One year ago, my community suffered a devastating loss, which called into question the very systems upholding the safety of the neighborhoods my students and I call home. In the wake of this tragedy, street art has been popping up around the community. This art is varied and unique, giving a platform to unheard voices. It is empowering, celebrates diversity, and represents an outcry for justice. I began to wonder how I could include these amazing pieces in my classroom to foster conversation, create an opportunity for my students to share, listen, and learn from one another, and connect with what I’m teaching in Algebra.

Through this fellowship, I will travel to Philadelphia, home to the nation’s largest public art program. I will explore the Philadelphia Mural Arts Program, learning about the ways that one community has used art to ignite change. My primary activity while traveling will be to explore the murals of Philadelphia, the world’s largest open-air art gallery. I will participate in three different walking tours, led by professional guides and local experts:

• The “Mural Mile City Center” tour will introduce me to the stories of Philadelphia’s culturally rich downtown.
• The “West Philadelphia” tour will teach me about leaders and change-makers who faced tremendous barriers and
  paved the way for change in Philadelphia for years to come.
• Lastly, the “Morals & Murals: Tales from Our Hood” tour will use art to teach me about the experiences of life in Philadelphia from one of its very own community members.

Once home, I will reframe my Linear Functions unit through the lens of art – drawing inspiration from both the established art scene of Philadelphia and new works of street art appearing in my own community.

My ultimate goal is to explore how art can empower personal expression, celebrate who we are, and move us forward, while also deepening connections to foundational Algebraic understanding.

I will utilize what I’ve learned to reframe my Linear Functions unit, a foundational skill for Algebra and higher-level math, through the lens of art. I hope that through this reimagining, I will be able to better engage my students in learning, make my curriculum more representative of my students and their experiences, and connect the content to my students’ realities. As we move further into our unit, exploring art will drive our mathematical learning. We will use graphing software to recreate parts of the murals that sparked the students’ interests, exploring how modifying the slope, y-intercept, or domain of a function changes the design of a piece.

After using Philadelphia’s murals to explore linear functions, students will leverage their mathematical understanding and creative inspiration to create their own piece of original “linear artwork.” They will first design their art using graphing software, and then bring their artwork to life on the walls of our school. My principal has already given her permission for a student mural, and I colleagues in the art department who are willing and eager to collaborate with me on this endeavor.

I work in a district where, according to our most recent state-wide test, only 29.3% of students are proficient at math. We know that algebra is a gateway to graduation and future success in college and careers, so our school has responded by doubling the amount of time our students spend learning math. Even so, students are still struggling. Despite my best efforts to bring the world into our classroom, many students wonder, “Why do we have to learn this?” It can be challenging to find authentic opportunities to connect social justice to my curriculum. This problem is complex and I certainly don’t have all of the answers. But I do know that when students feel disconnected from the content being taught, their engagement, and ultimately learning, suffers. If students feel that what they’re learning doesn’t matter, some don’t buy into what’s happening in the classroom. If the world around my students feels like it is imploding, and I as an educator do nothing to address it, I am tone deaf to the lives they lead.

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Emily Kjesbo-Johnson teaches high school math and drama at Washington Technology Magnet School in Saint Paul, MN. She has been teaching since 2008 after working as a Peace Corps volunteer in Uganda and an AmeriCorp volunteer on Saint Paul’s West Side. Emily holds an undergraduate degree from Bethel University and a Masters in Teaching from Hamline University. She is also a two-time FFT Fellow.

• In 2019, Emily captured in virtual reality Thailand’s history, culture and architecture to create case studies for the analysis of geometric properties and theorems set amidst the rich backdrop of the Southeast Asian nation. Here is her summary of this fellowship.
• In 2014, she used a grant to explore how Apartheid continues to affect issues of racial injustice, self worth, motivation and academic achievement to inform discussions on social justice and build a math curriculum based on the principals of reconciliation. Watch her presentation about this experience here.

Emily was awarded one of Fund for Teachers’ new Innovation Grants to undertake her research in Philadelphia this summer. Click here for additional Innovation Grant recipients and to be inspired by their plans.

Reflecting on today’s birthday of Malcolm X, we share the thoughts of an FFT Fellow used her grant to research past and present resistance movements (but in Mexico) to use these as a model for student writing and meaningful resistance to injustice in local communities. Sara Boeck Bautista teaches English at Leaders High School in Brooklyn, NY, and works to make language arts a catalyst for social change in her students’ lives. She chose to research grassroots political and social movements in Mexico, where movements have often hinged on the words and actions of young people and other oppressed groups. “I wanted to document, study, and model these grassroots movements by people in society who, like my students, have historically felt that their voices didn’t matter.”

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As a social justice educator, the struggle to continue moving forward in the face of increasing inequity and continual global and local problems is difficult. My studies in central and southern Mexico with a Fund for Teachers grant not only gave me countless practical materials, texts, artifacts, interviews, and photographs to bring back to my students, but it also revitalized my passion for social justice and renewed my belief that the struggle of social justice is worth it.

Over the course of six weeks, I met women’s rights activists who are providing support for women in indigenous communities in central Mexico, professors who are committed to lifting up the indigenous culture into the space of the dominant culture of formal education, LGBTQ activists and scholars who know that change will come and believe that the system can be changed, and ordinary women and men who work to empower families and inspire gender equity by helping their communities walk away from the legacy of machismo.

In Mexico, I learned at length about the ties between the history of colonization and the current daily challenges of indigenous and other oppressed people (queer, Black, women, and those at the intersections of these identities). In my class, we have continued to explore the ties between history and our present by studying the role that science fiction and Afrofuturism in particular have on supporting visions outside of the norm that seek to liberate oppressed people. In my class this semester, students are reading Octavia Butler’s 1993 science fiction novel Parable of the Sower and are considering their own relationship to change in their lives and in this pandemic and racial uprising. The lessons I learned six years ago in Mexico are still embedded in my mind as we grapple with the recent turmoil in the US political system, justice system, and educational system.

In response to the colonial legacy of oppression, I have framed my thinking as decolonizing and reindeginizing my classroom and my approach to social change. This looks like lifting up oppressed voices and honoring the vast knowledge, creativity, and expression that has come from oppressed communities and honoring the creativity it takes for those who are not free to imagine a future of liberation.

What sticks with me in reading Parable of the Sower and reflecting on my experience learning about the Zapatistas, in particular, is the power that change and autonomy can have even if it is not done through the powers of government. In Chiapas, I met people who are making their own utopias in spite of the colonialist legacies that still exist in Mexico. But the autonomous communities in Chiapas are a living example of an intentionally developed autonomous community. The main character in Parable of the Sower also develops and creates her own intentional community, envisioning and creating her own sacred space outside of the oppressive systems in her world. The connections are endless and endlessly inspiring.

To quote Octavia Butler, “All that you touch you change. All that you change changes you. The only lasting truth is change.”

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In recognition of Sara’s professionalism and student impact, Expeditionary Learning awarded her it’s highest honor in 2019 – The Klingenstein Award. Listen to her acceptance speech here (starts at 4:05).

Our high school is co-located in a converted elementary school building that still feels very much like an elementary school building (low sinks, low toilets, tiny lockers, a gym the size of a glorified broom closet). As our school prepared to open for in-person, synchronous learning this fall, COVID-19 reminded us just how small our school is. It was difficult for administrators and the janitorial staff to accommodate the maximum of ten learners in a classroom.

Meanwhile, students often speak about the resources at the more elite public schools in our area. And many a student laments his or her school choice in spite of our strong test scores and STEAM offerings because our high school (now their high school) does not resemble anything they’ve ever seen on television. There weren’t feral cats, rats and cockroaches on Riverdale. Nor were there methadone clinics and brownfield sites located on the same block of the TV high school.

A major gap exists in our city and in our school district and in our adjacent school community.

And those gaps are exacerbated by COVID-19 and the ongoing struggle for Black lives. Furthermore, our school is located in an area exposed to 95% more hazardous waste and waste water discharge and PM 2.5 and ozone than the rest of the US. When compared to the locations of elite (public and independent) schools located within five miles of our school, the percentiles that gauge environmental and demographic risks to public health drop to below 50%. It doesn’t take a genius to overlay the demographic information and quickly surmise that the elite schools are located in more affluent, white communities, or are composed of predominantly white students and staff, compared to our school.

Clearly, something’s wrong here.

I want to know why educational, economic, environmental, and public health gaps exist in my community by traveling to our seat of government and seeking answers.

With my Fund for Teachers grant this summer, I will follow a trail of important civil rights sites from New York City to Delaware, West Virginia, Washington DC, and Virginia to analyze the lasting impact of Brown v. Board of Education on students’ economic, environmental, and educational opportunities.

