#BalanceforBetter

[minti_dropcap style=”box”]W[/minti_dropcap]hen Heather Ely purchased the college text book for her first music history course, she eagerly flipped through looking for female composers — and found none. Almost ten years later when creating the curriculum for her music students at Lake Park Elementary in Bethany, OK, available resources highlighted the same male composers who dominated her own education. She wondered, “Are there truly this few women who influenced music composition worth noting?”

Anna Beer’s book Sounds and Sweet Airs: The Forgotten Women of Classical Music  provided a definitive answer and the basis for Heather’s Fund for Teachers fellowship. Last summer, she explored in five European countries the lives of women highlighted in Beer’s work to compare struggles with male counterparts and enrich students’ understanding of women’s compositional voices in four periods of music history.

“Beer recounts the sexism and frustrations that these women faced in the pursuit of their art and questions the impact of the loss of their legacies in our cultural heritage,” said Heather. “Gender determined so much of what the classical music world classifies as canonical, but Beer exposes the dangers of silencing these prolific voices in our society.”

Heather’s efforts to amplify their voices began in Venice with Baroque period, studying the life of composer Barbara Strozzi and her male contemporary, Antonio Vivaldi. A night train took her to Vienna and the Classical period, where she examined the legacy of Marianna Martines compared to Joseph Haydn. Leipzig, Germany, and the Romantic period presented opportunities to evaluate the relationship between piano prodigy, Clara Schumann, and her composer husband, Robert Schumann. Renegade musicians from the Impressionist and Modern periods came to life in Paris’ bohemian Ninth Arrondissement, artists such as Nadia and Lili Boulanger. Finally, the Women’s Suffragette movement in London provided the backdrop for Heather’s consideration how Elizabeth Maconchy and Benjamin Britten’s experiences differed, despite having the identical education.

This fall, music education for second-fifth graders has #balanceforbetter, the theme of this year’s International Women’s Day celebrated globally tomorrow, March 8. Specific changes Heather made post-fellowship include:

  • Examination of a different musical period she researched per grade
  • Researching what life was like for one male composer and one female composer during the musical period they study
  • Listening to and analyzing  works of both male and female composers from the musical
    period being studied
  • Exploring history trunks she created with artifacts from her fellowship, and,
  • Publication of a book by fourth and fifth graders containing research of a male or female composer.

“This fellowship awakened a passion and thankfulness for the lives of all the women who came before me and fought for all the freedom and rights I enjoy today,” said Heather. “It also gave me a greater desire to share the narratives of people from all races and cultures. I know that this experience has changed my view of my abilities as both an educator and leader. I am more excited to take risks if it means better understanding and growth for my students and for me.”

Heather with her fourth grade music students

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Heather is an elementary music teacher in northwest Oklahoma City for Putnam City Schools. She has spent all four years of her teaching career at Lake Park Elementary, and currently serves on her school’s leadership team as the Specials Team Leader. Heather enjoys helping her students explore culture and history through music. You can see more images from her fellowship on Instagram @elys_musicalmusings2018,  where we found this image and accompanying description:

This year marks the 100th anniversary of women getting the vote in the U.K. The Museum of London chronicles the bravery of the women involved in this movement. One such women was composer Dr. Ethel Smyth. Ethel was very close with Emmeline Pankhurst, and in 1912, she was arrested for her militant efforts to get the vote. Ethel and many other women were sent to Holloway Prison for their actions. What happened next is just my favorite! Women in the prison yard began singing “The March of the Women” which was composed by Ethel. She heard them and from her cell began to conduct their voices with her toothbrush! What resilience and courage these woman had! Thankful that their efforts prevailed so that I might have the rights I have today!

Celebrating the Female Voice on International Women’s Day

Last summer, Amanda Kingston studied Carol Gilligan’s stages of moral development outlined in the book In a Different Voice by journeying through the history of women in Italy, Switzerland, the Netherlands, France and United Kingdom. With the research, interviews and artifacts collected, she created a new, cross-cultural class called “The Female Voice,” which culminates today – the International Day of Women – with the display of capstone projects.

“The class went beautifully!” said Amanda. “Students were so engaged and are so excited to share their final projects and about what they’ve learned. They each created a piece representing their biggest takeaways. We even had them do a mini-Fund proposal a few weeks ago; they proposed their own ideas for fellowships to learn more and grow as scholars around female voice. A few actually studied places they’re visiting this summer or over spring break and are planning to see some of the museums, homes, monuments, and sites they researched.”

