“Get to Know Me!” Blog Series

[minti_dropcap style=”circle”]B[/minti_dropcap]ack in the ’80s, when Saturday Night Live was funny, Jon Lovitz did a skit called “Get to Know Me!” espousing how people (i.e. Steve Martin) benefited from knowing him. We believe the same is true of our 2019 Fellows and are, therefore, continuing a blog series throughout the summer to introduce you to many of our grant recipients.

Today, we meet the teaching team of Kaellagh Cassidy and Katie Hollerbach, teachers at Chicago’s Robert Lindblom Math and Science Academy High School. FFT fellowships designed around language/cultural immersion are a favorite among our grant recipients; this particular one, however, has an interesting component: collaborating with indigenous communities in Mexico to inspire our own civic action projects.

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On why they designed this fellowship…

Our student population is predominantly African American (70%), but the Latnix population is rapidly growing. Our school actively works to foster an inclusive environment that celebrates all cultures and backgrounds: we provide mirrors for students to see themselves in historic and academic texts; we do case students on racial inequality in Brazil; and address trauma in Haiti and youth homelessness in Morocco. However, we wanted to expand and diversity the examples we include from Latin America.

Thus, we designed this fellowship to study Mexico’s indigenous cultures and establish a partnership with a community school in Chiapas to design a unit on the fight for land and education rights.

We believe that a unit on indigenous activism and historical memory of indigenous contributions will affirm to our Latinx students that their history matters.

On their itinerary…

We plan to travel through central and southern Mexico, exploring museums and cultural sites that highlight indigenous culture and speaking to local experts to better understand the relationship between national identity, indigenous history and culture. Our itinerary includes:

On plans for students…

The Zapatista mentality (emphasis on direct democracy, valuing all voices, and inclusivity) will be an engaging topic to begin the school year with, and will also create an opportunity for students to structure our own classroom community and goals. Throughout the fall, we will more effectively validate our Latinx students through new learning, as well as connections with other courses and organizations at school, including the Latino Culture Club, Black Student Union and the Step Team. Additionally:

  • A unit in our Gender & Ethnic Studies course current connects the work of the Madres de la Plaza de Mayo to the actions of female activists against gun violence in Chicago. We plan to add connections to the female Zapatistas and activists we meet to enrich this unit.
  • The AP World curriculum will incorporate Mexican revolutions more thoroughly by emphasizing how the Zapatistas continue to advocate for autonomy and freedom.
  • Our Human Geography course, which examines urbanization and the migration of people to cities, will include knowledge about indigenous groups moving to Mexico City because of a lack of employment opportunities in more rural areas. And,
  • In the culminating project, students will plan and execute civic action projects of their own in response to issues facing our Chicago community.

As white teachers instructing on indigenous cultures, we want to ensure we’re not simply relaying the simplistic narrative often found in textbooks, but allowing the experts in the field to inform our instruction. Rather than be instructors with a monopoly on knowledge and information, we want to build a unit that authentically connects students with the course content in a way that puts students in the position of power.

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Kaellagh Cassidy has taught history and civics in Chicago for eight years. She aims to put her students in the shoes of historians and activists by re-examining historical truths through documents and simulations and student-driven civic action projects. Kaellagh is also a coach of Cross Country and Track and believes that high school should be a community that fosters student curiosity and empowerment.

 

 Katie Hollerbach has taught high school social science at Lindblom Math and Science Academy in Chicago for the past eight years. She is passionate about including a global mindset into each of her classes, which currently include Global Civics and Gender & Ethnic Studies. In 2017, she traveled to Morocco as part of the Koldyke Global Teacher Program. She also is a teaching assistant in the MSEd Program at Northwestern University.

 

The Evolution of a Teacher and Fellow

Last week in Chicago, our board of directors meeting agenda included a special guest – 2017 FFT Fellow Paula Dell, teacher at Robert Lindblom Math and Science Academy High School in the city’s South Side. Paula used her grant to work with researchers and professors active in current excavation, research and teaching of human evolution in South Africa’s Gauteng Province – also known as the “Cradle of Human Kind.” In addition to sharing about her experiences, Paula also talked about her unique path to becoming both a teacher and an FFT Fellow.

