Blending Craft and Technology

Challenges facing Lora Taylor’s students at STEM School Chattanooga: 

  • – Diverse backgrounds with a wide range of learning needs 
  • – Desire to apply STEM skills to creative and real-world projects 
  • – Title I School with 44% minority enrollment  

Advantages for Lora Taylor’s students: Lora Taylor

STEM School Chattanooga is a public high school deeply committed to project-based learning that equips students with essential skills for a technology-driven world. At the heart of this learning is digital design and fabrication, where students bring their ideas to life using a variety of tools, including 3D printers, laser cutters, electronics, CNC routers, and other equipment that harnesses 21st-century technology. This innovative environment allows students’ talents and interests to shine. 

“My students come from diverse backgrounds, with some having limited exposure to high-quality STEAM experiences before entering STEM School,” Lora explains. “However, they have a strong desire to build skills and engage in activities that connect with their interests, from technology and engineering to artistic design. They are eager to explore new tools and ideas, especially those that blend creative expression with technical skills.” 

Lora sought to incorporate more of the creative process and traditional craftsmanship into her teaching, enhancing her digital fabrication curriculum with hands-on, artistic elements. A veteran STEM teacher who has conducted National Science Foundation-funded research, Lora recognized that incorporating artistic elements could enrich her students’ learning experience. To address this, she designed a Fund for Teachers fellowship to participate in a woodworking workshop at Snow Farm: The New England Craft Program. “Woodworking challenged me to embrace patience and persistence, reminding me that learning is a journey rather than a destination,” Lora reflects. “Professionally, I learned how hands-on learning and embracing mistakes can inspire creativity and resilience in my students.” 

Today, Lora is bridging the gap between her school’s focus on STEM and her students’ interests in art and design. Students are applying the engineering design process through iterative prototyping, just as Lora refined her wood carvings. They are actively designing, testing, and improving their solutions, combining artistic elements with technical skills in projects that are both meaningful and inspiring. 

“My students are learning that mistakes and adjustments are part of the innovation process,” says Lora. “This approach fosters creativity, problem-solving, and perseverance—qualities that align with both engineering principles and the creative processes I explored during my fellowship.” 

Using Historical Horrors to Face Modern Monsters

According to Monster.com’s article “The Scariest Jobs Ranked by Phobia,” teaching is one of the scariest professions out there. FFT Fellows Allison Friedman (Channel View School for Research – Rockaway Park, NY) and Carmela Gandolfo-Birkel (Baldwin High School – Baldwin, NY) decided to lean into fear – specifically by exploring horror.

“Students, teachers, and community members have had a lot to fear in the years since the Covid-19 pandemic: AI, climate change, and gun violence, for instance,” wrote Allison and Carmela  in their proposal. “Sometimes these fears can cause people to lash out. It is of vital importance that we teach our students a healthy way to process their fears–both real and imagined. We are interested in guiding our students through examining what does it mean to face fears as an individual and as a society? How do we overcome fears?”

Last summer, the friends leveraged a $10,000 Fund for Teacher grant to collaborate on a fellowship exploring how Britain’s 18th and 19th-century authors were inspired by gothic architecture. Their motivation: Guide students in the crafting of horror stories that metaphorically examine society’s anxieties about the drastic changes caused by the Industrial Revolution.

Their learning included:

  • – examining areas that highlight the impacts of the Industrial Revolution that alarmed the public, as well as the gothic architecture and landscapes that inspired authors during this period of drastic changes;
  • – considering how people in the 18th and 19th centuries confronted their fears through gothic fantasy and how we and our students can use this to confront our own fears;
  • – experiencing locations that are key parts of Britain’s industrial heritage and tell stories of people and landscapes changed by advances in medicine, technology, engineering, and science;
  • – seeking examples of gothic architecture and local ghost stories, and;
  • – visiting spooky castles and haunted prisons.

