of course. Definitely go, but go to Costco ahead of time to bring snacks because a cup of soup is $25.
Kate works in urban education in Kansas City, MO, where she teaches elementary art. Prior to teaching art, she taught English as a second language, writing and social studies at a dual language school. While born and raised in Wisconsin, Kate attended Iowa State University where she received a Bachelors of the Arts in Art and Deign with a minor in Spanish and Psychology. She received her Master’s in Education from the University of Missouri St. Louis in 2015. She has 3 pet free frogs who are regulars in her classroom named Sam, Brown Sugar, and Reina.