Homo naledi on display at Maropeng. The discovery of this new species has brought much into question of what we have previously thought about human development.

“I came to education and teaching science later in my working career when a friend who worked in CPS told me that they were looking for science teachers,” said Paula. “I was eager to use my science background so I jumped at the chance. What a great job – teaching science and critical thinking to our youth.”

Over the past 14 years, Paula has led student expeditions to Cuba, China and Iceland. She also researched in the Antarctica with a PolarTREC grant, earned her National Board Certification and applied for a Fund for Teachers grant three times before being awarded.

“Each time I improved my proposal with the insight of Martie Sanders, professor for the School of Science Education at the University of Witwatersrand in Johannesburg,” said Paula. “By the time I received the FFT grant, we had been corresponding for three years!” When Paula finally arrived in South Africa, Martie introduced her to Marina Elliott, world-renowned biological anthropologist and lead researcher at the Rising Star dig. Marina spent one morning showing Paula around the excavation, including the cave where the 250,000-year-old Homo naledi was found.

With Marina Elliott at Rising Star.

Paula leveraged her time spent in the field with leading researchers, asking questions, visiting dig sites, and learning about the latest technologies in dating and analyzing the fossils to create a revised, phenomenon-based unit based on the most current scientific understanding. Marina Elliott even Skyped with her students during one lesson. Paula says her biggest accomplishment, however, centers around “the big picture.”

“The relationships with professors and scientists that I formed while in South Africa are real and we have kept the collaboration alive,” said Paula. “We established a network which include teachers in Canada and America. Maintaining an ongoing collaboration with these impressive researchers is so motivating and translating all of that into the classroom is equally exciting.”

After our board meeting, Paula sent a note of thanks and added the following:

“The Fund for Teachers fellowship has been such an amazing experience for me and, in turn, my students and colleagues. I cannot stress enough that the success of FFT is not measured just through analytics, which I think you know. I don’t think the greatest impact is truly quantifiable – how we bring it back to our classroom in a thousand ways, sometimes bold and obvious, sometimes more subtle. I don’t think the majority of FFT Fellows are any less committed than myself or that I am some sort of outlier. My hat is off to FFT for being one of the (too few) entities that truly places trust in teachers to know what is best for our kids. Not a bad rep to have among teachers!”

Paula with staff at the Tanajane Senior Secondary School in Bushbuck Ridge, Mpumalanga Province, after serving as a guest speaker.

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Paula (pictured Skyping with her Chicago students from Antarctica) believes that scientific exploration at all ages is crucial in understanding the world in which we live. She is a strong proponent of teaching science through inquiry, as evidenced by her students’ design of a successful underwater camera system, Fish Spy, recently deployed in Antarctica. 

 

Passport to Learning – Part IV

[minti_dropcap style=”normal”]A[/minti_dropcap]s part of the “follow up” portion of an FFT fellowship, grant recipients complete a Passport that documents their learning and where they plan to go from here. Teachers answer brief questions in three categories:

  1. Personal and Professional Growth
  2. Impact on Your Classroom, School & Community, and,
  3. Imagining the Future.

During the month of August, we’ll share some of our Fellows’ Passports to get us all in the “Back to School” mode. Today, we’re proud to share the reflections of Nolan Hanson, teacher at Oscar F. Mayer Elementary in Chicago, IL. He described the threefold nature of this fellowship in his grant proposal:

“The funding for our art program was eliminated two years ago leaving a gap in our ability to provide our students a well rounded education. Furthermore, for the past two years our school has had a continuous improvement goal of strengthening our social emotional learning curriculum for both students and staff. To this end we hope to develop and foster a personal awareness and sense of self in all of our community members to increase our abilities to manage our emotions, practice empathy, establish and grow positive relationships and make responsible choices. Spanish, art and social emotional learning are not phrases that are often strung together. Yet focusing on them while at a professional development workshop with a group of colleagues I came to the focus of their intersection: Pablo Picasso.”

