On the final day of their fellowship, Alice Laramore and Kat Atkins-Pattenson shared with us their reflection on a four-week, 9,000 mile road trip along the United States/Mexico border exploring language arts, visual arts, immigration and identity. Thank you, Team Paredes Que Hablan (or Walls That Speak) for sharing your experiences and hope for future students.

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Our students cross borders every day. They switch from home language to school language and back again.Their warm presence, giggles, and questions invite new families inside our school buildings. And, everywhere they go, our students carry the imprint of their family members who came to Boston for refuge, for freedom, for opportunity. Every time these young people change spaces, they reconcile their identities and pasts with their presents and futures.

We know that for students to truly succeed academically, they must see mirrors of themselves in our curricula – art, media, and text – and validation of their identities in our classroom spaces. While we can empathize with our students, as white female teachers, we do not truly understand the depth of our students’ experiences. To effectively understand our students’ experiences, we need to cross borders ourselves and experience the displacement our students have experienced traversing these borders.

Today, the last day of our trip, we are energized by the Borders and Identity Unit that we have built and will use to launch the year with our students. We are flooded with all that we’ve seen in our seven cities. We are entrenched in the creative part of teaching, the part that involves being an interesting, engaged individual to better support the interesting, engaged individuals in our classrooms. The part that means we learn something new in order to teach something new. The experience of being a learner better prepares a teacher to teach, and this summer was an opportunity for us to authentically learn about murals on different borders, to confront not knowing and to investigate, to use art as a lens into community.

Watch in this video the artistic expression Kat and Alice captured in three countries and seven cities to help students answer the question: “How do we show other people the depth of our past and the strength of our future?”

This month, we immersed ourselves in adult project-based learning. We’ve tried lots of new things, from food to cloud-mountain hiking to driving to places we’d never been (while blogging) to talking about art from sunrise to sunset. And we’ve done the whole thing together. Often, in our classrooms, we create groups that we believe will benefit from the individuality of each member. We build in scaffolds meant to allow the group to discover each individual’s strengths and to make empathy a non-negotiable. Though we embarked with empathy and respect already in place, our twenty-six days together have illuminated the strengths and areas of growth (thanks, BPS, for the language) of our partnership. We both value efficiency, and, in the face of less-than-such (e.g., when the internet goes as turtle-pace, when people get motion sick, when you walk up the wrong side of the mountain, etc.), we have learned much about each other. That knowledge has made us better collaborators and better friends.

In San Francisco, where we started our trip, we were oriented to the idea of looking. This was not just because there was so much to look at in The Mission, but also because we did our first day with a guide, who was able to re-frame what we had seen and interpreted in the context of history and community. Carla made us cognizant of how much we needed other people’s knowledge and understanding to build our own. The Pacoima (L.A.) murals added a layer of “looking around corners” to that concept. On the hottest day of our trip, we spent the majority of it seeking out art on the walls of automotive dealerships and in the parking lots of community centers. It wasn’t always going to be all in one alley. In San Diego, a park once occupied by people and now occupied by art, had us looking for four hours and not seeing enough. We returned home those nights googling Aztec symbols and stories, trying to learn enough to know something.

Tucson and Dr. Acosta gave us yet another frame through which to experience our learning. Freedom of education does not mean freedom to learn about the American Revolution and the Civil War through a lens of whiteness. Precious Knowledge, to our generation of “urban baby teachers,” is a reflection of our intentions. Though we (the generation of “urban baby teachers”) are in no way united in our vision or our understanding of social justice, the power of conviction in ideas, history, and lifting stories and voices drove us into the work of education. We wonder if Dr. Acosta knows how many teachers who are only five or six years in are tracking his legal battle and celebrating his victories, most recently the repeal of Arizona’s ban on ethic studies which a district court deemed racist and targeting of Mexican Americans.

In Santa Fe, we absorbed the International Folk Art Market, how artists envision and reimagine, how tradition can morph modern and can accommodate the present day without reneging its roots. This mirrors the murals we’ve seen and the art of Frida Kahlo, taking symbols from the past and bringing them to life in the now. In Mexico City, we saw so much. Teotihuacan, Frida, Diego, the Anthropology Museum, street art, the culinary art of Pujol, the stained glass and craters of Toluca. With American eyes and feet, we navigated the city, and learned all that we still had to learn.