• The first stop will be Howard High School in Wilmington, Delaware on June 29th. Howard High School is connected to the U.S. Supreme Court decision Brown v. Board of Education “that found racial segregation in public schools to be unconstitutional.” Black parents in Wilmington sued to enroll their children in the local all-White high school.
• Then I will visit Harpers Ferry. Harpers Ferry is known for many things, including John Brown’s assault on slavery and the massive surrender of Union troops during the Civil War. But, I will focus on something that I recently discovered in my research. Harpers Ferry is the site of one of the earliest integrated schools in the US. Former slaves received an education at a small college called Storer. Why did that happen? And how was it possible that this wasn’t possible for the rest of the nation until after Brown v. Board?
• In Richmond, I’ll visit Virginia Civil War Museum exhibits and explore the journey from the Civil War to Civil Rights.
• In the central Virginia town of Farmville, I’ll visit Robert Russa Moton High School and Robert Russa Moton Museum. This was a public school built for Black students living in Prince Edward County. The school’s conditions were something my students can relate to: overcrowding, a leaking roof, limited educational resources like books and chalk. The brave actions of two students, Barbara Johns and John Arthur, who organized a student walkout, catalyzed the Brown v. Board of Education decision.
• The Martin Luther King, Jr. Memorial will be my first stop in Washington DC, followed by a walk across the Mall to visit the Supreme Court of the United States where the Brown v. Board decision was made and numerous other cases that have influenced who I teach and where my students learn. I plan to visit the National Archives and research the various court decisions that have influenced or decided where and who I teach.
• Also in DC, I’ll visit John Philip Sousa Junior High School. This school denied admission to twelve Black students. The
  case was argued by a professor James Nabrit, Jr. of Howard University. Later, the case was folded into Brown v. Board. In addition, I’ll visit three sites at Howard University connected to the history of Brown v. Board of Education: Andrew Rankin Memorial Chapel, Frederick Douglass Memorial Hall, and Founders Library. Founders Library has the largest collection of “African American documents, letters and oral histories about the African-American experience.” I’ll visit the library and research the Black experience in schools – focusing on the post Brown v. Board ruling to see how it impacted the education of Black Americans and other Americans of color.
• My fellowship will conclude at the National Museum of African American History and Culture. I’ll visit all the exhibits,
  but pay special attention to “A Changing America: 1968 and Beyond.”

I did not know until I started researching this fellowship
the number of cases that made up Brown v. Board of Education.

The problems are so vast, but I can distill it into the questions my students asked me after the insurrectionists overran the Capitol police force and simply walked out of the building joyous, and unscathed by the same state apparati that wreaked havoc on black and brown bodies just a few short months prior.

Why is it different for us?

Why have Black and Brown students been treated differently than White students since the founding of this republic?

Why did (does) the promise of Brown v. Board of Education go unfulfilled in classrooms across America?

Why are my students exposed to more air pollutants, more toxins in the soil, more asbestos and lead, more vermin carrying infectious disease?

And how can we operationalize this knowledge to bring about change in our school community?

Students will benefit from the clear history and timeline of the economic, educational, and environmental injustices taught to them through the accounts of those who experienced the same injustices but fought back.

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Patrick Callahan (pictured with students at Buckingham Palace thanks to a grant through ACIS) is an Sloan Award winning science educator at the Bronx Center for Science and Mathematics. He is a Math for America Master Teacher Fellow and a recent finalist for the Big Apple NYC DOE Award. He has taught for 11 years in the South Bronx. He is currently the Science Department Chair and Director of Enrichment Programs.

After our 2020 grant recipients’ plans stalled due to the global pandemic, our organization faced an interesting situation. No Fellows pursing learning beyond the classroom or applying their experiences inside them. And we didn’t know if 2021 grants would even happen. Entering our twentieth year of supporting teachers, what did that look like when teachers couldn’t leave their homes or hometowns?

Fund for Teachers created a new grant that provides the space for teachers to support each other. Beginning in May, select FFT Fellows will meet virtually in Innovation Circles focused on four topics: Social-Emotional Learning, Equity, Art & Design, and Accessibility. A summer of pursuing individual experiences with a $1,000 grant will be bookended with community building, brainstorming, reflection and application — together with and led by the following Fellows:

Social-Emotional Learning

2009 Fellow Beth Mowry (Brooklyn) will co-lead this Innovation Circle alongside 2021 Fellow Megan McCall (Daphne, AL). “I recognize and honor the power inherent in being able to guide a learner to deeper understanding through experiences, a well-timed question or a probing reflection question,” said Beth. “This Circle structure is designed to give learners the Goldilocks amount of support and structure that will lead to incredible innovation. 

Equity

2003 Fellow Mekiva Callahan (Houston) is not only a FFT grant recipient, but also a college professor and administrator. In a variety of classrooms, she’s witnessed the impact a “decentralized” classroom can make. “My classrooms are more participant centered, and that’s what excites me about this format,” she said. “The Circle Structure removes the burden from me to carry the cognitive load shifting to participant centered work. This pedagogical style is ideal, even for a classroom setting, as we will co-construct the learning and reform the curriculum together. We will learn from one another, and that is the most exciting part–what we all take away from the experience.”

Mekiva will co-lead with 2018 Fellow Josh Frost (Brooklyn). “It will be an invaluable learning experience to be able to discuss and help develop projects rooted in these same themes with educators/Fellows outside of New York that teach in diverse communities from around the country,” he said.

Art & Design

2019 Fellow Mia Corvino (Madison, CT) and 2015 Fellow Adam Burns (Troy, MI) brings experience from teaching at Columbia Teachers College and Adam from participating in our Innovation Circle pilot program last fall. “What I really liked was being exposed to so many different ideas. I could try them out, tinker, adapt, ignore, whatever,” he said. “What I love about the circles is they capture that idea of always questioning why you are doing what you are doing, of knowing that things don’t always have to be the way they are.” Mia added, “I am always happiest when I can be a facilitator rather than a lecturer, guiding and helping others to build and brainstorm, to be more creative and think outside the box, and to reflect back to the group what I am hearing and seeing so that they can reach their own conclusions.”

Accessibility

2013 April Chamberlain (Trussville, AL) is stepping up to this cohort. “The community aspect is key for me as I have had the opportunity to be a part of communities that I have taught me, challenged me, and supported my growth,” April said. “I wish to facilitate this experience for others and “coach” rather that lead the educators in the design and implementation of their learning plans.”

“Seeing teachers’ response to this opportunity for collaboration with other Fellows has been so encouraging,” said Liza Eaton, director of Fund for Teachers’ Ramsden Project, a new initiative focused on grant recipients post-fellowship. “Synergizing teachers’ collective years of experience and passion for a topic will result in authentic engagement for all of their students.”

Check back on April 30 for the names of FFT Fellows awarded $1,000 grants to participate in our first season of Innovation Circles.

Four years ago, the land behind Daphne High School lay fallow and Betsy Anderton’s kids lay on the sofa looking at their phones. This combination did not sit well with Betsy, who held a Master’s and Ph.D. in Instructional Design but had not been at the head of a classroom for more than 25 years.

“I felt committed to getting kids off their phones and involved in purposeful, outdoor projects that would carry into their lives beyond high school,” said Betsy. “I hadn’t taught before, had no experience in agriculture and didn’t really have a vision for where I would take the program, but I knew that it was an opportunity to teach kids in a different way while also incorporating all of the great things they were learning at school.”

Pivoting from her career developing curriculum content for online platforms, Betsy joined the staff at Daphne High School near the Gulf Coast of Alabama, requisitioned school land and began building an agriculture education program that incorporates aspects of other teachers’ curriculum. She built a “Shakespeare Garden” for English students and had chemistry students demonstrate cationic exchange and pH balance. Storm water issues from the nearby Tiawasee Creek watershed inspired the “history” component of her curriculum, and Fund for Teachers provided the opportunity to research it.

“I became interested in the Mexican chinampas because they seemed to be dealing with so many of the issues we deal with here,” Betsy said. “I also wanted to be able to teach agriculture from a sustainable perspective. So, the fellowship took me further into an area I was already very excited about.”

Elizabeth designed a 2019 Fund for Teachers fellowship to join an EarthWatch team’s study of traditional farming and wetland preservation in the Xochimilco Wetlands of Mexico to enhance current studies of wetland conservation with other professionals who can encourage student learning on these efforts.

Watch several videos Elizabeth made on her fellowship here.

“The experience informed every aspect of my instruction from our studies on integrated pest management to traditional farming and storm water management,” she said. “My students created a  chinampa on our school farm. My greenhouse class now uses the process of soil blocking from the chinampas and agriscience students are using the story of the threatened axolotl salamander to understand environmental threats caused by invasive species as well as the importance of managing the fertilizers we use which, if not used properly, can end up in our waterways and eventually Mobile Bay.”

Currently, Betsy’s students are creating an outdoor classroom for the feeder schools with interpretive signs and various types of gardens and examples of best management practices for the region. Her students also deliver harvests from the gardens to a local food pantry. (Watch media coverage here.) To facilitate the construction of new greenhouses, watershed solutions and supporting structures, Betsy writes grants — and has secured more than $120,000 from local, regional and national organizations, including the National Endowment for the Humanities, the Environmental Protection Agency, Harbor Freight Tools and Future Farmers of America.

“I think as teachers it often feels like we have achieved a goal if we get our lessons to a point where they are stable and we can just go in and teach,” said Betsy. “It’s easy to forget that this minimizes the chance for flexibility and improvement but, most importantly, it may not be keeping us engaged at the level our students need to witness if we are to model life-long learning. It is important that we remain challenged in our teaching, even to the point where we are learning alongside our students, as it is only then that we can understand the questions they are asking as they climb the ladder to expert.”

