“To forget would be not only dangerous but offensive; to forget the dead would be akin to killing them a second time.” — Elie Wiesel, Night

“It has been almost 80 years since the end of WWII and the horrors of the Holocaust. The survivors of a people’s systematic and institutional genocide are passing away, and their stories are being forgotten. However, the perpetration of genocide and intolerance continues throughout our world. Unfortunately, it seems that the lessons of the past have been pushed aside at times. It is the duty of every educational institution, including our own, to teach and remind students of the history so that they, and those who come after them, actively speak and work to prevent such events from happening again.”

These were the first sentences of the grant proposal submitted by Sandi Burgess and Marymargaret Mineff, teachers at Chicago’s Morgan Park Academy. With a $10,000 Fund for Teachers grant last summer, they gathered materials, impressions, and insights pertaining to the Holocaust across eight European countries to inform the creation of a student-led podcast series around the Five Steps to Genocide.

They shaped their itinerary based on Holocaust sites of deportation, cultural and artistic loss, memorialization and remembrance, and/or forced labor and experimentation with the goal of providing students with primary resources connected to themes of identity, choice, and responsibility. Experiencing sites in Germany, Poland, Austria, Czechia, Hungary, The Netherlands, Belgium, and France surfaced more than historical awareness.

“I think that while I was going through all of these different countries, I saw how each country had chosen to address their truth by maybe not taking away their bias,” Sandi reflected. “As a history teacher I am constantly trying to view history through so many lenses and to address my own bias and saw the result of what happens when you don’t.”

“I know a lot about the Holcaust from scholarly study, but seeing these spaces really made me look differently at the ‘facts’ as I know them,” added Marymargaret. “For example, we could not figure out why Budapest was so ‘different’ from the other places we visited and stayed until we realized that 95% of Budapest Jews did not survive and so the ‘ghetto’ never was repopulated after the war.”

Students are now using these materials in their research and scriptwriting as they curate a series of episodes outlining the history of the Holocaust for middle school and high school peers.

“Our school has a new makerspace and expanded technology center, which contains a small recording studio with video and audio capabilities,” the teachers explained. “Students are using this studio to produce the podcast series. We are also collaborating with our IT and music/broadcasting teacher, who will also be bringing back our
in-house internet radio station.”

Teams of students are now in the process of creating and producing 12-15 episodes on one of five topics:

1. Resistance
2. Rescuers
3. Cultural Genocide
4. Children as Victims, and,
5. Remembrance and Memorialization

Today, for International Holocaust Remembrance Day, Marymargaret and Sandi’s middle school students remembered those who died in the Holocaust with a special ceremony. Students created luminary bags for individuals using small biography cards distributed by the United States Holocaust Museum and Memorial to create their own symbols of remembrance.

“Holocaust education is important and has been important for a long time, but I feel an especially urgent call for Holocaust education in today’s world,” Sandi said. “I hope that from this unit and its projects, our students will share what they have learned with their families and friends. I also hope that their podcast series is a hit and is used by other schools and organizations seeking to help middle level students understand the significance of this history.”

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Marymargaret and Sandi documented their fellowship on Instagram. For more of their learning and photographs, visit @sburgessmpa.

Photo credit, Stephanie Graham. Mural by James Barany, Stockbridge, Wisconsin

Take a closer look at this image.  What story does it tell?  Who do you think is telling the story?

Our Fellow, Stephanie Graham, embarked on an in-depth study of forced migration of the Stockbridge-Munsee tribe from New York to Wisconsin. Not only did her Fellowship lead her to deepen her understanding of the history of her community but it also helped her and her students grapple with important questions like, Who gets to tell History? To learn more about the Stockbridge-Munsee Tribe, you can learn more on these Tribe-created websites:

• History of the Stockbridge Munsee Community
• Brief History of the Mohican Nation
• The Mohican People – Their Lives and Their Lands A Curriculum Unit for Grades Four to Five

Fellow Curated Resources

• Stephanie’s Fellowship Passport
• Art project 1: Altered Book Project
• Art project 2: Hexagon Project

“In the current teaching and understanding of indigenous peoples, students in my school feel very removed from the stories. I have seen this in my high school art classes in the superficial use of imagery in their practice of making objects. I also see it in their lessons in social studies, where the knowledge is presented as history and not as living culture that continues to be affected by westernized notions of stories, practice, and object relevance. Students should be taught to understand their role in the relationship between past atrocities and the current climate of injustice… However, the ideas are almost too abstract for children to understand because they lack a sense of connection to the land, stories, and practices of their place of living and learning. Our land is not only tied to indigenous history, it is also the home of important figures in black history, including Mumbet, Dubois, and others. It is through that connection to “place” that students will better understand their identity, which is necessary in developing a sense of empathy towards the people from whom the place was stolen.” 

Additional Fellow-Created Resources

• Hannah Sherk – How landscapes influence and inspire our creative endeavors.

• Sunny Zheng-Herb – Exploration of Native Alaskan arts and culture.

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Mural Legend

Today marks the final Friday in August, the end of summer and the conclusion of most of our our 2022 grant recipients’ fellowships. We’ve proudly introduced you to many of these deserving educators through this Fellow Friday series by grouping them in similar categories (math, literacy, music, world cultures, etc.) But some of our Fellows’ plans defy being pigeonholed. To close out the summer, we share a few of those below…

Click here for a complete list of grant recipients.

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Thomas Houston | Sturgis Charter Public School West – Cape Cod, MA
Gather resources and learning about the historiography of the Irish Independence movement in the Republic of Ireland and Northern Ireland to create a model International Baccalaureate paper 2 for the Independent Movements unit.

“As a student and teacher of history I have learned with increasing clarity that the memory of history is almost as important as the actual events themselves. This historical memory; how we teach students about the past, and how that changes – the historiography – is fascinating to explore with students. The Irish Independence movement carries a lot of historical memory in Ireland and informs actions that people take today. It played a huge role in the Troubles in Northern Ireland and is now being reassessed again in Ireland due to the centenary anniversaries of the events of the Independence struggle and the discussions over what Brexit will mean for Northern Ireland and the border with the Republic. “

Darlene Martino | Wayne Primary – Ontario Center, NY
Participate in puppetry workshops for teachers in San Francisco, CA and Eugene, OR to introduce puppets as tools for students to build social skills, experience other perspectives, tackle difficult conversations, express opinions, and resolve conflicts.

“Compared to previous youngsters I have worked with over the past two decades of my career, many of my current students are profoundly more emotionally needy. My students are hungry for conversation, they ask for opportunities to work with peers, and they are eager to find connection with others. I see a need to nurture resilience, develop active listening skills, and grow empathy among students and am optimistic that I have found a solution in puppetry. I believe that this highly engaging medium will help students build civic skills, experience other perspectives, tackle difficult conversations, express opinions, reduce prejudice, and resolve conflicts.”

Rachel McMinn | Success High School – Meriden, CT
Bryce McMinn | Orville H. Platt High School | Meriden, CT
Research notorious crimes of the 19th and 20th century in the United Kingdom to create cross-curricular learning through the lens of technology in the field of forensics and the role of investigative journalism in solving crime.

“Our fellowship focuses on real-life examples of crimes that were investigated by pioneers of forensic science and journalism in England. We will visit, photograph and 3D survey the the crime scenes for the late 1800 serial killers of London. We will also visit crime labs, and interview historians, detectives and newspapers to discuss crime scene evaluation, handling of suspects, and collection and analysis of evidence collected from the crime scenes. We will learn the role of the media reporting to determine how this helped/hindered identifying and apprehending suspect(s). This will be high interest content that will be used to engage students and teach to the appropriate level of rigor in our classrooms.”

Amare McPherson & StaceyAnn Palma
New Beginnings Family Academy | Bridgeport, CT
Document best practices associated with the Reggio Emilia experienced-based pedagogy where it was founded in Italy to implement its progressive, student-led and focused learning experiences with PK-8 students at an urban charter school.

“Reggio Emilia has a long history of progressive, student-led and focused learning experiences that we as educators can learn from. Reggio Emilia encourages students of all ages to express themselves through their hundred languages, giving voice to the social, and emotional needs and challenges that are particular to students in our urban charter school community. Giving students the power to authentically and constructively express their thoughts, fears, joys and concerns can generate meaningful discussions, observations, ideas, and possible solutions to personal, familial, communal and global issues of impact.”

Krista Peltier | Mohegan Elementary School – Montville, CT
Investigate the differences in Italian, French, British, and Dutch fashion culture — past and present — to inspire self expression, self reflection, and creativity amongst students in their own fashion designs during makerspace.

“Fashion is a method of self expression and who we are as individuals, while also being a creative outlet. Through examination of fashion in France, Italy, England and the Netherlands, I can bring back historical perspectives and cultural differences amongst fashion in different countries to my classroom. I want to inspire my students to create their own pieces of fashion during Makerspace that express who they are as individuals, but also promote self-reflection and their cultural identities to intermix our academic and social emotional learning.”

Michelle She | District of Columbia Public Schools – Washington, DC
Learn to repair broken braillewriters through Perkins’ Braillewriter Repair Workshops; study non-visual and adaptive techniques for personal care through CN Vision Image Consulting, and improve fluency while learning healthy cooking skills in Oaxaca, Mexico, to enrich the personal and educational experience of students with visual impairments.

“One of the biggest problems facing our vision team today is the lack of fully functioning braillewriters. We currently have approximately 30 broken braillewriters in our inventory. As a result, one of my main goals for this professional development project is to learn about the inner workings of a braillewriter and how to repair broken ones. My second goal is to learn adaptive hygiene, grooming, and self-care techniques to teach my students so that they can be more aware of how others perceive them while in public. People who are visually impaired often feel very ‘other,’ and learning some skills to make sure they look their best will help boost their confidence and self-esteem.”