It is hard to classify this experience, and even harder to know all that it will bring to our classrooms. It falls somewhere in the vicinity of sabbatical – an intentional, purposeful break that brings new insight – but also touches the realm of professional development, continuing education, and a creative project. We envision a unit with three parts. First, with our students, we will read several memoirs that broadly address the topic of borders and walls, thinking with our students about potential barriers and how to scale them. Second, we will all generate and share memoirs from our own lives on the same topic. The author of each memoir will formulate his or her own theme about the topic, communicating a piece of knowledge gained from navigating–either adeptly or crudely–a border. Finally, after examining many primary sources collected on our trip and within Boston, students will co-construct a mural combining the themes of their memoirs to create a community creation.

The idea of “insider and outsider” has been, in many ways, the crux of our travels. We asked questions and navigated our identity as visitor, as white visitor, as American, as woman. In our classrooms we are often the the outsiders to the communities in which we teach. However our ethnicities and upbringing reflect the dominant histories and tools that are demanded from dominant culture. In this unit, we hope to illuminate these walls, supporting students to name them, scale them, and ultimately paint them. As humanities teachers, we believe that providing students vocabulary and time to think and discuss the world and its issues leads to a brighter, more creative, and smarter future than the two of us can imagine. Solutions lie in the writing, in the art, in the conversations, and in the relationships that students create. Just as we wrote in our FFT proposal, students must see themselves reflected in curriculum, in physical space, and in pedagogy in order to be successful. Because we do not physically reflect our students’ identities, we think constantly about how to make all other facets of our teaching affirming. This unit and this project will be a launching point for discussions about personal identity, community, and what comes next.

In Mexico City, the San Francisco Bay Area, Los Angeles, San Diego, Tucson and Santa Fe, this fellowship made space for us to be learners. After the twelfth grade, those opportunities almost always come with one (or many) literal costs. And Fund for Teachers (along with the school year calendar) gave us the time, space and finances to learn more in a way that will support our students, but also in a way that sustains us as teachers, professionals, and individuals. It made it possible for us to end the trip feeling rejuvenated rather than depleted. There is a constant push for teachers to continue professional development; it is indeed essential. But driving this profession development experience (and literally driving more than 900 miles) meant that we could pace our learning and reflection, and that we could intentionally choose meaningful experiences that hit our “zone of proximal development.”

If you’d like to know more about our trip, we’ve been writing the whole time. Read our blog at www.writingisthinking.org

In Solidarity,
Kat + Alice

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Alice is a 7th grade Humanities/Special Education teacher at the Lilla G. Frederick Pilot Middle School in Dorchester, MA. She infuses arts into her Humanities classes, most recently taking students to do pop-up Shakespearean theater in several Boston Public libraries. She works on a cross curricular team of teachers who study the intersection of English Language Learning and Special Education to build inclusive writing experiences in all contents.        

Kat is a 7th grade Humanities teacher at Gardner Pilot Academy K-8 School, a Pilot School in the Boston Public Schools. Katharine was a 2012-13 Donovan Urban Teaching Scholar at Boston College where she earned her Master’s in Secondary Education. Prior to becoming a teacher, Katharine built a college access program in rural Pennsylvania that continues to help first generation and undocumented students find the appropriate post-secondary fit while developing college and financial literacy
within the community.

Kindergartners at John M. Moriarty Elementary in Norwich, CT, sit on carpet squares in a circle, passing a stuffed turtle around and saying one nice thing about their class. The activity is in response to one student showing a lack of respect for their teacher, Alan Reichle; it is also modeling the Kwakwaka’wakw tribe‘s restorative circle Alan witnessed during his fellowship on Vancouver Island. And soon, students throughout Connecticut will learn this skill as part of a new curriculum Alan developed to help students develop their identity and impact the community.

Alan chose to research those living on Vancouver Island because of the resident tribes’ successful amalgamation of histories and traditions. Fifty years ago, seven tribes that originally lived inland were forced onto this land by the Royal Canadian Mounted Police who torched their homes and farms and stole their artifacts. Nearly 150,000 children were sent to residential schools to enculturate them as “Canadians.” (The government destroyed the final such school two months before Alan arrived on his fellowship.) In the face of colonization efforts, disparate tribes unified as one (the Kwakwaka’wakw), maintaining unique attributes while furthering their efforts to survive and thrive.