Thank you to Betsy and her students for filming the video (above) of their garden and farm at Daphne High School in Daphne, AL.

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Betsy Anderton is a high school agriscience teacher born and raised in coastal Baldwin County, AL. She spend many weekends on her family farm in Mississippi and feels passionate about connecting students with both land and water. This commitment is inclusive of using agriculture to create communities, helping students understand the importance of environmentally friendly practices, repurposing items for alternative landscaping and gardening, and agritourism.

As Naima Hall tells it, she had a hard time finding her way in the world of work. For a while she did construction work, then bartended. Only after a few more minutes into our conversation did she mention that this phase of her career came after she worked for the International Trade Division of Tiffany & Co. and directed New York City’s Sister City Program through the United Nations. These roles, while high-profile, left her empty.

“I felt like my life wasn’t real,” she said. “I had titles and positions that sounded interesting. And I felt like a blank slate. My family was proud, but I couldn’t get through the cognitive dissonance of achieving but feeling empty.”

Her next step came from an unlikely source – Craig’s List.

“The Helen Keller School for the Blind placed an ad for volunteers,” Naima said. “When I arrived, the social connectedness was there, the good cause, the good mission. “I think I knew I was on the brink of an aha moment, but had questions about vocational sustainability and  next steps.”

Her answer came quickly. After a few weeks, the principal of Helen Keller saw Naima’s potential and volunteered to write her recommendation for the master’s program in deaf and hard of hearing education at Hunter College. She eventually added this degree to her bachelor’s degree in communications and master’s degree in urban policy and planning to become an itinerant service provider for New York City’s Department of Education. As a teacher in the largest education program in the world serving students who are blind and visually impaired from preschool to 21 years of age, Naima goes onsite to provide braille and advocacy work for students who integrated into a general population setting. She turns print material into braille, either by hand or electronically, and makes tactile models of concepts using embossing tools and haptic construction materials to help students comprehend teachers’ instruction. She also teaches students how to advocate for themselves and ensures that schools are compliant in their educational delivery to this specialized population.

“I make stuff, teach stuff and get out of the way,” she laughed.

To expand the state’s core curriculum and further support her students, Naima used a 2018 Fund for Teachers grant to explore French historic sites attributed to the inventor Louis Braille and investigate French-inspired multisensory, experiential learning opportunities.

Read more about Naima’s fellowship here.

“Not a day that goes by that my students and I are not in proximity to the embossed system of writing Louis created during his life,” said Naima. “This fellowship was a career apex and reaffirmed my passion and sense of purpose within my own vocation.”

This experience, especially a teary eyed moment at Louis Braille’s grave, provided the inspiration to push through a difficult career aspiration – earning certification as a Library of Congress Certified Braille transcriber last fall. Fewer people pass this accreditation than the CPA or the bar percentagewise, making it one of the most difficult certifications to earn in the world.

The moral to Naima’s story? Don’t settle and don’t sell out.

“Sometimes young people jump in and stick in it for too long. I just kept leaving,” she said. “People looked at me like I was bananas when I left Tiffany & Co. and the United Nations. I couldn’t tell them why I left, but I knew I couldn’t stay, but I thought, “If I am dying on a long arc, I don’t want to go out with this being it. There’s a difference between quitting and reclaiming your life.”

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Naima invites everyone to follow virtually the New York City Braille Challenge, on March 8-10, 2021. This annual, city-wide event has four components: the academic competition, a braille experience, parent workshops and interactive activities.

For two decades, Fund for Teachers has respected the power of teachers to determine their own learning and, subsequently that of their students. For each of those twenty years, that respect came in the form of grants – more than $30 million – to fuel fellowships in the United States and around the world. As Fund for Teachers enters our third decade, we are pleased to continue supporting our cohort of Fellows and adding to our programming portfolio.

We are excited to announce Innovation Circles, a new $1,000 grant opportunity specifically for any FFT Fellow who received a fellowship grant prior to 2021.

Each Circle is organized around one of three topics: Social Emotional Learning, Equity or Art & Design. Fellows who are accepted will join a Circle with their self-identified learning goal or problem of practice.  Each meeting will be used to help Fellows navigate the process of devising solutions.  Participants will meet virtually, twice early in the summer and then go on to pursue individual learning experiences before reconvening with their Circle colleagues once every two weeks between August and November.  Some meetings will be with small working groups and some as a larger cohort. It is our hope that self-designed learning, paired with Fellow collaboration, will inspire teachers to continue to refine and reimagine teaching and learning in their schools. If you have something you want to learn, and you know that an experience with other Fellows will allow you to navigate the complexities of implementation, apply to be part of an Innovation Circle.  Grants must be used for teacher learning and implementation.

FFT Fellows can apply here.

The application for Innovation Circle Grants opened March 1 and closes April 1^st. To be considered for the role of lead Fellow for a particular Circle, send a resume and short cover letter, including the name of the Circle and why you are interested in taking the lead, to liza@fundforteachers.org. Circle participants and leads will be informed by April 29th.

Nataliya Braginsky is a high school teacher at Metropolitan Business Academy in New Haven, CT, where she teaches African American and Latinx History, Contemporary Law, and Journalism, and co-advises the school’s Gender & Sexuality Alliance (GSA) and Youth Justice Panel. Nataliya is also a 2020 Fund for Teachers Fellow, member of New Haven Educators’ Collective, the Anti-Racist Teaching and Learning Collective, as well as a facilitator of culturally relevant pedagogy and restorative justice workshops. She believes that, as a white teacher working within an education system that has its origins in white supremacy and that continues to perpetuate racism, educators—especially white educators—must take an actively anti-racist stance and make a lifelong commitment to their development toward this goal. 

To that end, Nataliya designed a Fund for Teachers fellowship to analyze Los Angeles archives, museums, and historic sites associated with the intersection of African American, Latinx, and Indigenous (AALI) histories to support a new state mandate to teach this subject in all high schools. The mandate was sparked by a growing movement led by youth of color who in 2019 successfully petitioned their legislators. While this legislation does not go into effect until 2022-2023, at Nataliya’s school they decided that this course was long overdue. Such a class is necessary in all schools, but is particularly significant in a school that is majority African American and Latinx.

Learn more about Nataliya’s work in curriculum development, culturally relevant pedagogy and restorative justice practices on her website.

photo courtesy of the New Haven Independent

In developing this course, Nataliya surveyed her students. A common request was for untold stories and histories, rather than what is typically taught in history courses. Understanding dominant-narratives while centering counter-narratives is central to the course Nataliya has developed. Another request from students was not to focus only on oppression. As one student expressed: “We barely know the good things, we need to shed light on how brave, strong, and powerful we really are. It’s important to understand our blessings, to have people to look up to who look like us.” While stories of resistance are an important part of the course, students also want to learn of African American and Latinx beauty, joy, and brilliance.

Nataliya is part of the fall 2020 Pulitzer Center Teacher Fellowship program on Arts, Journalism, and Justice. Read the unit she developed, “Writing Personal Narrative in a Political World” posted by the Pulitzer Center, including the publication of two students’ powerful personal narratives.

“In my search for an educational experience that could offer such narratives and resources, Los Angeles was consistently echoed as the epicenter of intersectional AALI history,” said Nataliya. “LA is particularly rich in lesser-known examples of these histories, and many that are not only rooted in resistance, but also in powerful creation. I found numerous historic sites, museums, and archives that showcase the very history my students are asking to learn. That a group of Black, Indigenous, and Latinx people settled Los Angeles, for example, will be incredibly compelling to students.”

Los Angeles fulfills another of Nataliya’s needs as an educator, which is to collaborate. Connecticut is just beginning its collective work in teaching these critical histories, while LA has long led the struggle for intersectional ethnic studies in high schools. Learning from their experiences, sharing lessons and resources, and discussing the complexities of this content will support Nataliya as she continues to develop and improve her course.

Read Nataliya’s most recent article in the Washington Post: “The racist effects of school reopening during the pandemic — by a teacher” and “Not an ‘Achievement Gap’, A Racial Capitalist Chasm” for the Law & Political Equity Project.

Nataliya compiled destinations for her fellowship through talking with Los Angeles historians and educators, and through reading A People’s Guide to Los Angeles. After selecting relevant sites, Nataliya plotted them on this Google map in order to design a thoughtful itinerary.

Information and insights gained from these locations and those whom she meets will inform:

• Students’ creation of a pop-up Latinx museum at her school to accompany a pop-up Black history museum;
• Students’ presentation of final research papers at the school’s annual Social Justice Symposium; and,
• A more balanced and engaging curriculum with a more robust unit on the borderlands.

“Across AALI histories, students will have more stories to draw upon, not only of resistance to oppression, but also stories of creativity, joy, and success,” Nataliya said. “They will have more role models from whom to draw inspiration.”