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“Now more than ever, it is imperative that we invest in the most important component of any classroom — the teacher,” said Karen Eckhoff, Executive Director of FFT. “Educators are facing countless challenges every day, and Fund for Teachers is dedicated to further diversifying the ways that we can support them. Our grants represent trust in teachers’ professionalism, creativity, and vision, offering flexibility to meet the unique needs of each classroom, with the students remaining the ultimate beneficiaries as they continue to grow and learn in today’s ever-changing world.”

If you missed any of this summer series, take the time look back and meet many of the other educators whom we highlighted on Fellow Fridays. Their courage, curiosity and creativity could be just the thing to propel you into another schoolyear. We are proud to call these and ALL of our 9,000+ grant recipients Fund for Teachers Fellows.

We are winding up our “Fellow Friday” summer series next week, after focusing on 2022 grant recipients who are pursuing similar categories of learning, such as literature, special education, Holocaust studies, math, conferences, indigenous studies, music education, and even farming. In advance of International Day for the Remembrance of the Slave Trade and its Abolition on Tuesday August 23, today we share FFT Fellows’ varied approaches to the topic of the Transatlantic Slave Trade…

Click here for a complete list of grant recipients.

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Elise Barnes – KIPP Academy Chicago Primary | Chicago
Janae Reynolds – KIPP Zenith | Houston
Compare and contrast enslaved experiences in Ghana and Cape Town through museums, historic sites, and storytelling, to create a unit in which students learn about the art of African storytelling and create personal stories reflecting their heritage.

“What we know about our student population is that we both teach black and brown children. Some of those children are exposed to their family’s culture daily, and others unfortunately do not have that knowledge. When a child knows or understands their story or what brought them to where they are today, they can feel a sense of belonging and self-worth. We believe that through this fellowship, we can give students more of a sense of identity and who they are.”

James Dolan & Brad Vinson
Sparkman High School | Harvest, AL
Research in Ghana, the United Kingdom and Williamsburg, VA sites pertinent to the Atlantic Slave Trade to create location-based videos, lessons, and primary source activities on Triangular Trade that are currently lacking in availability for history teachers.

“As citizens of the United States, slavery is everyone’s history. The Atlantic Slave Trade is a hard subject to teach, but even harder without resources to supplement. Visiting the locations of the Slave Trade and learning from their local environs will help us showcase their histories to our students. We plan to include primary sources such as maps, pictures of artifacts, and first-hand accounts that can be used in our classrooms, and uploaded on the internet for mass consumption. We plan to interview experts, in videos and outside of videos, to obtain information on the Slave Trade during the 16th and 17th centuries then and its continual impact on the world today.”

Pratia Jordan | O’Donnell Middle School – Houston, TX
Retrace the transatlantic journey through historical sites in Africa, Europe and North America to create multi-modal, 3D virtual learning experiences that allow students to deepen content knowledge and make personal connections to the past and its continued relevance to our present.

“When discussing the content and context around the transatlantic slave trade it is imperative that I get it right, because for some students I am talking about a place they call home. Many of my African students who were born in Africa or are 1-2 generations removed have a strong sense of identity, heritage and pride in their tribe and culture connected to Africa. My sense of responsibility has also been heightened knowing that the lessons I create will not just impact the 120 students I serve in my classroom, but thousands of students who will be taught using the curriculum I am revising for the entire district. I intend to breathe new life into our TST curriculum with the results of this fellowship by seeking out and bringing back vibrant, personal, relevant and multi-dimensional information, primary sources, artifacts and audio-visual documentation on the content such as interviews with historians, residents of West Africa and my own personal blog/vlog.”

Garrett Griffin | East Rock Community Magnet School – New Haven, CT
Ray Walters & Kurt Zimmerman| Highville Charter School – New Haven, CT
Experience UNESCO sites associated with the enslavement of people in Connecticut, Louisiana, as well as related museums in Massachusetts and Washington D.C. to facilitate culturally-relevant and emotionally-thoughtful classroom conversations about the Trans Atlantic Slave Trade.

“Having a diverse collection of books is essential in any school library, but I think it’s especially important in a school with such little diversity. The graphic novel books are some of the most popular reading materials in the library: The combination of the written word and pictures make them accessible to all students, even those whose reading comprehension is below grade-level. I believe understanding the culture will help when students have questions about Japanese culture and beliefs that frequently come up while they are reading manga, and help in the decision-making process to bring appropriate, engaging materials to the students who desire it.”

Daniel Warner & Valen Warner
East High School | Memphis, TN
Explore understandings and experiences of Black identity abroad by examining the legacy of the Transatlantic slave trade; abolitionist & anti-lynching campaigns in England; and the emergence of African American artists and intellectuals to Paris to create interdisciplinary curricula on Black identity & belonging throughout the African diaspora.

“Our students bring an impressive depth of knowledge about their own varied experiences as Black Americans to the classroom, and as teachers who strive to value the cultural experiences of our students, we have geared previous professional development toward this subject…Yet both we and our students find ourselves limited in our knowledge of the Black experience abroad. We want to begin our study of the questions raised by our students in our classrooms by looking at Black identity and experience in England and France, with special attention to Black Americans who have chosen to depart the United States to seek personal respite from discrimination and exclusion in the United States.”

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“Now more than ever, it is imperative that we invest in the most important component of any classroom — the teacher,” said Karen Eckhoff, Executive Director of FFT. “Educators are facing countless challenges every day, and Fund for Teachers is dedicated to further diversifying the ways that we can support them. Our grants represent trust in teachers’ professionalism, creativity, and vision, offering flexibility to meet the unique needs of each classroom, with the students remaining the ultimate beneficiaries as they continue to grow and learn in today’s ever-changing world.”

Join us next week for our final installation of “Fellow Friday” for the year!

Today we continue our “Fellow Friday” summer series — despite knowing that many of you are completing your first few days of school. Let these peers be inspiration for you to begin thinking about what YOU could learn and where next summer with a Fund for Teachers grant! These FFT Fellows who designed learning around various aspects of literature…

Click here for a complete list of grant recipients.

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Drew Bicknell-Gates
Mohegan Elementary School | Uncasville, CT
Experience Key West’s influence on Ernest Hemingway’s writing and explore my own creativity at Walt Disney World, culminating in a writing retreat aboard a train, to motivate my students to grow in their writing and creative-thinking skills through inspiration in their everyday lives. (Pictured at Hemingway’s studio)

“As a special education teacher, I often struggle with how to balance teaching incredibly structured programs to meet the needs of my students receiving special education services with creative teaching that I know will be more engaging for my students. Creative people are able to think critically about problems and come up with unique solutions, skills which are gained through practice and experience. I want to help my students build these crucial skills to help them set a foundation on which they can continue to learn for the rest of their lives.”

Stephanie Brown | Floyd I. Marchus High School – Concord, CA
Research in England key sites from Jane Austen’s life and the novel “Northanger Abbey” to design a curriculum that incorporates the use of social thinking curriculum to make novels and their focus on interior thoughts accessible to neuro-diverse students.

“The ability to imagine how another person thinks and feels is a long-recognized weakness among students on the Autism spectrum. However, reading literature improves one’s capacity for empathy and strengthens one’s theory of mind. How, then, do we accommodate students with these challenges so that they may access contemporary literature? The modern novel depends heavily on understanding the thoughts and feelings of others. The very insight the modern novel is meant to provide, then, is potentially inaccessible to students with communicative disorders like autism. My fellowship seeks to make novels and their focus on the “interior” thoughts individual accessible to such students.”

Kim Buckley | East Lyme High School – East Lyme, CT
Get firsthand knowledge of Shakespeare and Bronte by visiting English sites in which they lived and worked and also access the knowledge of experts there to improve anti-racist teaching by adding counternarratives that address the problematic nature of White-centered texts, specifically canonical texts by these authors.

“One genuine problem of my practice is making Shakespeare and Brontë relevant to my students and supporting their engagement with these writers who they see as outdated. Furthermore, I want to address the passivity of students in my classroom to get them actively engaged in their learning through performance. Finally, I want to continue to improve my anti-racist teaching by adding counternarratives and addressing the problematic nature of White-centered texts, specifically canonical texts by Shakespeare and Brontë, an approach that will benefit students not only in my AP classes but also in my other classes as well.”

Kaycee Hallett | Mohawk School District – Sycamore, OH
Interview therapeutic horticulturists and horticulture therapists in Denver, Knoxville and Nashville to create for highly capable students addressing eating disorders the opportunity to utilize plant care/gardening for personal stress management and demonstrate the ability to practice health enhancing behaviors through skills learned.

“Having a diverse collection of books is essential in any school library, but I think it’s especially important in a school with such little diversity. The graphic novel books are some of the most popular reading materials in the library: The combination of the written word and pictures make them accessible to all students, even those whose reading comprehension is below grade-level. I believe understanding the culture will help when students have questions about Japanese culture and beliefs that frequently come up while they are reading manga, and help in the decision-making process to bring appropriate, engaging materials to the students who desire it.”

Brook Hopkins | Soddy Daisy High School – Soddy Daisy, TN
Explore cities in Northern and Central Europe that are the settings for two popular graphic novels pertaining to individual experiences of the Holocaust to build a greater understanding of the systematic way the Nazis exterminated more than six million Jews and help students feel connected to the victims, perpetrators, and bystanders of the Holocaust and its terrible place in our history.

