Halloween can be a scary time for teachers, due students’ sugar highs, costumes gone wrong, and the  “ghosting” of students” the day after. For Jinafer Brown’s French students, the learning takes on a fatal feel, as well.

Jinafer used a Fund for Teachers grant to explore the mysterious megalithic stone structures in Western Europe, gather evidence from French forensic scientists and archeologists on the origins of the civilizations that built these structures and create an inquiry-based unit to improve students’ science literacy skills.

This fellowship focused on death is rooted in data: 79% of students at Jenks High School scored below proficient at in science. Additionally, an Academic State Standards for World Languages that Jinafer struggles to meet is “expanding students’ knowledge of other disciplines while using the language to develop critical thinking.” Researching Neolithic stones in Western Europe and the French forensic evidence of their origins offered the perfect mix of science and language (and also speaks to the free reign our grant recipients have when crafting their unique fellowships).

Read our 2022 Halloween post about FFT Fellows’ research of Jack the Ripper here

At Carrowkeel Mounds near Sligo, Ireland, I was able to explore freely without any restrictions other than my own fear. Believe it or not, I did muster the courage to skinny into the tomb behind me. It was for science!

Enter If You Dare — And She Did

Last summer on her Fund for Teachers fellowship, Jinafer documented:

• the Megalithic Passage Tombs of Boyne Valley of County Meath, Ireland (older than Stonehenge in England and the Pyramids of Giza in Egypt)
• the Gavrinis Tumulus in France, built in 3500 BCE;
• Roche-aux-fees, a 5,000-year-old passage tomb in Western France (pictured at the top of this post);
• the Carrowkeel Mounds near Sligo, Ireland; and,
• the Clava Cairns, a 4,000 burial site near Inverness, Scotland.

Her research included filming the sites for VR headsets, touring museums — such as the Archeology Museum of Dublin, where remains of “bog people” from AD 20 are on display — and interviewing docents. Jenifer participated in a workshop about the first villages of France at Paris’ Musée d’Archéologie Nationale in conjunction with annual European Archaeology Days and joined summer solstice celebrations at stone circles in Scotland.

Her Haunting Question

Throughout her learning, one question haunted her: “Should I be here?”

“I found that I had an internal debate as to whether or not funeral sites should be excavated. Should the remains of these kings and respected leaders be disturbed and viewed by thousands of visitors each day or should they remain closed out of respect for their cultures and their beliefs?” said Jinafer. “My professional mindset is that one’s intention makes all the difference. If one is studying these remains in order to make connections and remember the culture of that civilization, this is honorable.”

Demystifying the Megaliths

Jinafer created this fantastic website for students to discover the “Mysteries of the Megaliths.” Here they will view videos and interviews in the French language.

“I gathered PDFs and hard-copy books that explain the Neolithic civilizations in French. I collected articles and 360-degree photos that allow students to examine artifacts extracted from tombs in Ireland, Scotland, and France. Using Virtual Reality headsets [which Jinafer secured with a second grant], these materials will come to life.”

Using a THIRD grant, Jinafer purchased friction kits and students will follow the science lab friction experiment procedures in French.

“In small groups, students will propose prototypes of sleds and other means to Move a Megalith, she said. “Community partners (retired engineers and business owners) will work with students to build their prototypes. Last, in a school-wide event, students will carry out their experiments to see if they can move a megalith using only materials available in the Neolithic era.”

Take advantage of the website, that includes Jinafer’s FFT grant proposal, here.

For hundreds of teachers, today changes everything. Because today, Fund for Teachers’ 2024 grant application opens. Empowered by experiential learning fueled by $5,000 (for individuals) or $10,000 (for teams of two or more), our grant recipients are inspired to rethink their practice and reignite their passion for teaching, which consequently impacts their classrooms, school communities and careers for years to come.

PreK-12 teachers from across the country are invited to propose a summer fellowship that is:

1. professionally centered on students, and
2. personally supports their development as experts and exemplars for students and colleagues alike.

Our application deadline is January 18, 2024, and members of the 2024 FFT Fellow cohort will be notified on April 4, 2024.

Start Your Application Here

Are You Eligible?

YES, if you:

• Teach full-time in a public/private/charter or religious school with at least 50% of instruction in a classroom or classroom-like setting (including a library, gym or pull-out scenario);
• Will return to the classroom the following year; and,
• Have completed three years of teaching by the conclusion of the 2023-24 school year.

What’s Your Re?

This year, we’re asking potential applicants to consider “What’s your Re-?” In other words, what could a Fund for Teachers grant help you accomplish? 

• Reengage students in learning that centers them? 
• Recharge from burnout? 
• Reconsider narratives you’ve taught? 
• Revisit topics that once held your curiosity and could inspire your students? 