As we hear from so many Fellows, the power of place – of actually experiencing sites previously accessed only in books or the Internet – took learning to the next level and will now spark similar learning with their students. “I studied medieval and Restoration literature, but these subjects are not taught in high school,” explained Allison.

“I visited Whitby to learn about Dracula, but stumbled upon a cross dedicated to Caedmon, the first English poet, whose work was the first text I translated while learning Old English. I also came across Aphra Behn’s tomb in Westminster Abbey (one of the first professional women writers). I remembered what I feel passionate about, and now focus on how I can help my students find their own literary loves.”

Sense of History
Stairs worn by the passage of hundreds of years of human steps, beautiful stained glass and tapestry created by artisans from long ago, the tomb of a king, and catacombs containing thousands of nameless dead.
Touching the past.

Students at Baldwin High School and Channel View School for Research are now not only studying Frankenstein and Dracula, but also more modern-day monsters.

“We are incorporating excerpts from gothic novels and an examination of ‘monsters’ of the Industrial Age into our curriculum to show our students the universal themes that remain relevant today,” said Allison. “We are guiding our students through several examples of horror as a reactionary genre inspired by societies that are fearful of change and introducing the concept of how horror is shaped by the zeitgeist.”

After reviewing artifacts from the trip and learning about the original gothic stories, students are studying the American gothic tradition, supported by a trip to Sleepy Hollow to experience one of America’s first ghost stories. Students will then examine 20th-century gothic writers, including Joyce Carol Oates and Shirley Jackson, before analyzing how today’s gothic tales examine current fears.

“In addition to our individual goals [as world history and ELA teachers], we also looked at fear through different lenses on our fellowship,” said Carmela. “By challenging ourselves to face our own fears during ghost walks and visits to local hauntings, we learned how to make what is scary less frightening.”

Allison added: “By understanding the history of the fear of change, we are now developing practical ways to confront these fears in our own time. While some fears are based on fantasy, others come from real threats. Being able to differentiate between the two and process the emotions that result from fear will benefit us along with our students.”

Collaboration Across the Nation

To reach teachers working in communities across the country, Fund for Teachers partners with local education foundations and philanthropic organizations. Together we market the program, manage and support applicants, conduct selection processes and fund grants.

Perhaps our favorite aspect of these collaborations happens each fall, when many of these like-minded organizations host events at which FFT Fellows showcase fellowships completed that summer.This month, the Oklahoma Foundation for Excellence and the Public Education Foundation – Chattanooga celebrated Fellows’ accomplishments and the Martha Holden Jennings Foundation and Dalio Education are upcoming.

Here is an example of how Rowena Williams shared her fellowship, which included visiting the family and teachers of current student, Yadira, in her Guatemalan hometown.

Are you, your corporation or organization looking to impact education in a unique way, let us know!

Back to the Future via Fund for Teachers

Vincent Pham (The International High School at Prospect Heights – Brooklyn) designed a 2024 Fund for Teachers fellowship to go back and go forward. He spent the month of August in Southeast Asia, researching his heritage to model resilience for students sharing his experiences as a refugee arriving in the United States. The following piece is an amalgamation of Vincent’s grant proposal and fellowship reflections drawn from his Instagram account, vincent.q.pham.

My parents, Vietnamese boat people who came to the U.S. in the late 1980s through the United Nations High Commissioner for Refugees’ resettlement initiative, were extremely cagey about sharing their memories of growing up in Vietnam with me. They lived through decades of conflict as Vietnamese forces fought against the French, the U.S., and even among themselves. Thus, their memories of Vietnam were marred by postwar poverty and having to leave behind family and friends as they fled the country.

In fact, they only began opening up to me after I received a Fulbright student fellowship to live and teach in Vietnam. Not only did they introduce me to family members still living in Vietnam, they also contemplated the challenges and triumphs of navigating the U.S. as teenagers with limited English. In return, I discussed with my parents about how my teaching and traveling experiences in Vietnam were similar or different from what they remembered. Consequently, I realized that to be a culturally relevant educator for a multicultural classroom, I needed to find ways to foster global interconnectedness.