“Great age-appropriate literature, especially graphic novels, create a literary space where students of all reading levels can grow intellectually, emotionally and with empathy in their views of others who differ from themselves within our world. These two graphic novels: Maus: A Survivor’s Tale and Anne Frank’s Diary and The Graphic Adaptation (adapted by Ari Folman) are the focus for an enhanced literary unit and the structure and itinerary of my fellowship. My experiences will deepen my content growth, empathy, and ability to help my students feel connected to the victims, perpetrators, and bystanders of the Holocaust and its terrible place in our history.”

René Peña-Govea | June Jordan School For Equity – San Francisco, CA
Attend the Tin House Summer Workshop at Reed College in Portland, OR, to hone writing, workshopping, and editing skills that inform student writing workshops and provide them additional spaces for self-expression.

“As a teacher-librarian, I am well-versed in encouraging and teaching literacy, but not so much in teaching or holding space for creative writing. I would like to add to my experience as a student of creative writing so I can put myself in my students’ shoes as well as observe skillful teachers to hone my own skills as a writing teacher. My goals are to engage with creative writing as a student in a writers’ workshop and then put my teaching hat on to dissect what the writing faculty is doing. I will then bring those skills back to my school to open creative writing workshops, clubs, or other spaces up for students.”

Victoria Rosenburg | St. Matthew’s Parish School – Pacific Palisades, CA
Explore Great Britain’s geography, cultural landmarks, and historic sites to revitalize a middle school English curriculum with a unit on heritage and literature that expands a nature writing component and brings Shakespeare’s works to life.

“While I am very lucky that my family has been able to trace our ancestry, many of my students do not have access to information about their ancestry. I have taught students who are American Born Descendent of Slaves, who are refugees, and who come from chosen families. I am cognizant of these different backgrounds and aware of how that can impact a student’s experience when participating in a unit on ancestry or heritage. My learning plan, and in turn, the revitalization of my 6th-Grade unit, will be focused on cultural heritage – the traditions, artifacts, history, and stories that are passed down from generation to generation. By refocusing my unit, I broaden the opportunities for students to make connections, experience engagement, and feel included.”

Lorrie Storozuk | Tolland Intermediate School – Tolland, CT
Journey through two National Parks and part of the Nez Perce Historic Trail in Montana and Wyoming to experience the historical setting of the book Thunder Rolling in the Mountains and enrich learning about Native American history for an integrated English Language Arts/Social Studies curriculum unit

“By sharing personal visuals, photographs, and current stories of travel from the region, I can show students the evidence that people eventually understood how the Native Americans’ lifestyle and culture is connected to their homeland and the natural resources because, not only did the U.S. government protect the land of the region by creating several National Parks, but also preserved the Nez Perce National Historic Trail from 1877, and we are still able to visit it today.”.

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“Now more than ever, it is imperative that we invest in the most important component of any classroom — the teacher,” said Karen Eckhoff, Executive Director of FFT. “Educators are facing countless challenges every day, and Fund for Teachers is dedicated to further diversifying the ways that we can support them. Our grants represent trust in teachers’ professionalism, creativity, and vision, offering flexibility to meet the unique needs of each classroom, with the students remaining the ultimate beneficiaries as they continue to grow and learn in today’s ever-changing world.”

We look forward to introducing you to more 2022 FFT Fellows next Friday!

The Individuals with Disabilities Education Act defines special education as: “Specially designed instruction, at no cost to parents, to meet the unique needs of a child with a disability.” Those needs run a wide gamut, with the essential similarity being students who are not best served in a “general education” setting. Teachers called to this sector of school communities often work in non-traditional environments and employ out-of-the-box skill sets to most effectively impact their students and their families. So it should be no surprise that the Fund for Teachers fellowships these teachers design are equally as unconventional. Meet a few of our 2022 FFT Fellows pursuing experiential learning to benefit their special education communities.

Click here for a complete list of grant recipients.

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Melissa Florio & Carissa Miller
Emerson-Williams Elementary School |Wethersfield, CT
Complete a yoga/mindfulness retreat in Portugal’s Sintra National Park to learn techniques for supporting children exposed to trauma and replicate these strategies within the school setting so students can develop emotional regulation skills that empower them to thrive socially, emotionally, and academically.

“Trauma impacts the brain and the body. Students who are dysregulated are unable to access the executive functions they need to pay attention, emotionally regulate, and problem-solve. By attending this retreat, we will gain techniques that will help students calm their amygdala so that they can be successful learners in the classroom.”

Sam Gurung | Hanes Elementary School – Irving, TX
Complete a Spanish immersion program while staying with a host family in Cusco, Peru, to learn culturally-relevant information that enhances communication with Spanish speaking special education students and their families.

“I am excited for the prospect of innovating in collaboration with my students and the school community as a whole to bridge the gap (specifically the communication gap) between the special education students and general education students, and monolingual students and bilingual students. The fellowship will enable me to design learning experiences for my students where we will make personal connections, work in collaboration and communicate effectively with one another, while also reflecting on our progress, ways I can improve and celebrate our actions, talents and abilities.”

Ryan McGoff | East Boston High School – Boston, MA
Complete intensive language lessons in Medellin and Cartegena, Colombia, to enhance fluency and develop culturally-responsive curriculum for English Language Learners with disabilities.

“By approaching this learning experience through the framework of Culturally and Linguistically Sustaining Practices (CLSP), my goal is to gain a deeper grasp of the cultural, political, social, and economic influences that shape these realities. Additionally, I hope to be responsive to the conditions of a student’s lived experiences and the histories that created them..”

Laure O’Keefe | The Anna Westin House – Saint Paul, MN
Interview therapeutic horticulturists and horticulture therapists in Denver, Knoxville and Nashville to create for highly capable students addressing eating disorders the opportunity to utilize plant care/gardening for personal stress management and demonstrate the ability to practice health enhancing behaviors through skills learned.

“This grant is to provide students the opportunity to utilize plant care or gardening as a personal stress management plan and demonstrate the ability to practice health enhancing behaviors through skills learned. Discussion of personal container gardens and life-long benefits of plant care or gardening will precede selection of a particular garden type (fragrant, colorful, textural, herbal) and the beginning of the plant selection process to create a that personal garden. That little patch of nature will sit on the student’s table and our class will be full of lush plants to feed our hearts and calm our minds and hand “

Michelle She | DC Public Schools – Washington, DC
Learn to repair broken braillewriters through Perkins’ Braillewriter Repair Workshops; study non-visual and adaptive techniques for personal care through CN Vision Image Consulting; and improve fluency while learning healthy cooking skills in Oaxaca, Mexico, to enrich the personal and educational experience of students with visual impairments.

“My passion as an educator is to give my students the tools they need to become meaningful contributors to society. As someone with a visual and physical disability myself, I can say that we are often the ones in need of others’ help, and nothing is more powerful than realizing that we, too, can make a positive difference in others’ lives..”

Jeff Timberlake | Guild Elementary School – East Boston, MA
Investigate in Medellin, Colombia, the Metrocable and railway system, learning how it became a symbol of transformation for low-income communities, to inspire English Language Learners and students with special and/or high needs to harness their unique strengths and interests so they have the best opportunity to be productive and thrive in a rapidly changing world.

“All students need to harness their own unique strengths and interests and reflect the myriad of opportunities that exist so they have the best opportunity to be productive and thrive in a rapidly changing world. This is especially vital to the students in my school which is made up of 71 English language learners (ELLs), 25% students with “disabilities,” and 92% “high needs” because they have a difficult time integrating into their communities and the wider society.”

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“Now more than ever, it is imperative that we invest in the most important component of any classroom — the teacher,” said Karen Eckhoff, Executive Director of FFT. “Educators are facing countless challenges every day, and Fund for Teachers is dedicated to further diversifying the ways that we can support them. Our grants represent trust in teachers’ professionalism, creativity, and vision, offering flexibility to meet the unique needs of each classroom, with the students remaining the ultimate beneficiaries as they continue to grow and learn in today’s ever-changing world.”

We look forward to introducing you to more 2022 FFT Fellows next Friday!

To introduce you to our newest grant recipients, we’ve started Fellow Friday. Last week, we highlighted seven teachers who designed and are pursuing fellowships around Indigenous Studies. Today, we meet a group of Fellows who chose different avenues of pursuing a range of subjects supporting music education.

Click here for a complete list of grant recipients.

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Mark Billota | Roger Ludlowe Middle School – Fairfield, CT

Enroll in a series of virtual master classes in music composition and arranging from world renowned composers and musicians to develop skills that facilitate music composition that engage students in musical performances.

“There are times when a need arises for me to actually compose a part/song or arrange something for my students in a different format or style, but I’m lacking the skill set to do so, as this was something only briefly touched upon in my undergraduate studies and really not at all in my graduate studies. My students will really benefit from my ability to arrange “fun” pop songs they recognize on my own in a way that matches their current skill set.”

Jason Malli | Vinal Technical High School – Middletown, CT

Attend the Summer World Music Pedagogy Workshop at West Virginia University, SPLICE Institute for Arts and Technology Innovations at Western Michigan University, and Restorative Practices Online at the University of Maine to create opportunities for student self-expression-fostering performance as an experiential, self-paced, recreational, therapeutic, inter-leveled, individualized workshop.

“I’ve struggled to find effective and expedited manners to foster individual and group relationships that honor individuality and learning styles and also induce the curiosity, inquiry, and hunger to learn for sake of growth. Connecting to students in ways of mutual respect during such traumatic times to inspire them to want to
really learn enough to get them to become metacognitive learners is crucial and if that can happen in their
arts elective, those skills can transfer into their entire life long learning makeup.”