“My time spent with the First Nation tribes in British Columbia changed the course of my life and career,” said Alan who, before his fellowship, taught second grade. Now he’s the lead special education teacher and promoting with his students wellness and collaboration, like the tribes taught him. To do so, he’s collaborating with a superintendent of schools and the Mohegan and Mashaneucket-beuuot tribes which are constructing a casino nearby. He created a curriculum and named it after the otter, an animal known for its protective nature of family. “Otter” is also the nickname given him by the Nimkish tribe in recognition of his intention to protect its history and culture with students.

For now, Alan’s K-1 students continue using the restorative circle to talk about, not pass blame on, one’s individual impact on the group. Additionally, they emulate First Tribes’ pride of heritage by researching their own, expanding students’ appreciation of their peers from Tibet, China, Cambodia, Africa and three First Nations tribes near the school.

“Everyone I met on Vancouver Island is connected and they give back to one another,” said Alan. “In our political climate, this is a great example that no matter what, we can all come together and learn something new and great every day.”

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Alan holds a Bachelor in Science and Elementary Education and a Masters in Special Education. His teaching philosophy is a hybrid of new age thinking, old school values, and positive kid-center learning, all while having as much fun as he and his students can have each and every day. He’s also a fifth generation Connecticut farmer and integrated aspects of this heritage into his new Otter curriculum.

This February, Fund for Teachers is celebrating Black History Month by highlighting some of our Fellows’ journeys to bring a better understanding of the African American experience to all students. In this four-part blog series, we’ll be diving into everything from the Transatlantic Slave Trade to student advocacy. Our Fellows explored the “past and present” of black history in our last blog. In this final installment of our blog series, we look at how Fellows Shunn Rector, Diane Palm and Kristin Peterson are addressing the achievement gap impacting students of color. Read on to learn more about their experiences in the classroom and how they are honoring Black History Month in their schools.

Kristin Peterson is a special education teacher at a Saint Paul, MN, school that not only addresses students’ academic needs, but also fills needs stemming from poverty. Her school houses medical, dental and mental health clinics, as well as a food and clothing shelf. Visiting the National Museum of African History and Culture in Washington DC is not an option for her students at this point, yet she felt it vital that her students see their great heritage showcased.

Kristin wanted them to see how others have struggled also, and gone on to do tremendous things. So she went to the Smithsonian’s newest institution on her fellowship and created a Virtual Field Trip Kit with photos, interviews and primary sources she collected along the way.

“The greatest challenge that my school, students and district face right now is the significant achievement gap that exists,” said Kristin. “I believe my Virtual Field Trip through African American history is inspiring ALL students to reach for their own greatness and aspire to achieve at their very highest levels of learning.”

Inside the walls of Houston’s Juvenile Correction Facility, the achievement gap is impacted by students’ surroundings as much as their ethnicity. Shunn Rector and Diane Palm teach the incarcerated middle school students and decided to research black history in Senegal, the first African country to adopt a law criminalizing the slave trade.En route to Senegal, the duo conducted research on the Transatlantic Slave Trade at the Schomburg Center for Research in Black Culture at the New York Public Library and, afterwards, explored Le Petit Senegal, a thriving population of 8,000 Senegalese immigrants in Harlem. The remainder of their fellowship consisted of interviews and documentation across Senegal. Now, their students design personal “Doors of No Return” to connect with this period of history and also make correlations with their own struggles.

“We recognize that the achievement gap exists when students feel like outsiders due to barriers of language, religious beliefs and race,” said Diane. “We wanted our students to understand that, unlike kidnapped enslaved Africans, they have choice when we are confronted with our symbolic Doors of No Return.”

Bridging gaps is what Fund for Teachers is all about. We step in with funding that equips preK-12 teachers with experiential learning that directly transfers to students’ needs, academic and/or otherwise. We thank Shunn, Diane, Kristin and all of the Fellows who participated in this series for sharing their experiences and their students’ learning. Make sure to see our previous Black History Month series blogs here, and stay tuned for more inspiring stories by following us on Facebook, Instagram and Twitter.

From Idaho to Omo — that’s how far Christine Corbin went to help her students redefine beauty and identity.

An art teacher at Boise‘s Riverstone International School, Christine was researching ideas for a portrait-painting unit when she found photographs of the Omo River Valley tribe in Ethiopia. She immediately wanted her students to paint these “hauntingly beautiful” people, so began with the inquiry question, “What is beauty?”