During the next few months, Fund for Teachers will offer webinars and workshops designed to facilitate fellowship proposals that have the best chance of being awarded. (Watch our website for updates and registration links).

We also encourage applicants to take advantage of our Online Learning Center, which has links to the scoring criteria, grant writing tips, and a timeline for managing the process.

“Fund for Teachers is the country’s largest investor in teachers’ professional learning, with approximately 10,000 educators awarded $32,000,000 in grants for self-designed fellowships since 2001,” said Karen Eckhoff, executive director. “Now it’s time to add to our cohort of teacher leaders committed to their profession and their students’ learning.”

Established in 1854, Norwich Free Academy includes in its mission: “[to] study all that is beautiful in nature and art, and [be] prepared for the highest usefulness and the purest happiness.” Fund for Teachers Fellow Sarah Lefrancois fulfilled that mission and more with her 2022 fellowship.

After retracing the footsteps/work of Ansel Adams in and around Yosemite Park to learn about landscape photography and advocacy, she planned on inspiring a student art show documenting their local landscapes. But her community and colleagues envisioned greater vistas.

See Sarah’s post-fellowship report and photos here.

Sarah writes:

After completing my fellowship to Yosemite, I sat down with the head of the Norwich Free Academy Foundation, Kathy McCarthy, who is an amazing support of our students and teachers. She mentioned that the Class of 1968 donated money to establish a small gallery called “The Cube” in the Atrium located near the entrance of our on-campus museum and that my project fit well into their original vision for that space.

I began to think about what to put in there – because 2D work just isn’t shown well in the space – and started to reach out to local museums and agencies to see if they had any taxidermy that they could share. I started thinking about the Museum of Natural History dioramas but realized that creating something that looked realistic would be time consuming and stressful.

In talking with my can-do colleagues at lunch one day, we started to throw around the idea of how we could work together to produce such a display. They jumped right in, excited to be part of such a project. These women are amazing, and it felt so good to include three other people in with my fellowship project.

My photo of our local park was printed and attached to the wall in the background. The unified clay class, in partner with my photography class, worked to make pinch pot mushrooms and giant mushrooms, rocks, and a stump out of plaster of paris. The unified arts class worked on making blades of grass out of cardboard and birds.

The Advanced Jewelry and Metals class worked on making whatever their hearts desired when they saw the display put together! One student donated a pin tailed duck mount to be hung, and my boyfriend, who is a graduate of NFA and a Environmental Conservation Officer with the State of Connecticut loaned us his coyote mount to be the central focus. I worked on the birch trees and vines as well as collecting leaves and brush 🙂

The display in The Cube is bright, eye catching, and engaging. Students ask so many questions about what is inside of it and who made everything. It is a wonderful welcome to our gymnasiums and the museum. It helps guide people to view the series of photographs on display in the upper level of the building!

Thank you so much. This opportunity afforded to me [through Fund for Teachers] has been not only transformative to my teaching practice, but also the lives of my students as we learned together about the importance of publicly held lands for our wellbeing and our civic duty to protect them!

On the final day of their fellowship, Alice Laramore and Kat Atkins-Pattenson shared with us their reflection on a four-week, 9,000 mile road trip along the United States/Mexico border exploring language arts, visual arts, immigration and identity. Thank you, Team Paredes Que Hablan (or Walls That Speak) for sharing your experiences and hope for future students.

Our students cross borders every day. They switch from home language to school language and back again.Their warm presence, giggles, and questions invite new families inside our school buildings. And, everywhere they go, our students carry the imprint of their family members who came to Boston for refuge, for freedom, for opportunity. Every time these young people change spaces, they reconcile their identities and pasts with their presents and futures.

We know that for students to truly succeed academically, they must see mirrors of themselves in our curricula – art, media, and text – and validation of their identities in our classroom spaces. While we can empathize with our students, as white female teachers, we do not truly understand the depth of our students’ experiences. To effectively understand our students’ experiences, we need to cross borders ourselves and experience the displacement our students have experienced traversing these borders.

Today, the last day of our trip, we are energized by the Borders and Identity Unit that we have built and will use to launch the year with our students. We are flooded with all that we’ve seen in our seven cities. We are entrenched in the creative part of teaching, the part that involves being an interesting, engaged individual to better support the interesting, engaged individuals in our classrooms. The part that means we learn something new in order to teach something new. The experience of being a learner better prepares a teacher to teach, and this summer was an opportunity for us to authentically learn about murals on different borders, to confront not knowing and to investigate, to use art as a lens into community.

Watch in this video the artistic expression Kat and Alice captured in three countries and seven cities to help students answer the question: “How do we show other people the depth of our past and the strength of our future?”