Michael Peters, Kim Shaker & Holly Sisk  | Tahlequah Middle School – Tahlequah, OK
Participate in the Broadway Teachers Workshop in New York City to receive intensive, innovative and immersive instruction from professional artists to give students a chance to express themselves through musical and technical theatre and address their need to experience love and belonging.

“While most of my assignments have a heavy component of choice (how to interpret the prompt assigned, what subject they want to photograph), students often struggle to tell their story. I want to study storytellers and artifacts from the past to see how first peoples documented their lives and connect that storytelling to the work my students do with photography. . I want them to experience the beauty of natural surroundings and I want to help them see the beauty in their everyday surroundings. I want them to experience how their everyday surroundings impact the story of their lives.”

Kathryn Morse &  Karin Mitchell| Groton Middle School – Groton, CT
Research in Trinidad and Tobago music rooted in the Trans-Atlantic Slave Trade to create strong historical connections and deeper cultural understanding for students, teachers and parents alike, as they discover the many commonalities within the school’s diverse cultural mix through music.

“We designed this grant to broaden our knowledge of world drumming, specifically African drumming, Steel Pan, and the development of the many other styles of drumming which emerged from the African and East Indian religious, cultural celebrations. We hope to use this new knowledge to create strong historical connections and deeper cultural understanding for individuals within our community, students, teachers and parents alike, as we discover the many commonalities within our diverse cultural mix through music.”

“Now more than ever, it is imperative that we invest in the most important component of any classroom — the teacher,” said Karen Eckhoff, Executive Director of FFT. “Educators are facing countless challenges every day, and Fund for Teachers is dedicated to further diversifying the ways that we can support them. Our grants represent trust in teachers’ professionalism, creativity, and vision, offering flexibility to meet the unique needs of each classroom, with the students remaining the ultimate beneficiaries as they continue to grow and learn in today’s ever-changing world.”

We look forward to introducing you to more 2022 FFT Fellows next Friday!

To introduce you to our newest grant recipients, we’ve started Fellow Friday. Last week, we highlighted two teachers from Manilus, NY, who designed their fellowship to impact English Language Learners. Today, we meet Fellows pursuing justice, injustices, history, art, sciences and lifestyles of Indigenous Peoples.

Click here for a complete list of grant recipients.

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Anthony Bergstrom | East Hartford High School – East Hartford, CT

While exploring the historic geography of the Grand Canyon, Bryce Canyon and Zion National Park, research the history of the Native American people’s to engage students in the study of indigenous cultures, Westward Expansion and the Progressive Era.

“The impact that westward expansion has had on the Native American tribes of the west is profound. While exploring these national parks, my focus will be on the history of the tribes that inhabited these lands (and continue to), their culture and the impact that westward expansion had on them.”

Rachel Clement  | Two Rivers Public Charter School – Washington, DC

Interview tribal leaders and members of the Patawomeck, Rappahannock, Piscataway, and other indigenous nations of Maryland and Virginia to build community-school relationships and create resources that draw connections between indigenous perspectives and restorative justice practices.

“As an associate member of the VA-state-recognized Patawomeck Indian Tribe, I would like to draw on my connections to indigenous community within the Virginia, Maryland, DC region to learn more about East Coast indigenous concepts of justice, local to our area. My hope is that in deepening my (and my network of educators’) relationships with local indigenous community and ancestral restorative justice systems, I can benefit both the areas of cultivating a truly restorative culture at school, as well as deepening relationships
and knowledge of our local communities.”

John Goodwin | BASIS Phoenix – Phoenix, AZ

Conduct research at the National Museum of the American Indian in Washington DC to build two project-based learning experiences that raise awareness of Indigenous experiences at American Indian boarding schools and enhance the physical and digital presence of one such site in our city.

“I will create an extensive database of materials concerning the history of American Indian boarding schools, as well as the presentation of Native American history to the public. In the classroom, my students’ capstone project will require groups to design a two-pronged proposal for teaching materials, on the one hand creating digital history lesson plans to share with educators interested in implementing primary sources on the topic, and on the other hand proposing enhancements to the public history visibility and utility of an under-utilized site in our city.”

Jen Kennedy | College Park High School – Pleasant Hill, CA
Photograph the Southwest landscape (day & night) and also ancient cliff dwellings to document the relationship of First Peoples to the land and demonstrate for career & technical education students how migration & relationship to the land is a common theme in humanity.

“While most of my assignments have a heavy component of choice (how to interpret the prompt assigned, what subject they want to photograph), students often struggle to tell their story. I want to study storytellers and artifacts from the past to see how first peoples documented their lives and connect that storytelling to the work my students do with photography. . I want them to experience the beauty of natural surroundings and I want to help them see the beauty in their everyday surroundings. I want them to experience how their everyday surroundings impact the story of their lives.”

Emily Schmidt | Bronx High School of Science – Bronx, NY
Participate in the Earthwatch expedition “Amazon Riverboat Exploration” in Iquitos, Peru, surveying biodiversity and contributing to community-based conservation projects with the indigenous Cocama people, to broaden students’ perspectives of science to include field biology and indigenous science.

“Participating in this expedition will allow me to take part in many different methods of studying animal populations in the field and see how the data are being used to support not only the local biodiversity but also the livelihoods of the indigenous Cocama people. In fact, the project is located in the Tamshiyacu-Tahuayo community reserve, which was the first community reserve established in Peru. Community reserves are protected areas that explicitly benefit local communities as well as wildlife and are managed by indigenous groups.”

Lorrie Storozuk | Tolland Intermediate School – Tolland, CT
Journey through two National Parks and part of the Nez Perce Historic Trail in Montana and Wyoming to experience the historical setting of the book Thunder Rolling in the Mountains and enrich learning about Native American history for an integrated English Language Arts/Social Studies curriculum unit.

“By sharing personal visuals, photographs, and current stories of travel from the region, I can show students the evidence that people eventually understood how the Native Americans’ lifestyle and culture is connected to their homeland and the natural resources because, not only did the U.S. government protect the land of the region by creating several National Parks, but also preserved the Nez Perce National Historic Trail from 1877, and we are still able to visit it today.”

Catherine Teulings | North End Middle School – Waterbury, CT
Explore in Australia how Aboriginal art expresses the soul to introduce students to this art form as a tool for promoting self-reflection and deep learning while also building stronger bridges of understanding across cultures.

“This fellowship will offer an opportunity for me to incorporate a different art form into my curriculum, one that offers another way for students to express themselves. Aboriginal art will create ways to be involved emotionally and personally in their art, seeing themselves as part of the art, as well as being part of a solution. This will also give them the sense that they are part of the greater world, and can solve real problems through being creative, and collaborative with their classmates.”

Sunny Zheng-Herb | William Smith High School – Aurora, CO
Explore Native Alaskan arts and culture in Alaska to incorporate elements of this art tradition in the classroom through the teaching of 3D art forms and elevate awareness of non-Western arts practices.

“While my school has offered a few classes centering on local Ute, Apache and Navajo cultures, no class has ever touched on Alaska Native peoples. I believe that the introduction of Alaska Native art traditions in my school will engender new ways of viewing and creating art, more space for mindful practice in the classroom, and opportunities for community and self empowerment through the celebration of diverse and oft-effaced cultures.”

“Now more than ever, it is imperative that we invest in the most important component of any classroom — the teacher,” said Karen Eckhoff, Executive Director of FFT. “Educators are facing countless challenges every day, and Fund for Teachers is dedicated to further diversifying the ways that we can support them. Our grants represent trust in teachers’ professionalism, creativity, and vision, offering flexibility to meet the unique needs of each classroom, with the students remaining the ultimate beneficiaries as they continue to grow and learn in today’s ever-changing world.”

We look forward to introducing you to more 2022 FFT Fellows next Friday!

Today, millions of people received a “Breaking News” alert from The New York Times with the heading: “Over 500 Native American children died at U.S. schools where they were forced to live between 1819 and 1969, an initial federal inquiry found.” This is old news to FFT Fellow John Goodwin, who teaches U.S. History, Native American History, and an interdisciplinary research and writing course at BASIS Phoenix. In March, his book Without Destroying Ourselves: A Century of Native Intellectual Activism for Higher Education was released and this summer he will further his research to increase students’ exposure to diverse primary history sources.

With his Fund for Teachers grant, John will conduct research at the National Museum of the American Indian (NMAI) in Washington DC to build two project based learning experiences that raise awareness of Indigenous experiences at American Indian boarding schools and enhance the physical and digital presence of one such site in Phoenix.

“So much of Indigenous history is understandably viewed under a dark shadow of colonialism, with all the violence and dispossession that comes along with it,” wrote John in this blog post. “It can be difficult, especially for young students, to work through a careful study of this history with any sense of optimism left. And yet, if we look closely at the words and actions of Indigenous people themselves, we still see it. We see not only a bare sense of resilience and survival but at times a true optimism and an infectious energy that comes from leaders’ ability to highlight and target shared opportunities for growth within struggle.”

The first phase of John’s fellowship will include documenting content and artifacts at the NMAI and taking advantage of the archival databases at the NMAI Cultural Resource Center in Suitland, MD and the National Archives. Afterwards, he will conduct additional research at Phoenix’s Heard Museum before heading to Fort Lewis College in nearby Durango, CO — a four-year college that once served as an American Indian boarding school.

