On the final day of their fellowship, Alice Laramore and Kat Atkins-Pattenson shared with us their reflection on a four-week, 9,000 mile road trip along the United States/Mexico border exploring language arts, visual arts, immigration and identity. Thank you, Team Paredes Que Hablan (or Walls That Speak) for sharing your experiences and hope for future students.

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Our students cross borders every day. They switch from home language to school language and back again.Their warm presence, giggles, and questions invite new families inside our school buildings. And, everywhere they go, our students carry the imprint of their family members who came to Boston for refuge, for freedom, for opportunity. Every time these young people change spaces, they reconcile their identities and pasts with their presents and futures.

We know that for students to truly succeed academically, they must see mirrors of themselves in our curricula – art, media, and text – and validation of their identities in our classroom spaces. While we can empathize with our students, as white female teachers, we do not truly understand the depth of our students’ experiences. To effectively understand our students’ experiences, we need to cross borders ourselves and experience the displacement our students have experienced traversing these borders.

Today, the last day of our trip, we are energized by the Borders and Identity Unit that we have built and will use to launch the year with our students. We are flooded with all that we’ve seen in our seven cities. We are entrenched in the creative part of teaching, the part that involves being an interesting, engaged individual to better support the interesting, engaged individuals in our classrooms. The part that means we learn something new in order to teach something new. The experience of being a learner better prepares a teacher to teach, and this summer was an opportunity for us to authentically learn about murals on different borders, to confront not knowing and to investigate, to use art as a lens into community.

Watch in this video the artistic expression Kat and Alice captured in three countries and seven cities to help students answer the question: “How do we show other people the depth of our past and the strength of our future?”

This month, we immersed ourselves in adult project-based learning. We’ve tried lots of new things, from food to cloud-mountain hiking to driving to places we’d never been (while blogging) to talking about art from sunrise to sunset. And we’ve done the whole thing together. Often, in our classrooms, we create groups that we believe will benefit from the individuality of each member. We build in scaffolds meant to allow the group to discover each individual’s strengths and to make empathy a non-negotiable. Though we embarked with empathy and respect already in place, our twenty-six days together have illuminated the strengths and areas of growth (thanks, BPS, for the language) of our partnership. We both value efficiency, and, in the face of less-than-such (e.g., when the internet goes as turtle-pace, when people get motion sick, when you walk up the wrong side of the mountain, etc.), we have learned much about each other. That knowledge has made us better collaborators and better friends.

In San Francisco, where we started our trip, we were oriented to the idea of looking. This was not just because there was so much to look at in The Mission, but also because we did our first day with a guide, who was able to re-frame what we had seen and interpreted in the context of history and community. Carla made us cognizant of how much we needed other people’s knowledge and understanding to build our own. The Pacoima (L.A.) murals added a layer of “looking around corners” to that concept. On the hottest day of our trip, we spent the majority of it seeking out art on the walls of automotive dealerships and in the parking lots of community centers. It wasn’t always going to be all in one alley. In San Diego, a park once occupied by people and now occupied by art, had us looking for four hours and not seeing enough. We returned home those nights googling Aztec symbols and stories, trying to learn enough to know something.

Tucson and Dr. Acosta gave us yet another frame through which to experience our learning. Freedom of education does not mean freedom to learn about the American Revolution and the Civil War through a lens of whiteness. Precious Knowledge, to our generation of “urban baby teachers,” is a reflection of our intentions. Though we (the generation of “urban baby teachers”) are in no way united in our vision or our understanding of social justice, the power of conviction in ideas, history, and lifting stories and voices drove us into the work of education. We wonder if Dr. Acosta knows how many teachers who are only five or six years in are tracking his legal battle and celebrating his victories, most recently the repeal of Arizona’s ban on ethic studies which a district court deemed racist and targeting of Mexican Americans.

In Santa Fe, we absorbed the International Folk Art Market, how artists envision and reimagine, how tradition can morph modern and can accommodate the present day without reneging its roots. This mirrors the murals we’ve seen and the art of Frida Kahlo, taking symbols from the past and bringing them to life in the now. In Mexico City, we saw so much. Teotihuacan, Frida, Diego, the Anthropology Museum, street art, the culinary art of Pujol, the stained glass and craters of Toluca. With American eyes and feet, we navigated the city, and learned all that we still had to learn.

It is hard to classify this experience, and even harder to know all that it will bring to our classrooms. It falls somewhere in the vicinity of sabbatical – an intentional, purposeful break that brings new insight – but also touches the realm of professional development, continuing education, and a creative project. We envision a unit with three parts. First, with our students, we will read several memoirs that broadly address the topic of borders and walls, thinking with our students about potential barriers and how to scale them. Second, we will all generate and share memoirs from our own lives on the same topic. The author of each memoir will formulate his or her own theme about the topic, communicating a piece of knowledge gained from navigating–either adeptly or crudely–a border. Finally, after examining many primary sources collected on our trip and within Boston, students will co-construct a mural combining the themes of their memoirs to create a community creation.