After several more stints of teaching abroad, my personal and professional context influenced me to return to the U.S. to work in the nation’s largest and most diverse school district. For the past seven years, I have taught a two-year cycle of 11th grade U.S. History and 12th grade Government and Economics at an urban, Title I public school (right) that serves recently arrived immigrant and refugee Multilingual Language Learners (MLLs). I am responsible for supporting college readiness and English language acquisition for students who come from 30 different countries. Many students come from nations that are or were recently impacted by wars and conflicts stemming from U.S. foreign policy decisions including El Salvador, Guatemala, Haiti, Venezuela, and Yemen, with many coming as unaccompanied minors. We do not have a prescribed social studies curriculum at our school– teachers are empowered to implement whatever material and learning scaffolds that will best engage such a heterogeneous community.

Why Vietnam? Why Now?

As a social studies educator, I embrace the position that effective classroom teaching is inherently political and that it centers students’ lives when connecting to academic content. The classroom is NOT an escape from the politics and injustices of the world. Instead, it is a space in which the students, and teacher(s) collaborate to develop worldviews, skill sets, and self-affirmations to confront these challenges. Two years ago, I made the conscious decision to teach about how government policies amplify and/or rectify social inequities.

This subject matter evokes passionate (and oftentimes oppositional) opinions in my classroom, a testament to the wide-ranging cultural backgrounds and lived experiences that my students bring with them. Thus, I believe that if I challenge my students with such complex topics, I must provide them culturally expanding and rigorous learning opportunities to critically evaluate what they learn. That is why my 12th grade curriculum on U.S. foreign policy starts with Vietnam. At the unit’s conclusion, I share my family history with students to analyze how U.S. foreign policy has influenced the trajectory of my life. Although none of my students come from Vietnam, my unit’s themes of sociopolitical upheaval, family separation, and starting anew in a foreign land deeply resonate with them.

The Fellowship

The purpose of my fellowship was twofold:

  1. Experience Vietnam’s war museums (such as The War Remnants Museum in Ho Chi Minh City – pictured right), local NGOs, and interview family members, and
  2. Seek out former Vietnamese refugee camp sites in Indonesia, Malaysia, and the Philippines to obtain more primary sources and texts that center the Vietnamese experience and curate a more authentic curriculum.

This fellowship was especially relevant because my school district has partnered with a local university to assess gaps in the Asian American curriculum in our public schools. Southeast Asian history has been overlooked at the school and district level, which is why my Fund for Teachers grant will assist in filling in that void. With authentic artifacts and personal connection, I aspire to empower MLLs to love history and reflect on their own personal journeys to the United States.

Vietnam

My first stop (after a quick layover in Tokyo) were the Củ Chi Tunnels. This was a 200km network of tunnels outside of Saigon and most notably used by Vietnamese guerrillas in their fight for liberation against French colonial rule and U.S. imperialists. Through experiencing parts of the tunnels and learning about its tunnels through a Vietnamese tour guide, I was able to gain deep insights on how to frame Vietnamese resistance and integrate primary sources to my future curriculum.

These tunnels enabled covert operations (moving supplies and organizing troops) and even allowed the Ho Chi Minh trail (which went through Laos and Cambodia) to connect. Consequently, the U.S. devoted intense aerial bombing campaigns and even targeted ground pursuits (that’s where “tunnel rats” would go underground to find the Viet Cong).

Visiting historical places is a tangible way to learn about how the past influences the present. It is especially jarring and profound to navigate Hà Nội because infamous sites such as the Hỏa Lò Prison and the Khâm Thiên Street (below) are seamlessly intertwined with the residential neighborhoods and local businesses. Being able to visit these different places was crucial for me to think about how we can identify and analyze the history imbued in everyday spaces.