“Using my catalog of observations, images, narratives from visitors, and archival documents in the subject area, I will curate a large collection of materials that will transform the capstone project experience for my students,” wrote John in his grant proposal. “Specifically, students during the final 5 to 6 weeks of the course will work in groups to develop proposals for action that use these public history sites as models, with the goal of improving the Phoenix Indian School Visitor Center, once an American Indian boarding school.”

While today’s news alert elevates once again the tragic experiences of Native American children and their families, John also sees a story of growth and resilience within struggle.

“A lot of the students who went through those schools went on to be leaders in their communities, and in fact in a wide range of American settings, both Native and non-Native spaces,” he said when we reached out to him today. “Often they did so while still maintaining tribal languages and cultural connections. I think the students I teach—and probably most American students—can really learn from those types of stories. I think those stories keep us tapped into what is best and most intriguing about our identity as Americans, without white-washing it or unnecessarily painting it through rose-colored glasses. And for our students here in Phoenix, I see the boarding school site as an often overlooked location that could be highlighted and enhanced as a public history site for students and the wider community.”

Top photograph courtesy of Colorado Public Radio News.

I teach three levels of English Learners:

• those emerging from the Newcomer program
• those who have been in the country 4-7 years, and
• those who have not reached English fluency after more than seven years of American schooling.

Students in that last group — known as Long Term English Learners (LTELs) — may have been born in this country, but they have hit a plateau in academic English language acquisition. These students need robust, rigorous and culturally relevant curriculum and instruction to help them catch up to their “English Only” peers. Without it, they remain the most likely to drop out and least likely to go to college of any of the subgroups at our Title 1 school.

I used my Innovation Circle Grant to work on to finding innovative ways of blending language development with the arts in order to start closing gaps and opening opportunities for these students.

With a $1,000 grant and alongside peers in the Art & Equity Innovation Circle, I participated in the “Clay: The Remix” workshop at Penland School of Craft in Penland, NC, to learn how to use simple tools in the creation of poetry, street art and prints, then transfer those images to clay, to empower students with a new platform for public voice.

Lugo’s teapot of Ralph Ellison

I had no idea that my teacher in my learning experience would be a prominent artist who would transform me and my students. Potter Roberto Lugo shared his slides and the story of his trajectoy as an artist, he spoke about the worth of every person, about putting hidden heroes onto fine porcelain, about “ghetto” being another word for “resourcefulness” and about the need for people from different backgrounds to come together for conversation. At this moment, I knew Roberto Lugo would resonate with my students. I took his ideas, expressed in a 60 second documentary called Meet Roberto Lugo: the Hip-Hop Potter and ran with them. In doing so, I learned to be more resourceful, which included getting ideas from my Circle Members on how to convert my project from ceramics to 2-D posters.

I first taught students about Roberto Lugo and exposed them to his elaborate pottery. Then, students designed 2-D teapots, vases, teacups and sneakers in his style but with their own “hidden heroes” highlighting their heritage as they developed their academic English skills. Students chose the winning art after listening to classmates give “elevator pitches” for their submissions. The pieces tell counter-narratives of  grandparents, sisters, brothers, aunties. uncles and cultural celebrities. They honor those who have passed and those who are still alive. To my delight, some student “winners” were previously among the most disengaged students.

Students’ final exam was to write a letter to Lugo. Those letters, along with sample essays and artwork impressed Lugo so much that he highlighted them on his Instagram page. He is also planning to set up a Zoom meeting with the students.

Last week, Robert Lugo himself acknowledged students’ work on his Instagram site, sharing this video with the words:

Y’all if you need some inspiration today look at the work of these young artists lead by their teacher @fer_sha_fer_sha. I just can’t believe I’m an inspiration for these kids. All we tend to think about ourselves is our faults and not our contributions. Thank you for reminding me that I am somebody and I want to remind you that you are too.

As part of the Innovation Circle Grant program, participants create learning units based on their independent research and collaborative ideation. Download Lisa’s “Who Deserves to be in a Museum” curriculum here.

Lisa Shafer is an English Language Development teacher at Skyline High School in Oakland, CA. She also has taught journalism, the graduate capstone course and English at other high schools. She is a three-time Fund for Teacher Fellow and is a former participant in the Japanese Exchange and Teaching Program (JET). She loves incorporating journalism, storytelling and civic engagement into her lessons for English Learners.

Day of the Dead is actually a two-day holiday in Mexico when families celebrate life and death simultaneously. From October 31 – November 2, people create ofrendas (or offerings) adorned with items such as foods, photos and items once enjoyed by family members who have died. This year, in the wake of COVID and also their Fund for Teachers fellowship, Rebecca Gauna and Sasha Villagrana decided to host a community-wide Day of the Dead Celebration at Chicago’s Robert Lindblom Math and Science Academy High School.

With their $10,000 FFT grant last summer, Becci and Sasha researched in Nayarit, Oaxaca, and Chiapas, Mexico, indigenous history, traditions, and folklore to inform learning for a Latino culture course, facilitate collaborations with English Language Learners in the special education program, and engage Spanish speaking parents. (Learn more about their experiences at Becci and Sasha‘s post-fellowship reporting.)

This fall, they began implementing their own learning with their students by creating a religious syncretism curriculum for their Latino Culture Colloquium. They also created an advisory lesson that was used school wide to talk about cultural identity. The community-wide Day of the Dead Family Night last week featured an ofrenda (above), performances by the Latino Dance Crew, and five craft stations in which students and their families created sugar skulls, made marigold flowers, and had their faces painted. Students led each activity and explained the significance and symbolism at each station.

“Many Mexican Americans who were born in the United States (including our students) often have a deep sense of feeling connected to Mexico yet have only visited a handful of times,” said Sasha. “The variety of the culture and languages we experienced within each state of Mexico really is so diverse that it is often hard for many Mexican Americans to comprehend or even understand how different it can be. This experience opened my eyes to how diverse the culture and language of Mexico really is and how little many of our students may even know about their family origins.”

“Indigenous groups in Mexico have been oppressed for centuries and this is clear when looking at poverty, access to healthcare, levels of education etc. in highly indigenous areas in Oaxaca and Chiapas,” Becci added. “Their stories too often go unheard when examining the history and culture of Mexico. We want to highlight the importance of indigenous subcultures within the dominant culture of Mexico and bring back inspiration for how marginalized communities maintain their culture and identity.”

Going forward, Sasha and Becci plan to create an interdisciplinary project between the school’s Latino Culture Colloquium, students in the school’s special education program, the art department and the library through a bilingual story time.  The teachers also established contacts with a nonprofit in Chiapas called Sueninos and a nonprofit in the Puerto Vallarta region called Entre Amigos through which will participate in language exchanges and cultural “intercambios,” as well as topics around dual identities and immigrant rights. We will also pursue our relationship with the Mexican Museum of Art in order to conduct an art and identity workshop.

“Our fellowship provided us with pictures, anecdotes, and most importantly, local perspectives and insights into our course units which will help students feel pride and connection with their heritage and engage with the material,” said Becci.

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Becci Gauna has taught Global Civics, Honors Psychology, Honors Sociology, US History, and World History. She has also helped design and develop her school’s Latino Culture program and sponsors the school’s Latino Dance team. Sasha Villagrana has been a New York City public alternative high school teacher for six years — two of which were in prison to a range of incarcerated youth populations facing the most severe challenges. She has also served Lindbom’s bilingual coordinator, foreign language department chair, and has taught the Latino Culture Colloquium, as well as Chinese.

At Oregon’s John Day Fossil Beds

The initial learning goals for my fellowship focused on my relative lack of knowledge about geological science. When I lead my students through explorations of the geological timescale, fossils, and distribution of resources, I stick close to published curricula to ensure that I provide them with factual information. With my Fund for Teachers grant, I sought to contextualize this science in our geographic space of the Western US and to learn enough to provide connections to which my students can relate. I planned a two-week RV road trip itinerary circling from Portland, Oregon, down the coast to Los Angeles, over to Arizona, and up through Utah and Idaho. 

As I researched sites of interest along this route, I noticed the prevalence of Indigenous cultural sites, museums, and partnerships between the National Parks and Indigenous Nations. After a day of planning and writing, I shared my excitement with my 9- and 11-year-old children, who would be my travel partners. My daughter’s reaction added another primary learning target: “There are still Native Americans?” I was aghast that her formal learning in elementary school and our casual learning as a family had left her with this thought.

My itinerary shifted to ensure that we learned together both about modern Indigenous culture and the events that lead us to the intentional erasure of history.

I approached this learning with humility, respect, and an understanding that the lands I was planning to visit were taken from people who lived in and cared for these places since time immemorial. Three sites in particular stand out for providing opportunities to learn from Indigenous people: The Heard Museum in Phoenix, the visitors center in Bryce Canyon National Park, and the Utah Museum of Natural History in Salt Lake City.

The Heard Museum (picture courtesy of kid101.com) is an art museum with a beautiful collection of traditional and modern American Indian art. It houses a powerful collection that showcases the diversity and commonalities of Indigenous art and craft. The portion of the museum that left us in quiet contemplation, however, was not the stunning artwork. Upstairs, there is an exhibit that documents the experience of American Indian boarding schools. Through a collection of historic documents, photographs, and recorded interviews, the exhibit conveys the horror of the intentional cultural genocide, as well as the resilience of the students, who found ways to preserve their identity. Our visit coincided with news reports of the mass graves in Canada.

Standing at the Grand Canyon

With this experience center of mind, we continued north through the Grand Canyon National Park, the Navajo Nation, and into Bryce Canyon National Park (top picture). In the Bryce Canyon Visitors Center, there is an exhibit called Native American Perspectives. Through interviews, representatives from several nations communicated a clear theme: You are always on Indigenous land. These parks which are your vacation that you will enjoy for a week are sacred. We have lived here for tens of thousands of years and we are still here.