The idea of “insider and outsider” has been, in many ways, the crux of our travels. We asked questions and navigated our identity as visitor, as white visitor, as American, as woman. In our classrooms we are often the the outsiders to the communities in which we teach. However our ethnicities and upbringing reflect the dominant histories and tools that are demanded from dominant culture. In this unit, we hope to illuminate these walls, supporting students to name them, scale them, and ultimately paint them. As humanities teachers, we believe that providing students vocabulary and time to think and discuss the world and its issues leads to a brighter, more creative, and smarter future than the two of us can imagine. Solutions lie in the writing, in the art, in the conversations, and in the relationships that students create. Just as we wrote in our FFT proposal, students must see themselves reflected in curriculum, in physical space, and in pedagogy in order to be successful. Because we do not physically reflect our students’ identities, we think constantly about how to make all other facets of our teaching affirming. This unit and this project will be a launching point for discussions about personal identity, community, and what comes next.

In Mexico City, the San Francisco Bay Area, Los Angeles, San Diego, Tucson and Santa Fe, this fellowship made space for us to be learners. After the twelfth grade, those opportunities almost always come with one (or many) literal costs. And Fund for Teachers (along with the school year calendar) gave us the time, space and finances to learn more in a way that will support our students, but also in a way that sustains us as teachers, professionals, and individuals. It made it possible for us to end the trip feeling rejuvenated rather than depleted. There is a constant push for teachers to continue professional development; it is indeed essential. But driving this profession development experience (and literally driving more than 900 miles) meant that we could pace our learning and reflection, and that we could intentionally choose meaningful experiences that hit our “zone of proximal development.”

If you’d like to know more about our trip, we’ve been writing the whole time. Read our blog at www.writingisthinking.org

In Solidarity,
Kat + Alice

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Alice is a 7th grade Humanities/Special Education teacher at the Lilla G. Frederick Pilot Middle School in Dorchester, MA. She infuses arts into her Humanities classes, most recently taking students to do pop-up Shakespearean theater in several Boston Public libraries. She works on a cross curricular team of teachers who study the intersection of English Language Learning and Special Education to build inclusive writing experiences in all contents.        

Kat is a 7th grade Humanities teacher at Gardner Pilot Academy K-8 School, a Pilot School in the Boston Public Schools. Katharine was a 2012-13 Donovan Urban Teaching Scholar at Boston College where she earned her Master’s in Secondary Education. Prior to becoming a teacher, Katharine built a college access program in rural Pennsylvania that continues to help first generation and undocumented students find the appropriate post-secondary fit while developing college and financial literacy
within the community.

Today California’s state legislature will officially apologize to Japanese Americans sent to internment camps during World War II. This aspect of World War II is one many students don’t learn about during history classes, but one that many FFT Fellows seek to understand and share. Today, we share the learning of Timothy Nagaoka, whose grandfather fought for the United States in the European Theatre during the war.

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I teach Japanese as a foreign language to elementary and middle school students, many of whom come from immigrant families. Some families are from Central and South America, some from the Caribbean Islands, and others from Southeast Asia. I share this heritage. I grew up in Japan. My mother is sansei (third-generation Japanese American) from Hawaii; her father, a nisei (second-generation Japanese American), was one of many Japanese Americans on the island who enlisted after Pearl Harbor. He wanted to prove his loyalty to the country that had become very suspicious of his people, so he fought with other nisei from Hawaii in the 100th Infantry Battalion, which became one of the most decorated in military history.

Growing up, I heard my grandfather tell stories of fighting in Europe in World War II. Not until much did I learn of another battle fought by Japanese Americans on the mainland. It was not a battle of bombs and bullets, but a battle of patience and perseverance. Like my grandfather, who demostrated his patriotism by enlisting, many Japanese Americans proved their loyalty by enduring relocation to internment camps.

To fully understand and better teach this period of American history, I designed my Fund for Teachers fellowship to explore the Japanese American experience during World War II and – more specifically – the US government’s handling of these citizens.

I drove 3,500 miles through 8 Western States over 11 days to research 10 monuments and former internment sites. I also stopped at the Japanese American National Museum in Los Angeles (where I took a selfie with  George Takai). An unplanned experience was attending the Annual Pilgrimage at Heart Mountain Relocation Center in Wyoming, where we honored those who who advocated, resisted and fought for Japanese Americans. It was this stop where I met former Secretary of Transportation Norman Mineta and Senator Alan Simpson.