“My students went bonkers,” said Christine. “Who are these people? What is their concept of beauty? And how is their view different from ours? were just a few of the questions I took with me to Ethiopia last summer on my Fund for Teachers fellowship.”

For four weeks, this sixty-something-year-old traveled alone in Africa with a dishonest guide, lived in areas of extreme poverty and traversed remote areas experiencing conflict between the government and various tribes. These conditions paled in comparison to the learning, however. “I was able to immerse myself completely in the beauty of the unknown and be amazed at what it taught me,” she said.

   

She’s now teaching her students about the art, customs and culture of the people with whom she fell in love. Eighth graders completed a photography unit based on her research, which included replicating versions of the images Christine brought back from her fellowship. She spent time with the Karo tribal people, whose face and body painting became the inspiration for students’ photo shoot assignments. The finished products (i.e. faces) appear in books they produced using Shutterfly. After a cross-curricular mask-making unit in conjunction with the music teacher this spring, her students will exhibit their art in a school-wide event at the local community center.

   

Christine’s students shared their take aways from the unit on beauty:

“Beauty is pure, simple, and happy. The Omo Valley tribes gauge their lips and ears and scar their bodies to be beautiful. It is pure and beautiful to them. We used our photography to portray our emotions and the emotions of the tribes. Beauty is different for everyone.” -Alease

 

“My concept of beauty is a person who is confident and wise,” added Soloriana, another student. “I believe that cultures everywhere continue to redefine their definition of beauty. Beauty changes from culture to culture.” -Soloriana

 

“It’s important to understand others’ ideas of beauty. The Omo River Valley people use their painted bodies, scarification, lip and ear gauging to express themselves and their ideas of what is beautiful to them. People aren’t typically used to those types of things as something beautiful. It is important to understand what other cultures think is beautiful.” -Aiden

 

“They saw beauty in showing how tough they were and in their ability to endure pain. Using photography, I expressed my concept of beauty as seen by the Omo River Valley tribes. We got to create our own headpieces and used paint, flowers, scarves, jewelry, and makeup to express ourselves in different ways. We used angle, lighting, and special effects to create a story. A face can tell a story.” – Salma

An unintended outcome of the art study was learning about the Gibe III Dam and it’s potentially devastating impact on the Omo River Valley tribe. Her students are now brainstorming on how they can help save the people with whom they also fell in love.

“My personal and professional perspective has profoundly changed,” said Christina. “My research drove home the fact that, as an educator, I have the power to be the catalyst for change. Everything I say and do in my classroom must motivate my students to be original thinkers to impact our interconnected world, especially the marginalized and disenfranchised who have no voice or power.”

This February, Fund for Teachers is celebrating Black History Month by highlighting some of our Fellows’ journeys to bring a better understanding of the African American experience to all students. In this four-part blog series, we’ll be diving into everything from the Transatlantic Trade to student advocacy. Our Fellows explored how Black history is taught in our last blog. This week, we are taking a deeper look at how Fellows Merle Rumble, Melissa Petropoulos and James Petropoulos are reframing black history to help students identify with their heritage and with others. Read on to learn more about their experiences in the classroom and how they are honoring Black History Month in their schools.

Although African American herself, Dr. Merle Rumble realized her knowledge of civil rights pioneers lacked a breadth and depth she wanted to share with third graders at Fox Run Elementary in Norwalk, CT. The ephemeral Martin Luther King Day left untapped the vast legacies of those who came before and after the progressive leader. She decided to embark on an independent tour of civil rights sites across nine southern cities with her Fund for Teachers grant to increase her understanding and inspire students to see themselves in the achievements of African Americans.

“I wanted to help my students not only to dismantle the false assumptions of African Americans being relegated to slaves and protestors, but also develop their appreciation for the positive impact and contributions of those whose struggled and persevered,” said Merle.

Through guided tours and impromptu interviews, she gathered materials to inform four new units: Africa to slavery, Rosa to Martin, The Civil Rights Movement and African American Heroes. Students are now researching African American heroes and learning songs and poems from the Civil Rights era, inspiring them to identify with those leaders’ achievements.