Traveling onward, we visited the Utah Museum of Natural History. The Native Voices exhibit again showed the rich cultural history and the dispossession of land and resources. This exhibit had an additional focus: “We are among you. We are not limited to reservations. We are thriving, preserving our heritage, and teaching our children to continue our legacy ever stronger into the future.

At the Heard Museum, there is a placard referring to Navajo weaving that stuck with me. It reads:

“All at once, hundreds of years of songs, prayers, and traditions come together in every contemporary Navajo textile. All at once, an artist’s idea crystalizes. All at once, the artist’s years of training and practice combine to make the idea a reality.”

Together, these three exhibits provided me with a perspective of the “all at once” message that I internalized on this fellowship: I personally benefit from a brutal history of genocide and dispossession. I am always on Indigenous land. I have an opportunity and responsibility to incorporate this history and contemporary reality into my students’ learning.

View more of Melody’s photographs on her Instagram page.

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Melody Childers (pictured on her fellowship at the Grand Canyon) teaches middle school science at Beaverton Academy of Science and Engineering in Beaverton, Oregon. She enjoys writing curriculum that present students with an opportunity to learn about current scientific challenges in a solutions-focused context. Melody has worked with the Bonneville Environmental Foundation on solar, hydrogen, and renewable natural gas technology project-based units. She sees outdoor recreation as a pathway to develop a stewardship mindset in students.

Forty years ago, the United Nations declared September 21 the International Day of Peace to, according to the event website, “provide a globally shared date for all humanity to commit to Peace above all differences and to contribute to building a Culture of Peace.” FFT Fellow Amanda Hope (Dallas) committed her Fund for Teachers grant to this same cause last summer by examining in Birmingham, Montgomery and Selma, AL, various methods of civic engagement utilized in the Civil Rights Movement. She chose to conduct this research to then teach students at Moseley Elementary not only learn what it means to be a citizen, but also what it means to be an active and engaged citizen who strives to make a positive impact on their communities and nation. We asked her a few questions about her learning  and plans for student learning this year:

Standing before the National Memorial for Peace and Justice in Montgomery, AL.

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Why did you design this particular fellowship?

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Given the current political climate of our country, teaching civic education in schools is imperative. Students need to not only learn what it means to be a citizen, but also what it means to be an active and engaged citizen who strives to make a positive impact on their
communities and nation.

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Can you describe a specific moment from your fellowship that is particularly memorable?

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One experience I had during my fellowship was learning about my own family members who were some of the unsung heroes of the Civil Rights Movement in Alabama. Words cannot express the pride I felt when I saw my two uncles, Ulysses Blackmon, Jr. and James Gildersleeve, featured in an exhibit at the National Voting Rights Museum in Selma, AL. Seeing my uncles being honored reminded me that anyone, no matter their social standing, can play a role in the greater collective good.

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What are some specific plans you have to implement your fellowship in the classroom?

[minti_dropcap style=”circle”]A[/minti_dropcap] My specific plans are to reintroduce my students to the “Good Citizens” unit that is a part of our curriculum. The goal of this project is for students to identify what a citizen is and develop an understanding of their roles as citizens in the classroom, school, community, state, and nation. The product of this unit will be a multi-media presentation that will be exhibited on our classroom website. I want this unit to be an opportunity for them to learn not only about the roles of citizens in a society, but I also want them to learn that citizenship is a right that has been denied to many. I will do this by specifically focusing on the civil rights denied to African Americans in the American South and their struggle to be recognized as full citizens. Our study of the Civil Rights Movement with a focus on the state of Alabama will allow my students to gain a deeper understanding of how civic engagement can be used as a tool to shape
legislation and pressure lawmakers to protect the rights of all U.S. citizens regardless of their race, class, religion, sexuality, gender, etc. I want my students to see how everyday citizens can unite and organize around a problem and/or injustice in our communities and our society-at-large. My plan is to introduce my students to how citizens can utilize civic engagement strategies to push policy makers to create and implement change for the greater good.

[minti_dropcap style=”circle”]Q[/minti_dropcap] What is one way you can leverage your fellowship to create an authentic learning experience for students?

[minti_dropcap style=”circle”]A[/minti_dropcap] I would definitely like to use this fellowship as a means of getting my students more involved with our community. My plan is to get students to start thinking about a problem or injustice within our school community and begin to brainstorm ways to get involved and put their ideas into action. I think allowing my students to determine a problem and figure out ways to address it will allow for them to feel a sense of connection and autonomy regarding how we decide to civically engage.

[minti_dropcap style=”circle”]Q[/minti_dropcap] What did your fellowship teach you about teaching peace?

[minti_dropcap style=”circle”]A[/minti_dropcap] My fellowship taught me that achieving peace is always active and never passive and that everyone plays a role. I hope to instill within my students the value of seeing themselves as vital and active stakeholders in the pursuit of peace and justice in our communities, nation, and world.

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Amanda Hope is a K-5th grade Gifted/Talented Program teacher at Nancy Moseley Elementary in Dallas, Texas. Amanda has served as a classroom teacher for nearly 10 years. She most recently received the 2020-2021 Campus Teacher of the Year award at her school. In addition to teaching, Amanda is a senior policy fellow with Teach Plus, an organization that empowers teachers to advocate for policy changes at local, state, and federal levels to increase equitable opportunities for students. You can follow Amanda on @crayonsandsacapuntas.

Sixty-six years ago today, fourteen-year-old Emmett Till was lynched and shot for allegedly flirting with a young white woman at her family’s store in Money, MS. His body was recovered from the bottom of the Tallahatchie River three days later. Brandon Barr‘s students in Chicago are the same age as Till was when he died. Brandon felt that similarity would resonate with his English students in a powerful way. This FFT Fellow plans to add anecdotes and artifacts gathered from his exploration of sites associated with Till’s murder, as well as Civil Rights sites in Memphis, to develop a unit focused on his life and the legacy of his death. Brandon shared his motivation and plans for students below…

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As a veteran middle school teacher, a lot has changed over the course of my career, including learning standards, forms of standardized testing and the novel uses of emerging technology. For the most part, I have been able to navigate these changes well. One change that I have not been as quick to adapt to is creating curricular opportunities for students to think about why advocating for equity is important in history and in the present day.

The Civil Rights Movement is rife with historical moments that are sad and unfortunate. I have seen a number of my colleagues, and I include myself in this, who have taught in a way that victimize African Americans. While it is true that many African Americans were victims of living in segregated and oppressive societies, the Civil Rights Movement is also rife with examples of individuals asserting their collective power and resistance in fighting oppression. I am looking to reframe how I have taught history from the this time period to focus more on empowerment while also improving the accessibility of learning materials and increasing engagement for all learners. My students need to see examples of what it means to fight for justice in order to be ready to engage in “good trouble” when they encounter injustices and inequity in the future.

To that end, every year I try to teach about Emmett Till because his death has a significant legacy; it is often evoked when injustices happen in the present. I want to make the case study that I do with students more robust and highlight the actions of both Till’s mother and uncle. Both acted in ways that demonstrate agency and upstander behaviors, and my goal is to highlight their actions rather than leave my students focusing solely on the brutality of Till’s death. I think I can teach this history in a deeper way that shows the impact that direct confrontation of inequity and injustice can have when deployed in a strategic fashion. That’s why I designed this particular fellowship and joined Fund for Teachers’ Equity cohort with an Innovation Circle Grant. Next week, I will visit the National Civil Rights Museum in Memphis and the Emmett Till Interpretive Center in Sumner, MS, to strengthen my instructional approach to this period of his history using an equitable lens for how the information is shared and presented to my students.

In thinking specifically about equity, there is the principle of direct confrontation that dictates that there is no path to equity that does not involve a direct confrontation with inequity. When we think about the historical legacy of the Civil Rights Movement, we see the power of individuals actively confronting inequity. The actions of individuals created real change because of their engagement and advocacy. I want my students to understand that African Americans lived (and in many instances still live) in environments that sought to diminish their collective power and privilege. I want students to see the creativity that many individuals demonstrated in finding solutions that fought inequity and dramatically improved the quality of life that African Americans can have in the United States because of their direct action. By extension, I want students to think about problems in the world today that stem from inequity and reflect on how they may use their collective voices and actions to induce change.

In 2010, Brandon received a Fund For Teachers grant to explore Holocaust and WWII sites, meet with survivors, and build a relationship with a partner school in Berlin, Germany. From that experience, he became a regional consultant for IWitness and was present for the 70th anniversary of the liberation of Auschwitz. Read more about that experience on his blog published by Facing History & Ourselves. (Photo of Brandon courtesy of the USC Shoah Foundation.Top photo of Emmett Till courtesy of the Southern Poverty Law Center.)

In her book Teacher Leadership That Strengthens Professional Practice, Charlotte Danielson defines teacher leadership as “that set of skills demonstrated by teachers who continue to teach students but also have an influence that extends beyond their own classroom to others within their own school and elsewhere.” Today, we are pleased to announce that the following individuals chose Fund for Teachers as their “elsewhere,” becoming our newest Educator Advisory Council members. After a thorough application and interview process by the Council’s seven founding members, these Fellows commit to a two-year term and help inform our organization’s work supporting and elevating the learning of teachers and their students. We are grateful to the following teachers for their commitment to their peers and our programming.