In addition to these projects, the class dialogued about what it means to include silenced voices at the table so they are free and valued to speak, and how they can better support diverse learning in the classroom.

“One of the challenges we’re wrestle with is where we do and don’t hear voices of women in our world , along with other groups of people historically oppressed,” said Amanda. “I want them to learn how to listen to and make room for a different story, or to share their own story if they are part of a group that has been silenced.”

Click here to read more about Amanda’s female-focused fellowship.

Reader, I Studied Her

 

Charlotte Brontë, who sent her Jane Eyre manuscript to a London publisher on this date in 1847, wrote, “Your claim to superiority depends on the use you have made of your time and experience.” This summer, Amanda Kingston (Odyssey Leadership Academy – Oklahoma City) used her time (and a Fund for Teachers grant) to research the Brontë sisters, especially Charlotte – regarded as “the first historian of the private consciousness.”


On my Fund for Teachers fellowship, I navigated through five European countries in the hopes of learning more about Carol Gilligan’s work on the ethic of care in connection to the lives and histories of women. Among the women I journeyed to “meet” were Charlotte, Emily, and Anne Brontë, authors and sisters.

Haworth, England, is a small town that has capitalized on the mythology of the Brontë family. It’s hard to know if the Brontës modeled their stories after the environment of Haworth, or if Haworth has wrapped itself up in the Brontës. Whether it’s chicken or egg, at the heart, they’re inseparable. And, if you can’t get enough of the gothic atmosphere, you can hike out to the Brontë Waterfall across the moors and even farther to Top Withens, a possible location for the Wuthering Heights of Emily’s imagination. In the mist and among the heather you can almost hear Cathy still calling for Heathcliff.

The Brontë Parsonage Museum itself is in the midst of celebrating the 200th anniversaries of the Brontë children: for 2017, this is Branwell. The small parsonage is preserved beautifully, with portraits of the family hung in each room; the table where the women bent over needlework, writing, and dinners; and the study of the family patriarch, Patrick Brontë, complete with his spectacles and magnifying glass. The staff were enthusiastic and kind, offering up knowledge about the family not with an air of pretension, but rather as though talking warmly about old friends. The Brontës are very much real people to this crowd. Prior to this fellowship, I did not know much about the Brontës. I did a quick reread of Wuthering Heights and Jane Eyre earlier this year, and watched the BBC television special To Walk Invisible. The production worked closely with the Brontë Society and the museum also includes stills and costumes from the series.

For more on Jane Eyre’s iconic line “Reader, I married him,” click here.

In researching before the trip, I learned that in the original publications, the sisters chose not to use their given names. Instead, they used pseudonyms: Currer, Ellis, and Acton Bell. Charlotte explained after the deaths of Emily and Anne in 1848 and 1849 respectively, they wanted their work taken seriously, not frowned upon as womenly nonsense nor praised patronizingly as female folly. The Brontës were real writers with real things to say about the real world around them. And really, in 1847 when Jane Eyre was published, only male authors were taken seriously. The museum even includes a letter from a poet Charlotte admired advising her that writing was not for women.

I realized, a few days before in Chawton, that there is a reason we don’t say that Jane Austen’s books are about the human experience, though they certainly include suffering, trials, family, love, and loss. (The Jane Austen Society, coincidentally, is celebrating her life with the bicentennial of her death this year, as well.) The Brontës recognized this also, and when Charlotte sent Jane Eyre to be published she wanted the story of a young governess, a deeply misguided Mr. Rochester, and a “madwoman” in the attic to be a story received with the utmost sincerity and gravity, a story of human experience- not just male or female. And it was: Jane Eyre became the talk of London and new editions came out almost immediately. It’s a story of human experience and human emotions that belong to all of us, and I believe people recognized this, despite knowing the true identity of the author.

I’ll be honest, I was not a Brontë fan before visiting the parsonage. I enjoyed their books, yes, and they were interesting figures to me. But I wasn’t a “fan.” However, there is something about walking in the home of a person, seeing their correspondence and their village, walking across the moors of their lives for even just a day that spins stories to a different light. It makes you not just a fan, but a friend. I learned more about their heart and the courage they had to put their stories out to the world, and to put themselves in their stories.

I don’t think that it’s any accident that the original title of Charlotte’s first novel was Jane Eyre: An Autobiography.


Amanda serves as both a mentor and humanities teacher at Odyssey Leadership Academy in Oklahoma City and previously worked as a teacher in Louisiana’s public education sector. She is passionate about creating courses that focus on justice and empowering students to enrich and transform the community around them.