Looking more deeply into the lives of enslaved Africans during the Colonial Period led Melissa and James Petropoulos‘ students to reconsider how unique they all are. After learning about the unique contributions made by African Americans whom Melissa and James researched on their fellowship, their fourth graders organized a school-wide Unity Day assembly.

“Focusing on humanizing the slave as a person instead of the person as a slave helped students respect what slaves endured,” said Melissa. “Their response was increased empathy for each other.”

In this celebration of kindness, acceptance and inclusion, student pieced together their individual identities to form this Unity Wall. Each description, together, represents the diverse community that Roywaton Elementary strives to be.

While the name of our organization is Fund for Teachers, students are equal beneficiaries of the $27 million in grants awarded since 2001. These teachers crafted fellowships around what they felt would most impact their students. Consequently, students – for years to come – will see themselves and their ancestors in a whole new light.

We thank Merle, Melissa and James for sharing their experiences and their students’ learning. Make sure to check our Black History Month feed on our blog here. Next week, we’ll be exploring how FFT Fellows are assessing the past and present in terms of black history. Stay connected and find out when it’s live by following us on Facebook, Instagram and Twitter.

Read our first installment in this series here.

On the final day of their fellowship, Alice Laramore and Kat Atkins-Pattenson shared with us their reflection on a four-week, 9,000 mile road trip along the United States/Mexico border exploring language arts, visual arts, immigration and identity. Thank you, Team Paredes Que Hablan (or Walls That Speak) for sharing your experiences and hope for future students.

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Our students cross borders every day. They switch from home language to school language and back again.Their warm presence, giggles, and questions invite new families inside our school buildings. And, everywhere they go, our students carry the imprint of their family members who came to Boston for refuge, for freedom, for opportunity. Every time these young people change spaces, they reconcile their identities and pasts with their presents and futures.

We know that for students to truly succeed academically, they must see mirrors of themselves in our curricula – art, media, and text – and validation of their identities in our classroom spaces. While we can empathize with our students, as white female teachers, we do not truly understand the depth of our students’ experiences. To effectively understand our students’ experiences, we need to cross borders ourselves and experience the displacement our students have experienced traversing these borders.

Today, the last day of our trip, we are energized by the Borders and Identity Unit that we have built and will use to launch the year with our students. We are flooded with all that we’ve seen in our seven cities. We are entrenched in the creative part of teaching, the part that involves being an interesting, engaged individual to better support the interesting, engaged individuals in our classrooms. The part that means we learn something new in order to teach something new. The experience of being a learner better prepares a teacher to teach, and this summer was an opportunity for us to authentically learn about murals on different borders, to confront not knowing and to investigate, to use art as a lens into community.

Watch in this video the artistic expression Kat and Alice captured in three countries and seven cities to help students answer the question: “How do we show other people the depth of our past and the strength of our future?”

This month, we immersed ourselves in adult project-based learning. We’ve tried lots of new things, from food to cloud-mountain hiking to driving to places we’d never been (while blogging) to talking about art from sunrise to sunset. And we’ve done the whole thing together. Often, in our classrooms, we create groups that we believe will benefit from the individuality of each member. We build in scaffolds meant to allow the group to discover each individual’s strengths and to make empathy a non-negotiable. Though we embarked with empathy and respect already in place, our twenty-six days together have illuminated the strengths and areas of growth (thanks, BPS, for the language) of our partnership. We both value efficiency, and, in the face of less-than-such (e.g., when the internet goes as turtle-pace, when people get motion sick, when you walk up the wrong side of the mountain, etc.), we have learned much about each other. That knowledge has made us better collaborators and better friends.

In San Francisco, where we started our trip, we were oriented to the idea of looking. This was not just because there was so much to look at in The Mission, but also because we did our first day with a guide, who was able to re-frame what we had seen and interpreted in the context of history and community. Carla made us cognizant of how much we needed other people’s knowledge and understanding to build our own. The Pacoima (L.A.) murals added a layer of “looking around corners” to that concept. On the hottest day of our trip, we spent the majority of it seeking out art on the walls of automotive dealerships and in the parking lots of community centers. It wasn’t always going to be all in one alley. In San Diego, a park once occupied by people and now occupied by art, had us looking for four hours and not seeing enough. We returned home those nights googling Aztec symbols and stories, trying to learn enough to know something.