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Nataliya earned a B.A. in Liberal Arts from Sarah Lawrence College, and an M.S.Ed. from the University of Pennsylvania. She is most proud of the incredible work accomplished by her students, including:

• A Walking Tour of New Haven’s African American , Indigenous and Latinx History
• Black Is King Compendium
• “The Great Force of History:” The January 6th Syllabus

With any free time, Nataliya leads workshops designed to support educators working toward anti-oppression and liberatory education and writes freelance articles such as this piece about her family’s survival of the Chernobyl nuclear disaster and the lessons it offers for surviving the pandemic.

(Title illustration by Israel Vargas for the Mother Jones article “Digging Into the Messy History of ‘Latinx’ Helped Me Embrace My Complex Identity.”)

Fund for Teachers Fellows teach every subject and language, including American Sign Language (ASL). At FFT Fellow Mick Posner‘s school in West Hartford, CT, ASL is one of the world languages offered and he used his grant to learn from deaf Inuits in Nuuk, Greenland, basic conversational skills in that country’s official sign language system to expand current ASL classes and deepen students’ understanding of the human spirit’s resiliency.

FFT Fellows Amanda Kline and Jenny Cooper‘s situation is a little different. They are teachers of the Deaf and Hard of Hearing at Metro Deaf School in Sant Paul, MN. Metro Deaf School is a pK-12, free public charter school that provides bilingual and interdisciplinary curriculum using ASL and English for students who are primarily Deaf, DeafBlind, and Hard-of-Hearing. Enhancing their curriculum are short, timely lessons they create for their YouTube series Did You Know That?!

Amanda (who produces the videos) and Jenny (the host and who is deaf) created a Fund for Teachers 2020 fellowship to document pedagogies of Deaf cultures and communities across Iceland, Scotland, Norway, Sweden, Finland, and Ireland to provide linguistically-accessible primary resources that increase world knowledge for and decrease language gaps of deaf students. Due to COVID, they had to defer their fellowship, but we wanted to touch base now to learn more about their plans through a Q&A interview…

[minti_dropcap style=”box”]Q[/minti_dropcap]In your proposal, you wrote: “Many of our students have grown up with world experiences; but without the language to accompany those experiences, they are unable to process, understand, internalize, or apply their experiences.” When your students experience everything, yet rarely have the language for processing and sharing, how do you build community?

[minti_dropcap style=”circle”]A[/minti_dropcap]There is community building in the simple “same as me” experience among students. Empathy is a deep thread that runs throughout our student body DNA. When students transfer to our school at 12 years old having had 12 years of life experience with 0 years of language and are finally given access to ASL to process those experiences, we see so much growth. Then, when other students transfer in after them, those students can come alongside them to support growth. It is also important for them to see how far they’ve come! Taking language sample videos and then showing them those videos 1-2 years later is always a treat!

[minti_dropcap style=”box”]Q[/minti_dropcap]You have 12-year-old in your classes, deaf, 12 years old, and at a 3 year old math and 0 year old reading level, yet within less than two years, you have that student perform at a 5th grade math level and reading at a 3rd grade level. How do you motivate and inspire students with such obstacles to achieve at these levels?

[minti_dropcap style=”circle”]A[/minti_dropcap]Honestly, they don’t need extrinsic motivation, it’s an innate need, passion and desire. When they can understand what’s happening, their cognition goes into hyper-speed.

[minti_dropcap style=”box”]Q[/minti_dropcap]While your fellowship involves filming historically-significant sites, you also plan to focus on significant elements of the respective deaf communities such as: traditional folklore, celebrations, and language evolution. Can you talk more about that?

[minti_dropcap style=”circle”]A[/minti_dropcap]Yes! We are excited to be visiting various Deaf Clubs, Deaf community gatherings, Deaf immigrant immersion programs, and much more. We can’t wait to see how these various cultures incorporate their local cultures and history overlap with Deaf culture and history. For example, by meeting with the Scottish Ethnic Minority Deaf Club, we will experience how members celebrate various diverse people groups within the Deaf community and take away ideas for events, programs, and approaches to be able to apply within our own community.

[minti_dropcap style=”box”]Q[/minti_dropcap]Your research will also include interviewing organizations about building community with parents. Why do you feel as though that is vital?

[minti_dropcap style=”circle”]A[/minti_dropcap]Students can grow and learn 8 hours a day when they’re with us, but when they go home in the evenings, weekends, and during school breaks, that’s where they need continued education and support in ASL. When families get on board with their child’s newly acquired language, we see significant growth in those students.

[minti_dropcap style=”box”]Q[/minti_dropcap]Would you explain the SignPal program and your plans for implementing it with your students?

[minti_dropcap style=”circle”]A[/minti_dropcap]We piloted a program like this within our own state a few years ago where we networked with another deaf school. This operated similarly to traditional Pen Pals, but in ASL using sign as opposed to writing in English only. We paired up students based on language levels, then they sent videos back and forth to one another, getting to know another person. We provided guided questions for suggestions. At the end of the academic year, we all met together at a local Deaf club where we had a tour and lesson about the history of the Deaf club, then had lunch together and played games. This proved to be a rich social experience for all students involved and formed lifelong connections. We would like to try a program like that, but to make it an international experience.

[minti_dropcap style=”box”]Q[/minti_dropcap]Lastly, how do you foresee your fellowship impacting the Metro School for the Deaf school community?

[minti_dropcap style=”circle”]A[/minti_dropcap]We, as a team, as a school, and as a community, recognize American deaf culture is complicated and we recognize the ways the education system is failing our D/HH students; however, we also recognize our students are full of passion and drive. They need a global deaf identity, including more creatively-designed, visually-engaging, linguistically-accessible resources to be successful in their futures in the global society and marketplace. This experience will lead to opportunities for our students, staff, and community members to analyze their current cultural and educational situations and to problem solve with the support of an expanded global-knowledge. This is not a change that can happen overnight, it requires a community and a culture of first becoming aware of options, then being willing to adapt and change for the future benefit of each individual. Thankfully, the deaf community is a profoundly adaptive group of individuals willing to grow.

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Jenny Cooper (right) teaches American Sign Language and more to deaf/hard of hearing high school students at Metro Deaf School. Her passion comes from her family who are also deaf, making her a third generation deaf person in her family. She obtained her Masters from the only deaf university in the world, Gallaudet University. Amanda Kline teaches deaf and hard of hearing middle school students reading and language arts at Metro Deaf School. She is passionate about making learning exciting, impactful, and memorable. She enjoys combining world knowledge with creative film making and editing to create accessible videos for ASL users throughout the country and world.

This fall, Fund for Teachers introduced a new Circles program bringing Fellows together around various topics. This effort coincided with teachers’ return to school in the midst of a pandemic, so we were uncertain about interest and participation level. What we discovered, however, is that our grant recipients remain life-long learners despite the circumstances and the result has been life-giving for them and inspiring for us.

Members of Fund for Teachers’ Equity and Justice Circle began their final meeting of the semester by watching a Ted Talk inspired by a Martin Luther King, Jr.’s quote: “In the end, we will remember not the words of our enemies but the silence of our friends.” Reading critically, writing consciously, speaking clearly and telling your truth, according to the speaker/teacher/poet Clint Smith, are the four core principles posted in his classroom. These same principles could summarize the first collaborative learning experience undertaken by eight FFT Fellows around a timely topic.

Last summer, Fund for Teachers selected from applications a cohort of ten Fellows to attend a three-day Teaching for Equity and Justice webinar presented by Facing History and Ourselves, an organization dedicated to fighting bigotry and hate with lessons from history. Then, after full days of teaching virtually, the educators returned to Zoom for dialogue about race and culture with the goal of crafting an action plan to impact their students and school community.

Read more about Fund for Teachers Circles here.

“I did a lot of work on social justice fifteen years ago and I thought, ‘I’ve done the work! Good job!” shared 2019 Fellow Tim Flannagan, teacher at Stonington Middle School in Mystic, CT. “But after the murders of George Floyd and Breonna Taylor, I wanted something more tangible than reading books and discussing with all white peers. I knew Fund for Teachers would do this well, and the resources and reflections, check ins and follow ups have increased discourse and equipped us to take informed action.”

Tim recently launched the Family Anti-Racist Circle in which students and their caregivers (or a member of the staff) read, discuss and identify ways to remedy racism in their community. He secured funding from local foundations obtain 5 copies of 15 books from which students can choose. After the read, Tim will then lead the group in brainstorming and researching ways to address an issue of equity and justice to develop a plan that to implement in the spring.

“I’ve attended several Fund for Teachers events since my fellowship in 2018, and one of the first questions asked during these meetings is Where did you travel on your fellowship? It occurred to me that no one asked that question in the Equity and Justice Circle. It’s not that we’re not interested, it’s just that our work has a sense of urgency and every minute of our sessions is so purposefully planned so that we leave one step closer to accomplishing our goals. Thank you to Fund for Teachers and Facing History and Ourselves for connecting me with this professional learning community and empowering me to create a more equitable and just classroom and school.”

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In 2018, Tim used his Fund for Teachers grant to join a photography tour in Cuba with professional artist and documentarian Louis Alarcon to create learning that combines insights about the island nation with photography and digital literacy skills. In addition to his Fund for Teachers grant, Tim also completed a Fulbright fellowship in Vietnam and received additional grants to learn in Kyrgyzstan, Morocco, Germany. Tim has also taught in Brazil and Bolivia. Read about his fellowship here and learn more about his practice on his website, The Alternate Route.

