Ofrendas, Fellows and Day of the Dead

Day of the Dead is actually a two-day holiday in Mexico when families celebrate life and death simultaneously. From October 31 – November 2, people create ofrendas (or offerings) adorned with items such as foods, photos and items once enjoyed by family members who have died. This year, in the wake of COVID and also their Fund for Teachers fellowship, Rebecca Gauna and Sasha Villagrana decided to host a community-wide Day of the Dead Celebration at Chicago’s Robert Lindblom Math and Science Academy High School.

With their $10,000 FFT grant last summer, Becci and Sasha researched in Nayarit, Oaxaca, and Chiapas, Mexico, indigenous history, traditions, and folklore to inform learning for a Latino culture course, facilitate collaborations with English Language Learners in the special education program, and engage Spanish speaking parents. (Learn more about their experiences at Becci and Sasha‘s post-fellowship reporting.)

This fall, they began implementing their own learning with their students by creating a religious syncretism curriculum for their Latino Culture Colloquium. They also created an advisory lesson that was used school wide to talk about cultural identity. The community-wide Day of the Dead Family Night last week featured an ofrenda (above), performances by the Latino Dance Crew, and five craft stations in which students and their families created sugar skulls, made marigold flowers, and had their faces painted. Students led each activity and explained the significance and symbolism at each station.

“Many Mexican Americans who were born in the United States (including our students) often have a deep sense of feeling connected to Mexico yet have only visited a handful of times,” said Sasha. “The variety of the culture and languages we experienced within each state of Mexico really is so diverse that it is often hard for many Mexican Americans to comprehend or even understand how different it can be. This experience opened my eyes to how diverse the culture and language of Mexico really is and how little many of our students may even know about their family origins.”

Rebecca Gauna and Sasha Villareal in front of the community ofrenda“Indigenous groups in Mexico have been oppressed for centuries and this is clear when looking at poverty, access to healthcare, levels of education etc. in highly indigenous areas in Oaxaca and Chiapas,” Becci added. “Their stories too often go unheard when examining the history and culture of Mexico. We want to highlight the importance of indigenous subcultures within the dominant culture of Mexico and bring back inspiration for how marginalized communities maintain their culture and identity.”

Going forward, Sasha and Becci plan to create an interdisciplinary project between the school’s Latino Culture Colloquium, students in the school’s special education program, the art department and the library through a bilingual story time.  The teachers also established contacts with a nonprofit in Chiapas called Sueninos and a nonprofit in the Puerto Vallarta region called Entre Amigos through which will participate in language exchanges and cultural “intercambios,” as well as topics around dual identities and immigrant rights. We will also pursue our relationship with the Mexican Museum of Art in order to conduct an art and identity workshop.

“Our fellowship provided us with pictures, anecdotes, and most importantly, local perspectives and insights into our course units which will help students feel pride and connection with their heritage and engage with the material,” said Becci.

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Becci Gauna has taught Global Civics, Honors Psychology, Honors Sociology, US History, and World History. She has also helped design and develop her school’s Latino Culture program and sponsors the school’s Latino Dance team. Sasha Villagrana has been a New York City public alternative high school teacher for six years — two of which were in prison to a range of incarcerated youth populations facing the most severe challenges. She has also served Lindbom’s bilingual coordinator, foreign language department chair, and has taught the Latino Culture Colloquium, as well as Chinese.

The Mandate Behind a Fund for Teachers Fellowship

Nataliya Braginsky is a high school teacher at Metropolitan Business Academy in New Haven, CT, where she teaches African American and Latinx History, Contemporary Law, and Journalism, and co-advises the school’s Gender & Sexuality Alliance (GSA) and Youth Justice Panel. Nataliya is also a 2020 Fund for Teachers Fellow, member of New Haven Educators’ Collective, the Anti-Racist Teaching and Learning Collective, as well as a facilitator of culturally relevant pedagogy and restorative justice workshops. She believes that, as a white teacher working within an education system that has its origins in white supremacy and that continues to perpetuate racism, educators—especially white educators—must take an actively anti-racist stance and make a lifelong commitment to their development toward this goal. 