Throughout my fellowship, I focused on two topics:
• What Japanese Americans endured throughout relocation, and,
• How relocation of the Japanese Americans is remembered today.

During the fellowship, I filmed interviews with former internees about their experiences, which I’m using as resources with students and colleagues. I am also designing two curricular units that teach about the Japanese American internment experience: one for Japanese language teachers that incorporates phrases and dialogues used in camps; and one for English Arts and Social Studies teachers who want to teach about the topic. Upon completion, I will offer workshops throughout Boston Public Schools and through local non-profit teacher training organizations.

In my classes, I’m using the knowledge and connections I gained through my fellowship to teach about the forced internment of Japanese Americans during the war. Previously, I’ve taught Japanese customs, traditions, history and culture, but I’d never considered teaching the Japanese American immigrant story. I now incorporate into my language lessons words and phrases, such as gaman (perserverance) and shikata ga nai (can’t be helped), that were often used by the Japanese Americans to describe their confinement. I’ve come to understand that by teaching my culture’s extraordinary circumstances, I can deepen connections with students whose lives reflect similar themes, old and new.

On January 2nd, 1945, restrictions preventing resettlement in the 100 mile Exclusion Zone along the West Coast was removed. I believe a strong democracy lies in not forgetting the past, especially not the mistakes. My fellowship researching the plight of tens of thousands Japanese Americans was humbling and allowed me to gain a more complete perspective of the American immigrant experience. I am using this perspective to better understand (and teach) my students from immigrant families themselves.

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Timothy Nagaoka teaches Japanese in six schools around the greater Boston area and has dedicated his career to creating opportunities for students and colleagues to connect with Japan. In recognition of his work, Timothy has received the John E. Thayer Award from the Japan Society of Boston, and the Henry L. Shattuck Public Service Award from the Boston Municipal
Research Bureau.

Read about another FFT Fellow’s experience researching life in and around Japanese Relocation Camps in Utah and Colorado here.

Last night’s Oscars telecast inspired some awards of our own. Without further ado, we present a few of our 2018 Fellows who designed learning experiences around the performing arts…

Most Creative Use of Funds
Diana D’Emeraude | Canyon Vista Middle School – Austin

To make the most of her 42-day stay across the pond, Diana found hostels with private rooms and pet-sat in three different homes — including one that had two cats and four chickens. Saving money on accommodations meant she could apply her $5,000 grant toward participating in a Shakespeare training program for teachers at the Globe Theatre in London, and attending 15 plays, ten classes, six tours, a conference, and multiple museums. Her goal was to create curricular units for middle and high school language arts/theatre teachers that help students develop critical thinking skills in the classroom and beyond.

“Taking classes on teaching Shakespeare with U.K. teachers helped me compare notes on their schools, how they taught, learn engaging activities, learn about and teach the plays and more about the English language,” said Diana. “Attending an International Theatre Teacher Conference helped me learn how theatre is taught in other countries and ways to improve my teaching, and classes at the Globe Theatre helped me learn more, not only of Shakespeare’s plays but also of other works written in that era.”

With her new knowledge, Diana started a Shakespeare Club where students explore the Bard’s plays, his style of writing, the importance of his works, the era, and how to perform monologues, scenes and the plays.

Best Sequel
Warren Pemsler, Ari Hauben and Chris Busch | McKinley South End Academy – Boston

In 2007, this teaching team was awarded a Fund for Teachers grant to tour art museums, theatres, stages and facilities in England, and then meet with outreach departments at museums in the Netherlands, to expand on their school’s partnerships with the Huntington Theatre and Institute of Contemporary Art. Eleven years later, these same teachers returned to London on their second FFT fellowship to explore London’s street art, contemporary art, and theatre communities to develop in-depth performing and visual arts units in collaboration with Boston Public School’s pilot Fab Lab.

Warren would like to thank his colleagues for their learning:

“Honestly, it was the collaboration with my colleagues that brought out new energy and ideas. By immersing ourselves in the content we teach and meeting with professionals who do similar things in London, we have planned new avenues to make our curriculum more vital to our students. After 28 years of teaching, I feel like I am embarking on a journey that will sustain me professionally and personally for years to come! I couldn’t be more thankful!”

This teaching team is working with students to create four large murals of the artists and playwrights they read and admire on exterior walls of the school building. This will lead to four “openings” for the school and neighborhood, as well as T-shirts so students can show off their work to the wider world.

Best Supporting Teacher
Christine Jamerson | Roseburg High School, Rosburg, OR

Christine designed her fellowship around information she learned from a previous workshop with Eric Jensen called “Teaching with Poverty in Mind.” There, she learned that the working memory of students who experience poverty is very limited. As a drama teacher, Christine knew how memorizing lines and stage directions helps build one’s working memory, in addition to self-efficacy and self-confidence. Therefore, she participated in the Broadway Teachers Workshop in New York City and learned strategies for using theatre to support brain and soft-skill development.

