Halloween can be a scary time for teachers, due students’ sugar highs, costumes gone wrong, and the  “ghosting” of students” the day after. For Jinafer Brown’s French students, the learning takes on a fatal feel, as well.

Jinafer used a Fund for Teachers grant to explore the mysterious megalithic stone structures in Western Europe, gather evidence from French forensic scientists and archeologists on the origins of the civilizations that built these structures and create an inquiry-based unit to improve students’ science literacy skills.

This fellowship focused on death is rooted in data: 79% of students at Jenks High School scored below proficient at in science. Additionally, an Academic State Standards for World Languages that Jinafer struggles to meet is “expanding students’ knowledge of other disciplines while using the language to develop critical thinking.” Researching Neolithic stones in Western Europe and the French forensic evidence of their origins offered the perfect mix of science and language (and also speaks to the free reign our grant recipients have when crafting their unique fellowships).

Read our 2022 Halloween post about FFT Fellows’ research of Jack the Ripper here

Enter If You Dare — And She Did

Last summer on her Fund for Teachers fellowship, Jinafer documented:

• the Megalithic Passage Tombs of Boyne Valley of County Meath, Ireland (older than Stonehenge in England and the Pyramids of Giza in Egypt)
• the Gavrinis Tumulus in France, built in 3500 BCE;
• Roche-aux-fees, a 5,000-year-old passage tomb in Western France (pictured at the top of this post);
• the Carrowkeel Mounds near Sligo, Ireland; and,
• the Clava Cairns, a 4,000 burial site near Inverness, Scotland.

Her research included filming the sites for VR headsets, touring museums — such as the Archeology Museum of Dublin, where remains of “bog people” from AD 20 are on display — and interviewing docents. Jenifer participated in a workshop about the first villages of France at Paris’ Musée d’Archéologie Nationale in conjunction with annual European Archaeology Days and joined summer solstice celebrations at stone circles in Scotland.

Her Haunting Question

Throughout her learning, one question haunted her: “Should I be here?”

“I found that I had an internal debate as to whether or not funeral sites should be excavated. Should the remains of these kings and respected leaders be disturbed and viewed by thousands of visitors each day or should they remain closed out of respect for their cultures and their beliefs?” said Jinafer. “My professional mindset is that one’s intention makes all the difference. If one is studying these remains in order to make connections and remember the culture of that civilization, this is honorable.”

Demystifying the Megaliths

Jinafer created this fantastic website for students to discover the “Mysteries of the Megaliths.” Here they will view videos and interviews in the French language.

“I gathered PDFs and hard-copy books that explain the Neolithic civilizations in French. I collected articles and 360-degree photos that allow students to examine artifacts extracted from tombs in Ireland, Scotland, and France. Using Virtual Reality headsets [which Jinafer secured with a second grant], these materials will come to life.”

Using a THIRD grant, Jinafer purchased friction kits and students will follow the science lab friction experiment procedures in French.

“In small groups, students will propose prototypes of sleds and other means to Move a Megalith, she said. “Community partners (retired engineers and business owners) will work with students to build their prototypes. Last, in a school-wide event, students will carry out their experiments to see if they can move a megalith using only materials available in the Neolithic era.”

Take advantage of the website, that includes Jinafer’s FFT grant proposal, here.

 

 

 

 

 

 

 

For hundreds of teachers, today changes everything. Because today, Fund for Teachers’ 2024 grant application opens. Empowered by experiential learning fueled by $5,000 (for individuals) or $10,000 (for teams of two or more), our grant recipients are inspired to rethink their practice and reignite their passion for teaching, which consequently impacts their classrooms, school communities and careers for years to come.

PreK-12 teachers from across the country are invited to propose a summer fellowship that is:

1. professionally centered on students, and
2. personally supports their development as experts and exemplars for students and colleagues alike.

Our application deadline is January 18, 2024, and members of the 2024 FFT Fellow cohort will be notified on April 4, 2024.

Start Your Application Here

Are You Eligible?

YES, if you:

• Teach full-time in a public/private/charter or religious school with at least 50% of instruction in a classroom or classroom-like setting (including a library, gym or pull-out scenario);
• Will return to the classroom the following year; and,
• Have completed three years of teaching by the conclusion of the 2023-24 school year.

What’s Your Re?

This year, we’re asking potential applicants to consider “What’s your Re-?” In other words, what could a Fund for Teachers grant help you accomplish? 

• Reengage students in learning that centers them? 
• Recharge from burnout? 
• Reconsider narratives you’ve taught? 
• Revisit topics that once held your curiosity and could inspire your students? 

During the next few months, Fund for Teachers will offer webinars and workshops designed to facilitate fellowship proposals that have the best chance of being awarded. (Watch our website for updates and registration links).

We also encourage applicants to take advantage of our Online Learning Center, which has links to the scoring criteria, grant writing tips, and a timeline for managing the process.

“Fund for Teachers is the country’s largest investor in teachers’ professional learning, with approximately 10,000 educators awarded $32,000,000 in grants for self-designed fellowships since 2001,” said Karen Eckhoff, executive director. “Now it’s time to add to our cohort of teacher leaders committed to their profession and their students’ learning.”

Fund for Teachers announced today the names of 396 teachers to receive $1.7 million in grants to experience learning they proposed as vital to their particular students’ success. Because the nonprofit places no limits on what is learned – or where – these teachers will pursue topics as diverse as cacao farming and Yiddish music in locales as far flung as Penland, North Carolina and the fragile Alpine ecosystem of Andorra. Fellowships designed around social emotional learning and culturally sustaining teaching remain among the more common themes.

A complete list of 2023 Fund for Teachers Fellows can be found here.

“Teachers are the backbone of our society,” said Karen Eckhoff, executive director. “They educate, encourage, and empower the children who will shape our future. And in our post-pandemic, school shooting society, their role is even more amplified. There can be no better investment.” 