Hyam Elsaharty

Prior to joining Seattle Public Schools as its District Social Emotional Learning Consulting Teacher, Hyam taught math and special education at Stephen T. Mather High School in Chicago, IL. In 2017, she and a colleague used a Fund for Teachers grant to investigate programs within refugee and public schools in Malaysia (pictured). Afterwards, the duo expanded existing advisory curriculum to meet the specific social and emotional needs of Malaysian and refugee students. In addition to her FFT fellowship, Hyam is also the recipient of the P. Buckly Moss grant and was named Chicago Public School’s SEL Teacher of the Year in 2019.

“Becoming an FFT Fellow was the impetus which began my life shift personally and professionally,” said Hyam. “As a woman of color who works in SEL where I get to help folks develop a sense and pride in their identity, self-advocate, and practice empathy, I am deeply committed and connected to the EAC’s objectives. In fact, without FFT I do not believe I would be secure in my own identity.”

Read more about Hyam’s fellowship here and her thoughts on social emotional learning in this Chalkbeat Chicago article.

Marco Cenabre

Marco teaches high school literature at New Haven, CT, in the district where he was born, raised and from which he graduated. In 2019, he used his FFT grant to attend the Bard College Institute for Writing and Thinking in Annandale, NY, and afterwards award-winning author Debra Moffit’s “Gaining Creative Self Confidence Writing” retreat in Lake Annency, France, to implement intentional strategies in reflection and storytelling.

“I believe in teacher-to-teacher collaboration, and leadership,” said Marco on why he chose to join the EAC. “One of the largest issues in teacher development is the fact that administrators, representatives of organizations, and others far removed from the classroom are the ones constructing the ‘solutions’ and offering them to teachers. It is through teacher innovation, reflection and a wide range of perspective that will spark what’s necessary in order for change to be truly enacted. Being a part of the EAC, and collaborating with others, will be an opportunity to offer solutions leading to widespread change.”

In addition to leading Fund for Teachers’ Social Justice Innovation Circle, Marco teaches a graduate course on reflective practice to first year teachers throughout the state, is a member of the Anti-Racist Teaching & Learning Collective and is a Teach for America alumni. Read more about Marco’s fellowship here.

Marin Leroy

Marin teaches at Evergreen Community Charter School in Asheville, NC, where she coordinates for environmental education programs. In 2015, she used her grant to attend the week-long Edible Schoolyard Academy in Berkeley, CA, with subsequent mentoring at a K-8 Life Lab garden in Santa Cruz, CA. She returned to curate a team of educators from her broader community to support local edible education and school yard garden projects.

“My opinion is that most teacher certification programs give teachers a foundation, a starting place, but that FFT provides ways for educators to cultivate our own passions, which makes our teaching and facilitation of subject more highly engaging for students,” said Marin. “The more inspired we are as educators, the more we can spark our kids’ imagination and love for learning. As part of the EAC I will immerse myself in a community of professionals working to shift toward this academic paradigm through teacher engagement and inspiration.”

Read more about Marin’s community impact here.

Rao Olayeye

Rao recently returned from a teaching assignment in Bahrain, where she was the information technology specialist. Prior to that, she taught at the Atlanta International School, where she founded its middle school robotics program and developed the high school program into a competitive team. Her expertise in robotics began in 2012, when she used an FFT grant to attend a Robotics Education Global Conference in Oahu, HI, and enroll in Carnegie Mellon’s National Robotic Engineering Center in Pittsburgh, PA (pictured).

“There are not many women in educational leadership and I want to see a shift in that area,” said Rao on why she applied for an EAC position. “My masters and doctorate degrees, combined with years of experience teaching locally and internationally, are empowering me to be the change I want to see in the world and look forward to bringing that passion and commitment to the EAC to benefit a wider community.”

Victoria Thomson

Victoria teaches Integrated Science and astronomy in East Lyme, CT, after a career as a scientist/entomologist. In 2019, she used her FFT grant to participate in a summer teacher training course sponsored by the Galileo Teacher Training Program in the Canary Islands, home to some of the most technologically-advanced telescopes in the Northern Hemisphere (pictured).

When asked why she wanted to join the EAC, Victoria responded, “I am the first generation to go to college in my family and ended up thriving at an Ivy League School. I wanted to give back to students and inspire them, which is why I became a teacher. As an adult, I see teachers get stuck by the barriers placed on them in the classroom. I see and hear teachers feel like victims of a system. I want to be a part of a group that inspires teachers to find other teachers to be rise up together and be brave, to do what is best for our children, our future leaders.”

Read more about Victoria’s fellowship here.

The New York Times today reported that “remains of as many as 751 people, mainly Indigenous children, were discovered at the site of a former school in the province of Saskatchewan, a Canadian Indigenous group…jolting a nation grappling with generations of widespread and systematic abuse of Indigenous people.” FFT Fellow Lavie Raven (North Lawndale College Preparatory High School – Chicago) pursued this topic with his Fund for Teachers grant, researching the First Nations tribe ‘Namgis, which inhabited Northern Vancouver Island in British Columbia as early as 500 B.C. After learning about Canada’s colonization of Indigenous People, Lavie used his grant to document ‘Namgis restorative justice practices and historic folk artwork and collaborate with teens there to create hip-hop based murals, audio projects and performances that document cultural survival. His Chicago students, as well as students around the country with whom he collaborates on public art projects, continue to benefit from these experiences. Our thanks to Lavie for sharing more about his fellowship and its impact…

I teach World Studies, United States History, and Performative Policy Debate at my school. Our history department works intensely to develop interdisciplinary projects that involve another major discipline and the arts. This is reflected in much of the work I do at my school, as I also am an active hip-hop muralist and run the after-school hip-hop arts club. Through these programs I seek to provide students with opportunities to braid participatory research, social justice concerns, and the arts in creating ‘calls to action’ about issues they identify as relevant for social change.

Our social studies department makes an active effort to expose students to various cultural narratives in regards to European colonization. We prioritize indigenous North American and African narratives, as these have been historically marginalized in traditional history textbooks. We often have to collate a collection of readings from various sources to illustrate the class of cultures, and solidarity between cultures in resisting the violence of colonization. Many of these sources are incomplete or only offer a surface survey of the struggles and accomplishments of indigenous communities. And hardly any have a contemporary component, comparing communities’ histories and their methods of cultural survival.

I was fortunate to meet members of the ‘Namgis community several years ago, and found out about their intensive work on restorative justice in regards to demanding truth and reconciliation from the Canadian government and, in particular, in helping elders and adults heal from the wounds suffered in residential schools. I am actively involved in three organizations at my school: the Peace Warriors, the Performative Debate team, and the University of Hip-Hop (the last two of which I sponsor/coach). Students in our classes, and particularly in these organizations have often paralleled the struggles of African-American communities with those of indigenous peoples, and our students self-identify with those struggles, from the past into the present-day.

I designed my Fund for Teachers fellowship to visit the indigenous ‘Namgis community of Alert Bay, a small island north to Vancouver Island, to work with community activists, traditional artists, museum curators, and ‘Namgis youth to create art work and music that represents cultural survival. Every day, I observed successful resistance to colonialism and neo-colonialism, and discovered ways the local community addressed historical violence experienced in residential schools and discrimination in Canadian society (a primary reason many whom I meet refuse to celebrate Canada Day). The interviews I conducted and my critical inquiry into injustice through hip-hop arts seeded a student pen-pal program and widened my own skills in presenting examples and models of testimonial evidence for argumentation to our debate team. In addition, I:

• Met elders and artists in the community who arranged the hip-hop artwork and music schedule for me to have to engage ‘Namgis youth
• Painted mini-murals with ‘Namgis youth
• Observed the work of Culture Shock, the local cultural community space and store, and the Umista Cultural Society
• Studied the work accomplished by the Wi’la’mola Accord to create programs and activities that nurture cultural preservation.

I accumulated massive awesomeness…SEVEN murals painted with teens and elementary school kids, beautiful interviews and pictures with women making potlatch blankets for their families, an great interview with Barb Cranmer who just finished editing her film about the residential school here, a personal escort and tour through the Umista Cultural Center, a lunch session tomorrow with Connie Watts who designed the thunderbird at Vancouver airport, rapping cypher with youth in front of one of the murals we painted, intersections with two arts collectives doing hip-hop work, and a bunch more fun.

Personally, this fellowship bridged a huge gap in my own and my students’ knowledge of a powerfully resonant cultural society. I have tied the work of the ‘Namgis community center, museum and school to the work our students do with local centers and cultural institutions. I look forward to the new ideas our debate team, school artists and restorative justice clubs can enact while bearing witness to the survival and reconciliation practices of another community.

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The summer after his fellowship, Lavie continued his research with a Fulbright US Distinguished Award in Teaching to study the integration of Māori folkloric arts in New Zealand. As a mural artist he has worked with youth to create culturally conscious murals that have been displayed at museums, cultural centers, and community organizations. Raven believes in providing youth with a multi-disciplinary approach toward life that holistically engages their academic skills, celebrates their talents and artistic abilities, and empowers youth desires to bring positive change to society. Lavie also represented Fund for Teachers as a keynote speaker at the 2017 Extra Yard for Teachers Summit event hosted by the College Football Playoff Association.

On Monday, we shared the work of an FFT Fellow to educate his Tulsa students about the 1921 Tulsa Race Massacre for the first time. Today, as Pride Month begins, we elevate another lesser-known, yet seminal event in our nation’s quest for social justice — this time for the LGBTQ+ community.