“I learned so much about technical design, directing, and running a smooth program in the few short days I was at the workshop, it just blows me away.” said Christine. “I feel like my world has been opened up to different approaches I can take with my plays and musicals, and it all benefits my program. I have also gained a lot of confidence – I’m not only bringing new approaches, but I’m implementing them well.”

In order to reach the largest number of students possible, Christine and her theatre department formed an improv troupe open to all. They perform at assemblies, football game halftimes, and local middle schools.

Best Transformation
John Matthiessen | Branford High School – Branford, CT

John arrived at the Globe Theatre’s “Teaching Shakespeare Through Performance” workshop as a 58-year-old literature teacher and completed his fellowship as Ophelia, Hamlet’s love interest. He explains:

“Our director told us he was going to cast us ‘against type,’ and consequently, I was cast as Ophelia. Playing a teenage girl was a stretch. To do this, I had to not only overcome a certain amount of self-consciousness and stage fright, but also try to imagine and portray the emotions experienced by this doomed young girl. I was very proud of my final performance!”

John’s English students now spend less time interpreting text and more time in creative activities to demonstrate their understanding. Although he still includes rigorous reading and writing activities, he now concludes some units with a final role-play presentation (like the one he did) as a major grade. He’s found this kind of active, student-centered assessment makes learning a more social activity alongside their peers than the typical summative assessments.

The BIG winners are the students, whose learning changes from text to technicolor after their teachers return from summer fellowships. In her Best Supporting Actress acceptance speech last night, Regina King called herself an example of “what it looks like when support and love is poured into someone.” We believe the students of our Fellows look (and feel) the same way.

Pictured above: David Williams (Bacon Academy – Colchester, CT) who attended the Teaching Shakespeare Through Performance course at the Globe Theatre in London to learn practical approaches for engaging students from a variety of backgrounds and academic levels.

As we watched Shark Week from the safety of our sofas, FFT Fellow Edwin Yoo (Dorchester, MA) chose to get a little closer to the action. He is currently conducting field research on the Mesoamerican Barrier Reef System in conjunction with Project AWARE, an initiative taking action to create change for the ocean and communities that depend on it. In Utila, Honduras, he is performing citizen science data collection for coral reef health to develop case studies based on theoretical chemical and biological principles associated with diving.

Codman Academy Charter Public School students from Boston’s south side ALL enroll in four-year colleges, despite entering ninth grade two or more years below reading level. Fifty percent of these students sit in Ed’s chemistry and biology courses. Combine a Caribbean heritage shared by the majority of his students with project based learning and the school’s nearby saltwater marshes and Ed’s fellowship hits a sweet spot of engagement.

“I designed this experience around global climate change and how that impacts the biochemistry of the Mesoamerican Barrier Reef system (i.e. effect of temperature on O2 solubility, the effect of increasing concentration of CO2 on acidic levels of oceans that negatively impacts marine life) that protects the coastal cities and communities in the Caribbean Islands and Central America,” said Ed. “The narrative of this abstract chemistry theory becomes more deeply personal as it is an issue that is extremely critical to the families of my students who have connections to this region.”

Ed’s new case studies will support the ecology portion of his biology curriculum, specifically on topics of coral bleaching, sustainable fishing, climate change and invasive species. He is also earning his Divemaster certification that requires familiarity with a hyperbaric chamber used for decompression illness, information also applicable in Chemistry classes. Ed’s long term goal is to offer Codman students “Discover SCUBA” classes at the Dorchester YMCA pool.

“My certification will allow me to support Codman’s Wellness Program, in addition to the sciences,” said Ed. “As a Divemaster, I will be certified to teach snorkeling and introduce SCUBA in a pool setting, providing access to experiences not currently offered in the school and community. SCUBA and snorkeling combine medicine, engineering, marine biology, and chemistry into a single water sport activity. Without professional licensure and training made possible through this fellowship, my students would not likely have any exposure to potential career paths related to marine conservation, medical health industry, and engineering.”

Follow Ed’s learning on Instagram @educationalontogeny. And to get in the mood for Shark Week, enjoy this playlist provided by Discovery Channel.

Congratulations to Luis Gonzalez and his art teacher/FFT Fellow Ari Hauben for Luis’ selection as one of three young artists whose work now adorns LIFEWTR bottles. According to the company’s website:

“LIFEWTR Series 4 celebrates the long-lasting impact that art education has on our lives from youth into adulthood. The series features the work of three young artists who have discovered the empowerment that comes with creativity and demonstrated the importance of early art education in instilling the values necessary for a more inspired future.”