At a time when large numbers of teachers are leaving the profession due to a myriad of factors, Fund for Teachers grants represent trust in teachers’ professionalism and capacity for meeting the diverse needs of each classroom and student.

“The Fund for Teachers fellowship made me feel like I was good at my job, that I was capable of growth, and that I was willing to go the extra mile (or 7,468 miles) to get better at what I do,” said Sarah Slack, teacher at The Montauk School in Brooklyn, NY. With her grant, Sarah researched physical and behavioral traits of gray wolves in natural and artificial settings to support the development of a Genetics, Heredity, and Evolution unit plan that uses the study of wild and domestic canines to anchor the curriculum and promote student engagement.

Since 2001, Fund for Teachers has invested $36 million in more than 9,500 educators, transforming grants into growth for teachers and their students. In addition to its summer fellowships, the organization also re-invests in its Fellows by awarding Innovation Circle Grants to deepen learning around a topic (this year “Centering Students”) — first independently during the summer, then throughout the fall with other Fellows and led by a Fellow. Over the past two decades, FFT Fellows have pursued new knowledge and insights in 170 different countries on all seven continents, with the majority remaining in North America. Visit www.fundforteachers.org for more information or on our organization’s Facebook, Instagram or Twitter accounts.

Four years ago, the land behind Daphne High School lay fallow and Betsy Anderton’s kids lay on the sofa looking at their phones. This combination did not sit well with Betsy, who held a Master’s and Ph.D. in Instructional Design but had not been at the head of a classroom for more than 25 years.

“I felt committed to getting kids off their phones and involved in purposeful, outdoor projects that would carry into their lives beyond high school,” said Betsy. “I hadn’t taught before, had no experience in agriculture and didn’t really have a vision for where I would take the program, but I knew that it was an opportunity to teach kids in a different way while also incorporating all of the great things they were learning at school.”

Pivoting from her career developing curriculum content for online platforms, Betsy joined the staff at Daphne High School near the Gulf Coast of Alabama, requisitioned school land and began building an agriculture education program that incorporates aspects of other teachers’ curriculum. She built a “Shakespeare Garden” for English students and had chemistry students demonstrate cationic exchange and pH balance. Storm water issues from the nearby Tiawasee Creek watershed inspired the “history” component of her curriculum, and Fund for Teachers provided the opportunity to research it.

“I became interested in the Mexican chinampas because they seemed to be dealing with so many of the issues we deal with here,” Betsy said. “I also wanted to be able to teach agriculture from a sustainable perspective. So, the fellowship took me further into an area I was already very excited about.”

Elizabeth designed a 2019 Fund for Teachers fellowship to join an EarthWatch team’s study of traditional farming and wetland preservation in the Xochimilco Wetlands of Mexico to enhance current studies of wetland conservation with other professionals who can encourage student learning on these efforts.

Watch several videos Elizabeth made on her fellowship here.

“The experience informed every aspect of my instruction from our studies on integrated pest management to traditional farming and storm water management,” she said. “My students created a  chinampa on our school farm. My greenhouse class now uses the process of soil blocking from the chinampas and agriscience students are using the story of the threatened axolotl salamander to understand environmental threats caused by invasive species as well as the importance of managing the fertilizers we use which, if not used properly, can end up in our waterways and eventually Mobile Bay.”

Currently, Betsy’s students are creating an outdoor classroom for the feeder schools with interpretive signs and various types of gardens and examples of best management practices for the region. Her students also deliver harvests from the gardens to a local food pantry. (Watch media coverage here.) To facilitate the construction of new greenhouses, watershed solutions and supporting structures, Betsy writes grants — and has secured more than $120,000 from local, regional and national organizations, including the National Endowment for the Humanities, the Environmental Protection Agency, Harbor Freight Tools and Future Farmers of America.

“I think as teachers it often feels like we have achieved a goal if we get our lessons to a point where they are stable and we can just go in and teach,” said Betsy. “It’s easy to forget that this minimizes the chance for flexibility and improvement but, most importantly, it may not be keeping us engaged at the level our students need to witness if we are to model life-long learning. It is important that we remain challenged in our teaching, even to the point where we are learning alongside our students, as it is only then that we can understand the questions they are asking as they climb the ladder to expert.”

Thank you to Betsy and her students for filming the video (above) of their garden and farm at Daphne High School in Daphne, AL.

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Betsy Anderton is a high school agriscience teacher born and raised in coastal Baldwin County, AL. She spend many weekends on her family farm in Mississippi and feels passionate about connecting students with both land and water. This commitment is inclusive of using agriculture to create communities, helping students understand the importance of environmentally friendly practices, repurposing items for alternative landscaping and gardening, and agritourism.

On the final day of their fellowship, Alice Laramore and Kat Atkins-Pattenson shared with us their reflection on a four-week, 9,000 mile road trip along the United States/Mexico border exploring language arts, visual arts, immigration and identity. Thank you, Team Paredes Que Hablan (or Walls That Speak) for sharing your experiences and hope for future students.

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Our students cross borders every day. They switch from home language to school language and back again.Their warm presence, giggles, and questions invite new families inside our school buildings. And, everywhere they go, our students carry the imprint of their family members who came to Boston for refuge, for freedom, for opportunity. Every time these young people change spaces, they reconcile their identities and pasts with their presents and futures.

We know that for students to truly succeed academically, they must see mirrors of themselves in our curricula – art, media, and text – and validation of their identities in our classroom spaces. While we can empathize with our students, as white female teachers, we do not truly understand the depth of our students’ experiences. To effectively understand our students’ experiences, we need to cross borders ourselves and experience the displacement our students have experienced traversing these borders.