Singapore

While exploring Singapore, my wife Marcelle suggested that we stop in the National Archives of Singapore. What was supposed to be a short stay turned into a several hour research experience for me. I came across an enormous catalog of historical newspapers reporting on the Vietnamese boat people between 1975-1996. research I did to demonstrate how U.S. economic trade embargo and refusal to provide reconstruction aid to Vietnam surely exacerbated the suffering in Vietnam. Of course, the stories I have read and heard from my family about the chaos and struggles in the aftermath of the war cannot be dismissed, but I have the privilege to examine all this from a historical perspective. Nevertheless, it is vital to evaluate with empathy.

Pulau Galang, refugee camp located in the Riau Archipelago, near Singapore, was the first former refugee camp that I visited as part of my fellowship and I have to say, it was quite somber. In 1979, the Indonesian government and UNCHR (United Nations High Commissioner for Refugees) established a camp for Vietnamese refugees. From 1979-1996, an estimated 250,000 Vietnamese boat people and asylum seekers from countries like Cambodia and Laos were temporarily accommodated while their potential refugee status and resettlement was being processed.

Experiencing the Galang Refugee Camp was haunting, as much of the area lies in ruins. Besides the relatively newly built Buddhist temple and some renovated gravestones placed in the cemetery by former camp residents or their relatives, there is much decay as the understaffed workers barely do much.

Malaysia

Pilau Bidong was the first refugee camp that my mother and most of her siblings resided upon their exodus from Vietnam. My research indicates that Pulau Bidong was only intended to host up to 4,500 people. However, the humanitarian crisis resulted in 18,000 people living there by January 1979. By June 1979, the numbers had crescendoed to 40,000 people living at a small camp on the south side of the island, which was no bigger than a football field. During that time Pulau Bidong came to be the most heavily populated place on earth. My mother and most of her siblings were part of these 40,000 people.

When the Pulau Bidong refugee camp was shut down in October 1991, the Malaysian government essentially tore down all the remaining shelters and material built by the Vietnamese. When I visited, I experienced the ghosts of the past via the makeshift burial grounds and plaques left behind by former Vietnamese boat people who came back to visit. This was an incredible historical and personal experience that I will be eternally grateful to Fund for Teachers for providing me the means to carry out this task. I cannot wait to integrate these visuals and videos into my unit to humanize the experience of people fleeing from sociopolitical upheaval.

The Philippines

I visited the Philippine Refugee Processing Center (PRPC), located in Bataan (roughly a 3-hour drive from Manila). This was the last refugee camp my mother and members of her family stayed at before transitioning over to the U.S. By the time the PRPC closed in 1995, an estimated 400,000 refugees had come through.

Unlike my previous refugee camp visits to Pulau Galang and Pulau Bidong, nearly all refugees were confirmed that they had been accepted to resettle in another nation. Consequently, the ESL education and vocational courses offered by the camp took on even deeper significance for the people.

Visiting this former refugee camp was the most inspirational and hopeful due to its history. Unlike the previously aforementioned refugee camps in Indonesia and Malaysia, the Filipino government has sought to revitalize the area surrounding the PRPC- the territory is now called Bataan Technology Park. There are many assigned workers who actively look after the area. The wonderful museum has excellent documentation of the refugee camp and experience- the photos and videos I took will serve as profound primary sources for my students to explore in the class.

PeaceTrees Vietnam

For so long, Vietnam has been defined by Americans by the war. However, we need to consider the ways that the Vietnamese people have addressed the legacies of American intervention. More importantly, I want to demonstrate how Vietnamese people are actively trying to move forward with their lives. Primarily based in the Quang Tri province, the #PeaceTrees organization began in 1995 (in Seattle of all places) as a humanitarian mission to remove landmines and cluster bombs in Vietnam’s most heavily bombed region. Land that has been cleared of explosive ordnance has been returned to Vietnamese ownership. In fact, many community centers and schools have been built on top of these lands to symbolize the repairing of American harm.