LIFEWTR also shared:

“Luis Gonzalez, a Boston native and high school senior, views the abstract art he creates as more than just a mode of self-expression—it’s “a lifesaver.” Growing up in an underserved community, art has kept him in school and has guided him down a safer path than the one he has witnessed many of his peers taking. Gonzalez plans to become a professional artist, following in the footsteps of his art teacher and mentor, Ari Hauben. He also aspires to teach other youth, and show them the possibilities that art can bring.”

Ari, along with colleagues Warren Pemsler and Chris Busch, designed their Fund for Teachers fellowship to experience art museums, theatres, stages and facilities in New York City, England and The Netherlands. They also met with outreach departments to learn best practices for expanding McKinley Preparatory High School‘s local partnerships with the Huntington Theatre and Institute of Contemporary Art Boston. Subsequently, the teaching team set about closing the achievement gap of emotionally-disturbed special education students who are predominantly children of color.

“One aspect of the achievement gap that seemed particularly pronounced among our students was their lack of cultural capital,” explained Warren. “To increase students’ exposure to dramatic and fine arts, we first developed our own cultural capital with our FFT grant and then formed collaborations with The Huntington and ICA to forge new paradigms that engage students in these areas of study.”

In recognition of his accomplishment, LIFEWTR sent Louis and Ari to the Teen Vogue Summit in Los Angeles last month. Soon Louis, Ari and Warren head to New York City for the formal introduction of the artful bottles.

“Fund for Teachers is the proverbial rock thrown in a pond, with its ripples spreading out in exciting and unexpected ways,” said Ari. “One perfect example is my student Luis Gonzalez. Luis has participated the past 3 ½ years in my art (and theater) collaboration with two other FFT recipients, spurred by our fellowship to New York London, and The Netherlands. Luis has participated in approximately thirty field trips to contemporary art museums and plays, many exploring cutting edge artists and playwrights. Through these experiences and others, Luis was inspired to create abstract and pop culture works of art. When the opportunity arose for students to enter a contest to be on LIFEWTR bottles, Luis was the perfect person for the task. Having seen his abstract art piece Daydreamin, LIFEWTR replicated the art on 15 million bottles with the hopethat it will inspire other teens to be creative.  Thank you FFT for the support and opportunity to connect our FFT experiences in the ‘real world’ with our students in the classroom, who then take this full circle and bring it back out to the world.”

I teach Japanese as a foreign language to elementary and middle school students, many of whom come from immigrant families. Some families are from Central and South America, some from the Caribbean Islands, and others from Southeast Asia. I share this heritage. I grew up in Japan. My mother is sansei (third-generation Japanese American) from Hawaii; her father, a nisei (second-generation Japanese American), was one of many Japanese Americans on the island who enlisted after Pearl Harbor. He wanted to prove his loyalty to the country that had become very suspicious of his people, so he fought with other nisei from Hawaii in the 100th Infantry Battalion, which became one of the most decorated in military history.

Growing up, I heard my grandfather tell stories of fighting in Europe in World War II. Not until much did I learn of another battle fought by Japanese Americans on the mainland. It was not a battle of bombs and bullets, but a battle of patience and perseverance. Like my grandfather, who demostrated his patriotism by enlisting, many Japanese Americans proved their loyalty by enduring relocation to internment camps.

To fully understand and better teach this period of American history, I designed my Fund for Teachers fellowship to explore the Japanese American experience during World War II and – more specifically – the US government’s handling of these citizens.

I drove 3,500 miles through 8 Western States over 11 days to research 10 monuments and former internment sites. I also stopped at the Japanese American National Museum in Los Angeles (where I took a selfie with  George Takai). An unplanned experience was attending the Annual Pilgrimage at Heart Mountain Relocation Center in Wyoming, where we honored those who who advocated, resisted and fought for Japanese Americans. It was this stop where I met former Secretary of Transportation Norman Mineta and Senator Alan Simpson.

Throughout my fellowship, I focused on two topics:
• What Japanese Americans endured throughout relocation, and,
• How relocation of the Japanese Americans is remembered today.

During the fellowship, I filmed interviews with former internees about their experiences, which I’m using as resources with students and colleagues. I am also designing two curricular units that teach about the Japanese American internment experience: one for Japanese language teachers that incorporates phrases and dialogues used in camps; and one for English Arts and Social Studies teachers who want to teach about the topic. Upon completion, I will offer workshops throughout Boston Public Schools and through local non-profit teacher training organizations.

