Commonalities Among Indigenous Cultures

Four Native American tribes once inhabited the territory that now comprises Tulsa, OK, where students of Rachel Langley and Jesse Wren attend school. Additionally, one-third of their students are descendants of Tribal Peoples. But how does one teach elementary students about complex topics such as land rights and Tribal sovereignty? Jesse and Rachel chose to learn from a community (and state) that’s made great strides to reclaim their own indigenous heritage – Hawaii. 

The Fellow team wrote in their 2025 grant proposal: “Late in the 20th Century, Hawaii began a ‘Cultural Renaissance’ with a focus on preserving what had been lost. This Hawaiian story parallels the history of Oklahoma…By using the stories of others, students will be able to make connections and draw comparisons that will allow them to make decisions that will impact their own community. As Tulsa tries to reconnect to its roots in Native culture, students can use the examples from Hawaii to deepen their understanding of what it means to preserve culture without losing its authenticity.” 

What that meant for Rachel and Jesse was researching Hawaiian traditions and history while experiencing that unique ecosystem to create interdisciplinary projects exploring cultural preservation of Oklahoma’s Native American communities. 

Hiking to the top of Lē’ahi (Diamond Head), one of Hawaii’s most iconic geological features and a significant natural, cultural, historical and recreational resource.

“Convincing our selection committee of a teacher’s need to learn in tropical sites like Hawaii is a tough sell,” said Karen Eckhoff, Fund for Teachers executive director. “These teachers made it clear that, for them, Hawaii wasn’t a vacation, but a necessary destination to deepen students’ cultural competency, awareness and appreciation.” 

Rachel felt this, both in the writing and pursuit of their fellowship. 

“Planning an educational experience to a tourist destination is difficult,” she said. “Even with the research we did prior to our adventure, we found that many itinerary spots had been westernized. (One person used the term “Disney-d.”) I soon discovered that my best experiences came from the people I met along the way. Once we explained that we were teachers looking at what it means to reclaim indigenous culture, people were more than willing to share their history, struggles, and stories.” 

Instead of staying at a resort, Jesse and Rachel stayed in private residences. They avoided tourist sites in favor of learning led by Indigenous Hawaiian and Pacific Islander people. Exploring Hawaii’s Plantation Village offered insight into the lives of diverse Indigenous groups who contributed to Hawaii’s sugar industry from 1850–1950 and provided a lens for discussing themes like cultural adaptation, labor history, and social equity. Service learning came in the form of volunteering at the He’eia Fishpond, a cultural site lost to large corporate farming practices for sugar and pineapple and now being reclaimed as a touchstone of Hawaiian heritage.  

Rachel volunteering at the He’eia Fishpond

“Volunteering with Paepae o He’eia to restore the ancient He’eia Fishpond was transformative,” said Jesse. “The hands-on work tied to cultural preservation deepened my understanding of ecological and Indigenous restoration. Another powerful moment came from sailing with a Native Hawaiian family, where we prepared food, heard oral legends, and joined a sunset ceremony. Both experiences showed that true learning begins with respect, relationships, and community-rooted knowledge.”

Rachel and Jesse are now intent on translating their experiential learning to students in multiple ways, starting with their 120-acre school campus. Collaborating with an Ohio classroom through the National Air and Space Museum’s Teacher Innovator Institute, students are applying the design cycle to reimagine their own school grounds as spaces for inquiry, collaboration, and cultural storytelling. The school in Ohio is contributing ecological expertise, and our school is sharing Indigenous perspectives on honoring the land. “Through data collection, podcasting, and cross-campus consulting, students are becoming both designers and stewards while discovering that outdoor learning is not just about science. It’s about identity, belonging, and respect for the places we inhabit,” said Jesse. 

“This exchange continues the spirit of our Hawaiian fellowship,” continued Jesse, “connecting young people to the land and to one another through creativity, cultural understanding, and hands-on environmental learning. It also demonstrates how lessons rooted in Indigenous wisdom can shape not just classrooms, but the way future generations imagine and care for their world.” 

Music (& History) To Students’ Ears

The town of Roseburg, Oregon has a few notable distinctions – the subject of the Johnny Cash song “Lumberjack” and home to a pack of feral angora goats that predicted weather in the 1980s – but a diverse demographic is not among them. The county seat is 91% white and the students at Roseburg High School mirror that statistic. In this homogeneous milieu, social studies teacher (and Roseburg native) Ashley Painter was tasked with crafting Music History and Native American Studies courses, she used Fund for Teachers to orchestrate it. 

“My $5,000 grant funded a road-trip focusing on historic sites in America’s South and Midwest that highlight Civil Rights, Native American, and musical history,” said Ashley. “While my motivation for this fellowship came from a passionate and emotional appreciation for these cultures and historical content areas, there are also several new standards in Oregon that this project helped several courses meet.” 

On the road, she toured the Greenwood Rising Museum & Black Wall Street History Center in Tulsa when documenting country music. She walked around Whitney Plantation and Congo Square while seeking out jazz history in New Orleans.

She crossed the Alabama River on the Edmund Pettus Bridge and toured the National Memorial for Peace and Justice. She stopped at the Mississippi Civil Rights Museum and Medgar Evers’ home while following the Mississippi Blues Trail and visited the Delta Blues Museum and the legendary Crossroads in Clarksdale, Mississippi.

In Georgia, she sat at a lunch counter sit-in simulator at Atlanta’s Museum for Civil and Human Rights when researching the roots of rock and roll. And in Tennessee, she stood reverently outside the Lorraine Hotel after touring the Blues Hall of Fame and Sun Records (recording studio of such icons as BB King and Elvis Presley) in Memphis before taking the stage at Nashville’s Ryman Auditorium and making a pilgrimage to the Woolworth’s on 5th.  

Ashley rounded out the odyssey with visits to The Museum at Bethel Woods and Max Yasgur’s Farm, the site of the 1969 Woodstock Music Festival, Cleveland’s Rock and Roll Hall of Fame and Museum; Detroit, the Home of Motown; and Chicago’s DuSable Black History Museum, Ida B. Wells House, Monument to the Great Northern Migration, and Chess Records

Artifacts and experiences gathered on her 10,000 mile/six-week journey now inform the majority of her Music History course, which focuses on US history from the mid-1800s through the 1990s and how music reflected and influenced current events of the day. So far this semester, students have been decoding spirituals. Ashley learned about Underground Railroad codes embedded in quilts and spirituals at Slave Haven in Memphis, where she sang “Swing Low Sweet Chariot” with the other visitors, and was led to a small compartment under the house where people seeking their freedom hid more than 150 years ago. 

“I aim for my emotion and experience to be funneled through my teaching to inspire my students to move beyond being knowledgeable, and to work for change in how they treat others and inspire other people to do the same, to travel and move beyond our state that so few of them have left, to find interest in other cultures and histories, and to yearn for knowledge throughout their lives,” said Ashley. “I believe my example of being a life-long learner, an empathetic change-seeker, and a risk-taker through this fellowship encourages my students to do the same throughout their lives, as well.”