On this day in 1911, Suffragettes stormed Parliament in London. All were arrested and chose prison terms. Their leader was Emmeline Pankhurst – the focus of Eric Reid-St. John‘s fellowship.

Eric, a theatre teacher at Spain Park High School in Hoover, AL, researched Pankhurst and the suffrage movement they incited. While in London, he found in Trafalgar Square the location of the 1908 rally for which Mrs. Pankhurst was also arrested (pictured). He then studied with three avant-garde theatres, laying the groundwork for his students’ creation of a play about Lady Constance Lytton, an English aristocrat who disguised herself as a working woman to support suffragettes.

“Through research, I found that I could relate a lot to Constance,” said Rachel Ponder, who played the lead. “However, most of all, I was so in awe of her dedication towards the suffrage movement. Being a part of this creative process has inspired me both as a woman and as a human being.”

 

Ponder and 23 students representing each grade spent three months researching the suffrage movement in the United States and Britain before collaborating on a script and set. Each performer created a character journal comprised of photos, newspaper articles and other primary resources they uncovered. An Oxford professor who authored a book on Lytton Skyped into class to inform students’ research, as well.

“Current events were on my mind when I began this process and they continue to bring about a sense of urgency surrounding women’s rights,” said Eric. “My students took the history of this topic and explored its correlation with today’s headlines. They created a story that allowed people to see that the expansion of equal rights is the natural progression of a free society.”

Reviews are in, and at a state theatre competition, Ponder won Best Actress, her cast mates won Best Actor, Best Supporting Actress and Best Ensemble and Deeds Not Words was named Best in Show.

[minti_divider style=”3″ icon=”” margin=”20px 0px 20px 0px”]

Update from Eric:

“Several of our seniors from that year’s show have gone on to study theatre at various universities, including Viterbo in Wisconsin (our lead actress from Deeds Not Words studies musical theatre there), University of Alabama in Tuscaloosa; Samford University and Birmingham-Southern in Birmingham; and Emory in Atlanta.

That ended up being my last year teaching in Alabama, as I took a position at a school in Middlebury, VT, the following year. This marks my second year directing the Addison Repertory Theatre at the Hannaford Career Center teaching ART – a class that allows students from area schools to focus on either technical theatre or performance during the school day.

The techniques of devised theatre that I studied along with the suffragettes while in England that summer still impact the way I teach. The students and I have created two plays using devised methods over the past year; one took fables and folk tales and turned them into a children’s show that we toured to five local elementary schools, while the other challenged students to develop a series of short plays that were presented to sold-out crowds over two nights.

The theatre creation techniques I learned will continue to affect the way I teach for years to come. The research into the suffragettes will always continue to influence the way I view the struggle for equal rights. (I have also since been able to take my mother and daughter to the Women’s Rights National Park in Seneca Falls, NY, and have now attended two Convention Days there, annual celebrations that commemorate the first conference on women’s rights in the US).

Thank again for thinking of Deeds Not Words. I believe that was one of the most immediate and important works I’ve been a part of.”

Last night’s Oscars telecast inspired some awards of our own. Without further ado, we present a few of our 2018 Fellows who designed learning experiences around the performing arts…

Most Creative Use of Funds
Diana D’Emeraude | Canyon Vista Middle School – Austin

To make the most of her 42-day stay across the pond, Diana found hostels with private rooms and pet-sat in three different homes — including one that had two cats and four chickens. Saving money on accommodations meant she could apply her $5,000 grant toward participating in a Shakespeare training program for teachers at the Globe Theatre in London, and attending 15 plays, ten classes, six tours, a conference, and multiple museums. Her goal was to create curricular units for middle and high school language arts/theatre teachers that help students develop critical thinking skills in the classroom and beyond.

“Taking classes on teaching Shakespeare with U.K. teachers helped me compare notes on their schools, how they taught, learn engaging activities, learn about and teach the plays and more about the English language,” said Diana. “Attending an International Theatre Teacher Conference helped me learn how theatre is taught in other countries and ways to improve my teaching, and classes at the Globe Theatre helped me learn more, not only of Shakespeare’s plays but also of other works written in that era.”

With her new knowledge, Diana started a Shakespeare Club where students explore the Bard’s plays, his style of writing, the importance of his works, the era, and how to perform monologues, scenes and the plays.

Best Sequel
Warren Pemsler, Ari Hauben and Chris Busch | McKinley South End Academy – Boston

In 2007, this teaching team was awarded a Fund for Teachers grant to tour art museums, theatres, stages and facilities in England, and then meet with outreach departments at museums in the Netherlands, to expand on their school’s partnerships with the Huntington Theatre and Institute of Contemporary Art. Eleven years later, these same teachers returned to London on their second FFT fellowship to explore London’s street art, contemporary art, and theatre communities to develop in-depth performing and visual arts units in collaboration with Boston Public School’s pilot Fab Lab.