In my classes, I’m using the knowledge and connections I gained through my fellowship to teach about the forced internment of Japanese Americans during the war. Previously, I’ve taught Japanese customs, traditions, history and culture, but I’d never considered teaching the Japanese American immigrant story. I now incorporate into my language lessons words and phrases, such as gaman (perserverance) and shikata ga nai (can’t be helped), that were often used by the Japanese Americans to describe their confinement. I’ve come to understand that by teaching my culture’s extraordinary circumstances, I can deepen connections with students whose lives reflect similar themes, old and new.

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This year is the 72nd anniversary of the liberation of the Nazi Concentration Camp in Auschwitz, Poland. It has also been 70 years since Japanese Americans in the mainland were allowed to leave the internment camps and return to the West Coast. On January 2nd, 1945, restrictions preventing resettlement in the 100 mile Exclusion Zone along the West Coast was removed. I believe a strong democracy lies in not forgetting the past, especially not the mistakes. My fellowship researching the plight of tens of thousands Japanese Americans was humbling and allowed me to gain a more complete perspective of the American immigrant experience. I am using this perspective to better understand (and teach) my students from immigrant families themselves.

Timothy Nagaoka teaches Japanese in six schools around the greater Boston area and has dedicated his career to creating opportunities for students and colleagues to connect with Japan. In recognition of his work, Timothy has received the John E. Thayer Award from the Japan Society of Boston, and the Henry L. Shattuck Public Service Award from the Boston Municipal
Research Bureau.

Honoring Maria Montessori’s Birthday by Carrying on Her Vision

Happy (belated) birthday to Maria Montessori, born on August 31,1870, and founder of the eponymous learning style characterized by independence and freedom within limits. Two teams of teachers used liberty afforded by Fund for Teachers to design fellowships that further enhanced early childhood education informed by Montessori.

A team from Alighieri Montessori School in East Boston attended the International Montessori Congress in Prague, focusing on Montessori techniques as a path to social change and a higher-quality education that cultivates life-long learners and responsible citizens. Achala Godino, Lisa Schad and Maureen Magee-Quinn networked with more than one thousand “Montessorians” who embraced their founder’s message: “It is the role of education to create peace in this world.”

“Maria firmly believed that children did not need to be taught ‘peacefulness’ – rather, it was the role of education and educators to help remove the obstacles that stand in the way from children revealing their true nature, which is peace, joy, and kind regard toward others,” said Achala. “It was jolting to reflect on her socio-political writing of the early 20^th
century. She was looking upon a world embroiled in two World Wars and looking upon the child as the answer to the militarism, xenophobia and authoritarianism of the day. Sadly, her writings on the topic are as relevant to the 21^st century as they were 100 years ago.”

A three person team, also from East Boston, crafted a slightly different fellowship, but one that also increased competency in the Montessori system. Deborah Arlauskas (Tynana Elementary), John Arlauskas (Murphy K-8) and Margaret Arlauskas (Alighieri Montessori) studied in the Netherlands Dutch culture’s intersection with Montessori and early childhood learning to better teach/reach their English Language Learners and their families.

After a guided visit of Amsterdam’s Association Montessori Internationale (where Maria’s study was preserved as a museum), John, Deborah and Margaret spent the next five days volunteering and observing at the 2 Voices Montessori School. The fellowship concluded with second school visit at Casa Bilingual Montessori School in Pijnacker. Following AMI’s recommendation, the team visited this particular school due to the bilingual instruction (English and Dutch) and the 50 weeks-a-year schedule.

“My content knowledge of Montessori instruction has deepened to a more advanced level of understanding,” said Margaret. “Specifically, I learned how teachers and instructional leaders in the Netherlands adapt the Montessori curriculum and manipulatives to meet student needs. For example, the Montessori approach to education should be the vehicle to help students meet state standards and content/language objectives for lessons and units.”

Maria Montessori’s legacy lives on on the work of these teaching teams, dedicated to developing children as well-rounded individuals. Throughout the first two of four developmental phases outlined by Maria (self construction from 0-6 years and peace/happiness 6-12 years), students at three East Boston school will now benefit from heightened instruction in this discipline.

“As public Montessori teachers in East Boston, serving a mainly immigrant community living under the strain of poverty, we are committed to delivering the highest quality Montessori education that will usher forth the next generation of global citizens and peacemakers,” said Achala. “We were grateful to have had the opportunity to engage in these conversations and be again re-inspired to manifest Dr. Montessori’s vision.”

On the final day of their fellowship, Alice Laramore and Kat Atkins-Pattenson shared with us their reflection on a four-week, 9,000 mile road trip along the United States/Mexico border exploring language arts, visual arts, immigration and identity. Thank you, Team Paredes Que Hablan (or Walls That Speak) for sharing your experiences and hope for future students.