Human Rights Day is observed every year on 10 December — the day the United Nations General Assembly adopted, in 1948, the Universal Declaration of Human Rights (UDHR). The UDHR is a milestone document that proclaims the inalienable rights which everyone is entitled to as a human being – regardless of race, color, religion, sex, language, political or other opinion, national or social origin, property, birth or other status. Last summer, Jenn Nekolny and Christine Halblander (Jefferson Junior High School – Naperville, IL) used a Fund for Teachers grant to explore how physical and societal divisions in historical and contemporary Poland, Czechia, Austria and Germany impact human rights. They now supplement Social Studies and Language Arts curricula with their insight and experiences to enhance students’ knowledge around migration and refugee issues. In honor of all those striving for human rights, we share this reflection of “Team Mending Fences” and how their fellowship is impacting students’ awareness of humans’ rights. 

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Our fellowship allowed us to look at forced movement of targeted groups in Krakow and Warsaw and the ghettos and camps that swallowed once peaceful lives. Museums and cultural centers in former East and West Germany allowed us to trace the lives of individuals and families. We then met today’s refugees and NGOs who work with them in Vienna and Berlin. Finally, we stayed with Jenn’s host parents and explored how small towns are welcoming asylum seekers.

It was very important for us to share our Fund for Teachers experiences with our students and school community. We were able to speak genuinely about the places we visited. When we shared our interviews and work with asylees, NGOs and individuals who are helping refugees, we spoke of them like they are true friends. Our students felt included in our FFT experience from the beginning; this enabled us to encourage even the most reluctant readers to read Refugee and create an Open House event for our community. 

Our Open House was a great success! Each character/ time period/ journey of the novel Refugee, had a room with student-driven projects, maps, activities, and a food item that represented the culture. We were even able to expand the learning with a graphic novel, Illegal, and mini research boards that gave a refugee. migrant, or internally displaced person a personalized story.

As guests entered the main entrance of our school, they were greeted by one of our School Board members who explained the reason for our event and the passport. As guests visited each of the four themed rooms, they earned a stamp in their passport for trying an activity, sampling a food item, or participating in a learning experience. After visiting all four rooms, completed passports were entered into a drawing to win gift cards to a local bookshop. Parents and kids had a great time with a little friendly competition to see who could earn their stamps!

To add to our theme of learning about refugees, we collected school supplies to be donated to our local World Relief organization. Binders, backpacks, pencils, notebooks and folders were dropped off by families attending our event and will be given to newly- arrived school-aged children who need them.

Our entrance lobby was full of activity! This is where guests picked up and dropped off their passports, and also where our 8th grade students held a bake sale. Families donated baked goods and student volunteers were there to receive them, price them, and tell people about BikeyGees, an NGO that teaches refugee (and other women) how to ride bikes in order for them to have more freedom. BikeyGees is located in Berlin, Germany, and we were fortunate to work with them on our fellowship. We had a large poster explaining their mission, including photos taken while volunteering there. It was important for students (and families) to see where their donations of effort, time and money were going.

Our lobby was also the location for our one-of-a-kind bracelets. Each bracelet had a hand-stamped message (like HOPE or JOURNEY or our school mascot, PATRIOTS) and hand-tied strings. Students worked during lunch periods to create them and then asked for donations and talked with guests about the mission of BikeyGees and what is being done to assist refugees and asylees in other parts of the world. 

Things were a little quieter in our focus rooms. Students spent weeks reading, discussing and organizing their work based on a character in the novel Refugee. Here are some scenes from Josef’s room (Nazi Germany, 1939). A poster asked “What’s in the family’s suitcase?” and the packed items chosen by students were labeled with detailed notes about a party dress that Josef’s mother might have worn, a Torah that Josef needed for his Bar Mitzvah, a stuffed bear for Josef’s little sister, Ruth, and a shawl for covering heads and shoulders for religious activities. Students practiced research and writing as they worked together on this, then guided guests in Josef’s journey. Staying in the heart of Kazimierz and visiting Auschwitz- Birkenau allowed us to discuss some of the connected historical events. Next to the suitcase, visitors use Post-its to write something they would take if they suddenly had to leave home.

Mahmoud’s room (Syria, 2015) welcomed visitors with a summary of his story and the “official” flag of Syria and “rebel” flag of Syria. Students explained the symbols on a poster and students sewed the flags with fabric and felt, guided by our Family and Consumer Sciences (FACS) teacher. Here, students and one of our EL teachers get the room ready for guests. Students designed the room as if guests were following Mahmoud’s journey on land and sea. Chapter highlights explained where he went and why with maps, photographs, and research. The tension of his journey built as each station was reached by visitors. Students learned how to make hummus in their FACS classes and paired it with vegetables for guests to enjoy. Each plate is divided into fourths, with the name of each country written on one fourth of the plate. This helped us to cut down on waste and allowed guests to start in any room and travel “around the world” with their plates and passports.

We met several Syrian refugees on our fellowship–a car mechanic, a dentist, a student, a mother–all had such a love for their country and a desire to help others. We were able to show students that a country might have issues with politics and war, but the individuals each have a story that isn’t what’s portrayed on the news.

In Isabel’s room (Cuba, 1994), students wanted to mimic the sights, sounds and tastes of Cuba so guests would feel a little of the island on our cold February Open House night. There was a selfie station with a “wet foot/ dry foot” beach theme to represent Isabel’s goal of taking the boat to “El Norte” (the United States). Students used bright colors as a tablecloth for the pineapple and mango skewers dusted with Tajin fruit spice. They did a great job encouraging people to try the Tajin! Our population of families from Mexico and the Caribbean were happy to taste something familiar to their culture.

The entry to Isabel’s room included a game of chance (after all, that’s what we saw over and over in our fellowship) that directed guests to different experiences, including a station with QR codes that linked to videos that taught the rhythm of the clave. Our music teachers worked with students to create short videos at beginner, intermediate, and advanced levels and provided the clave percussion instruments to try. 

To enhance our learning, we added the graphic novel Illegal, by Eoin Colfer and Andrew Donkin. Families were introduced to the story of Ebo, a Ghanian boy who leaves his village in search of his brother and sister, who had led before him. Ebo must travel by land and sea, across lonely deserts and through huge cities, always alone. The people he meets along his journey help to guide him as he learns about his own strength. We were able to connect the idea of the “helpers” in his fiction story with what we had learned from Mohammad, Bahar, Tarik and Mo, asylum seekers we had met in Vienna, Berlin, Puchenstuben, and Leipzig. As students read Ebo’s story in Language Arts, we were also talking about cocoa farming and labor practices in Social Studies. As we researched, students found that the Lindt chocolate company had made significant changes to their practices and their cocoa harvesting. Because of this, students chose Lindt chocolate as the snack to represent Ghana (and families were very happy to have this sweet treat at the end of their passport tours through the rooms!).

In addition to reading the novels, students had a unique opportunity to design a complete experience for our Open House guests. From designing the room layouts to determining who would greet guests, explain stops in the rooms, and take care of set up and clean up, students worked together to create something to be proud of! Originally, we had planned to work with 7th grade Language Arts and our EL teachers and students, but as our project was building, many other staff and students became part of the event. Our FACS teacher worked with students to design and sew the Syrian flags and to make the hummus, our band and chorus teachers volunteered to teach students the clave rhythm and how to use the percussion instruments, our library staff offered a selection of books that went along with our theme and 8th grade students provided book reviews to encourage others to read them, the families of our 8th graders made goodies to be sold at the bake sale, a School Board member volunteered to work with World Relief to collect school items and greet guests in the lobby, and countless others offered support to our students for our event.

In Social Studies, students selected a photo from #everydayrefugees and did further research on the reasons why that particular person or group would flee their country. They then added an enhanced caption and a map to show the refugee as an individual and not just a statistic. Students in our Dual Language Spanish classes practiced their reading and writing in the target language of Spanish with the same activity.                

The 8th grade students read connected fiction books and wrote reviews of them to encourage further reading. These were the students who helped with the idea of our fellowship last year as 7th graders; it was very special to have them as part of the Open House, too.

FFT granted us the opportunity to be students and explore the world in a unique way together. We asked a question and designed a plan to answer it. We wondered and through the journey learned about a global challenge and what other countries are doing to help. Our professional perspective changed because we are a team committed to creating a welcoming school community where we model and teach others to open our minds and hearts to the world and all it has to offer.

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Learn more about Jenn and Christine’s learning by reading their post-fellowship report here and accessing the Facebook page they made for students and families to follow.

On this Election Day, we’re focusing on a different type of vote, one conducted by students at the Brooklyn School for Collaborative Studies. Inspired by their teachers’ fellowship in Mexico, seventh graders explore colonialism, feminism and the indigenous history of Mexico to  vote on whether the female translator and daughter of an Aztec chief was a hero, victim or traitor. Thank you for FFT Fellow Glen Meinschein for this story of turning an original idea into action…

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It seems that now more than ever it is important for us to learn to think like historians. To think critically. To determine the reliability of sources. To analyze and corroborate evidence. To try to understand perspectives that are different, even contrary to our own.