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Fellowship Description

Complete an immersion study experience in Paris, Barcelona, Málaga and Madrid to contextualize the environs that influenced and impacted the life and art of Pablo Picasso.

 

Personal & Professional Growth

Shopping for paints at Sennelier, where Picasso purchased supplies.

The knowledge and insights I gained into the cultures and environments that impacted Picasso’s life and art have grown immeasurably as a result of my fellowship. Coupling this with my newfound knowledge of him as a person and an artist, as well as the complexity of his background, provided me with an understanding of how each of these elements are displayed in his work. I now feel capable of presenting these characteristics and experiences to my students and school community effectively.

First and foremost, my capacity to teach art in Spanish now exists, which it previously did not (except on a superficial level) as a result of: 1) the instruction I received from multiple museum staff members on art creation, appreciation and analyzation; and 2) having now observed, analyzed and appreciated the art of so many Spanish and Latin artists. Where I previously included art in my instruction, I will now be able to embed art in my instruction as a means for dialogue and inspiration.

Living for a month in Spain has to be the greatest personal accomplishment of my fellowship. During the writing of my proposal, I regarded being a Spanish teacher who had never been to Spain as a personal and professional deficiency. I can now state that deficiency has been satisfied with incredibly memorable experiences and professional growth. The fact that the entire fellowship was centered around the study of one of my Spanish heroes enhances the richness of each experience.

Impact on Your Students, School & Community

On a walking tour of Picasso’s Paris, at the St. Germain studio where he painted “Guernica.”

I will now be able to provide my students with the opportunity to use art in their weekly Spanish instruction. The authentic resources I was able to collect during my fellowship will provide them with quality enrichment tools to better connect with the experiences of Picasso and the culture of Spain. Using all of these resources together will allow us to create a positive social emotional learning environment that up to this point has been challenging to build within a language classroom.

In collaboration with the humanities teachers at my school we developed an interdisciplinary unit to cover the life and times of Picasso. Students will research and discuss the major world events that parallel Picasso’s lifetime in tandem with a micro focus on specific events that happened to Picasso. We will then combine these into an evaluation of his work and what influences we can see in his choice of subject, color, technique and message before students begin making their own artwork.

 

 

Imagining the Future

I envision celebrating my students learning by highlighting their work to peers, families and school community. This will be achieved in multiple ways, including classroom and hallway displays, submittingstudent work in our monthly International Baccalaureate and Montessori newsletters and posting them to my school community Instagram account.

Where I intend to look for solutions or build greater connections is through the social emotional learning aspect of the unit I developed using the knowledge, resources and tools I have gained from this experience. Employing my skills and capabilities to help students better understand and express themselves through art and writing and, in turn, build their capacities and skills to interpret and empathize with the messages communicated by their peers, thus building better relationships.

To a grant funder I would start by telling them thank you. To a friend I would tell them to apply now. There is no substitute for travel, experience, learning and growth. This fellowship provided me with the opportunity to fulfill multiple personal and professional goals. Fund for Teachers gave me a refined focus and a renewed passion. I’ve elevated my expectations for my students to be proficient communicators, while also including a space for them to build connections through creativity and Picasso.

Don’t forget to check out the previous three posts in our Passport to Learning series, featuring fellowships about British literature, African culture and biophilic design.

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Nolan Hanson (pictured with Picasso) is a pre-K through 8th grade Spanish teacher at Oscar Mayer Elementary School in Chicago, Illinois. For the past 5 years he has built his classroom around the idea that every child has a unique background and learning style that should be fostered to embrace diversity and global citizenship. When he is not teaching in his classroom, he is committed to completing service learning projects with his middle school students, who have been honored at WE Day for the past 3 years. Enjoy more of his fellowship photos on Instagram.