Warren would like to thank his colleagues for their learning:

“Honestly, it was the collaboration with my colleagues that brought out new energy and ideas. By immersing ourselves in the content we teach and meeting with professionals who do similar things in London, we have planned new avenues to make our curriculum more vital to our students. After 28 years of teaching, I feel like I am embarking on a journey that will sustain me professionally and personally for years to come! I couldn’t be more thankful!”

This teaching team is working with students to create four large murals of the artists and playwrights they read and admire on exterior walls of the school building. This will lead to four “openings” for the school and neighborhood, as well as T-shirts so students can show off their work to the wider world.

Best Supporting Teacher
Christine Jamerson | Roseburg High School, Rosburg, OR

Christine designed her fellowship around information she learned from a previous workshop with Eric Jensen called “Teaching with Poverty in Mind.” There, she learned that the working memory of students who experience poverty is very limited. As a drama teacher, Christine knew how memorizing lines and stage directions helps build one’s working memory, in addition to self-efficacy and self-confidence. Therefore, she participated in the Broadway Teachers Workshop in New York City and learned strategies for using theatre to support brain and soft-skill development.

“I learned so much about technical design, directing, and running a smooth program in the few short days I was at the workshop, it just blows me away.” said Christine. “I feel like my world has been opened up to different approaches I can take with my plays and musicals, and it all benefits my program. I have also gained a lot of confidence – I’m not only bringing new approaches, but I’m implementing them well.”

In order to reach the largest number of students possible, Christine and her theatre department formed an improv troupe open to all. They perform at assemblies, football game halftimes, and local middle schools.

Best Transformation
John Matthiessen | Branford High School – Branford, CT

John arrived at the Globe Theatre’s “Teaching Shakespeare Through Performance” workshop as a 58-year-old literature teacher and completed his fellowship as Ophelia, Hamlet’s love interest. He explains:

“Our director told us he was going to cast us ‘against type,’ and consequently, I was cast as Ophelia. Playing a teenage girl was a stretch. To do this, I had to not only overcome a certain amount of self-consciousness and stage fright, but also try to imagine and portray the emotions experienced by this doomed young girl. I was very proud of my final performance!”

John’s English students now spend less time interpreting text and more time in creative activities to demonstrate their understanding. Although he still includes rigorous reading and writing activities, he now concludes some units with a final role-play presentation (like the one he did) as a major grade. He’s found this kind of active, student-centered assessment makes learning a more social activity alongside their peers than the typical summative assessments.

The BIG winners are the students, whose learning changes from text to technicolor after their teachers return from summer fellowships. In her Best Supporting Actress acceptance speech last night, Regina King called herself an example of “what it looks like when support and love is poured into someone.” We believe the students of our Fellows look (and feel) the same way.

Pictured above: David Williams (Bacon Academy – Colchester, CT) who attended the Teaching Shakespeare Through Performance course at the Globe Theatre in London to learn practical approaches for engaging students from a variety of backgrounds and academic levels.

Today, 42 women will be sworn into Congress, the most in US history.  Susan B. Anthony and her British counterpart, Emmeline Pankhurst, would be proud of these activists, and also students of Eric Reid-St. John’s at Spain Park High School in Hoover, AL.

With his Fund for Teachers grant, Eric researched Anthony, Pankhurst and the suffrage movement they incited. While in London, he found in Trafalgar Square the location of the 1908 rally for which Mrs. Pankhurst was arrested (pictured). He also studied with three avant-garde theatres, laying the groundwork for his students’ creation of a play about Lady Constance Lytton, an English aristocrat who disguised herself as a working woman to support suffragettes. “Through research, I found that I could relate a lot to Constance,” said Rachel Ponder, who played the lead. “However, most of all, I was so in awe of her dedication towards the suffrage movement. Being a part of this creative process has inspired me both as a woman and as a human being.”

Ponder and 23 students representing each grade spent three months researching the suffrage movement in the United States and Britain before collaborating on a script and set. Each performer created a character journal comprised of photos, newspaper articles and other primary resources they uncovered. An Oxford professor who authored a book on Lytton Skyped into class to inform students’ research, as well.

“Current events were on my mind when I began this process and they continue to bring about a sense of urgency surrounding women’s rights,” said Eric. “My students took the history of this topic and explored its correlation with today’s headlines. They created a story that allowed people to see that the expansion of equal rights is the natural progression of a free society.”

Reviews are in, and at a state theatre competition, Ponder won Best Actress, her cast mates won Best Actor, Best Supporting Actress and Best Ensemble and Deeds Not Words was named Best in Show.