Today, the last day of our trip, we are energized by the Borders and Identity Unit that we have built and will use to launch the year with our students. We are flooded with all that we’ve seen in our seven cities. We are entrenched in the creative part of teaching, the part that involves being an interesting, engaged individual to better support the interesting, engaged individuals in our classrooms. The part that means we learn something new in order to teach something new. The experience of being a learner better prepares a teacher to teach, and this summer was an opportunity for us to authentically learn about murals on different borders, to confront not knowing and to investigate, to use art as a lens into community.

Watch in this video the artistic expression Kat and Alice captured in three countries and seven cities to help students answer the question: “How do we show other people the depth of our past and the strength of our future?”

This month, we immersed ourselves in adult project-based learning. We’ve tried lots of new things, from food to cloud-mountain hiking to driving to places we’d never been (while blogging) to talking about art from sunrise to sunset. And we’ve done the whole thing together. Often, in our classrooms, we create groups that we believe will benefit from the individuality of each member. We build in scaffolds meant to allow the group to discover each individual’s strengths and to make empathy a non-negotiable. Though we embarked with empathy and respect already in place, our twenty-six days together have illuminated the strengths and areas of growth (thanks, BPS, for the language) of our partnership. We both value efficiency, and, in the face of less-than-such (e.g., when the internet goes as turtle-pace, when people get motion sick, when you walk up the wrong side of the mountain, etc.), we have learned much about each other. That knowledge has made us better collaborators and better friends.

In San Francisco, where we started our trip, we were oriented to the idea of looking. This was not just because there was so much to look at in The Mission, but also because we did our first day with a guide, who was able to re-frame what we had seen and interpreted in the context of history and community. Carla made us cognizant of how much we needed other people’s knowledge and understanding to build our own. The Pacoima (L.A.) murals added a layer of “looking around corners” to that concept. On the hottest day of our trip, we spent the majority of it seeking out art on the walls of automotive dealerships and in the parking lots of community centers. It wasn’t always going to be all in one alley. In San Diego, a park once occupied by people and now occupied by art, had us looking for four hours and not seeing enough. We returned home those nights googling Aztec symbols and stories, trying to learn enough to know something.

Tucson and Dr. Acosta gave us yet another frame through which to experience our learning. Freedom of education does not mean freedom to learn about the American Revolution and the Civil War through a lens of whiteness. Precious Knowledge, to our generation of “urban baby teachers,” is a reflection of our intentions. Though we (the generation of “urban baby teachers”) are in no way united in our vision or our understanding of social justice, the power of conviction in ideas, history, and lifting stories and voices drove us into the work of education. We wonder if Dr. Acosta knows how many teachers who are only five or six years in are tracking his legal battle and celebrating his victories, most recently the repeal of Arizona’s ban on ethic studies which a district court deemed racist and targeting of Mexican Americans.

In Santa Fe, we absorbed the International Folk Art Market, how artists envision and reimagine, how tradition can morph modern and can accommodate the present day without reneging its roots. This mirrors the murals we’ve seen and the art of Frida Kahlo, taking symbols from the past and bringing them to life in the now. In Mexico City, we saw so much. Teotihuacan, Frida, Diego, the Anthropology Museum, street art, the culinary art of Pujol, the stained glass and craters of Toluca. With American eyes and feet, we navigated the city, and learned all that we still had to learn.

It is hard to classify this experience, and even harder to know all that it will bring to our classrooms. It falls somewhere in the vicinity of sabbatical – an intentional, purposeful break that brings new insight – but also touches the realm of professional development, continuing education, and a creative project. We envision a unit with three parts. First, with our students, we will read several memoirs that broadly address the topic of borders and walls, thinking with our students about potential barriers and how to scale them. Second, we will all generate and share memoirs from our own lives on the same topic. The author of each memoir will formulate his or her own theme about the topic, communicating a piece of knowledge gained from navigating–either adeptly or crudely–a border. Finally, after examining many primary sources collected on our trip and within Boston, students will co-construct a mural combining the themes of their memoirs to create a community creation.

The idea of “insider and outsider” has been, in many ways, the crux of our travels. We asked questions and navigated our identity as visitor, as white visitor, as American, as woman. In our classrooms we are often the the outsiders to the communities in which we teach. However our ethnicities and upbringing reflect the dominant histories and tools that are demanded from dominant culture. In this unit, we hope to illuminate these walls, supporting students to name them, scale them, and ultimately paint them. As humanities teachers, we believe that providing students vocabulary and time to think and discuss the world and its issues leads to a brighter, more creative, and smarter future than the two of us can imagine. Solutions lie in the writing, in the art, in the conversations, and in the relationships that students create. Just as we wrote in our FFT proposal, students must see themselves reflected in curriculum, in physical space, and in pedagogy in order to be successful. Because we do not physically reflect our students’ identities, we think constantly about how to make all other facets of our teaching affirming. This unit and this project will be a launching point for discussions about personal identity, community, and what comes next.

In Mexico City, the San Francisco Bay Area, Los Angeles, San Diego, Tucson and Santa Fe, this fellowship made space for us to be learners. After the twelfth grade, those opportunities almost always come with one (or many) literal costs. And Fund for Teachers (along with the school year calendar) gave us the time, space and finances to learn more in a way that will support our students, but also in a way that sustains us as teachers, professionals, and individuals. It made it possible for us to end the trip feeling rejuvenated rather than depleted. There is a constant push for teachers to continue professional development; it is indeed essential. But driving this profession development experience (and literally driving more than 900 miles) meant that we could pace our learning and reflection, and that we could intentionally choose meaningful experiences that hit our “zone of proximal development.”