This month, we immersed ourselves in adult project-based learning. We’ve tried lots of new things, from food to cloud-mountain hiking to driving to places we’d never been (while blogging) to talking about art from sunrise to sunset. And we’ve done the whole thing together. Often, in our classrooms, we create groups that we believe will benefit from the individuality of each member. We build in scaffolds meant to allow the group to discover each individual’s strengths and to make empathy a non-negotiable. Though we embarked with empathy and respect already in place, our twenty-six days together have illuminated the strengths and areas of growth (thanks, BPS, for the language) of our partnership. We both value efficiency, and, in the face of less-than-such (e.g., when the internet goes as turtle-pace, when people get motion sick, when you walk up the wrong side of the mountain, etc.), we have learned much about each other. That knowledge has made us better collaborators and better friends.

In San Francisco, where we started our trip, we were oriented to the idea of looking. This was not just because there was so much to look at in The Mission, but also because we did our first day with a guide, who was able to re-frame what we had seen and interpreted in the context of history and community. Carla made us cognizant of how much we needed other people’s knowledge and understanding to build our own. The Pacoima (L.A.) murals added a layer of “looking around corners” to that concept. On the hottest day of our trip, we spent the majority of it seeking out art on the walls of automotive dealerships and in the parking lots of community centers. It wasn’t always going to be all in one alley. In San Diego, a park once occupied by people and now occupied by art, had us looking for four hours and not seeing enough. We returned home those nights googling Aztec symbols and stories, trying to learn enough to know something.

Tucson and Dr. Acosta gave us yet another frame through which to experience our learning. Freedom of education does not mean freedom to learn about the American Revolution and the Civil War through a lens of whiteness. Precious Knowledge, to our generation of “urban baby teachers,” is a reflection of our intentions. Though we (the generation of “urban baby teachers”) are in no way united in our vision or our understanding of social justice, the power of conviction in ideas, history, and lifting stories and voices drove us into the work of education. We wonder if Dr. Acosta knows how many teachers who are only five or six years in are tracking his legal battle and celebrating his victories, most recently the repeal of Arizona’s ban on ethic studies which a district court deemed racist and targeting of Mexican Americans.

In Santa Fe, we absorbed the International Folk Art Market, how artists envision and reimagine, how tradition can morph modern and can accommodate the present day without reneging its roots. This mirrors the murals we’ve seen and the art of Frida Kahlo, taking symbols from the past and bringing them to life in the now. In Mexico City, we saw so much. Teotihuacan, Frida, Diego, the Anthropology Museum, street art, the culinary art of Pujol, the stained glass and craters of Toluca. With American eyes and feet, we navigated the city, and learned all that we still had to learn.

It is hard to classify this experience, and even harder to know all that it will bring to our classrooms. It falls somewhere in the vicinity of sabbatical – an intentional, purposeful break that brings new insight – but also touches the realm of professional development, continuing education, and a creative project. We envision a unit with three parts. First, with our students, we will read several memoirs that broadly address the topic of borders and walls, thinking with our students about potential barriers and how to scale them. Second, we will all generate and share memoirs from our own lives on the same topic. The author of each memoir will formulate his or her own theme about the topic, communicating a piece of knowledge gained from navigating–either adeptly or crudely–a border. Finally, after examining many primary sources collected on our trip and within Boston, students will co-construct a mural combining the themes of their memoirs to create a community creation.

The idea of “insider and outsider” has been, in many ways, the crux of our travels. We asked questions and navigated our identity as visitor, as white visitor, as American, as woman. In our classrooms we are often the the outsiders to the communities in which we teach. However our ethnicities and upbringing reflect the dominant histories and tools that are demanded from dominant culture. In this unit, we hope to illuminate these walls, supporting students to name them, scale them, and ultimately paint them. As humanities teachers, we believe that providing students vocabulary and time to think and discuss the world and its issues leads to a brighter, more creative, and smarter future than the two of us can imagine. Solutions lie in the writing, in the art, in the conversations, and in the relationships that students create. Just as we wrote in our FFT proposal, students must see themselves reflected in curriculum, in physical space, and in pedagogy in order to be successful. Because we do not physically reflect our students’ identities, we think constantly about how to make all other facets of our teaching affirming. This unit and this project will be a launching point for discussions about personal identity, community, and what comes next.

In Mexico City, the San Francisco Bay Area, Los Angeles, San Diego, Tucson and Santa Fe, this fellowship made space for us to be learners. After the twelfth grade, those opportunities almost always come with one (or many) literal costs. And Fund for Teachers (along with the school year calendar) gave us the time, space and finances to learn more in a way that will support our students, but also in a way that sustains us as teachers, professionals, and individuals. It made it possible for us to end the trip feeling rejuvenated rather than depleted. There is a constant push for teachers to continue professional development; it is indeed essential. But driving this profession development experience (and literally driving more than 900 miles) meant that we could pace our learning and reflection, and that we could intentionally choose meaningful experiences that hit our “zone of proximal development.”