 

Passport to Learning – Part III

[minti_dropcap style=”normal”]A[/minti_dropcap]s part of the “follow up” portion of an FFT fellowship, grant recipients complete a Passport that documents their learning and where they plan to go from here. Teachers answer brief questions in three categories:

  1. Personal and Professional Growth
  2. Impact on Your Classroom, School & Community, and,
  3. Imagining the Future

During the month of August, we’ll share some of our Fellows’ Passports to get us all in the “Back to School” mode. Today, we’re proud to share the reflections of Carly Connor and Jill Padfield, teachers at Franklin School of Innovation in Ashveille, CT. They described the purpose of the fellowship in their grant proposal:

Students view our school as a place they have to be, and despite our “leave no trace” school norm, they don’t take ownership or pride over the spaces in which they learn. Part of this is most certainly due to the fact that our school is currently a collection of trailers–a temporary campus while we work toward funding for our permanent building. We have tried small improvements to make the campus more visually appealing, but these have not changed the students’ habits of kicking holes in the thin walls of the classrooms, writing on bathroom stalls, and leaving trash all over campus. We desperately need a culture change, especially as it comes to students owning school as their own space.
This fellowship will lead to a project that will allow students to have a voice in biophilic and sustainable features that could be added to our new school building. Research shows that buildings incorporating biophilia, a person’s innate biological connection with nature, can not only reduce stress, but also improve cognitive function and creativity. We will task the students with incorporating both biophilic and sustainable ideas into a real, physical structure in our new school building for the benefit of everyone in our school community.
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Fellowship Description

Research in New Zealand, Australia and Singapore sites pertaining to biophilic and sustainable design in architecture and in schools to inform a math-driven proposal created by sophomore English and Math students on construction of a new school building.

Personal & Professional Growth

Sun Pipes filter sun into classrooms and offices with no windows at Dover Court International School in Singapore.

Throughout our fellowship, my partner and I were challenged with digging into a project that was predominantly science-based. As Math and English teachers, we knew this project would propel our students and our community forward toward more project-based work, but we were going to have to do a LOT of learning first! Our fellowship gave us the knowledge, the experiences, and the connections that we needed in order to lead a meaningful, collaborative project.

Due to the science focus of the project and the many components that will go into it, our 10th grade team will be forced to collaborate in a way that we haven’t before. This project cannot happen in only one of our classrooms, but if we had focused on only our content during the fellowship, I don’t know if we would have had the same kind of ownership that we do now. Therefore, this fellowship helped changed our instructional practice by helping us connect to new content in a meaningful way.

A primary personal accomplishment developed during the planning stages of our fellowship. We started our proposal with a completely different idea that was English and Math-based. However, the thoughtful, probing questions in the application forced us to REALLY think about what we wanted to collaborate on and what we would need in order to make that happen. The actual fellowship was putting those big ideas into action and realizing that we made the right choice.

Impact on Your Students, School & Community

Student-run gardens at Brentwood Secondary College in Melbourne, Australia.

Before this fellowship, we led student projects that were interesting, but they always seemed to fall short of truly authentic. Projects rarely included a service component and never positively affected our community. This fellowship and resulting project will be the start of helping students to connect their learning to their community in a meaningful way.

This project will require collaborative work in order for it to be successful. My partner and I plan to get the rest of the 10th grade team on board on our first day back by telling them about our learning, our project idea, and getting them to feel as excited as we feel. We are already organizing all of our photos and creating a presentation for the students, but we both feel like we can’t move forward at this point without the rest of our team, since the project will live in all of our classes.

 

Imagining the Future

Our project centers around our new school building, and our students will be creating new green-design features to be incorporated into the building. This may take a few years, but it could then include several grades that as part of this long-term, collaborative project. Most importantly, this project will help give any student who works on it more ownership of the new building and their community.

Part of the focus of our fellowship was to positively impact the environment that our students learn in. The best way to do that is to not only make them more accountable for their waste and their habits, but to give them a space to study that is green and healthy and productive. Lack of such spaces is a huge problem in many of our schools today, and our students are going to be at the forefront of changing this in our state.

I don’t think anyone would have guessed that two high school Math and English teachers would be able to create a meaningful, collaborative project about Science! It was not easy, but the opportunity for this fellowship pushed us to think beyond our own classrooms and our own content to what we thought our students and our community really needed. This fellowship took us from a subject-focused perspective to a student and community perspective, and now the possibilities seem endless!