Tucson and Dr. Acosta gave us yet another frame through which to experience our learning. Freedom of education does not mean freedom to learn about the American Revolution and the Civil War through a lens of whiteness. Precious Knowledge, to our generation of “urban baby teachers,” is a reflection of our intentions. Though we (the generation of “urban baby teachers”) are in no way united in our vision or our understanding of social justice, the power of conviction in ideas, history, and lifting stories and voices drove us into the work of education. We wonder if Dr. Acosta knows how many teachers who are only five or six years in are tracking his legal battle and celebrating his victories, most recently the repeal of Arizona’s ban on ethic studies which a district court deemed racist and targeting of Mexican Americans.

In Santa Fe, we absorbed the International Folk Art Market, how artists envision and reimagine, how tradition can morph modern and can accommodate the present day without reneging its roots. This mirrors the murals we’ve seen and the art of Frida Kahlo, taking symbols from the past and bringing them to life in the now. In Mexico City, we saw so much. Teotihuacan, Frida, Diego, the Anthropology Museum, street art, the culinary art of Pujol, the stained glass and craters of Toluca. With American eyes and feet, we navigated the city, and learned all that we still had to learn.

It is hard to classify this experience, and even harder to know all that it will bring to our classrooms. It falls somewhere in the vicinity of sabbatical – an intentional, purposeful break that brings new insight – but also touches the realm of professional development, continuing education, and a creative project. We envision a unit with three parts. First, with our students, we will read several memoirs that broadly address the topic of borders and walls, thinking with our students about potential barriers and how to scale them. Second, we will all generate and share memoirs from our own lives on the same topic. The author of each memoir will formulate his or her own theme about the topic, communicating a piece of knowledge gained from navigating–either adeptly or crudely–a border. Finally, after examining many primary sources collected on our trip and within Boston, students will co-construct a mural combining the themes of their memoirs to create a community creation.

The idea of “insider and outsider” has been, in many ways, the crux of our travels. We asked questions and navigated our identity as visitor, as white visitor, as American, as woman. In our classrooms we are often the the outsiders to the communities in which we teach. However our ethnicities and upbringing reflect the dominant histories and tools that are demanded from dominant culture. In this unit, we hope to illuminate these walls, supporting students to name them, scale them, and ultimately paint them. As humanities teachers, we believe that providing students vocabulary and time to think and discuss the world and its issues leads to a brighter, more creative, and smarter future than the two of us can imagine. Solutions lie in the writing, in the art, in the conversations, and in the relationships that students create. Just as we wrote in our FFT proposal, students must see themselves reflected in curriculum, in physical space, and in pedagogy in order to be successful. Because we do not physically reflect our students’ identities, we think constantly about how to make all other facets of our teaching affirming. This unit and this project will be a launching point for discussions about personal identity, community, and what comes next.

In Mexico City, the San Francisco Bay Area, Los Angeles, San Diego, Tucson and Santa Fe, this fellowship made space for us to be learners. After the twelfth grade, those opportunities almost always come with one (or many) literal costs. And Fund for Teachers (along with the school year calendar) gave us the time, space and finances to learn more in a way that will support our students, but also in a way that sustains us as teachers, professionals, and individuals. It made it possible for us to end the trip feeling rejuvenated rather than depleted. There is a constant push for teachers to continue professional development; it is indeed essential. But driving this profession development experience (and literally driving more than 900 miles) meant that we could pace our learning and reflection, and that we could intentionally choose meaningful experiences that hit our “zone of proximal development.”

If you’d like to know more about our trip, we’ve been writing the whole time. Read our blog at www.writingisthinking.org

In Solidarity,
Kat + Alice

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Alice is a 7th grade Humanities/Special Education teacher at the Lilla G. Frederick Pilot Middle School in Dorchester, MA. She infuses arts into her Humanities classes, most recently taking students to do pop-up Shakespearean theater in several Boston Public libraries. She works on a cross curricular team of teachers who study the intersection of English Language Learning and Special Education to build inclusive writing experiences in all contents.        

Kat is a 7th grade Humanities teacher at Gardner Pilot Academy K-8 School, a Pilot School in the Boston Public Schools. Katharine was a 2012-13 Donovan Urban Teaching Scholar at Boston College where she earned her Master’s in Secondary Education. Prior to becoming a teacher, Katharine built a college access program in rural Pennsylvania that continues to help first generation and undocumented students find the appropriate post-secondary fit while developing college and financial literacy
within the community.