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Our students cross borders every day. They switch from home language to school language and back again.Their warm presence, giggles, and questions invite new families inside our school buildings. And, everywhere they go, our students carry the imprint of their family members who came to Boston for refuge, for freedom, for opportunity. Every time these young people change spaces, they reconcile their identities and pasts with their presents and futures.

We know that for students to truly succeed academically, they must see mirrors of themselves in our curricula – art, media, and text – and validation of their identities in our classroom spaces. While we can empathize with our students, as white female teachers, we do not truly understand the depth of our students’ experiences. To effectively understand our students’ experiences, we need to cross borders ourselves and experience the displacement our students have experienced traversing these borders.

Today, the last day of our trip, we are energized by the Borders and Identity Unit that we have built and will use to launch the year with our students. We are flooded with all that we’ve seen in our seven cities. We are entrenched in the creative part of teaching, the part that involves being an interesting, engaged individual to better support the interesting, engaged individuals in our classrooms. The part that means we learn something new in order to teach something new. The experience of being a learner better prepares a teacher to teach, and this summer was an opportunity for us to authentically learn about murals on different borders, to confront not knowing and to investigate, to use art as a lens into community.

Watch in this video the artistic expression Kat and Alice captured in three countries and seven cities to help students answer the question: “How do we show other people the depth of our past and the strength of our future?”

This month, we immersed ourselves in adult project-based learning. We’ve tried lots of new things, from food to cloud-mountain hiking to driving to places we’d never been (while blogging) to talking about art from sunrise to sunset. And we’ve done the whole thing together. Often, in our classrooms, we create groups that we believe will benefit from the individuality of each member. We build in scaffolds meant to allow the group to discover each individual’s strengths and to make empathy a non-negotiable. Though we embarked with empathy and respect already in place, our twenty-six days together have illuminated the strengths and areas of growth (thanks, BPS, for the language) of our partnership. We both value efficiency, and, in the face of less-than-such (e.g., when the internet goes as turtle-pace, when people get motion sick, when you walk up the wrong side of the mountain, etc.), we have learned much about each other. That knowledge has made us better collaborators and better friends.

In San Francisco, where we started our trip, we were oriented to the idea of looking. This was not just because there was so much to look at in The Mission, but also because we did our first day with a guide, who was able to re-frame what we had seen and interpreted in the context of history and community. Carla made us cognizant of how much we needed other people’s knowledge and understanding to build our own. The Pacoima (L.A.) murals added a layer of “looking around corners” to that concept. On the hottest day of our trip, we spent the majority of it seeking out art on the walls of automotive dealerships and in the parking lots of community centers. It wasn’t always going to be all in one alley. In San Diego, a park once occupied by people and now occupied by art, had us looking for four hours and not seeing enough. We returned home those nights googling Aztec symbols and stories, trying to learn enough to know something.

Tucson and Dr. Acosta gave us yet another frame through which to experience our learning. Freedom of education does not mean freedom to learn about the American Revolution and the Civil War through a lens of whiteness. Precious Knowledge, to our generation of “urban baby teachers,” is a reflection of our intentions. Though we (the generation of “urban baby teachers”) are in no way united in our vision or our understanding of social justice, the power of conviction in ideas, history, and lifting stories and voices drove us into the work of education. We wonder if Dr. Acosta knows how many teachers who are only five or six years in are tracking his legal battle and celebrating his victories, most recently the repeal of Arizona’s ban on ethic studies which a district court deemed racist and targeting of Mexican Americans.

In Santa Fe, we absorbed the International Folk Art Market, how artists envision and reimagine, how tradition can morph modern and can accommodate the present day without reneging its roots. This mirrors the murals we’ve seen and the art of Frida Kahlo, taking symbols from the past and bringing them to life in the now. In Mexico City, we saw so much. Teotihuacan, Frida, Diego, the Anthropology Museum, street art, the culinary art of Pujol, the stained glass and craters of Toluca. With American eyes and feet, we navigated the city, and learned all that we still had to learn.

It is hard to classify this experience, and even harder to know all that it will bring to our classrooms. It falls somewhere in the vicinity of sabbatical – an intentional, purposeful break that brings new insight – but also touches the realm of professional development, continuing education, and a creative project. We envision a unit with three parts. First, with our students, we will read several memoirs that broadly address the topic of borders and walls, thinking with our students about potential barriers and how to scale them. Second, we will all generate and share memoirs from our own lives on the same topic. The author of each memoir will formulate his or her own theme about the topic, communicating a piece of knowledge gained from navigating–either adeptly or crudely–a border. Finally, after examining many primary sources collected on our trip and within Boston, students will co-construct a mural combining the themes of their memoirs to create a community creation.