Don’t forget to check out the previous two posts in our Passport to Learning series, featuring fellowships about British literature and African culture.

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Carly Connor is a 10th grade English teacher and soccer coach who believes deeply in creating a safe, educational space for students to learn how to struggle with content, develop a global perspective, listen to opposing ideas, find a unique voice, and correctly use commas. Jill Padfield is a high school math teacher who previously taught at an International School in the Dominican Republic. In her free time, Jill enjoys playing ultimate frisbee, scuba diving, hiking and playing with her class-pet guinea pigs, Fib and Nocci. 

 

Holocaust as Comic?

“For the past two years, my eighth grade English class has used Art Spiegelman’s Pulitzer-Prize-winning graphic-novel, MAUS, as our primary text to study the Holocaust. My students enjoy the fascinating imagery, the break from traditional textbooks, and Vladek Spiegelman’s captivating experience in Nazi concentration camps. While they enjoy the unit, it can be challenging for students to connect the story with the grave reality of the Holocaust.  This fellowship would allow me to ground the story in reality through the authority of my own experience and by creating short video journals which document the places described in the book.”

Filming at the gates of Auschwitz.

So began Nick Dykert’s FFT grant proposal — a desire to combine the Holocaust, YouTube and what The Washington Post deems “the greatest graphic novel ever written” into meaningful, relevant learning for students in his English class at James Monroe Elementary in Chicago. He spent two weeks retracing the steps of Holocaust survivor Vladek Spiegelman (aka MAUS) through Sweden, Poland, Czechoslovakia and Germany as described in the graphic novel.

“It was amazing to stand in the places that I talk about during my WWII unit. I can speak with greater authority and use the many videos I shot to engage my students,” said Nick. “In our current political atmosphere, it is so important to be able to empathize, slow down, and consider one another’s perspectives. Relating my firsthand experience and showing my videos brings my students one step closer to doing that.”

According to Nick, students are simultaneously loving the “vlog” and poking fun at him. “They think it’s funny to subscribe to their teacher on YouTube.”

WE think Nick’s videos, discussion questions and resources are remarkable. See if you agree.

Watch the first six videos by clicking here.

All of Us – Immigrants

FFT Fellow Chris Smith and 15 of his students recently hosted the first Chicago Immigrant Refugee Resource Fair at Mather High School. The story behind the event, shared below by Chris, demonstrates the true ripple effect of a Fund for Teachers grant. This high school music teacher designed a fellowship to attend the Blas International Summer School of Irish Traditional Music and Dance at the University of Limerick to enrich orchestra curriculum by integrating elements of Irish folk music, ensemble skills, and improvisation. He shares the progression of learning from there below. We are proud of you and your students, Chris!

“I have continued my study of Irish traditional music since 2013 when I was awarded the FFT fellowship, which was transformative to my teaching in many ways. Not only have I incorporated lessons that I learned in my teaching strategy, but my support from FFT has led to many more opportunities for me and my students

Fund for Teachers

Chris with Martin Hayes during his 2013 FFT fellowship

Last summer, I attended the Swannanoa Gathering outside Asheville, NC, to again study under Martin Hayes, a teacher from Blas. I also received a small grant from the Chicago Shakespeare Theater, which I used to host a lecture/performance and workshop by members of the Irish Music School of Chicago.

Additionally, I was inspired at write a grant proposal (which was funded) which allowed for a residency at Mather High School by renowned traditional Irish performer Kathleen Keane. Over the course of two months, Kathleen visited Mather to perform and work with a small group of motivated orchestra students. She taught them a set of traditional jigs which they performed in concert.

Because of my FFT experience, I was also awarded the Teaching for Global Classrooms fellowship by the US State Department. In summer 2016, I traveled to India and, in part, taught music at a school in Vadodara, Gujarat.

Visit this website Chris created to document FFT fellowship in Limerick, as well as another site, including access to his resulting unit and lesson plans, following his TGC fellowship.