If you’d like to know more about our trip, we’ve been writing the whole time. Read our blog at www.writingisthinking.org

In Solidarity,
Kat + Alice

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Alice is a 7th grade Humanities/Special Education teacher at the Lilla G. Frederick Pilot Middle School in Dorchester, MA. She infuses arts into her Humanities classes, most recently taking students to do pop-up Shakespearean theater in several Boston Public libraries. She works on a cross curricular team of teachers who study the intersection of English Language Learning and Special Education to build inclusive writing experiences in all contents.        

Kat is a 7th grade Humanities teacher at Gardner Pilot Academy K-8 School, a Pilot School in the Boston Public Schools. Katharine was a 2012-13 Donovan Urban Teaching Scholar at Boston College where she earned her Master’s in Secondary Education. Prior to becoming a teacher, Katharine built a college access program in rural Pennsylvania that continues to help first generation and undocumented students find the appropriate post-secondary fit while developing college and financial literacy
within the community.

In one week, many will commemorate Juneteenth, the day the Emancipation Proclamation – issued on January 1, 1863 – was read to enslaved African Americans in Texas. Today’s Fellow Friday highlights Chris Dolgos (Genesee Community Charter School – Rochester, NY): the inspiration for his 2020 fellowship researching Frederick Douglass’s UK speaking tour, and resources you can use in your own classroom.

Chris is a veteran teacher within EL Education, an innovative network of schools across the nation dedicated to equal emphasis on students’ mastery of knowledge and skills, high-quality work and character. The school’s unique approach to curriculum divides the school year into distinct, cross-curricular “expeditions” culminating in a final products. The inspiration for Chris’ 2020 fellowship focusing on Frederick Douglass was catalyzed by such a product that, interestingly, had its roots in Chris’ 2015 fellowship research on how Romans constructed public works projects (such as Hadrian’s Wall) to divide, as well as unite, people in a multicultural society.

Chris’ sixth graders’ AdobeSpark presentation Whose Renaissance Is It? led to a grant from Teaching Tolerance for a collaboration with community-based artists, to four murals the painted across Rochester. And just last week, the students presented this final presentation to the Genessee Comunity Charter School board of directors via Zoom. The board immediately motioned to revise the school’s code of conduct based o the recommendations of students’ work.

“After a year like this – it was satisfying and timely to see the students’ work received so warmly,” Chris said.

Read about the Teaching Tolerance grant and watch this video about the mural project. #ROCBeliever

We asked Chris how he arrived at this particular fellowship (his previous ones focused on Hadrian’s Wall, bird migration and Neanderthals – what can we say, there’s a reason why he’s one of 5 four-time FFT Fellows). Chris’ response mirrored his path toward becoming the the anti-racist and abolitionist teacher he wants to be.

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“Working with amazing  Shawn Dunwoody, our kids helped paint four murals across the four quadrants of Rochester. It was the first time we’d engaged the class to see neighborhoods beyond their own and see our city as a whole – flaws and all and it was a powerful moment for all of us,” Chris said. “It also laid bare just how much work there is to do in understanding the inequity in our city. Seeing it through my students’ eyes forced me to see the systemic barriers and my own role in upholding them.”

Chris dug into Layla Saad‘s “Me and White Supremacy” workbook, which launched months of facing up to “biases, classism and even racism that had no doubt seeped into my interactions with kids.”

[minti_blockquote]”I picked up the work and with other white people, dug in. I wrestled with my prejudice and sat with the guilt of not doing enough – or even worse – just enough. I cycle back through that workbook every few months. A few weeks later came the news that a Frederick Douglass statue – one of many celebrating the bicentennial of his birth – had been vandalized. I don’t really know why that hit me as hard as it did, but I was furious.”[/minti_blockquote]

“We talked about it as a teaching team and with the class (now a new group of students) and posed the question – what do we do?” said Chris. “Naturally, the kids had the answer : ‘We show up.’ So we did – we alerted parents that we’d be taking a walk to the site where the vandals struck on the day a new statue took its place to show that hate and ignorance has no place in our community. Highlight of the day? Seeing Margaret Finch, my mentor from my first year of teaching (20 years ago!) thanking me for making time in the day to have our students be a part of this. That day was really the day I knew I needed to commit to becoming and anti-racist teacher and anti-racist human being. I had started with baby steps, head down making sure I didn’t trip over my words and actions and now was ready to look up and fail forward, as often happens when taking risks.”

“That year our students were examining food justice and the need for a food policy council in our city. A lot of our work was around the intersection of race and class. The data told the story of systems of oppression and discrimination towards people of color. Diminished health outcomes, food deserts and nutritionally empty foods in black and brown communities, poverty and time constraints that limit food choices – the kids learned about all of it. It was a privilege check time and I realized I still had more to do and more to learn.”

“For the 2019-20 school year, Alexis and I were approached by our school leader and members of our board to examine our school’s code of conduct and have the kids help us reframe the rules through the lens of restorative justice. That was eye-opening work and we’re just about ready  to share those recommendations with our board.  That and lots of reading and reflection of the past few years’ projects helped bring into focus my 2020 FFT Fellowship – to explore what it means to be an anti-racist educator and abolitionist teacher.”

Chris’ reading list included: Dr. Ibram Kendi (How to Be an Anti-Racist) and Bettina Love (We Want to Do More than Survive: Abolitionist  Teaching and the Pursuit of Educational Freedom). His other inspiration was local hero Frederick Douglass.

Read about Frederick Douglass’ deep connection with Rochester here.

“Douglass’ travels to Great Britain, where he spoke to white people to reject and dismantle slavery and join the abolitionist cause, were unfamilar to me. It was on these trips that enough money was collected and donated that would allow him to purchase his freedom and buy the printing presses that gave birth to his abolitionist newspaper, The North Star.  I made contact with professor Hannah Murray in the UK who had done the research on Douglass in Great Britain that shaped the itinerary I proposed,” Chris said.