When we started our grant proposal for Fund for Teachers, we had the goal of reframing the typical “American History” curriculum. We sought to teach American history not as the history of the United States, but the history of the Americas: an entire hemisphere, two continents, 35 countries whose histories are inextricably linked. We wanted to root it in narratives often ignored in history- by drawing from perspectives of indigenous people, women, and people of color. We wanted our diverse group of New York City students to see themselves in the history we taught.

We saw the perfect opportunity in the story of La Malinche – best known as the indigenous translator and lover of Spanish conquistador Hernan Cortes. A woman forced into slavery and given to Cortes as a gift upon his arrival in the “New World.” In Mexico today, her name is synonymous with “traitor,” but her legacy has evolved as the country has grown.

As we interviewed locals about their opinions on La Malinche and her role in helping the Spanish during the conquest, we quickly realized how divisive this topic could be. The interviewees often had to take time to really think through the question, and had strong and complicated feelings about the subject. Seeing people grapple with this question proved to me how important picking a challenging central question is to push students to think deeply and to care deeply about learning history.

Read about this fellowship and student impact here.

Three years after our fellowship we continue to use the story of La Malinche and the research we were able to conduct in Mexico as the learning expedition which kicks off the year in this Brooklyn 7th grade Social Studies class. It is the introduction that we hope teaches students the importance of understanding context, analyzing bias, looking at history and current events through multiple perspectives, and learning the power one individual can have to create change in the world around them.

Here are a few student samples showing their perspectives on the legacy of La Malinche:

• “Today in history many people see La Malinche as a traitor for helping the Spanish instead of her own people, but it is important to remember that she was a survivor. La Malinche should be remembered as a hero because she helped to unite two cultures to create the place we know of today as Mexico.” -Ella
• “La Malinche is a traitor because she turned her back on her own people. She helped Cortez and the Spanish who only wanted to find gold. As Cortez and his men arrived in the Aztec capital of Tenochtitlan, Malinali didn’t think twice about helping Cortez wipe out the entire Aztec capital.” -Julian
• “The reality is, even with the ability to speak three languages she was still a woman in an era where women held no power or importance. Her job was to translate. She did not command the battles or fire the cannons. So, in a time where women could be regarded as property to be passed on as gifts from one man to another with no say in all aspects of their own lives, are we to believe that this woman’s ability to translate could be seen as betrayal that brought down a whole empire? Her natural intelligence allowed her to survive, creating a better life than the one she had. She was a victim not a traitor.”  -Lia

My fellowship through Fund for Teachers allowed me to learn first hand about a topic that had fascinated me for some time. Through our explorations, museum visits, interviews, and conversations, we were able to better understand the legacy of the conquest of Mexico, and local perspectives on La Malinche’s controversial role in helping the conquistadores. Learning about these perspectives first hand has challenged me to think more deeply about the way history is often taught at home.

Read Glen’s fellowship summary here.

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Glen Meinschein is a middle school social studies and special education teacher at Brooklyn Collaborative, Brooklyn, NY. After graduating with concentrations in Spanish, International Studies, and Business from the University of Oregon, Glen spent two years teaching in Spain. Soon after, he moved to New York to join the NYC Teaching Fellows and finish his graduate studies at Long Island University, Brooklyn. Glen is currently the Social Studies department head at Brooklyn Collaborative.

Andrea Barela is a two-time Fellow who continues to give back to Fund for Teachers, this time as a member of our new Educator Advisory Council. In this role Andrea, with a small group of Fellows, helps guide emerging programming that provides continual resources beyond a teacher’s summer learning experience and lifts up their voice as a collective of trusted professionals who can lead their own professional growth and make the best decisions for students’ learning. 

“As for why I agreed to the EAC, I LOVE everything about and for FFT,” said Andrea. “I feel like I get so much value and respect as an educator (especially an early childhood/elementary educator) from this organization. It’s such a privilege to interact with other like-minded educators around the country. Plus, it gets me out of my comfort zone to practice being an advocate for early childhood/elementary education.”

We caught up with her and asked about updates with her students:

The good news: Our school PTO was so inspired by our AGENTS (Always Always Getting Everyone Nicely Together Significantly) working to get a larger shade structure for our small playground that they teamed up with the SPARK Park program and Trees for Houston to add additional play structures and shade to the playground.  So I (eventually/hopefully all AGENTS and the advisors) can volunteer with Trees for Houston when allowed to as well!  The bad news: My district has suspended all after school clubs in elementary school until further notice.  This means that no new AGENTS right now. ? Only alumni that are in 6th-10th grades.”

Andrea’s second fellowship was spent researching in Kenya how Wangari Maathai and her Green Belt Movement catalyzed environmentalism to inspire similar strategies as a framework for student leaders’ community action plans. Andrea designed this experience to add tree planting to the agenda of the AGENTS to provide students at an older, low socio-economic elementary school with time and space to nurture their ideas of leadership and ownership. Read about this fellowship here,  her Ph.D. dissertation about this work at here and her fellowship researching peaceful activism below in honor of Mahatma Gandhi’s birthday next week…

[minti_divider style=”1″ icon=”” margin=”20px 0px 20px 0px”]”What would Gandhi do?” This is the guiding question for a group of students at Lakeshore Elementary in Humble, TX. Their teacher, Andrea Barela, used her FFT grant to research Mohandas Gandhi’s style of peaceful activism at the Mani Bhavan Gandhi Sangrahalaya in Mumbai, India, and the National Gandhi Museum in New Delhi. Her goal was to facilitate students’ application of similar strategies as a framework for developing action plans within their community. Watch this video to see the result…

Last week, we shared about The Ramsden Project, our network of Fund for Teachers Fellows across the world who are bringing their bold discoveries into their classroom and communities. This community will provide continual resources beyond a teacher’s summer learning experience and lift up their voice as a collective of trusted professionals who can lead their own professional growth and make the best decisions for students’ learning.​ Today, we’re going a little deeper into what this network represents. In short, it’s teacher leadership at the highest level.

We are continuing to construct aspects of The Ramsden Project that will add the most value for our Fellows. The pandemic and the fact that we didn’t have Fellows learning around the world this summer provided an opportunity to explore the possibilities more diligently. A Fellow Educator Advisory Council agreed to serve as ambassadors for our entire cohort and they, along with thought leaders in education and philanthropy, inform each new aspect of The Ramsden Project, including:

• A Mentor Program that matched each 2020 Fellow with one who has gone before them to maximize fellowship learning and support instructional innovation upon the return to the classroom.
• A Circles Program that organizes Fellows around topics they deem most relevant. Led by Fellows for Fellows, current Circles are collaborating about Virtual Teaching and Learning, Equity & Justice and National Board Certification.
• Convenings of Fellows in geographically-concentrated areas (when appropriate per the pandemic)

Ultimately, The Ramsden Project falls in line with the same mission Fund for Teachers has followed for 20 years:

[minti_blockquote]Strengthening instruction by investing in outstanding teachers’ self-determined professional growth and development in order to support student success, enrich their own practice, and strengthen their schools and communities.[/minti_blockquote]

How we talk about these teachers’ will pivot slightly to demonstrate ways in which they, and our organization ignite teacher leadership both through their fellowship and membership in The Ramsden Project, by:

• Leading the Way
• Seeking Opportunities
• Embracing Risk
• Turning Ideas into Action
• Discovering Resources, and
• Collaborating to Build Solutions

“Fund for Teachers is nationally unique in its motivation to trust teachers to know what they and their students need to achieve,” said Liza Eaton, director of The Ramsden Project. “As a Fellow myself, I experienced the validation this organization provided me in the form of a grant. Now, we’re making sure that Fellows don’t lose that initial sense of empowerment and possibilities the fellowship provides.”

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Read the Charter that guides describes the caliber of teachers The Ramsden Project strives to serve.

Turning ideas into action is nothing new for Tracey-Ann Lafayette. As a student at the University of Connecticut, she founded Leaders in Diversity within the Neag School of Education after recognizing that students from underrepresented backgrounds lacked a support system. Upon earning her Masters in Education and beginning her career at Robert J. O’Brien STEM Academy in East Hartford, CT, she founded a statewide LID initiative for BIPOC teachers and even organized a virtual summit last summer called Melanin Magic for educators of color to to embrace and empower their identities in educational spaces. Student activism, however, was the focus of her Fund for Teachers fellowship. Specifically, Tracey-Ann and her colleague researched in Johannesburg and Cape Town, South Africa, the history of apartheid as influenced by Nelson Mandela to empower elementary students in social activism and restorative justice.

Read about Tracey-Ann’s learning in South Africa here.

“I continually shared with my students experiences and knowledge rooted in our fellowship – especially student activism while in South Africa,” said Tracey-Ann. “I think it’s important to teach my students to think critically and form their own opinions about the world so I try to give them information about a variety of topics that really make them think.”

And when they thought about Columbus Day, it didn’t make sense.

“They couldn’t understand why anyone would want to celebrate someone who caused so many issues and treated people so poorly so they wanted to speak up about that,” said Tracey-Ann. “We did talk about how even though they feel strongly about something that there are others who feel strongly on the opposite side of things, but they were determined to take action.”