Based on my TGC fellowship, I was able to apply to then attend a conference for alumni of government sponsored international travel. As a participant, I was invited to apply for money to create a project on the subject of inclusion. I was awarded a grant from the State Department to organize and implement the Inaugural ChiUnderOneRoof: Chicago Immigrant and Refugee Resource Fair.  My students and I hosted hosted 25 local community organizations who work to support our immigrant and refugee population.

Parenthetically, since my fellowship, my wife has been awarded a fellowship along with one of her coworkers and three teachers at my school. These are just a few of the things that have resulted from the opportunities afforded me by Fund for Teachers.”

Click here to read Chris’ description of how planning the resource fair impacted him and his students.

Learning New Steps

While many schools are forced to eliminate access to the arts,  Franklin Elementary Fine Arts Center in Chicago was established to integrate artistic talent with academic success. Dance teacher M.K. Victorson designed her Fund for Teachers fellowship around intensive teacher workshops that would help her rewrite her existing curriculum, focusing on creative dance, multicultural dance, and genre studies to engage her K-8 learners.

“Ms. V” enrolled in three opportunities – Dance Education Lab (DEL), Broadway Teachers Workshop, and Finis Jhung Ballet in New York City – to rethink how her curriculum can engage all of her dance students whether they are ballet dancers or breakdancers or just not sure about dance at all. Her excellent blog documents her learning, and we share a post written to her students
below…

Dear Students:

I’m sharing some photos here of my incredible workshop last week at DEL: Planet Dance: Multicultural Dance Education. I attended this workshop with all of you in mind as you are always telling me you want to learn different forms of dance. Words can hardly describe the overall experience of this workshop, which had many interesting strands to it. But I’ll say a few:

We began our week by talking about what culture is and what it embodies. (how would you answer ‘What is Culture’? Think about it). Seeking an answer, we:

 

  • looked at our own cultural makeup and created dances about it
  • viewed several dances from around the world and analyzed the movement in each
  • discussed the reasons why people dance and create dance: recreation, work, communication (to name just a few)
  • learned a welcome dance and song from Ghana
  • practiced and explored flamenco steps and rhythms from Spain
  • viewed a Japanese dance where the dancers used umbrellas
  • created new dances inspired by all of these sources, and more!

We danced, created, and we discussed dance in great detail. The question we kept coming back to was:

 

How do you teach a cultural dance if the culture is not your own?

 

What do you think, readers? We talked about this at length. We talked about problems, concerns, sensitivity in exploring dance of other cultures. We did not come up with a final answer, but I know that I came  away from the experience with much to think about and share with you. This year I will be able to bring in even more residencies that I am hoping will expand our cultural dance knowledge and literacy. Do you have something you can teach me?

 

Included in the photos are pictures of my collaborative group. At DEL, we finish each intensive week by collaborating in a group and engaging in practice teaching for our fellow teachers. I am very excited about the work my group did because my collaborators and I really worked well together and listened to each other. Crystal, Eva, Monica, and Halley are smart, inquisitive and sensitive beings and I learned so much from them. Oh, they are great dancers, too!

 

Together we created a lesson around examining bias in dance criticism. It was written for high school, but I think it has relevance to you, my K-8 students. We looked at images and text from a review and created short dances based on it. Then we gave each other feedback on the dance. Finally, we looked at the whole review and discussed the issue of bias and who gets to critique dance. We talked about how to respond to dance by naming what you see before placing judgement. It was fascinating and I am excited to do some of this with you!

 

I also have some flamenco inspired movement to share with you, courtesy of my teacher, Puela. And there is so much more!

 

Dancing at you from New York,
Ms. V

M.K. is an eight-year veteran of the Chicago Public Schools and has been teaching and creating in Chicago since 1996. She  is passionate about curriculum development, advocacy and inclusion in arts education.  A dedicated and energetic teacher, M.K. has been awarded grants from numerous institutions including Chicago Foundation for Education, the Target Corporation, and the Oppenheimer Family Foundation.