“And then came COVID. Schools closed. Travel was suspended. Fear and anger raged as the death toll climbed. FFT made the wise decision to postpone all fellowships until summer 2021. And then Breonna Taylor was murdered. Then came Ahmad Aubrey. Then came George Floyd. Then came the righteous anger of hundreds of thousands of Americans, followed by many more thousands around the world. A lot of folks were in the shallow end of anti-racist work when this tidal wave hit. Being only a few years into this work myself with any real sense of commitment, I struggled with how to best serve my students – but our team opted to simply listen and let them share and process through a listening circle. It was a start and a conversation that is hard to maximize through the tiny boxes of a Zoom meeting. And with the year drawing to a close, we want the kids to know they should keep speaking and keep listening and be active in questioning the status quo. Several went to the protests. Others joined in the clean up of the looting and vandalism that followed. I keep thinking, “Man, I could REALLY use that fellowship this summer!” but a lot of the work that needs to be done in my classroom needs to be done internally, by me.

• Listening more.
• Revisiting my reflections on Layla Saad’s workbook.
• Working with other white educators to check our bias and challenge the assumptions we have of our students.
• Decolonize our curriculum and make sure the policies and systems within our schools are culturally affirming so when we say Black Lives Matter, the students believe it.Taking a virtual abolitionist walking tour in London with Dr. Murray later this month. And,
• Participating in a Gilder Lehrman Institute online course about the History of American Protest.

“While it’s no substitute for my fellowship, current events and these activities are already conspiring to shape the direction we’ll be taking with next year’s sixth graders. And in June of 2021, as I begin to follow in Frederick Douglass’ steps in the UK, I will already be one step closer to becoming the anti-racist and abolitionsit teacher I want to be.”

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Chris is a sixth-grade teacher at Genesee Community Charter School in Rochester, NY and is a three-time Fund For Teachers Fellow. History and geography are two passions he brings to life in his classroom, through field work, guest experts and product-driven Learning Expeditions. Chris has contributed to EL Education publications and Common Core curricular efforts, was awarded EL Education’s Top Teacher Honor for the nation, and is a NY Educator Voice Fellow. Follow him on Twitter at CJDTeaches.

On Tuesday, we shared on article on our Facebook related to resources for helping students celebrate Chinese New Year. FFT Fellow Liz Kleinrock (also the 2018 Teaching Tolerance Award Winner) brought to our attention that many Asian countries celebrate Lunar New Year during this time period, not just China.

 

Indeed, from January to the middle of February, China, Korea, Vietnam, Laos, Singapore and many Asian countries celebrate the Lunar New Year as national holidays. According to Voice of America, all celebrations have one common feature: family reunions. Many go back home to spend time with family, even if they live far away, and have New Year’s Eve dinner – the most important holiday dinner in China and many other Asian countries.

To clarify the broad scope of the holiday, Liz suggested using the picture book New Clothes for New Year’s Day  by Hyun-Joo Bae with younger students. “I think it could also be beneficial to use Lunar New Year as a lens to explore how different Asian countries celebrate (China, South Korea, Vietnam, etc.) including food, clothing, and traditions,” she said.

We chose to highlight some different countries that celebrate Lunar New Year by sharing images of our Fellows who designed fellowships to learn directly from those who live there. Enjoy the video above and this Year of the Pig!

Pixar’s Coco familiarized many with the tradition of Dia de los Muertos, or “Day of the Dead.” And before Nancy MacBride‘s fellowship to Oaxaca, Mexico, the annual holiday inspired Voluntown Elementary’s singular art project honoring Latin American history and culture. Now, the celebration honoring life and death is just one in a series of year-long art opportunities linked with Latin culture in a preK-8 school that only offers 60 hours of social studies instruction annually.

“Voluntown, CT, is a rural, homogenous community with only one school (ours) where only 1% of students have other languages spoken at home,” explained Nancy. “The insular culture creates challenges for children to learn about different cultures and accept the differences in others. I felt our students needed cultures, not walls, so I designed a fellowship to make it happen.”

Usually Fellows’ implementation of their summer grants begins upon their return to the classroom, but Nancy started the learning when she applied for her FFT grant in the fall of 2017.

• Through the school’s PTO and a local Mexican restaurant’s sponsorship, three groups of Mexican folk artists visited the school.
• Older students read Esperanza Rising in English and created ofrendas, or altars, for loved ones who’ve passed away.
• Kindergarteners created multi-media collages of a Mexican desert landscape.
• Second graders learned Zapotec weaving techniques.
• Fourth graders read and illustrated a Mexican legend and painted portraits of Frida Kahlo.
• Fifth graders created metallic masks inspired by Pre-Columbian versions.
• Multiple grades watched PBS’ “Craft in America” episodes on Mexican art and were introduced to an artisan Nancy would meet on her fellowship.

The “pre-learning” culminated in a community Noche Mexicana last spring, attended by students, their families and government dignitaries.

This summer, students followed Nancy (a working artist herself) via Instagram as she lived out the learning they shared the year before. Nancy spent a month in Oaxaca, staying in a community that caters to local artisans, taking language classes, sketching World Heritage Sites and experiencing Pre-Columbian and folk art in surrounding museums and cultural centers. She practiced weaving through the Weaving Oaxaca initiative alongside a twelve-year-old teacher whose family has dyed natural wools and created art for generations; she also worked with Zapotec ceramist Adrian Martinez for a week. The highlight was visiting the artist studio of Magdalena Pedro Martinez, whom students came to know through the “Craft in America” series.

 

This fall, Nancy’s experiences in Mexico continue to inspire projects and discussions with students. Fifth graders are preparing to create wooden assembled animals inspired by Mexican alebrijes. Sixth graders are creating their own versions of sculptures modeled after artifacts Nancy brought back from Josefina’s Oaxacan workshop. And beginning this week, students of all ages will have the opportunity to join a new Spanish Club Nancy initiated as an elective.