On June 27-28, 1969, New York City police raided Stonewall Inn, a Greenwich Village bar known for its gay, lesbian and transgender patrons. The BBC story “Stonewall: A riot that changed millions of lives” proposed that Stonewall was to the gay rights movement what Rosa Parks was for the civil rights one. “And just as Ms Parks’ refusal to give up her seat on a bus in Alabama to a white man had the effect of animating the civil rights movement 14 years before,” wrote author author Tom Geoghegan, “so Stonewall electrified the push for gay equality.”

For more information, watch this “Stonewall Uprising” episode of PBS’ American Experience.

Use these Learning for Justice resources on this topic in your classroom.

Five miles south of Stonewall Inn sits Eleanor Roosevelt High School, with the mission of “challenging students to act with courage, integrity and leadership [while] preparing them to embrace the moral, social, and intellectual challenges to come.” Leading this work is Tony Cacioppo, humanities teacher and faculty advisor for the Gender & Sexuality Alliance.

In 2015, Tony was named the Live Out Loud Educator of the Year for ensuring his LGBTQ+ students receive the highest quality education and feel supported emotionally and socially throughout the process. To support this work, he designed a Fund for Teachers fellowship to explore how London schools give voice to the LGBTQ community in their curriculum and to strengthen representation and support of LGBTQ students and their allies.

“Statistics show that when compared to heterosexual students, queer students all across the country miss more days of school, experience higher levels of depression and other mental health issues, and are much more likely to drop out of school,” wrote Tony in his grant proposal. “I want my school to do more to fight this trend.”

Tony’s guiding questions throughout his month-long tour of the United Kingdom included:

Peter Tatchell, founder of The Peter Tatchell Foundation

1. How do we ensure that all students—queer or not—truly understand the history and current lives of LGBTQ people?
2. How do we eliminate bias, even when it’s unintentional, from the school community?
3. How do we include LGBTQ achievements, concerns, and topics in the curriculum of all courses in a way that feels authentic and purposeful? And,
4. How do we ensure that queer students are not singled out and or marginalized in any aspect of school life, including in classes, sports teams, extracurricular activities, school dances and field trips?

His exemplars were individuals and organizations at the forefront of the effort to expand the inclusion of LGBTQ voices and issues in schools through the 2017 Children and Social Work Act in England, which requires all schools to teach sex and relationship education (SRE) from the age of 11 on, with plans in place to begin this fall. Tony’s itinerary included:

Gay Pride Flag, National Museum of Dublin

• An interview with a former SRE educator/current staff member at Stonewall (a London advocacy helping to make schools more LGBTQ inclusive) that led to introductions at Stonewall’s School Champions network, where staff have been trained on best practices for LGBTQ inclusion.
• Meeting with Peter Tatchell, a longtime human rights activist and founder of The Peter Tatchell Foundation that turned into a strategy session on implementing his recommendations for inclusion of marginalized students at Eleanor Roosevelt High School.
• Workshops through Bish Training, a group that specializes in providing SRE training for schools, and Brook, an organization dedicated to ensuring the sexual health and well being of young people, which yielded best practices to better support the development of healthy sexual identity in adolescents and teenagers. And,
• Discussions with Dr. Polly Haste, the Head of training and Practice for the Sex Education Forum, focusing on ensuring that LGBTQ content is embedded into curriculum rather than discussed for one day so that the school can say it has “covered” the topic.

“One unexpected result was being told by several of the professionals that I spoke to that when it comes to addressing the mental and physical health needs of young people, doing certain things badly is worse than not doing them at all,” said Tony. “We must be extremely careful and thoughtful when talking to students about healthy relationships, sexuality and gender, drug use and eating disorders, etc. We don’t want to do more damage to an already fragile student who is in need of support.”

Tony’s long-range plans include incorporating more LGBTQ+ literature into his 11th and 12th grade English classes.
The culmination of the school year, pre-COVID, was to be a unit specifically on the Stonewall Riots, which he provides here.

Tony with members of the Gay Straight Alliance at Eleanor Roosevelt High School

“This fellowship helped me to see that there is amazing work going on all over the world if you take the time and have the opportunity to go exploring,” said Tony. “The people that I met and learned from were not just other classroom teachers; they were activists and advocates who care about the same things I do–namely the well-being of young people–and have chosen another path for helping to achieve a similar goal. This showed me the power of educators forming partnerships with anyone who is willing to help.”

“As teachers we get extremely focused on what is going on directly in front of us and with the things that we need to do by the end of the day, week, semester, or year,” he continued. “This project gave me to the opportunity to step out of my own small world and see the big picture. I now recognize that lesson plans and grades have their place, but that teaching can truly be powerful and transformative when it supports who students are and helps them become the people that they are meant to be.”

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Listen to Tony’s acceptance speech at the Live Out Loud Educator of the Year Award Ceremony.

Today marks the 100th anniversary of the Tulsa Race Massacre, a historic event that occurred in the town where Kyle Peaden taught students who knew nothing about it. We are grateful he shared his design process that led to his fellowship and its outcomes…

In my 2012 Fund for Teachers grant proposal, I wrote:

I see history repeating itself. I see that my students do not know or comprehend of the hate and bigotry that violated our city in the early 20th century in what is regarded as one of the most destructive race riots in the 20th century. While my students may not be involved in the repulsive actions of racist groups of individuals in the past, I can see hints of the same distance from understanding. Students are letting bullying and anger fill the voids where communication, discussion, and understanding should be. I hope to bring about understanding of racism, hate, and intolerance by contrasting the history of South Africa to the history of our city. By visiting South Africa to show the history and recent developments in Apartheid and segregation I can bring students to look closer at their own local history. This quiet city holds scars and wounds from one of the largest race riots in America and it remains a difficult subject to face. These wounds are ignored, and the impact of the race riots still linger. By bringing students to my experiences in South Africa I believe they will be able to use an unbiased process of examination to the history of South Africa and eventually to our history.

 

Sometimes it is too difficult for a child to think that something so awful could have happened in their home town. A sense of favoritism holds strong in their heart that would leave them less willing to hear or realize what happened here not too long ago in their own backyard. It is my hope to go to South Africa to learn firsthand why one person can do terrible things to another and how the goodness in humanity can prevail. I hope to bring a community of students closer to understanding what did happen, what can happen, and what we can do to make sure none of that will happen here ever again. By looking at examples of strength, ignorance, and hope abroad in South Africa and right here in our own back yard these students will work through questions dealing with morality and morality that can help their own understanding of such subjects.

My exploration started at home in Tulsa. I wondered how a city could recognize and reconcile the immense tragedy of the 1921 Tulsa Race Massacre. This question took me on a journey over 8,700 miles away to South Africa. South Africa is a country that exemplifies the evils of racism and the hope that can bring a society from those dark times. I wanted to study the culture of South Africa, its art, food, and people, so that I could gather a greater understanding of what happened and how the country has adjusted from Apartheid.

My journey began near Johannesburg where I spent a week in Soweto, the largest and arguably most influential townships during the resistance against Apartheid. During my stay I met the most welcoming people during my whole stay in Africa. I couldn’t resist the opportunity to teach a lesson at a local art school as soon as I found one and my work with Emilia Potenza, the curator at the National Apartheid Museum, gave me a greater background understanding to the reasons and history behind Apartheid. Not far from this epicenter of struggle I visited the Cradle of Humankind where the fossilized remains of our direct ancestors are found. From Johannesburg I traveled through Kruger National Park driving amongst natures most raw surroundings to the Drakensberg Mountains. The Drakensberg site is home to thousands of Bushmen paintings throughout the mountain ranges. After hiking and documenting these ancient works of art I continued south toward the Cape of Good Hope.

In Cape Town I visited the many cultural and historical sites that represent so much of this diverse country. The blend and recognition of cultures reminded me so much of the country I grew up. I started to understand and recognize the steps towards reconciliation in South Africa and a small step to what might be needed at home. The art and history of this wonderful country helped me to see what steps my students and I can take to repair and resolve our troubled past. While my journey is a personal one, I know that the impact of my steps and my efforts will help students to further their own passage through the difficult topics of race, racism, hate, and hope. In my exploration our dark history nearly broke my heart, the people of South Africa filled it with joy, and my students carry it forward with hope.

I stayed in Tulsa teaching for another two years and my wife and I moved to Wisconsin. I ended up working with the Title I program at the Wisconsin Department of Public Instruction because I felt like much of what I learned is the systems and structures established during Apartheid had some of the deepest impacts on South Africa and the black community of Tulsa. I wanted to work on addressing those policies and by working at the state level I could work towards a more equitable education system.

My Fund for Teachers experience has helped to inform the decision making and policies in programs I work with. By acknowledging the impacts of multiple landscapes and their relationships with race I am more prepared for the injustices that our youth face. Wisconsin has some of the largest gaps for students of color and our state agency has made the work of closing those gaps one of our highest priorities. Personally, I work not only with Title I-A but in programs that support incarcerated students, students that are placed in foster care/out-of-home care, and I am a part of some of the equity work occurring in our agency. I’ve worked on teams that developed and train all staff in our agency on equity to build a foundational experience for our work. I think it is from the experiences in South Africa, learning from the Apartheid museum, the cradle of humanity, Soweto, and the people (most importantly the people!) that could tell their story that helped me build an understanding of how I can listen and work towards a more equitable education system for all our students.

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Kyle recommends the John Hope Franklin Center for Reconciliation as a starting point for those wanting to know more about the Tulsa Race Massacre. He also encourages us all to reframe language you might hear this week referring to the event as the Tulsa Race Riots. “I’ve learned since my fellowship that the word riot incorrectly places blame on Tulsa’s Black community, which acted in response to an unlawful arrest and subsequent rounding up of 6-8,000 Black Tulsans – many for up to eight days,” he said.