Today, millions of people received a “Breaking News” alert from The New York Times with the heading: “Over 500 Native American children died at U.S. schools where they were forced to live between 1819 and 1969, an initial federal inquiry found.” This is old news to FFT Fellow John Goodwin, who teaches U.S. History, Native American History, and an interdisciplinary research and writing course at BASIS Phoenix. In March, his book Without Destroying Ourselves: A Century of Native Intellectual Activism for Higher Education was released and this summer he will further his research to increase students’ exposure to diverse primary history sources.
With his Fund for Teachers grant, John will conduct research at the National Museum of the American Indian (NMAI) in Washington DC to build two project based learning experiences that raise awareness of Indigenous experiences at American Indian boarding schools and enhance the physical and digital presence of one such site in Phoenix.
“So much of Indigenous history is understandably viewed under a dark shadow of colonialism, with all the violence and dispossession that comes along with it,” wrote John in this blog post. “It can be difficult, especially for young students, to work through a careful study of this history with any sense of optimism left. And yet, if we look closely at the words and actions of Indigenous people themselves, we still see it. We see not only a bare sense of resilience and survival but at times a true optimism and an infectious energy that comes from leaders’ ability to highlight and target shared opportunities for growth within struggle.”
The first phase of John’s fellowship will include documenting content and artifacts at the NMAI and taking advantage of the archival databases at the NMAI Cultural Resource Center in Suitland, MD and the National Archives. Afterwards, he will conduct additional research at Phoenix’s Heard Museum before heading to Fort Lewis College in nearby Durango, CO — a four-year college that once served as an American Indian boarding school.
“Using my catalog of observations, images, narratives from visitors, and archival documents in the subject area, I will curate a large collection of materials that will transform the capstone project experience for my students,” wrote John in his grant proposal. “Specifically, students during the final 5 to 6 weeks of the course will work in groups to develop proposals for action that use these public history sites as models, with the goal of improving the Phoenix Indian School Visitor Center, once an American Indian boarding school.”
While today’s news alert elevates once again the tragic experiences of Native American children and their families, John also sees a story of growth and resilience within struggle.
“A lot of the students who went through those schools went on to be leaders in their communities, and in fact in a wide range of American settings, both Native and non-Native spaces,” he said when we reached out to him today. “Often they did so while still maintaining tribal languages and cultural connections. I think the students I teach—and probably most American students—can really learn from those types of stories. I think those stories keep us tapped into what is best and most intriguing about our identity as Americans, without white-washing it or unnecessarily painting it through rose-colored glasses. And for our students here in Phoenix, I see the boarding school site as an often overlooked location that could be highlighted and enhanced as a public history site for students and the wider community.”
Top photograph courtesy of Colorado Public Radio News.
The New York Times today reported that “remains of as many as 751 people, mainly Indigenous children, were discovered at the site of a former school in the province of Saskatchewan, a Canadian Indigenous group…jolting a nation grappling with generations of widespread and systematic abuse of Indigenous people.” FFT Fellow Lavie Raven (North Lawndale College Preparatory High School – Chicago) pursued this topic with his Fund for Teachers grant, researching the First Nations tribe ‘Namgis, which inhabited Northern Vancouver Island in British Columbia as early as 500 B.C. After learning about Canada’s colonization of Indigenous People, Lavie used his grant to document ‘Namgis restorative justice practices and historic folk artwork and collaborate with teens there to create hip-hop based murals, audio projects and performances that document cultural survival. His Chicago students, as well as students around the country with whom he collaborates on public art projects, continue to benefit from these experiences. Our thanks to Lavie for sharing more about his fellowship and its impact…
I teach World Studies, United States History, and Performative Policy Debate at my school. Our history department works intensely to develop interdisciplinary projects that involve another major discipline and the arts. This is reflected in much of the work I do at my school, as I also am an active hip-hop muralist and run the after-school hip-hop arts club. Through these programs I seek to provide students with opportunities to braid participatory research, social justice concerns, and the arts in creating ‘calls to action’ about issues they identify as relevant for social change.
Our social studies department makes an active effort to expose students to various cultural narratives in regards to European colonization. We prioritize indigenous North American and African narratives, as these have been historically marginalized in traditional history textbooks. We often have to collate a collection of readings from various sources to illustrate the class of cultures, and solidarity between cultures in resisting the violence of colonization. Many of these sources are incomplete or only offer a surface survey of the struggles and accomplishments of indigenous communities. And hardly any have a contemporary component, comparing communities’ histories and their methods of cultural survival.
I was fortunate to meet members of the ‘Namgis community several years ago, and found out about their intensive work on restorative justice in regards to demanding truth and reconciliation from the Canadian government and, in particular, in helping elders and adults heal from the wounds suffered in residential schools. I am actively involved in three organizations at my school: the Peace Warriors, the Performative Debate team, and the University of Hip-Hop (the last two of which I sponsor/coach). Students in our classes, and particularly in these organizations have often paralleled the struggles of African-American communities with those of indigenous peoples, and our students self-identify with those struggles, from the past into the present-day.
I designed my Fund for Teachers fellowship to visit the indigenous ‘Namgis community of Alert Bay, a small island north to Vancouver Island, to work with community activists, traditional artists, museum curators, and ‘Namgis youth to create art work and music that represents cultural survival. Every day, I observed successful resistance to colonialism and neo-colonialism, and discovered ways the local community addressed historical violence experienced in residential schools and discrimination in Canadian society (a primary reason many whom I meet refuse to celebrate Canada Day). The interviews I conducted and my critical inquiry into injustice through hip-hop arts seeded a student pen-pal program and widened my own skills in presenting examples and models of testimonial evidence for argumentation to our debate team. In addition, I:
I accumulated massive awesomeness…SEVEN murals painted with teens and elementary school kids, beautiful interviews and pictures with women making potlatch blankets for their families, an great interview with Barb Cranmer who just finished editing her film about the residential school here, a personal escort and tour through the Umista Cultural Center, a lunch session tomorrow with Connie Watts who designed the thunderbird at Vancouver airport, rapping cypher with youth in front of one of the murals we painted, intersections with two arts collectives doing hip-hop work, and a bunch more fun.
Personally, this fellowship bridged a huge gap in my own and my students’ knowledge of a powerfully resonant cultural society. I have tied the work of the ‘Namgis community center, museum and school to the work our students do with local centers and cultural institutions. I look forward to the new ideas our debate team, school artists and restorative justice clubs can enact while bearing witness to the survival and reconciliation practices of another community.
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The summer after his fellowship, Lavie continued his research with a Fulbright US Distinguished Award in Teaching to study the integration of Māori folkloric arts in New Zealand. As a mural artist he has worked with youth to create culturally conscious murals that have been displayed at museums, cultural centers, and community organizations. Raven believes in providing youth with a multi-disciplinary approach toward life that holistically engages their academic skills, celebrates their talents and artistic abilities, and empowers youth desires to bring positive change to society. Lavie also represented Fund for Teachers as a keynote speaker at the 2017 Extra Yard for Teachers Summit event hosted by the College Football Playoff Association.
The facts represent La Malinche (or Doña Marina) as a slave, advisor, mistress and emissary. Whether those roles positioned her as a hero, victim or traitor is up for debate — which is what the students of Glen Meinschein and Alejandro Avalos did this semester. Following a fellowship investigating one of the most controversial figures in Mexican history, Glen and Alejandro led their middle schoolers through an exploration of colonialism, feminism and indigenous history to reach a broad range of learners at the Brooklyn School for Collaborative Studies. They share the verdict below…