If you’d like to know more about our trip, we’ve been writing the whole time. Read our blog at www.writingisthinking.org

In Solidarity,
Kat + Alice

Alice is a 7th grade Humanities/Special Education teacher at the Lilla G. Frederick Pilot Middle School in Dorchester, MA. She infuses arts into her Humanities classes, most recently taking students to do pop-up Shakespearean theater in several Boston Public libraries. She works on a cross curricular team of teachers who study the intersection of English Language Learning and Special Education to build inclusive writing experiences in all contents.        

Kat is a 7th grade Humanities teacher at Gardner Pilot Academy K-8 School, a Pilot School in the Boston Public Schools. Katharine was a 2012-13 Donovan Urban Teaching Scholar at Boston College where she earned her Master’s in Secondary Education. Prior to becoming a teacher, Katharine built a college access program in rural Pennsylvania that continues to help first generation and undocumented students find the appropriate post-secondary fit while developing college and financial literacy
within the community.

On this day in 1945, an atomic bomb flattened Hiroshima – one of two bombings that induced the Japanese to surrender and end World War II. FFT Fellow Kelly Loubier (Orville H. Platt High School-Meriden, CT) participated in the anniversary ceremonies at the Hiroshima Memorial Peace Park, where she also delivered to the Children’s Memorial paper cranes folded by her students in keeping with the novel Sadako and the Thousand Paper Cranes.

Kelly designed this fellowship to document the nuclear legacy in Nagasaki, Hiroshima, Osaka and Fukushima and demonstrate how these events continue to impact citizens and the greater world community in relation to policy decisions regarding war, nuclear weapons, nuclear energy, peace and disaster relief.

She continues to share experiences on her Instagram and we’re honored to include a portion of her learning below in recognition of this momentous day in history…

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[minti_dropcap style=”circle”]I[/minti_dropcap] headed to the memorial service this morning around 7:30 and I joined crowds of people who I thought were just going to work. I was so wrong about that. They were all headed to the cenotaph and the ceremony at 8 am. I read online afterwards that 70% of all citizens of Hiroshima have attended a memorial service for the atomic bomb victims. It’s not a recognized day off, so kids still have school, men and women still go to work. The ceremony took place from about 8-8:45 and it included adding names to the cenotaph, a moment of silence at 8:15, an address from the mayor renewing calls for peace and decrying nationalism and addresses from students. They also sang a song of peace and released doves. After, people lined up to deliver flowers and offer a prayer. It’s 2pm and there is still a line. There have been groups promoting peace and youth groups, high schools and universities teaching people about the atomic bombs and interviewing others about peace in the park. More cranes are being brought to various monuments and people are purchasing lanterns for later. The sense of community is unreal, even 74 years later.

[minti_dropcap style=”circle”]O[/minti_dropcap]ne of my major take aways from Hiroshima is that the knowledge about the atomic bomb is so ingrained in the fabric of the city that it isn’t something that just happened in the past and that’s it. It’s something that the people of Hiroshima must learn about and teach others about so that we as a global community don’t let it happen again. There were so many people in the park today, but what really amazed me was the amount of students involved. The Boy Scouts handed out programs and cold towels before the ceremony. Sixth graders gave the children’s address during the ceremony and other students sang or played music. A group of fourteen year old girls gave me a peace declaration their high school drafted. University students interviewed me about peace. Other kids were involved in music, tours, tea ceremonies, peace demonstrations, delivering cranes, reading Sadako’s story (in English and Japanese) and presenting their art. So many families were out with their young children tonight helping them to send out lanterns, color wax candles and present flowers and prayers to the cenotaph. My mind has constantly been thinking of the Margaret Mead quote, “Never doubt that a small group of thoughtful, committed citizens can change the world; indeed, it’s the only thing that ever has.” The people of Hiroshima are leading the charge to a more peaceful world.

[minti_dropcap style=”circle”]T[/minti_dropcap]he face you make when a small Japanese woman grips you by the hand, puts you in a line of other confused foreigners, and puts a necklace of paper cranes around your neck. Turns out, I was given a Croatian flag to wave and lead the crowd in a prayer for peace for Croatia. All countries were represented. The artwork pictured represents 193 countries, their flags and a message of peace in their language.

