On this day in 1911, Suffragettes stormed Parliament in London. All were arrested and chose prison terms. Their leader was Emmeline Pankhurst – the focus of Eric Reid-St. John‘s fellowship.

Eric, a theatre teacher at Spain Park High School in Hoover, AL, researched Pankhurst and the suffrage movement they incited. While in London, he found in Trafalgar Square the location of the 1908 rally for which Mrs. Pankhurst was also arrested (pictured). He then studied with three avant-garde theatres, laying the groundwork for his students’ creation of a play about Lady Constance Lytton, an English aristocrat who disguised herself as a working woman to support suffragettes.

“Through research, I found that I could relate a lot to Constance,” said Rachel Ponder, who played the lead. “However, most of all, I was so in awe of her dedication towards the suffrage movement. Being a part of this creative process has inspired me both as a woman and as a human being.”

 

Ponder and 23 students representing each grade spent three months researching the suffrage movement in the United States and Britain before collaborating on a script and set. Each performer created a character journal comprised of photos, newspaper articles and other primary resources they uncovered. An Oxford professor who authored a book on Lytton Skyped into class to inform students’ research, as well.

“Current events were on my mind when I began this process and they continue to bring about a sense of urgency surrounding women’s rights,” said Eric. “My students took the history of this topic and explored its correlation with today’s headlines. They created a story that allowed people to see that the expansion of equal rights is the natural progression of a free society.”

Reviews are in, and at a state theatre competition, Ponder won Best Actress, her cast mates won Best Actor, Best Supporting Actress and Best Ensemble and Deeds Not Words was named Best in Show.

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Update from Eric:

“Several of our seniors from that year’s show have gone on to study theatre at various universities, including Viterbo in Wisconsin (our lead actress from Deeds Not Words studies musical theatre there), University of Alabama in Tuscaloosa; Samford University and Birmingham-Southern in Birmingham; and Emory in Atlanta.

That ended up being my last year teaching in Alabama, as I took a position at a school in Middlebury, VT, the following year. This marks my second year directing the Addison Repertory Theatre at the Hannaford Career Center teaching ART – a class that allows students from area schools to focus on either technical theatre or performance during the school day.

The techniques of devised theatre that I studied along with the suffragettes while in England that summer still impact the way I teach. The students and I have created two plays using devised methods over the past year; one took fables and folk tales and turned them into a children’s show that we toured to five local elementary schools, while the other challenged students to develop a series of short plays that were presented to sold-out crowds over two nights.

The theatre creation techniques I learned will continue to affect the way I teach for years to come. The research into the suffragettes will always continue to influence the way I view the struggle for equal rights. (I have also since been able to take my mother and daughter to the Women’s Rights National Park in Seneca Falls, NY, and have now attended two Convention Days there, annual celebrations that commemorate the first conference on women’s rights in the US).

Thank again for thinking of Deeds Not Words. I believe that was one of the most immediate and important works I’ve been a part of.”

Tammy Friedman believes the link between art and its history can help build bridges among different cultures, including the culture of a school. Cloonan Middle School in Stamford, CT, is experiencing a sharp increase in English Language Learners who speak Spanish at home. Realizing the lack of relationship between herself and students’ parents, Tammy turned to art (and a Fund for Teachers fellowship) to bridge the gap.

Last summer, Tammy developed under Barcelona artist Martin Brown skills to create “trencadis” mosaics popularized by Antoni Gaudi. Trendacis literally means “chopped,” referring to the fragmented shards and recycled materials pieced together to form images and/or patterns. When not in Brown’s class, Tammy embarked on daily field trips across Barcelona, exploring Gaudi’s masterpieces, such as those at Park Güell.

Tammy’s goals for this fellowship were:

1. to develop a bond with families,
2. teach students something they may not know about themselves and their culture, and
3. make them proud of their heritage.

With her new expertise, Tammy led 100 art students (40% of whom are Hispanic) in the creation of four 30 x 56 murals, which were installed around the school last week.

                                          

“The four mosaics represent Pablo Picasso, Salvador Dali, Frida Kahlo, and Antoni Gaudi, including inspirational quotes from the artists,” said Tammy. “In addition, students painted cubist self-portraits, personal cultural art, surreal collages, surreal hands, and street art. This fellowship inspired me with new creative ideas to share with my students, not for just one year, but for years to come.”

“Tammy is one of three teachers at our school who have received Fund for Teachers fellowships and I can’t say enough about how they return re-energized and with experiences that are relevant to kids, which has a huge impact on how they respond,” said David Tate, principal at Cloonan Middle School. “Tammy’s project is particularly relevant, as our school’s single largest demographic is students from Latino homes, so for them to see this aspect of their culture on permanent display is huge.”

A group photo of students who created each mosaic is mounted alongside their artworks, which were praised by the mayor and the superintendent during a special showing.