Thanks to mutual connections, I got the chance to visit the city of Dong Ha, and see the work being done firsthand. Not only did I get to see the maps demonstrating all the places that the organization has de-mined, I also got to attend their educational community outreach to ethnic minorities in Vietnam who are oftentimes the most at risk of encountering unexploded ordnance. It was especially incredible to witness the PeaceTrees team in Vietnam have 7am virtual meetings to accommodate the evenings in Seattle and then turnaround to conduct their educational outreach. I deeply admire their ethos.

My experience with PeaceTrees Vietnam was so memorable because this organization demonstrates that Vietnam’s postwar story is not just a chronicle of suffering and sorrow. Instead, it is a powerful story of resilience and empowering the local community to address their needs as they see fit. This is what I hope to impart to my immigrant students, to embrace the fact that their continued existence is powerful and worthy of celebration.”

Back To School

As the son of displaced people, my existence derives from the sociopolitical consequences of U.S. foreign policy. I believe that I must serve as a conduit between the past and present. Hence, my fellowship is deeply personal because I will not only delve further into my family history, but also the Vietnamese diaspora as well. I have been collaborating with Professor Christian Lentz of the University of North Carolina due to his research focus on Vietnam. Along with several other teachers, we will be submitting a piece to the American Historical Review. Our piece, scheduled for March 2025 publication, will focus on how high school teachers integrate scholarly sources and fieldwork to produce innovative pedagogy.

Additionally, as the only Southeast Asian individual in my school, I am compelled to contribute to the community’s global identity through educating about the nuances of this region’s history. My MLLs often tell me that they first learn about Southeast Asia through my unit about Vietnam. Teaching about Southeast Asia is crucial because my MLLs see how their diaspora and many Southeast Asian diasporic communities were formed in response to the forces of war, colonization, and imperialism. Ignoring Southeast Asia dismisses a significant critique of U.S foreign policy and obscures discussion of on-going struggles and triumphs of people affected by American intervention.

My lived histories as a child of refugees plays an important role in my school because I can dialogue with my students about the legacy of migration and resettlement. Moreover, I am empathic of how my MLLs’ cultural identities are in flux since I grew up navigating between American and Vietnamese cultures. Thus, the final part of my fellowship happens back in the classroom: intertwining these histories to my students and my pedagogy.

Vincent Pham is a National Board Certified educator at International High School at Prospect Heights in New York. As the son of Vietnamese refugees, he recognizes that education is political. Thus, for the past seven years, he has taught social studies and English as a New Language (ENL) to immigrant students. Other achievements include: a Teacher Advisory Council Member for the National Humanities Center, a mentor teacher for the Teacher Residency at Teachers College (Columbia University), the National Educators Association (NEA) Global Learning Fellowship (2023), a Pulitzer Teacher Center Fellow (2020), and Fulbright Fellow to Vietnam (2014). Listen to Vincent share part of his lived experience on The Moth Teacher Institute Story Slam here.

Midsummer’s Teacher Dreams

Half-way through the summer means roughly 50% of our 2024 FFT Fellows have embarked on their self-designed fellowships. Their images and insights, make us even more excited for the rest of the summer…

“We dared to dream of a self-guided and personally driven professional development opportunity for the summer of 2024 and Fund for Teachers made our dream come true. Our time here not only broadened our knowledge but also deepened our appreciation for the resilience of the human spirit. Our hearts are full, our minds enriched, and our spirits uplifted by the profound experiences we have had.”

Tammie Crosby & Vilma Martinez (Rosenberg, TX) used a $10,000 grant to explore in Germany locations tied to the Holocaust to gain a first-hand understanding of its impact and transform lessons that will empower students to foster empathy and inspire commitment to building a better future.

Jackie Du and Alex Whedbee (Brooklyn, NY) used a $10,000 grant to explore fiber arts of Vietnam through visits to various cultural institutions and by participating in a variety of textile workshops led by indigenous communities and artists with disabilities to learn how traditional and modern techniques disrupt stereotypes and to introduce differentiated, sustainable artmaking to students.