[minti_dropcap style=”circle”]I[/minti_dropcap]want to give thanks to Yuji @fellanandez_tokugiwa and Holly @hiroshimayasuko from @magicaltripcom for a wonderful tour of the Hiroshima Peace Memorial Park and the pictures. I learned quite a bit during the Heiwa Walking Tour that I’m looking forward to bringing back to my classroom and the Meriden community. I learned a lot today and I’m still trying to process everything and put it into words. I did go to the Children’s Peace Monument this afternoon to drop off the cranes. They’re in the second cabinet at the monument and I filled out a sheet so they will be recorded.

[minti_dropcap style=”circle”]I[/minti_dropcap]n Japan, the atomic bomb is taught with the stories of the people who were affected through their clothing, their pictures, their art and their stories. I learned that many of the victims were school aged children between the ages of 12-14. They had been reporting to school on August 6 at 8:15 am to clear buildings to create buffer zones in case of an air raid to prevent fires from spreading. Many of their stories are told in the Hiroshima Peace Memorial Museum, allowing visitors to bear witness and connect with the human aspect of this terrible tragedy. It is not until the end of the museum when you learn about the science of the atomic bomb, the reason it was used and what the global community did with nuclear weapons after World War 2. We need to teach these stories in the United States.

[minti_dropcap style=”circle”]T[/minti_dropcap]here is a rumor that persists that claims nothing would grow in Hiroshima for 75 years after the atomic bomb. I heard the rumor as a student and I still hear it from my students today. Hiroshima is actually very green and there are trees everywhere. This is because during the recovery period, citizens and organizations from Japan and the global community and governments around the world donated trees. There are also 170 Hibakujumoku (survivor trees) in various locations around Hiroshima that are marked with plaques. The organization, Green Legacy Hiroshima works to spread saplings from these trees around the world. I’d love to talk to @ctca19 in September more about this organization.

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Thank you, Katie, for the exemplary job you’ve done in designing, pursuing and sharing your learning with us. You can follow her entire fellowship on Instagram @kcloubier. Katie teaches 9th grade world history and 11 and 12th grade human rights at O.H. Platt High School in Meriden, Connecticut. As a third year teacher, she believes that students should walk away from her classroom with a greater understanding of the world around them. She has worked with exchange students from around the world and traveled to places such as Egypt, El Salvador and Iceland, bringing her experiences with her into the classroom.

Have you seen Won’t You Be My Neighbor yet? So many wonderful quotes on education and children spoken by “America’s Teacher.” Before your new students enter the room you’ve worked so hard to prepare for them, we suggest preparing your spirit by revisiting the learning community of Mr. Rogers’ neighborhood.

Until then, here are a few special quotes, along with an interview of Fred Rogers and the official movie trailer:

“As human beings, our job in life is to help people realize how rare and valuable each one of us really is, that each of us has something that no one else has – or ever will have – something inside that is unique to all time.” 

“It’s not the honors and the prizes and the fancy outsides of life which ultimately nourish our souls. It’s the knowing that we can be trusted, that we never have to fear the truth, that the bedrock of our very being is good stuff. That’s what makes growing humanity the most potentially glorious enterprise on earth.”

“I hope you’re proud of yourself for the times you’ve said ‘yes,’ when all it meant was extra work for you and was seemingly helpful only to somebody else.” 

“Please think of the children first. If you ever have anything to do with their entertainment, their food, their toys, their custody, their childcare, their health care, their education – listen to the children, learn about them, learn from them. Think of the children first.”

FFT Fellows are these kind of teachers, the ones who love their calling as a teacher and those they teach. You can learn more about these passionate professionals on our blog posts or on Facebook, Twitter and Instagram feeds.

If you are interested in designing your own summer fellowship to impact your students, classroom and school community, watch for our 2019 grant application, which goes live on October 1.

In 2000, the English Language Learner (ELL) population at Fargo High School barely hit 3%; 15 years later, refugees and immigrants make up 10% of the student population. Leah Juelke, ELL specialist, makes it her mission to welcome and educate these teenagers and, so do their peers native to North Dakota, thanks to the school’s Partnership for New Americans.

The initiative mirrors the Sheltered English Instruction model, a strategy Leah researched on a Fund for Teachers fellowship. To better reach her students, largely emigrating from in and around Tanzania, Leah attended a Sheltered Instruction Observation Protocol Workshop there to learn from Tanzanian, Kenyan and American secondary teachers about ways to simultaneously teach language, content and academic skills.

Leah (center) taking part in the Sheltered Instruction workshop in Arusha, Tanzania.

“When I set out to complete my fellowship in Tanzania and South Africa, I knew that I would learn something more about my students, but what I didn’t know was that my experience would completely change the way that I teach,” said Leah. “My eyes were opened to the rugged ways of life that many of my students come from. I couldn’t help but to make connections between the refugees in South Africa and those in North Dakota. South Africa’s current xenophobia movement mirrored what is happening in North Dakota.”