Tammy chose for one mosaic Dali’s quote, “Intelligence without ambition is a bird without wings.” We love how Tammy embodies this quote as a role model for her students — taking her belief in the power of art from her classroom to Barcelona and back again to foster cultural pride and community relationships.

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Tammy has taught for 29 years, first with special education, then third grade, middle school Language Arts, and now Fine Arts. Recently she received a Spotlight Award for Teachers, one of 20 recipients nominated by peers and awarded from across the Stamford Public School district.

 

 

Based on our Fellows’ experiences, the phrase “there’s more than one way to skin a cat” applies to student literacy. We’ll refrain from using that idiom today, however, out of respect for The Cat in the Hat – feline foil of Dr. Seuss, whose March 2 birthday coincides with Read Across America Day. Rachel Rodriguez (Waterbury, CT) and Marnie Jones (Washington DC) have much more to celebrate — reaching a wide range of students with new approaches to reading instruction.

Rachel’s elementary school has the highest transiency rate in the district. Teaching literacy to students who attend every day is hard enough. Rachel’s students (reading two to three years below grade level and often speaking English as a second language) come in and out of school due to issues worsened by poverty, making fluency that much harder. To capitalize on the time she has, Rachel sought out non-traditional reading strategies  at a local and international conference and returned from her fellowship trained in kinesthetic approaches that benefit students suffering from reading disorders and also increase their self-esteem and motivation.

Marnie teaches special education students within a traditional classroom setting, which brings its own set of challenges. She works to determine how each student learns best, then makes information or skills accessible. Along the way, she discovered the Lindamood-Bell approach to literacy that incorporates sound, sight and movement to further reading and comprehension. Marnie used her grant to attend two Lindamood-Bell workshops and now applies research-validated strategies tailored to each child.

“Learning how to read does not come easily for many of my students,” said Marnie. “I now realize there is more than one way to become a successful reader and my students are achieving fluency through movement and visualization of letters.”

Research shows that 20% of America’s students struggle with reading. In the past five years alone, 228 teachers have devoted fellowships to lowering that statistic. Literacy remains one of the most common subjects our Fellows pursue so today, especially, we offer them and their students this slight adaptation from Dr. Suess’ Happy Birthday to You:

Today you are you! That is truer than true!
There is no one alive who is you-er than you!
Shout loud, “I am lucky to be what I am!
Thank goodness I’m not just a clam or a ham
Or a dusty old jar of sour gooseberry jam!”
You are what you are! That’s a great thing to be!
So keep on reading! Love, your friends at FFT.

From Idaho to Omo — that’s how far Christine Corbin went to help her students redefine beauty and identity.

An art teacher at Boise‘s Riverstone International School, Christine was researching ideas for a portrait-painting unit when she found photographs of the Omo River Valley tribe in Ethiopia. She immediately wanted her students to paint these “hauntingly beautiful” people, so began with the inquiry question, “What is beauty?”

“My students went bonkers,” said Christine. “Who are these people? What is their concept of beauty? And how is their view different from ours? were just a few of the questions I took with me to Ethiopia last summer on my Fund for Teachers fellowship.”

For four weeks, this sixty-something-year-old traveled alone in Africa with a dishonest guide, lived in areas of extreme poverty and traversed remote areas experiencing conflict between the government and various tribes. These conditions paled in comparison to the learning, however. “I was able to immerse myself completely in the beauty of the unknown and be amazed at what it taught me,” she said.

   

She’s now teaching her students about the art, customs and culture of the people with whom she fell in love. Eighth graders completed a photography unit based on her research, which included replicating versions of the images Christine brought back from her fellowship. She spent time with the Karo tribal people, whose face and body painting became the inspiration for students’ photo shoot assignments. The finished products (i.e. faces) appear in books they produced using Shutterfly. After a cross-curricular mask-making unit in conjunction with the music teacher this spring, her students will exhibit their art in a school-wide event at the local community center.

   

Christine’s students shared their take aways from the unit on beauty:

“Beauty is pure, simple, and happy. The Omo Valley tribes gauge their lips and ears and scar their bodies to be beautiful. It is pure and beautiful to them. We used our photography to portray our emotions and the emotions of the tribes. Beauty is different for everyone.” -Alease

 

“My concept of beauty is a person who is confident and wise,” added Soloriana, another student. “I believe that cultures everywhere continue to redefine their definition of beauty. Beauty changes from culture to culture.” -Soloriana

 

“It’s important to understand others’ ideas of beauty. The Omo River Valley people use their painted bodies, scarification, lip and ear gauging to express themselves and their ideas of what is beautiful to them. People aren’t typically used to those types of things as something beautiful. It is important to understand what other cultures think is beautiful.” -Aiden

 

“They saw beauty in showing how tough they were and in their ability to endure pain. Using photography, I expressed my concept of beauty as seen by the Omo River Valley tribes. We got to create our own headpieces and used paint, flowers, scarves, jewelry, and makeup to express ourselves in different ways. We used angle, lighting, and special effects to create a story. A face can tell a story.” – Salma

An unintended outcome of the art study was learning about the Gibe III Dam and it’s potentially devastating impact on the Omo River Valley tribe. Her students are now brainstorming on how they can help save the people with whom they also fell in love.