The idea of “insider and outsider” has been, in many ways, the crux of our travels. We asked questions and navigated our identity as visitor, as white visitor, as American, as woman. In our classrooms we are often the the outsiders to the communities in which we teach. However our ethnicities and upbringing reflect the dominant histories and tools that are demanded from dominant culture. In this unit, we hope to illuminate these walls, supporting students to name them, scale them, and ultimately paint them. As humanities teachers, we believe that providing students vocabulary and time to think and discuss the world and its issues leads to a brighter, more creative, and smarter future than the two of us can imagine. Solutions lie in the writing, in the art, in the conversations, and in the relationships that students create. Just as we wrote in our FFT proposal, students must see themselves reflected in curriculum, in physical space, and in pedagogy in order to be successful. Because we do not physically reflect our students’ identities, we think constantly about how to make all other facets of our teaching affirming. This unit and this project will be a launching point for discussions about personal identity, community, and what comes next.

In Mexico City, the San Francisco Bay Area, Los Angeles, San Diego, Tucson and Santa Fe, this fellowship made space for us to be learners. After the twelfth grade, those opportunities almost always come with one (or many) literal costs. And Fund for Teachers (along with the school year calendar) gave us the time, space and finances to learn more in a way that will support our students, but also in a way that sustains us as teachers, professionals, and individuals. It made it possible for us to end the trip feeling rejuvenated rather than depleted. There is a constant push for teachers to continue professional development; it is indeed essential. But driving this profession development experience (and literally driving more than 900 miles) meant that we could pace our learning and reflection, and that we could intentionally choose meaningful experiences that hit our “zone of proximal development.”

If you’d like to know more about our trip, we’ve been writing the whole time. Read our blog at www.writingisthinking.org

In Solidarity,
Kat + Alice

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Alice is a 7th grade Humanities/Special Education teacher at the Lilla G. Frederick Pilot Middle School in Dorchester, MA. She infuses arts into her Humanities classes, most recently taking students to do pop-up Shakespearean theater in several Boston Public libraries. She works on a cross curricular team of teachers who study the intersection of English Language Learning and Special Education to build inclusive writing experiences in all contents.        

Kat is a 7th grade Humanities teacher at Gardner Pilot Academy K-8 School, a Pilot School in the Boston Public Schools. Katharine was a 2012-13 Donovan Urban Teaching Scholar at Boston College where she earned her Master’s in Secondary Education. Prior to becoming a teacher, Katharine built a college access program in rural Pennsylvania that continues to help first generation and undocumented students find the appropriate post-secondary fit while developing college and financial literacy
within the community.

Boston Public Schools closed today due to -20 degree wind chills. Sounds like the schools need some geothermal heating that Fellows Kristen Cacciatore and Mandy Dillingham researched in Iceland last summer with their Fund for Teachers grant.

These East Boston High teachers spent a week investigating the impact of climate change on Iceland’s society, educational system and natural environment to develop instructional resources that empower students to address climate change and its impacts on Boston.

“We designed our Fund for Teachers fellowship to go to the world’s leader in renewable energy generation. We gained new insight into how best to combat climate change by using renewable energy sources that do not produce carbon dioxide emissions in the place of fossil fuels. Our goal is to use these experiences and new knowledge to develop curricula that empower students to develop new ideas to change current energy practices in our school and community,” wrote Mandy.

The teachers found that Icelanders take pride in their use geothermal energy to heat water used in everything from homes to public swimming pools. After renting a car, the explored Hellisheidi, the second largest geothermal power station in the world (pictured above), hiked the Hengill Volcano and explored Pingvellir, the national park where two tectonic plates meet. They also toured an innovative greenhouse that grows tomatoes using 100% of its energy from geothermal heat.

Back in Boston (although not today) Kristen and Mandy teach a newly-developed curricula that addresses climate change and the use alternate forms of energy to alleviate carbon dioxide emissions that will be delivered to hundreds of students this year alone. They are also incorporating their fellowship learning into climate change activities with the Science Club they co-lead after school. Students are in the process of developing a series of fun, informative, video clips about climate change in our local area, and ways to conserve energy, which will be delivered on school-wide TVs.

“On our fellowship, we learned how a large community was able to vastly reduce its amount of carbon dioxide production by using geothermal heat and how this heat is converted to electricity to significantly improve the quality of life of Icelanders,” said Kristen. “And our adventures in Iceland have inspired our students to try to prevent global warming by changing how the energy they use every day is produced.”

You can learn more about their experiences on the blog they developed and updated daily for faculty, family, and students to follow.

An additional BPS teacher, Alex Pancic (Brighton High) also used his FFT grant to research energy in Iceland. Specifically, Alex enrolled in Reykjavik University’s School of Energy program to learn how Iceland maximizes alternative energy systems and incorporate these solutions, along with photos and interviews, into an Engineering for the 21st Century curriculum.