“It’s really opened my eyes to all the different cultures that are here in the Fargo area,” said one native Fargo student speaking of the Partnership. “And it’s helped me see that there are a lot of different ways of living life.”

As part of the Green Card Voices initiative, last year Leah and her English Language Learners published their personal narratives in a book called Green Card Youth Voices: Immigration Stories from a Fargo High School (for purchase here). This compilation now serves as a vehicle to generate awareness about the immigrant experience and includes links to the students’ video narrative, a study guide, and glossary to help teachers use the book as an educational resource when teaching about immigration.

Watch a trailer for the book and meet the authors.

“The Journey to America project helped me share my story and understand my classmates more,” said Aline, a junior from Congo. “Before, I didn’t talk about my life in Africa because it was so sad, but now my family and I talk about it and we have come to peace.”

This year, Leah was named North Dakota’s 2018 Teacher of the Year and received her honor from the governor and in front of her students and school community at a surprise ceremony in the Fargo High School gymnasium. Afterwards, her mission continued to be her clarion call.

“I’d like to encourage people to be open-minded, and to know that diversity is a wonderful thing,” she said. “By being educated more about other cultures, it just opens a lot of doors. And getting to know our neighbors is very important.”

Congratulations to Luis Gonzalez and his art teacher/FFT Fellow Ari Hauben for Luis’ selection as one of three young artists whose work now adorns LIFEWTR bottles. According to the company’s website:

“LIFEWTR Series 4 celebrates the long-lasting impact that art education has on our lives from youth into adulthood. The series features the work of three young artists who have discovered the empowerment that comes with creativity and demonstrated the importance of early art education in instilling the values necessary for a more inspired future.”

LIFEWTR also shared:

“Luis Gonzalez, a Boston native and high school senior, views the abstract art he creates as more than just a mode of self-expression—it’s “a lifesaver.” Growing up in an underserved community, art has kept him in school and has guided him down a safer path than the one he has witnessed many of his peers taking. Gonzalez plans to become a professional artist, following in the footsteps of his art teacher and mentor, Ari Hauben. He also aspires to teach other youth, and show them the possibilities that art can bring.”

Ari, along with colleagues Warren Pemsler and Chris Busch, designed their Fund for Teachers fellowship to experience art museums, theatres, stages and facilities in New York City, England and The Netherlands. They also met with outreach departments to learn best practices for expanding McKinley Preparatory High School‘s local partnerships with the Huntington Theatre and Institute of Contemporary Art Boston. Subsequently, the teaching team set about closing the achievement gap of emotionally-disturbed special education students who are predominantly children of color.

“One aspect of the achievement gap that seemed particularly pronounced among our students was their lack of cultural capital,” explained Warren. “To increase students’ exposure to dramatic and fine arts, we first developed our own cultural capital with our FFT grant and then formed collaborations with The Huntington and ICA to forge new paradigms that engage students in these areas of study.”

In recognition of his accomplishment, LIFEWTR sent Louis and Ari to the Teen Vogue Summit in Los Angeles last month. Soon Louis, Ari and Warren head to New York City for the formal introduction of the artful bottles.

“Fund for Teachers is the proverbial rock thrown in a pond, with its ripples spreading out in exciting and unexpected ways,” said Ari. “One perfect example is my student Luis Gonzalez. Luis has participated the past 3 ½ years in my art (and theater) collaboration with two other FFT recipients, spurred by our fellowship to New York London, and The Netherlands. Luis has participated in approximately thirty field trips to contemporary art museums and plays, many exploring cutting edge artists and playwrights. Through these experiences and others, Luis was inspired to create abstract and pop culture works of art. When the opportunity arose for students to enter a contest to be on LIFEWTR bottles, Luis was the perfect person for the task. Having seen his abstract art piece Daydreamin, LIFEWTR replicated the art on 15 million bottles with the hopethat it will inspire other teens to be creative.  Thank you FFT for the support and opportunity to connect our FFT experiences in the ‘real world’ with our students in the classroom, who then take this full circle and bring it back out to the world.”

The facts represent La Malinche (or Doña Marina) as a slave, advisor, mistress and emissary. Whether those roles positioned her as a hero, victim or traitor is up for debate — which is what the students of Glen Meinschein and Alejandro Avalos did this semester. Following a fellowship investigating one of the most controversial figures in Mexican history, Glen and Alejandro led their middle schoolers through an exploration of colonialism, feminism and indigenous history to reach a broad range of learners at the Brooklyn School for Collaborative Studies. They share the verdict below…

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It’s the New Year’s Eve song most of us mumble through, but the English translation of “Auld lang syne” is “times gone by.” Looking back over the year in fellowships, our grant recipients spent their time actively pursuing what they determined will best impact student achievement. Specifically,

• 546 prek-12 school teachers
• completed fellowships on 6 continents
• in 88 countries
• now leveraging $2.1 million in Fund for Teachers grants
• into amplified learning in 321 public private and charter schools across America
• with approximately 11,000 students.