“Natural Bundle Dyeing incorporating natural materials to dye 100% silk. Giang (our teacher) showed us how to use onion skin (rust/brown), hibiscus (pink/purple), butterfly pea blossoms (blue), annatto powder (orange), and turmeric (yellow) to create the color palette and design we wanted. Such a wonderful experience! Thank you! We are excited to bring this into our classroom for our students!”

Lindsay Berk (San Francisco, CA) used a $5,000 grant to attend the Morpho Institute Educator Academy in the Peruvian Amazon and Machu Picchu Extension to participate in inquiry based professional development and to investigate how international scientists and local indigenous communities have partnered to preserve the rich biodiversity of the area, and to open students’ minds as to why they should care.


“I just wrapped up a jam-packed, enriching and eye-opening professional development experience in the Peruvian Amazon. From experiencing awe and wonder firsthand to conducting inquiry explorations, to deeply connecting with a community actively protecting the rainforest, [the fellowship] went beyond my expectations.”

RJ Christensen (Houston, TX) used a $1,000 Innovation Circle Grant to gather visual and analytic information from university research labs and coral reef dives in Florida to educate students on marine conservation, culminating in a large-scale community sculpture built by students that highlights the interconnectedness between endangered marine life and human well-being.

Summer Reading

For decades, summer reading and school year syllabi have included The Great Gatsby, and James Sheridan’s AP English Literature class at Houston’s YES Prep East End Secondary is no exception. This spring, however, his personal experience with the text will far eclipse anything his students could Google related to the novel, the film starring Leonardo DiCaprio, or the Tony-award winning Broadway musical.

“I designed this fellowship because I want The Great Gatsby‘s world to have a conversation with the 2024 world of my students,” James explained.  “I want them to feel the ways that the book and its often-doomed characters can connect with and reflect their own life experiences (and those of their families).”

Yes Prep East End Secondary is situated in the working-class East End neighborhood, in near-view of the city’s ship channel and industrial port — the busiest in the United States.  It is an area rich in history from the founding of Houston to a vital role in the Texas Revolution.  It is also crisscrossed with freight trains carrying goods from all over, often resulting in stopped trains.  Some people claim that more trains stop here than anywhere else in the country! However, only a few miles away from their neighborhood are, figuratively, our Houston versions of West and East Egg, containing very wealthy communities, downtown arenas for Houston’s professional basketball and baseball teams, and a world-class museum district and medical center. In other words, James’s students navigate a complicated landscape of working-class realities as well as stunning wealth. Just like Nick Carraway and Jay Gatsby.

That landscape came to life in June, as James set off with his wife and two children to document the context and characters described in F. Scott Fitzgerald’s Great American Novel.

“Driving in through some dense traffic on a Tuesday morning, we recreated Nick and Gatsby’s famous drive into the city in Chapter 4, the drive featuring Gatsby’s tales of his life, his Montenegro medals, and Earl of Doncaster photo. Nick states, “Over the great bridge, with the sunlight through the girders making a constant flicker upon the moving cars, with the city rising up across the river in white heaps and sugar lumps all built with a wish out of non-olfactory money.” It is impossible to disagree with the transfixing nature of such an entrance to one of the greatest cities in the world! Many of the key scenes in the novel happen in New York City: Gatsby and Nick’s lunch with the gangster in Chapter 4 as well as the Chapter 7 Plaza Hotel showdown.”

During my fellowship, each day coincided with a chapter as best I could make it.  For Part 1, we drove the length of Long Island, passing The Hamptons only a few days after President Biden fundraised there and a few weeks after the latest celebrity drunk driving scandal.  At Montauk, where the bay meets the ocean, it was a perfect spot to reflect on the role of water in the novel and Nick’s final reflections on Gatsby and what it all meant.  Instead of a green light, there is a stunning lighthouse commissioned by George Washington.  Then, we toured the Gatsby-esque, Gatsby-era Oheka Castle , finding modern day concordances that would have delighted Gatsby!  (If having a Taylor Swift video filmed at your mansion is not the height of social cache, I don’t know what is!) 