Tracey-Ann felt it was important to support her students and show them that even as a third grader you can make a difference in the world. When the students decided to take their case to the school district, Tracey-Ann helped make it happen. The superintendent and assistant superintendent accepted the class’ invitation to dialogue about why they believed the school district should change the calendar to annually honor Indigenous People’s Day on October 12.

“My FFT fellowship was transformative for my teaching because it allowed me to engage in authentic learning experiences,” said Tracey-Ann. “Learning in South Africa about Apartheid made me curious about the local histories that are surrounding me that I haven’t considered. It also solidified the importance of teaching students about social justice and social comprehension, reminded me of the power that passionate individuals can have, and showed me the impact that children can have on their communities.”

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Tracey-Ann, who holds a Masters degree from the Neag College of Education at the University of Connecticut, is active on social media. You can follow her work on Instagram, Twitter and her blog, Learning with Lafayette. You can also learn more about why she teaches on this short video produced by UConn.

FFT Fellow Rebecca Zisook (Helen C. Peirce School of International Studies – Chicago) also facilitated learning around this topic with her elementary students. Read about their learning here.

 

 

The flatlands of Oakland — where most of my students live — have often been described as a war zone. Nearly every student of mine has lost at least one family member, classmate or friend to gun violence. My students face discrimination for their race, gender, country of origin, religion, immigration status, and usually a combination of these. I have students who are refugees and immigrants from Yemen and Iraq, Burma and Vietnam, Guatemala and El Salvador. Additionally, because of the pervasiveness of gun violence, racism, poverty, and grief in our city, experts estimate that 30 percent or more of Oakland children suffer from PTSD, my immigrant students are now in a state of heightened uncertainty and fear with deportations on the rise. What’s more, my students belong to a generation that is increasingly suffering from tech addiction.

It’s not hard to see why I designed my Fund for Teachers fellowship around the need for more mindfulness, social-emotional learning and focus-building activities in our school. My two-week fellowship at the Penland School of Craft mixed the arts, writing, and mindfulness with an innovative movement program in the peaceful Blue Ridge Mountains. My time spent there also allowed me to build my own practice of slowing down to live more fully and intentionally so that I can help my students do the same.

Why Penland and not a more standard mindfulness program that attracts many Fund for Teachers Fellows? Why not Thailand or Japan? I was more interested in going to Penland because it combines mindfulness with the arts and writing. I also believe we need to build bridges between rural America and urban America, between a red state and a blue state. Another benefit of this particular workshop is the way Penland embraces the word “craft.” This was clear when I read the school director explain why his institution changed its name from “Penland School of Handicrafts” to “Penland School of Craft” in a recent blog post.

[minti_blockquote]”The word craft,”he wrote, “suggests process, skill, commitment, and perfected attention.” The director added that those values are what the school promotes for the world. “They suggest an ideal, not something specific.” Penland’s values are the same I hope to instill in my students. My time at the rural artist community helps me do that.[/minti_blockquote]

My days were spent immersed in a clay workshop and evenings I participated in “movement” courses. I also conducted field research by talking to artists and other educators about the creative process, even those who are in different workshops than mine. Most of my action research, however, took place in Catherine White’s “Woodfiring & the Expressive Hand” course. In that intensive course, I made all types of pottery and discussed the creative process. It is here that I experienced one of my most profound lessons. “That badness becomes part of your goodness,” was a quote from my teacher that I inscribed in the foot of a bowl that I’d apparently “ruined.” Instead of throwing it out, I looked at the unintended grooves and found a way to accentuate them because they looked like the Penland mountains. I want my teaching to evolve like my learning. I want to be more daring with my lessons, turning them into something good — even better — if they fail to go as expected. I want students to also learn this way.

Now, with distance learning, the way that my FFT fellowship helped me with mindfulness is even more important. I am partnering with several teachers to provide mindful literature lessons to my students. Just this week, we did a nice lesson on embodiment. We did a full body scan to focus our awareness on our own body. We then wrote poetry based on Elizabeth Acevedo’s poem “Afro-Latina” in which we explored how she came to love parts of her body and identity that originally caused her shame and learned to love her mixed heritage. The partnership with the ceramics teacher is on hold due to distance learning! However, I am using ceramics in my own life to continue to center myself so that I can be more present with my students.

This fellowship allowed me to be a “newcomer,” which is what my most recently enrolled students are called in my English Language Development class. I was a newcomer in the ceramics studio and to a special vocabulary that wood firers share. All but one of my classmates had had years of experience with clay. My teaching is consequently transformed because I felt the need to create safe spaces for students to question and make mistakes in an environment similar to the one I experienced on my fellowship. Lucy Morgan, who founded Penland in the 1920s, said this about her school: “I’ve never known a place where one experiences such a feeling of liberation, of a taking for granted that mistakes are a normal part of the learning process; of tolerant acceptance of people as they are, yet faith in their desire and ability to grow.” We must build similar environments for all learners, especially English learners.

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This was Lisa’s third FFT fellowship. With her first grant in 2008, Lisa traveled to Japan to research its high schools, teenagers and media; in 2015, she studied multiculturalism in Australia, New Zealand and Tonga, where she explored with a journalist Sydney’s minority populations with multimedia storytelling. You can read more about that experience here.

Lisa Shafer is passionate about delivering an equitable education to all students and giving them the opportunity to voice their opinions through journalism, debate and public speaking. Armed with a Master’s degree in journalism from the University of Michigan, Lisa currently teaches English at Skyline High School in Oakland, CA. Prior to that, she taught journalism at Oakland’s Media Academy of Fremont High School and worked as a professional journalist at several newspapers, including the Toledo Blade, the Philadelphia Inquirer and the Contra Costa Times. She started teaching in 2001. 

 

Since we got married, we have spent our lives together working with children in our community, other communities and in our school. We are driven by our desire to make a difference in the lives of children. We met in Arizona and assisted with the Grandma/Grandpa Corp, which was a community based program to help children in need. We later helped indigenous kids both in Mexico and Guatemala. When we came back to Connecticut, we became active members at  our church and with Children’s Community School because they are driven by parental involvement and exist only because of community involvement. We are deeply passionate about developing social emotional skills, creating experiential learning curriculum and making community and family connections. Since reading about the SOS Children’s Village programs in Europe, we have wanted to learn more about how this works and how we can bring this back to our schools, so we designed a fellowship to observe social emotional/experiential learning and family strengthening programs in some of Austria and Italy’s SOS Children’s Villages and Reggio Emilia schools to replicate the proven social emotional learning practices in classrooms, small group instruction and community collaborations.

Our students are faced with difficult academic, social, and emotional demands daily.They lack coping skills and often require assistance to manage their stressors and difficult home life. SOS operates in 135 countries, making it possible to drive impact on key issues that are similar to our school district. In spite of the fact that all children in Europe have access to good quality, free education, those from families with lower incomes are less likely to succeed educationally. This inequality is reflected in the type of school they attend: about 80 percent of children living at risk of poverty go to a general secondary school and only 20 percent to a more academic secondary school. In addition, according to the Organization for Economic Co-Operation and Development, there are significant differences between the performance of children with a migrant background and that of native students. Poor educational achievement affects their chances of finding future employment. This is similar to our district. Our fellowship will help us learn techniques to apply social emotional skills, experiential learning, improve community involvement and better family collaboration.

SOS Children’s Villages has been supporting unaccompanied refugee children for over 15 years. In 2015, and in response to the refugee crisis, they provided individual care for children and young adults who arrived alone in Austria. They live in SOS families or are cared for in small group homes throughout the country. SOS Children’s Villages are very active in Austria, adapting its work to the needs of children and families. In addition to the SOS Children’s Villages, where children who have lost parental care can be looked after by the SOS mothers, there are a number of programs working with families and young people in the community. Young children can attend the SOS Kindergartens while their parents go to work or receive training. Family strengthening programs are an important component of the work carried out. We will tour, observe and meet with directors at SOS Villages in Imst and Vorarlberg, and Dornbirn/Vorarlberg, Austria; and Mantua, Ostuni and Rome, Italy. We will also stop in Reggio Emilio, Italy, where the Reggio Emilia approach to education was founded on the belief that every child is full of intelligence, curiosity and wonder. The basis for development in the early years is a child’s ability to use The Hundred Languages available to him or her. These hundred languages a child might use go beyond speech and include “languages” for expression such as drawing, music and dramatic play.

Our guiding questions for this fellowship are:

1. How can we apply what they are doing to meet the social and emotional needs of their students in our district?
2. What social emotional techniques, community involvement strategies and family collaboration ideas can we apply to our existing curriculum and supports?
3. What is the sustainability of the program they run in relation to student learning? And,
4. Does this sustainability equate to quantitative and qualitative data that demonstrates improvement in the school community?

Young students struggling with hardships is a familiar theme for Donnie. One of five children, his mother died in a car accident when he was 12 and he was raised by his grandparents. Read more about Donnie’s story and path to becoming a teacher here.