Fund for Teachers is proud of the way our Fellows transform learning communities after dreaming big and clicking “Submit” on the FFT application. Enjoy this homage to our dedicated 2017 Fellows and to all we wish a new year of interests and impact!

Three exceptional FFT Fellows made time amidst grading tests and hosting classroom parties to share with us their year in review.

• Sydney Chaffee spent 2017 on sabbatical from Boston’s Codman Academy Charter Public School to represent the Council of Chief State School Officers as the National Teacher of the Year. In 2011, she used her Fund for Teachers grant to witness post apartheid-era restorative justice efforts in South Africa to inform her school’s Fairness Committee and justice-centered curriculum. Watch her interviews on ABC News and CBS This Morning.
• This year, the state of Oklahoma recognized Donna Gradel as its Teacher of the Year. Donna teaches high school environmental science in Broken Arrow, OK, and is a two-time FFT Fellow. Watch her talk about her students’ work that garnered the attention of MIT and took them to Kenya to build an aquaponics system for an orphanage.
• Ashli Dreher, a 2016 FFT Fellow, was one of five inductees into the National Teachers Hall of Fame this year. With her grant, Ashli attended the International Conference on Computers Helping People with Special Needs in Linz, Austria, to investigate assistive technology solutions implemented with differently-abled students in school, community and transitional work experiences, to learn strategies for integrating these devices locally.

Goals Accomplished

Sydney: One goal I accomplished this year was being brave enough to take a stand by speaking and writing publicly on issues that matter to me–like the role of social justice in education or  the importance of white teachers talking about race–even when I knew some people would strongly disagree with me.

 

Donna: One of my goals for the year came to fruition in the form of a new class I was able to design and teach at our high school. The name of the class is Innovative Research. Student groups research an area of interest and try to help solve a local, national or international problem.  Some of the projects include mentoring and buddy reading programs utilizing high school bilingual students paired with elementary English Language Learners to increase proficiency scores, designing a motor room for autistic students to increase student engagement, sustainable chicken farming and feed for developing countries, bio-decomposition of Styrofoam, and sustainable non-conventional energy sources.

 

Ashli: What a busy year! I completed the work in a second certificate area of the National Board for Professional Teaching Standards in the Exceptional Needs Specialist area, and I also successfully defended my dissertation proposal. Inside the Classroom, a television show I produce and host weekly, was selected for national Hometown Media Awards in 2017 for excellence in public broadcasting and has expanded to an audience of 12.5 million on local cable. Episodes focus on individual teachers, their teaching careers, and the creative ways in which they engage their students in the classroom.

A student joins Ashli on the set of her program Inside the Classroom

2018 Goals

Sydney: Next year, I hope to increase my students’ engagement with people beyond our school, both within the local community and globally.

 

Sydney (right) was the keynote speaker at the University of Central Oklahoma’s annual Honoring a Noble Profession event, where Donna Gradel caught up with her for a photo.

Donna: A personal goal I have accomplished was to give more of my time to volunteer to help those with special needs. In the classroom, I hope my students will be engaged in successful learning and the research projects they have undertaken. We have also begun a collaboration between the city of Broken Arrow and our school district to help test, monitor and improve water quality in all the Broken Arrow streams and ponds throughout our city and parks. I hope to see my students working with city engineers, architects and storm water specialists to help improve our local environment.

 

Ashli: Next year I want to continue to develop innovative, student-centered thematic units that expand the world view of our students. As a FFT fellow, I had the opportunity to visit the Manor School in London, and I am working on preparing grants to implement the flexible seating arrangements we experienced while visiting their classrooms. After observing students with autism using flexible seating at the Manor School, I think my students with special needs would benefit from having flexible seating arrangements.

 

Bonus Question – What are you reading?

Sidney: I read a lot of good books this year, but one that stuck with me was Michael Eric Dyson’s Tears We Cannot Stop: A Sermon to White America. Next on my list is Ayiti, by Roxane Gay.

 

Donna: For enjoyment, Dust Bowl Girls about the history of women’s basketball in Oklahoma was my favorite. In Order to Live, the journey of North Korean Yeonmi Park is on my list for next month.

Fund for Teachers wishes all of our grant recipients and those whom they impact a happy holiday and year full of learning adventures.

Bill Gates just released his suggestions for holiday reading, and FFT Fellow Thi Bui made the list!