Next, we explored Port Washington and Great Neck, models for the fictional East & West Egg, driving past glittering mansions that offered small glimpses of Manhasset Bay.  Included in our journey was a pilgrimage to the home that Scott and Zelda rented in 1922 where he started writing the novel.  Finally, we found a marvelous spot to get ice cream and watch the sunset over the water before driving over the Queensboro Bridge, just like Nick and Gatsby, into Manhattan before heading home.

  • – Nick’s NYC arrival in Chapter 1 and Gatsby’s post-war wanderings, Chapter 9
  • – Bootlegging and Baseball – Sites associated with the 1919 World Series fix, Chapter 4
  • – Old Money and Power Structures, locations including the Plaza Hotel, Chapters 1, 6 and 7
  • – How the Other Half Lives – The Tenement Museum and walking tours of neighborhoods, Chapter 1, 2, & 6, as well as exploring Ellis Island
  • – Absent Voices – research of voices of color, women, and the working class who create the background texture of the novel, but slide by invisible to the reader
  • – Glamour and Glitter – Seeing the current Broadway sensation, The Great Gatsby!

“Driving through Great Neck, Long Island, we saw the roads that Scott and Zelda undoubtedly drove down in the 1920’s, with gorgeous skylines peeking out from behind mansions and dense trees. There was even a Gatsby Lane in the Kings Point neighborhood, but true to form, it was a false front: created as a marketing tool, no doubt, and not authentic to the time period. The views across the bay are all private ones or in parks that require proof of residence, very exclusive. And stopping at a diner for dinner, we saw myriad Gatsby references and maps that show off the Eggs (Gatsby and Nick’s West Egg = Great Neck, Kings Point; Daisy and Tom’s East Egg = Port Washington, Manor Haven, Sands Point).”

With new artifacts and insights, James intends to create content using a student-friendly Instagram account as well as QR codes for students to access after reading each chapter. The Instagram account is already receiving comments from people who know the world and location of the Gatsby story, adding further insight and authenticity to a living, relevant study of the novel.  Ultimately, students will create videos and written reflections about essential questions and places in their own lives.

“I am grateful to Fund for Teachers for supporting this journey into the heart of the novel, the 1920’s, and all the modern-day concordances!” said James. “I feel a sharp sense of geography and place as well as numerous ways to link 2024 and 1922 because of this work…I will part with Fitzgerald’s closing sentence to the novel: “So we beat on, boats against the current, borne back ceaselessly into the past.”  As Fitzgerald wisely knew, the pull of the past is always compelling; it is always part of what makes us human.

James T. Sheridan is an AP English Literature instructor and Course Facilitator at YES Prep East End Secondary School in Houston, Texas. He was a 2000 Houston Teach For America Corps Member whose 24-year teaching career has taken him from Houston to Philadelphia and back. He has been honored as a 2012 Kinder Award Winner for Excellence in Teaching, a Finalist for the 2015 Fishman Prize for Excellence in Teaching, and a 2015 Teach For America Alumni Award Winner for Excellence in Teaching.

Teachers: We’re Hiring

Fund for Teachers’ fellowships are based on the belief that teachers know best what they AND their students need to succeed. We also believe that teachers know best what our organization needs to most effectively support teachers. That’s why we started our Educator Advisory Council (EAC). And that’s why we want you to APPLY for the two-year term/paid opportunity.

We are looking for past Fellows to serve as EAC members, committed to furthering our organization’s ability to ignite culturally sustaining teacher leadership through rich, self-designed professional learning.   

Furthermore, we are committed to hiring a group that is diverse in their identities, location, and teaching assignment.  

The EAC provides educator perspective and feedback that guide the ongoing development of programs at Fund for Teachers. During the 2023/24 school year, this intrepid group helped us increase the racial diversity of our fellowship applicants and recipients and began work to amplify the impact of our grants.  