Social Emotional Learning includes instruction in recognizing and managing emotions, solving problems effectively, and establishing positive relationships with others. We believe family strengthening programs, community collaboration and experiential learning schools will give us the ability to develop programs at both the elementary and high school levels to dramatically elevate SEL across our district. For us, community collaboration will be key. We plan to forge partnerships with:

• The Women and Families Center which fosters empowerment for children and families
• Robyn’s House which provides short term housing to young people and assisting with independent living.
• Open DOHR which focuses on developing opportunities in human resources employment and training
  programs, and,
• Goodwin College nearby, which supports the Reggia philosophy.

We plan on having the high school students help teach some of the lesson plans and work collaboratively with Kindergartners across the district. We will differentiate based on grade level and areas of concern (absences, behaviors, referrals and overall school performance). Students meeting with success after completion of a developed plan will eventually be able to plan, implement and assist other students meet with success. When taught daily embedded social emotional learning skills, we believe students will be able to practice these skills in a
safe setting and feel confident applying them in the moment throughout their school day and at home. The students will also work with community partnerships to bring 6 to 8 week programs from Woman and Families and Goodwin College to our schools. School community will benefit by the discussions about developing a school wide curriculum to build and maintain social emotions skills and improved relationships. Authentic learning and problem solving will be acquired through collaboration with staff, parents and community partnerships.

Short term plans also include utilizing lessons from units taken from our districts new social emotional learning curriculum and the curriculum from Reggia Emilia and SOS schools to enhance student learning. Our ultimate long range goal is to collaborate with our home based school colleagues so that they understand that relationship building is something that can shape the school culture and climate.

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Teaching is Donnie Dupree‘s third career. After several years in the Army and several years in the technology field, he earned his teaching degree at the age of 35 and currently teaches kindergarten at Israel Putnam Elementary School. Mikki Dupree is a school psychologist at Orville H. Platt High School. They share the same philosophy that it is their job to teach and guide children to be successful in all areas of life.

On the final day of their fellowship, Alice Laramore and Kat Atkins-Pattenson shared with us their reflection on a four-week, 9,000 mile road trip along the United States/Mexico border exploring language arts, visual arts, immigration and identity. Thank you, Team Paredes Que Hablan (or Walls That Speak) for sharing your experiences and hope for future students.

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Our students cross borders every day. They switch from home language to school language and back again.Their warm presence, giggles, and questions invite new families inside our school buildings. And, everywhere they go, our students carry the imprint of their family members who came to Boston for refuge, for freedom, for opportunity. Every time these young people change spaces, they reconcile their identities and pasts with their presents and futures.

We know that for students to truly succeed academically, they must see mirrors of themselves in our curricula – art, media, and text – and validation of their identities in our classroom spaces. While we can empathize with our students, as white female teachers, we do not truly understand the depth of our students’ experiences. To effectively understand our students’ experiences, we need to cross borders ourselves and experience the displacement our students have experienced traversing these borders.

Today, the last day of our trip, we are energized by the Borders and Identity Unit that we have built and will use to launch the year with our students. We are flooded with all that we’ve seen in our seven cities. We are entrenched in the creative part of teaching, the part that involves being an interesting, engaged individual to better support the interesting, engaged individuals in our classrooms. The part that means we learn something new in order to teach something new. The experience of being a learner better prepares a teacher to teach, and this summer was an opportunity for us to authentically learn about murals on different borders, to confront not knowing and to investigate, to use art as a lens into community.

Watch in this video the artistic expression Kat and Alice captured in three countries and seven cities to help students answer the question: “How do we show other people the depth of our past and the strength of our future?”

This month, we immersed ourselves in adult project-based learning. We’ve tried lots of new things, from food to cloud-mountain hiking to driving to places we’d never been (while blogging) to talking about art from sunrise to sunset. And we’ve done the whole thing together. Often, in our classrooms, we create groups that we believe will benefit from the individuality of each member. We build in scaffolds meant to allow the group to discover each individual’s strengths and to make empathy a non-negotiable. Though we embarked with empathy and respect already in place, our twenty-six days together have illuminated the strengths and areas of growth (thanks, BPS, for the language) of our partnership. We both value efficiency, and, in the face of less-than-such (e.g., when the internet goes as turtle-pace, when people get motion sick, when you walk up the wrong side of the mountain, etc.), we have learned much about each other. That knowledge has made us better collaborators and better friends.

In San Francisco, where we started our trip, we were oriented to the idea of looking. This was not just because there was so much to look at in The Mission, but also because we did our first day with a guide, who was able to re-frame what we had seen and interpreted in the context of history and community. Carla made us cognizant of how much we needed other people’s knowledge and understanding to build our own. The Pacoima (L.A.) murals added a layer of “looking around corners” to that concept. On the hottest day of our trip, we spent the majority of it seeking out art on the walls of automotive dealerships and in the parking lots of community centers. It wasn’t always going to be all in one alley. In San Diego, a park once occupied by people and now occupied by art, had us looking for four hours and not seeing enough. We returned home those nights googling Aztec symbols and stories, trying to learn enough to know something.

Tucson and Dr. Acosta gave us yet another frame through which to experience our learning. Freedom of education does not mean freedom to learn about the American Revolution and the Civil War through a lens of whiteness. Precious Knowledge, to our generation of “urban baby teachers,” is a reflection of our intentions. Though we (the generation of “urban baby teachers”) are in no way united in our vision or our understanding of social justice, the power of conviction in ideas, history, and lifting stories and voices drove us into the work of education. We wonder if Dr. Acosta knows how many teachers who are only five or six years in are tracking his legal battle and celebrating his victories, most recently the repeal of Arizona’s ban on ethic studies which a district court deemed racist and targeting of Mexican Americans.

In Santa Fe, we absorbed the International Folk Art Market, how artists envision and reimagine, how tradition can morph modern and can accommodate the present day without reneging its roots. This mirrors the murals we’ve seen and the art of Frida Kahlo, taking symbols from the past and bringing them to life in the now. In Mexico City, we saw so much. Teotihuacan, Frida, Diego, the Anthropology Museum, street art, the culinary art of Pujol, the stained glass and craters of Toluca. With American eyes and feet, we navigated the city, and learned all that we still had to learn.

It is hard to classify this experience, and even harder to know all that it will bring to our classrooms. It falls somewhere in the vicinity of sabbatical – an intentional, purposeful break that brings new insight – but also touches the realm of professional development, continuing education, and a creative project. We envision a unit with three parts. First, with our students, we will read several memoirs that broadly address the topic of borders and walls, thinking with our students about potential barriers and how to scale them. Second, we will all generate and share memoirs from our own lives on the same topic. The author of each memoir will formulate his or her own theme about the topic, communicating a piece of knowledge gained from navigating–either adeptly or crudely–a border. Finally, after examining many primary sources collected on our trip and within Boston, students will co-construct a mural combining the themes of their memoirs to create a community creation.

The idea of “insider and outsider” has been, in many ways, the crux of our travels. We asked questions and navigated our identity as visitor, as white visitor, as American, as woman. In our classrooms we are often the the outsiders to the communities in which we teach. However our ethnicities and upbringing reflect the dominant histories and tools that are demanded from dominant culture. In this unit, we hope to illuminate these walls, supporting students to name them, scale them, and ultimately paint them. As humanities teachers, we believe that providing students vocabulary and time to think and discuss the world and its issues leads to a brighter, more creative, and smarter future than the two of us can imagine. Solutions lie in the writing, in the art, in the conversations, and in the relationships that students create. Just as we wrote in our FFT proposal, students must see themselves reflected in curriculum, in physical space, and in pedagogy in order to be successful. Because we do not physically reflect our students’ identities, we think constantly about how to make all other facets of our teaching affirming. This unit and this project will be a launching point for discussions about personal identity, community, and what comes next.

In Mexico City, the San Francisco Bay Area, Los Angeles, San Diego, Tucson and Santa Fe, this fellowship made space for us to be learners. After the twelfth grade, those opportunities almost always come with one (or many) literal costs. And Fund for Teachers (along with the school year calendar) gave us the time, space and finances to learn more in a way that will support our students, but also in a way that sustains us as teachers, professionals, and individuals. It made it possible for us to end the trip feeling rejuvenated rather than depleted. There is a constant push for teachers to continue professional development; it is indeed essential. But driving this profession development experience (and literally driving more than 900 miles) meant that we could pace our learning and reflection, and that we could intentionally choose meaningful experiences that hit our “zone of proximal development.”

If you’d like to know more about our trip, we’ve been writing the whole time. Read our blog at www.writingisthinking.org

In Solidarity,
Kat + Alice

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Alice is a 7th grade Humanities/Special Education teacher at the Lilla G. Frederick Pilot Middle School in Dorchester, MA. She infuses arts into her Humanities classes, most recently taking students to do pop-up Shakespearean theater in several Boston Public libraries. She works on a cross curricular team of teachers who study the intersection of English Language Learning and Special Education to build inclusive writing experiences in all contents.        

Kat is a 7th grade Humanities teacher at Gardner Pilot Academy K-8 School, a Pilot School in the Boston Public Schools. Katharine was a 2012-13 Donovan Urban Teaching Scholar at Boston College where she earned her Master’s in Secondary Education. Prior to becoming a teacher, Katharine built a college access program in rural Pennsylvania that continues to help first generation and undocumented students find the appropriate post-secondary fit while developing college and financial literacy
within the community.