“My personal and professional perspective has profoundly changed,” said Christina. “My research drove home the fact that, as an educator, I have the power to be the catalyst for change. Everything I say and do in my classroom must motivate my students to be original thinkers to impact our interconnected world, especially the marginalized and disenfranchised who have no voice or power.”

FFT Fellow Chris Smith and 15 of his students recently hosted the first Chicago Immigrant Refugee Resource Fair at Mather High School. The story behind the event, shared below by Chris, demonstrates the true ripple effect of a Fund for Teachers grant. This high school music teacher designed a fellowship to attend the Blas International Summer School of Irish Traditional Music and Dance at the University of Limerick to enrich orchestra curriculum by integrating elements of Irish folk music, ensemble skills, and improvisation. He shares the progression of learning from there below. We are proud of you and your students, Chris!

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“I have continued my study of Irish traditional music since 2013 when I was awarded the FFT fellowship, which was transformative to my teaching in many ways. Not only have I incorporated lessons that I learned in my teaching strategy, but my support from FFT has led to many more opportunities for me and my students

Last summer, I attended the Swannanoa Gathering outside Asheville, NC, to again study under Martin Hayes, a teacher from Blas. I also received a small grant from the Chicago Shakespeare Theater, which I used to host a lecture/performance and workshop by members of the Irish Music School of Chicago.

Additionally, I was inspired at write a grant proposal (which was funded) which allowed for a residency at Mather High School by renowned traditional Irish performer Kathleen Keane. Over the course of two months, Kathleen visited Mather to perform and work with a small group of motivated orchestra students. She taught them a set of traditional jigs which they performed in concert.

Because of my FFT experience, I was also awarded the Teaching for Global Classrooms fellowship by the US State Department. In summer 2016, I traveled to India and, in part, taught music at a school in Vadodara, Gujarat.

Visit this website Chris created to document FFT fellowship in Limerick, as well as another site, including access to his resulting unit and lesson plans, following his TGC fellowship.

Based on my TGC fellowship, I was able to apply to then attend a conference for alumni of government sponsored international travel. As a participant, I was invited to apply for money to create a project on the subject of inclusion. I was awarded a grant from the State Department to organize and implement the Inaugural ChiUnderOneRoof: Chicago Immigrant and Refugee Resource Fair.  My students and I hosted hosted 25 local community organizations who work to support our immigrant and refugee population.

Parenthetically, since my fellowship, my wife has been awarded a fellowship along with one of her coworkers and three teachers at my school. These are just a few of the things that have resulted from the opportunities afforded me by Fund for Teachers.”

Click here to read Chris’ description of how planning the resource fair impacted him and his students.

Today, 42 women will be sworn into Congress, the most in US history.  Susan B. Anthony and her British counterpart, Emmeline Pankhurst, would be proud of these activists, and also students of Eric Reid-St. John’s at Spain Park High School in Hoover, AL.

With his Fund for Teachers grant, Eric researched Anthony, Pankhurst and the suffrage movement they incited. While in London, he found in Trafalgar Square the location of the 1908 rally for which Mrs. Pankhurst was arrested (pictured). He also studied with three avant-garde theatres, laying the groundwork for his students’ creation of a play about Lady Constance Lytton, an English aristocrat who disguised herself as a working woman to support suffragettes. “Through research, I found that I could relate a lot to Constance,” said Rachel Ponder, who played the lead. “However, most of all, I was so in awe of her dedication towards the suffrage movement. Being a part of this creative process has inspired me both as a woman and as a human being.”

Ponder and 23 students representing each grade spent three months researching the suffrage movement in the United States and Britain before collaborating on a script and set. Each performer created a character journal comprised of photos, newspaper articles and other primary resources they uncovered. An Oxford professor who authored a book on Lytton Skyped into class to inform students’ research, as well.

“Current events were on my mind when I began this process and they continue to bring about a sense of urgency surrounding women’s rights,” said Eric. “My students took the history of this topic and explored its correlation with today’s headlines. They created a story that allowed people to see that the expansion of equal rights is the natural progression of a free society.”

Reviews are in, and at a state theatre competition, Ponder won Best Actress, her cast mates won Best Actor, Best Supporting Actress and Best Ensemble and Deeds Not Words was named Best in Show.