To that end, Nataliya designed a Fund for Teachers fellowship to analyze Los Angeles archives, museums, and historic sites associated with the intersection of African American, Latinx, and Indigenous (AALI) histories to support a new state mandate to teach this subject in all high schools. The mandate was sparked by a growing movement led by youth of color who in 2019 successfully petitioned their legislators. While this legislation does not go into effect until 2022-2023, at Nataliya’s school they decided that this course was long overdue. Such a class is necessary in all schools, but is particularly significant in a school that is majority African American and Latinx.

Learn more about Nataliya’s work in curriculum development, culturally relevant pedagogy and restorative justice practices on her website.

photo courtesy of the New Haven Independent

In developing this course, Nataliya surveyed her students. A common request was for untold stories and histories, rather than what is typically taught in history courses. Understanding dominant-narratives while centering counter-narratives is central to the course Nataliya has developed. Another request from students was not to focus only on oppression. As one student expressed: “We barely know the good things, we need to shed light on how brave, strong, and powerful we really are. It’s important to understand our blessings, to have people to look up to who look like us.” While stories of resistance are an important part of the course, students also want to learn of African American and Latinx beauty, joy, and brilliance.

Nataliya is part of the fall 2020 Pulitzer Center Teacher Fellowship program on Arts, Journalism, and Justice. Read the unit she developed, Writing Personal Narrative in a Political Worldposted by the Pulitzer Center, including the publication of two students’ powerful personal narratives.

In my search for an educational experience that could offer such narratives and resources, Los Angeles was consistently echoed as the epicenter of intersectional AALI history,said Nataliya. LA is particularly rich in lesser-known examples of these histories, and many that are not only rooted in resistance, but also in powerful creation. I found numerous historic sites, museums, and archives that showcase the very history my students are asking to learn. That a group of Black, Indigenous, and Latinx people settled Los Angeles, for example, will be incredibly compelling to students.

Los Angeles fulfills another of Nataliya’s needs as an educator, which is to collaborate. Connecticut is just beginning its collective work in teaching these critical histories, while LA has long led the struggle for intersectional ethnic studies in high schools. Learning from their experiences, sharing lessons and resources, and discussing the complexities of this content will support Nataliya as she continues to develop and improve her course.

Read Nataliya’s most recent article in the Washington Post: The racist effects of school reopening during the pandemic — by a teacherand Not an ‘Achievement Gap’, A Racial Capitalist Chasm for the Law & Political Equity Project.

Nataliya compiled destinations for her fellowship through talking with Los Angeles historians and educators, and through reading A People’s Guide to Los Angeles. After selecting relevant sites, Nataliya plotted them on this Google map in order to design a thoughtful itinerary.

Information and insights gained from these locations and those whom she meets will inform:

  • Students’ creation of a pop-up Latinx museum at her school to accompany a pop-up Black history museum;
  • Students’ presentation of final research papers at the school’s annual Social Justice Symposium; and,
  • A more balanced and engaging curriculum with a more robust unit on the borderlands.

Across AALI histories, students will have more stories to draw upon, not only of resistance to oppression, but also stories of creativity, joy, and success,Nataliya said. They will have more role models from whom to draw inspiration.

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Nataliya earned a B.A. in Liberal Arts from Sarah Lawrence College, and an M.S.Ed. from the University of Pennsylvania. She is most proud of the incredible work accomplished by her students, including:

With any free time, Nataliya leads workshops designed to support educators working toward anti-oppression and liberatory education and writes freelance articles such as this piece about her family’s survival of the Chernobyl nuclear disaster and the lessons it offers for surviving the pandemic.

(Title illustration by Israel Vargas for the Mother Jones article “Digging Into the Messy History of ‘Latinx’ Helped Me Embrace My Complex Identity.”)