Perhaps more importantly, students have a new appreciation for “our neighbors to the south,” according to Nancy. As a volunteer with the Voluntown Peace Trust, she collaborates with the Hartford Catholic Worker to bring urban minority children out of the city to enjoy the surrounding nature. Nancy’s leadership as a role model through this effort, combined with the cross-disciplinary learning she provides, is creating a new culture in the school community.

“My admiration of artists from other cultures helps break down the walls and build bridges to other cultures for students,” she said. “My Fund for Teachers fellowship wasn’t just about the place visited, or knowledge, skills and capabilities I gained; it also moved appreciation of Mexican culture from my head to my heart and that passion is now spreading to my students.”

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Nancy (pictured with a state selectman and superintendent at Noche Mexicana) has taught art for 31 years, a career that has included teaching sculpture to widows and orphans in Zambia and earned her Connecticut’s Outstanding Elementary Art Teacher award. She frequently exhibits her own work in galleries and museums, which you can see on her website. (Top picture of students dressed as Frida and her fawn at the Noche Mexicana.)

Columbus may have sailed the ocean blue in fourteen hundred ninety two, but South Dakota instituted October 8 as Indigenous Peoples’ Day in nineteen hundred eighty nine as a counter-celebration. This is the holiday Rebecca Zisook’s students will be commemorating today due, in large part, to her FFT fellowship this summer.

“Previously, our third grade curriculum included an ‘Explorers’ unit that glorified post-Columbus imperialism and oppression of those colonized under a mask of purported bravery and achievement,” said Rebecca. “I wanted my Latinx students to be aware of the bravery and achievements of their ancestors, and I wanted to communicate with them more fluently beyond conversational Spanish.”

With her $5,000 Fund for Teachers grant, Rebecca investigated the richness of Mesoamerica’s indigenous peoples, first using primary sources from  the Library of Congress and the National Museum of Anthropology in Mexico City, and then through language and cultural immersion in Oaxaca, Mexico. Her goal was to gain a nuanced perspective of Mesoamerican peoples and bring this knowledge to students in a way that applies to a broader American and global perspective.

Through guided tours of sites like the National Museum of Anthropology in Mexico City, Rebecca learned the dominant narratives about customs and peoples from the region. She sought out primary source materials as taught at the Library of Congress Summer Teacher Institute she attended prior to departing for Mexico, and enrolled in a four-week language school while living with a host family in Oaxaca. Her experience there included touring the Ethnobotanical Gardens and partaking in cultural events, such as a Guelaguetza, the annual celebration uniting representatives from 16 different ethnolinguistic groups.

Rebecca plans to host her own Guelaguetza at Chicago’s Helen C. Peirce School of International Studies this year. She’s also collaborating with colleagues on an enhanced International Night in keeping with the school’s International Baccalaureate tradition and is in the process of replacing the “Explorers” unit with a “Culture” one.

“We can change the mindset of those who believe that speaking Spanish is somehow a hindrance to learning or identity,” said Rebecca. “We can break the pattern of Spanish-speaking immigrants feeling shame instead of pride for their home language. We can reclaim our histories, our languages, and our identities. We can build a more empathic world.”

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To be (relevant) or not to be (relevant), that is the question high school students ask when it comes to reading Shakespeare. In response, Fund for Teachers Fellows annually set out for Stratford Upon Avon and related sites to prove how a 400-year-old bard has still got game.

Gretchen Philbrick, teacher at Norwich Free Academy in Norwich, CT, crammed as much Shakespeare into three weeks as possible, seeking him out in three countries. She participate in the European Shakespeare Research Association convention in London; attended the Gdansk Shakespeare Festival in Poland; and explored Romeo and Juliet’s Verona.

“Shakespeare lessons ‘test my mettle’ as a teacher,” she said. “I must come up with relevant, properly scaffolded, high interest lessons in which students can discover just how capable they are and walk away as confident Shakespearean scholars.” She uses the Instagram feed named for a Shakespeare quote (@experiencebeajewel) to share videos, incorporates puppetry into readings and analyzes with her students global adaptations of Romeo and Juliet from locations as varied as Bollywood and Iran.

“Shakespeare marks a significant stage in a student’s development. Once students “get” a Shakespeare text, they beam & their sense of accomplishment is evident!” said Gretchen.

Danielle Peck (Grosse Point South High School – Grosse Pointe Farms, MI) participated in the “Teaching Shakespeare Through Performance” program in London to learn new methods of teaching that inspired creativity through performance. Classes at the Globe Theatre informed her own, as she shares strategies for mastering texts through analytical reading and writing.

“Shakespeare now resides on our campus in multiple ways” said Danielle. “My students started a Shakespeare Club and I serve as advisor. This year, we held an in-school monologue contest and also traveled to Cincinnati to participate in the National Shakespeare Monologue Competition.”

Additional student activities include:

• a “Shakespeare’s Greatest Hits” staged reading by students and teachers of the most iconic scenes;
• a new semester-long course on the bard; and,
• an annual performance of Romeo & Juliet on campus in collaboration with a professional theatre company.

“My summer at the Globe was truly life-changing,” said Danielle. “It transformed me as an educator and as a human being and inspired me to keep learning and growing.  Thank you for trusting teachers to develop their own extraordinarily meaningful professional development programs.  In a time when it seems like teachers are given less trust and fewer resources than ever, your philosophy is a hopeful breath of fresh air.”

Engaging middle school students in classic literature and theatrical performance was the motivation behind Lyndsey Jones-McAdams‘ fellowship. In addition to participating in a Greek performance workshop in an authentic amphitheater, she conducted research at the Royal Shakespeare Company in Stratford Upon Avon. This week, her fourth and fifth graders at P.S. 264 in Brooklyn completed a “Classical Remix Theatre Collection” which she created. In collaboration with a professional theatre, students read original texts in an abridged manner and adapt them for the school community (comprised primarily of Middle Eastern immigrants).