This gorgeous graphic novel is a deeply personal memoir that explores what it means to be a parent and a refugee. The author’s family fled Vietnam in 1978. After giving birth to her own child, she decides to learn more about her parents’ experiences growing up in a country torn apart by foreign occupiers.

Thi’s learning took place on her Fund for Teachers fellowship.

To create an oral history project for immigrant students and complete a graphic novel about her family’s emigration, Thi sketched her way across time and her homeland, learning from and listening to her mother recount stories about their heritage. Thi’s experiences and drawings gave newly immigrated students at Oakland International High School the courage to document their own journeys to America through a graphic novel format. We Are Oakland International shared illustrated stories by 170 students – where words and often language could not – and sold copies to raise money for quality public education for them and their peers.

“My students’ memories of their home were fresh when they arrived in my class, and so were the contrasts with their new environment,” said Thi. “By modeling how I went through the same process, through a project that was deeply personal while academically rigorous, we – together – opened doors to what would otherwise have remained silent, forgotten histories.”

The Best We Could Do is a national best seller and required reading for every entering freshman at UCLA.

Click here to watch and listen to Thi read an excerpt from The Best We Could Do at an Asian American Writers’ Workshop.

Measuring the impact of Fund for Teachers fellowships is tricky. How do you graph the increase in student excitement after their teacher returns full of new ideas and experiences? How do you assess the engagement of students once they realize through their teacher’s experiences the global impact of what they’re learning in class? Most often, the impact is intrinsic and anecdotal, but none the less transformative. Like in the case of Maria Morris.

During the summer of 2016, Maria used her Fund for Teachers grant to investigate the culture, educational system, employment and standards of living in Zimbabwe to improve a service-learning project she initiated with her students with barriers to education at Morse High School in Bath, ME. She split her time exploring community-based volunteer projects through African Impact at Antelope Park, observing four local schools and visiting an orphanage with which her students formed a long-distance relationship.

One year later, Maria checked in to share the impact of her learning in Zimbabwe.

“Just one year ago, I was settling in after a jam packed, whirlwind fellowship to Zimbabwe as a Fund for Teachers Fellow. The purpose of my fellowship was to study the culture, life style economics, employability skills needed and the educational system there. My fellowship actually began two years prior, when I sought out opportunities for my students to learn about a different country. At that time, I established a pen pal project with children living at the Midlands Children Hope Centre, an orphanage for street children, in the city of Gweru. In addition to developing friendships thousands of miles apart, we began charity work to help our friends who were in dire need.

Throughout that first year, it was evident that my students had more questions than answers and those questions inspired my fellowship journey.  While in Zim I blogged regularly about my travels, whom I met and what I was learning, but I haven’t sat down to write for a year now. What did my FFT fellowship inspire me to do differently?

It often seems that in our country we look at charity as an agent for social change. Certainly money helps and is necessary, but it isn’t a long term solution. The fruits of my experience on the ground in Zim led me to learn more about social entrepreneurship, micro-finance and small enterprise over the last year.  I devoured books like, The Blue Sweater: Bridging the Gap between Rich and Poor in an Interconnected World by Jacqueline Novogratz, and took classes through Acumen. I sought out current event articles to share with my students. All of this helped me guide my students to inspire change through the funding of small
enterprise.  The JMG students at Morse High School developed the Giving Hope! Grant to fund a revenue generating enterprise for our friends at Midlands Children Hope Centre.

In less than 24 hours a completed grant application was returned to the students requesting $400 to purchase equipment, fertilizers, and seedlings for their garden, which supplies the home with nutritious fresh produce, but also generates revenue. Later on, my students funded an additional grant request for the orphanage to design and purchase t-shirts, caps, and bracelets to sell to the volunteers that visit the orphanage. Staff and youth are mutually invested in both revenue generating projects to defray the operating costs of the home.This venture in providing grants (inspired after the concept of micro-lending) would not have been possible without my Fund for Teachers fellowship. Not only did my trip and experience change and inspire me, it impacted youth on both sides of the
globe.”

As a teacher, Maria guides her students through academic, financial and social barriers to prepare them for college and career success. As a mentor, she exposes them to a world beyond their own struggles and empowers them to help others facing equally as challenging circumstances. Hard to quantify that kind of impact, but we’re very proud of how she’s using her grant to change lives on two continents.

In her second career as a high school career preparatory teacher, Maria has found her life’s passion in inspiring students to challenge themselves to become their best selves. She blends classroom lessons with authentic learning experiences to empower her students to become healthy and successful global citizens. Maria was inducted into the Maine Educators’ Hall of Fame-Starting Six in 2012 and named the 2016 Dr. Patricia Ames Distinguished Teacher Award at Morse High School in recognition of her ability to teach students to be open to new experiences, to care for others, and to act from conviction.