“My students adapted A Midsummer Night’s Dream into an immersive theatre piece, where we transformed our school into Ancient Athens and students and families traveled our building to visit and become a part of the world of the fairies, mechanicals, and young lovers!” said Lyndsey. “At the end, they all (audience included) participated in a traditional Greek wedding dance to celebrate the weddings of the young lovers and the Duke and Duchess.

This summer, the following FFT Fellows will seek out Shakespeare on both sides of the pond:

Joan Williams (Knoxville, TN) will investigate political and folkloric history of Macbeth in England and Scotland, particularly differing performance strategies and historical interpretations, to establish thematic context for existing interdisciplinary courses (AP World History/Literature) and incorporate site-based research into a new Shakespearean Performance curriculum.

 

David Williams (Colchester, CT) will attend the Teaching Shakespeare Through Performance course at the Globe Theatre in London to learn practical approaches for engaging students from a variety of backgrounds and academic levels.

 

Julie Davidson and Ann Hasenohrl (Westlake, TX) will participate in Kristin Linklater’s Advanced Course on Shakespeare’s Monologues and Scenes in the Orkney Islands of Scotland to apply innovative and differentiated strategies that bring Shakespeare to life for diverse high school students.

 

Jacqueline Catcher (Exeter, NY) will tour literary sites associated with famous British authors, including William Shakespeare, the Bronte sisters, and Horace Walpole; examine the impact of Gothic architecture in the development of characterization and theme in Jane Eyre; and study canonical literature at the Oxbridge Teacher Seminar at the University of Cambridge to create differentiated and engaging learning for academic and AP English students.

 

Ryan Campbell (East Hartford, CT) will walk in the footsteps of Shakespeare’s “Macbeth” in England and Scotland to strengthen personal knowledge of British history and topography that, in turn, enhances literary competency and global awareness of International Baccalaureate students.

 

Diana D’Emeraude (Austin, TX) participate in a Shakespeare training program for middle and high school language arts/theatre teachers at the Globe Theatre in London to to create curricular units with authentic lessons for my students to help students develop critical thinking skills to be applied in the classroom and beyond.

 

Alicia Sirios & Cynthia Russell-Williams (East Hartford, CT) will explore social justice as presented through the Scottish Fringe Festival in Edinburgh and the Globe Theatre and Hip Hop Shakespeare Company in London to help students identify parallels between literature and their own lives and develop courage to face challenges presented by societal expectations. And,

 

John Matthiessen (Branford, CT) will participate in Globe Theatre’s “Teaching Shakespeare Through Performance” course in London to learn practical and play-filled approaches to teaching Shakespeare in the classroom and increase student engagement in the reading and performing Shakespeare.

 

“I dreamed of sharpening my teaching skills so all of my students can come to see Shakespeare,” said John, “not only as  a manageable reading experience, but as a doorway into a world where some of our lives’ most fundamental dilemmas take physical form and stride believably toward their inevitable resolution, whether comedic or tragic.” Although Hamlet says, “A dream itself is but a shadow,” John’s dream will be realized this summer on his fellowship. Follow him and all of our Fellows here on our blog.

Preschool teachers have to be flexible, but Dianna Langdon (Park Early Childhood Center – Ossining, NY) is taking that necessity to a whole new level. She used her FFT grant to obtain certification as a registered children’s yoga teacher and now incorporates the practice daily to unite four-year-olds’ minds, bodies, thoughts and actions while also fulfilling state standards requiring preschoolers’ physical, social and emotional development.

Two weeks of instruction at the Bhodi Tree Yoga Resort in Nosara, Costa Rica, equipped Dianna to weave yoga and mindfulness into classroom instruction in English and Spanish to include the large percentage of students from Latin American countries. She also leads staff development sessions that empower all of the preK teachers and assistants to incorporate breathing and movement exercises that reduce student stress and increase healthy practices.

“My prekindergarten students now enjoy much needed opportunities throughout their learning day for movement, which helps increase their attention and stimulate their cognitive ability,” said Dianna. “Students are also developing mindful habits through the use of new meditative strategies I’ve learned such as mindful minute, guided visualizations, and affirmations.”

Despite their high energy level, the young yogis look forward to the chance to  relax together, according to Dianna. She leads some exercises, then students use their creativity to dream up and share their own poses (pictured). They also share thoughts about feelings, hopes and worries. “We even use yoga breathing strategies to support ourselves at other times during the school day and to modulate our energy during learning,” Dianna said.

Ultimately, she envisions daily yoga sessions developing in her students the principle of ahimsa, or non-harming.

“By teaching my students this principle and encouraging them to think about it in other areas of their lives, we will all go into the world outside our classroom with a focus on kindness toward the other.”

Namaste.

For more stories about teachers pursuing mindfulness strategies with their grants, read about the work of these Houston teachers, as well as the impact of these Fellows who learned under experts at Kripalu Center for Yoga and Health in Massachusetts and a Buddhist monastery in France.

This February, Fund for Teachers is celebrating Black History Month by highlighting some of our Fellows’ journeys to bring a better understanding of the African American experience to all students. In this four-part blog series, we’ll be diving into everything from the Transatlantic Trade to student advocacy. Our Fellows explored how Black history is taught in our last blog. This week, we are taking a deeper look at how Fellows Merle Rumble, Melissa Petropoulos and James Petropoulos are reframing black history to help students identify with their heritage and with others. Read on to learn more about their experiences in the classroom and how they are honoring Black History Month in their schools.

Although African American herself, Dr. Merle Rumble realized her knowledge of civil rights pioneers lacked a breadth and depth she wanted to share with third graders at Fox Run Elementary in Norwalk, CT. The ephemeral Martin Luther King Day left untapped the vast legacies of those who came before and after the progressive leader. She decided to embark on an independent tour of civil rights sites across nine southern cities with her Fund for Teachers grant to increase her understanding and inspire students to see themselves in the achievements of African Americans.

“I wanted to help my students not only to dismantle the false assumptions of African Americans being relegated to slaves and protestors, but also develop their appreciation for the positive impact and contributions of those whose struggled and persevered,” said Merle.

Through guided tours and impromptu interviews, she gathered materials to inform four new units: Africa to slavery, Rosa to Martin, The Civil Rights Movement and African American Heroes. Students are now researching African American heroes and learning songs and poems from the Civil Rights era, inspiring them to identify with those leaders’ achievements.

Looking more deeply into the lives of enslaved Africans during the Colonial Period led Melissa and James Petropoulos‘ students to reconsider how unique they all are. After learning about the unique contributions made by African Americans whom Melissa and James researched on their fellowship, their fourth graders organized a school-wide Unity Day assembly.

“Focusing on humanizing the slave as a person instead of the person as a slave helped students respect what slaves endured,” said Melissa. “Their response was increased empathy for each other.”

In this celebration of kindness, acceptance and inclusion, student pieced together their individual identities to form this Unity Wall. Each description, together, represents the diverse community that Roywaton Elementary strives to be.

While the name of our organization is Fund for Teachers, students are equal beneficiaries of the $27 million in grants awarded since 2001. These teachers crafted fellowships around what they felt would most impact their students. Consequently, students – for years to come – will see themselves and their ancestors in a whole new light.

We thank Merle, Melissa and James for sharing their experiences and their students’ learning. Make sure to check our Black History Month feed on our blog here. Next week, we’ll be exploring how FFT Fellows are assessing the past and present in terms of black history. Stay connected and find out when it’s live by following us on Facebook, Instagram and Twitter.

Read our first installment in this series here.

Our team is ready to answer any last minute questions you might have before submitting your application for a 2018 Fund for Teachers grant. Just email info@fundforteachers.org or call 800.681.2667.

Don’t forget to proofread and compare your proposal against the scoring rubric by which it will be evaluated. Our Application Tooklit is also an excellent resource.

Deadline: Today at 5pm CDT. Good luck!

The facts represent La Malinche (or Doña Marina) as a slave, advisor, mistress and emissary. Whether those roles positioned her as a hero, victim or traitor is up for debate — which is what the students of Glen Meinschein and Alejandro Avalos did this semester. Following a fellowship investigating one of the most controversial figures in Mexican history, Glen and Alejandro led their middle schoolers through an exploration of colonialism, feminism and indigenous history to reach a broad range of learners at the Brooklyn School for Collaborative Studies. They share the verdict below…

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One could say that Harriet Tubman founded the Black Lives Matter movement. After escaping from a Maryland plantation in 1849, she helped establish the Underground Railroad and became its most renowned “conductor.” Almost 170 years later, Houston students take their own Tubman-inspired trek during school-wide “Freedom Nights.”

Students from Quail Valley Elementary and Burton Elementary spend several months each year researching abolitionists and Civil Rights activists in preparation for a community evening during Black History Month. Civic leaders, educators and parents then recreate an Underground Railroad through a network of “stations” with activities and presentations: The music teacher leads freedom songs and spirituals; an Alpha Kappa Alpha sorority member discusses freedom quilts; and a local storyteller shares slaves’ oral histories. Students’ journey ends at a “Freedom Wall” on which they write what freedom means to them.

“Even students who weren’t African America became interested in their ancestry, which led to a larger study of birth places, culture and a realization that their heritage, Black or not, matters,” said Tawanna Cherri, an FFT Fellow. “A desire to share in someone’s story is not innate, but has to be sparked from within. Our Freedom Nights are the spark we need to explore and embrace each other’s cultures.”

To date, more than 1,000 students have participated in Freedom Nights, the vision of four Fund for Teachers Fellows who used their grant to research the Underground Railroad’s final station, known as “Midnight” (Detroit) to “Dawn” (Canada). Tawanna, Brooke Wilson, Destiny Parker and Kelly Caldwell designed this fellowship after realizing their students’ disconnect from their connection to this history.

To learn more about this team’s fellowship, click here.

We all remember a teacher who touched our lives. No matter how old you were or what they taught, I guarantee that our favorite teachers shared common traits…

• They believed in us.

• They believed we could be better and do more.

• They challenged us.

• They brought passion, purpose and joy to learning.

• They connected us to a bigger world beyond the classroom and put us on a new path for learning.

Every single one of our Fund for Teachers Fellows is like your favorite teacher. Every day they are changing the lives of their students. These teachers don’t sit back; they make change happen. They dream up ways to make learning more connected, more real, and more fun. They dissolve the walls of their classrooms and bring student learning into the community. In an FFT classroom, learning is necessary and urgent. It has purpose.

We see over and over that the learning sparked by an FFT fellowship ripples far beyond one classroom. Through FFT, you are helping to change the learning path of hundreds if not thousands of tomorrow’s problem-solvers and global citizens – the stewards of our future.  As I write, thousands of 2018 grant applicants are committing to paper the dreams they have for their students. In April, a new class of preK-12 teachers will join the 7,500+ FFT Fellows who dare to do more for their students.

We are the only organization in the country that invites teachers in any school, no matter the content or grade level, to think big, be creative and bring joy, challenge and passion to learning. Their aspirations and accomplishments seems a fitting symbol of the hope, light and humanity that fills this season of the year.

Your investment makes all of this possible. Thank you for playing your part. The Fund for Teachers board and staff join me in wishing you a Happy New Year.

Ever forward,