In the 2024/25 school year, we hope to:  

  • Continue to increase the diversity of the Fellows selected for our fellowship, and    
  • Review data and teacher work samples to understand the impact of our fellowships.

Here are the high-level details:   

  • 2-year commitment  
  • $700/ year stipend  
  • Approximately 20–25-hour time commitment/ school year, including:
    • 1 virtual, 1-hour orientation meeting (only in the first year)
    • 5 virtual, 1.5-hour whole group meetings (usually 5-7pm CT)
    • 3 virtual, 1-hour small working-group meetings, and, 
  • Periodic individual work including offering feedback and meeting pre-work.

APPLY HERE by July 23 to be considered.

When asked why she wanted to join the EAC, Susie Kang (Manhattan, NY) responded: “I was excited about the opportunity to collaborate with teachers outside my school ad district, and to hear the perspectives of educators from different parts of the country. I strongly believe that Fund for Teachers is one of the most incredible grant opportunities available to teachers because of the freedom given them in designing a learning opportunity that is unique to them.”

Ricardo Alvelo (Bridgeport, CT) added: “I believe Fund for Teachers is right: Teachers know what our students and schools need. I wanted to be part of the EAC to learn how to push that idea further and give teachers, families and students opportunities to experience more joy in the classroom.”

Meet our 2024 Fund for Teachers Fellows

Fund for Teachers has announced our 23rd cohort of grant recipients, bringing our total investment in nearly 10,000 preK-12 teachers to $37,000 million. This year’s FFT Fellows represent our largest percentage of Teachers of Color, 365 public/private/charter schoolteachers from 36 states and the District of Columbia.

Meet our 2024 FFT Fellows

Fund for Teachers grants support teachers as the primary learner in the classroom and trusts they know best what their students need to advance academically and emotionally. That’s why there is relatively no limitation on what a teacher can propose to learn, or where they propose to learn it. Over the past 24 years, FFT Fellows have pursued new knowledge, skills, and perspectives in 170 different countries on every continent.

“A curious teacher who recognizes students’ learning gaps, honors their lived experiences, and actively seeks innovative solutions will change the lives of those students and their families,” said Karen Eckhoff, Fund for Teachers’ executive director.  Our Fellows are models of what can happen when teachers are respected professionals and valued as agents of change.”

Fund for Teachers also invests in teachers by awarding Innovation Circle Grants that fuel Fellows’ independent research during the summer, followed by virtual collaboration with other Fellows throughout the fall followed by classroom implementation in the spring.

We are excited to begin introducing these exemplary teachers and invite you to follow their fellowships throughout the summer on our Facebook, Instagram, blog and podcast!

Solar Eclipse & The Path of Totality

Today is a once-in-a-lifetime event, as he moon passes between Earth and the sun for a total eclipse — the perfect event to capture students’ imagination across math, English and art classes. That’s what FFT Fellow Jerry Hites, thought anyway, when he proposed an Innovation Circle Grant last year.

Jerry’s school, Fairport Harding High School in Fairport, OH, sits in the path of totality, which means thousands of visitors are flocking to the region to experience 3 minutes 49.9 seconds of totality. Jerry wanted to build on the local significance of the event, and his teaching team was over the moon to join in.

“I haven’t team taught in a long time, but my colleagues were excited about using the eclipse as a lens for our students to study in-depth and examine their perspectives and that of the world around them,” Jerry said. “Learning doesn’t happen in a vacuum and teaching shouldn’t either which is why this project involves science, geography, math, art, and ELA.” 

Nine months earlier, Jerry used a Fund for Teachers Innovation Circle Grant to witness the impact of art on a small town. He visited the Starland District of Savannah, GA, a revitalized area made up of shops that expand on peoples’ talents. Then, through monthly, virtual meetings with other Fellows throughout the fall, he arrived upon the idea of this solar eclipse project:

    • English students read A Few Beautiful Minutes, Voices in the Park and The Day You Begin, and used examples of reference books to draw their own picture books for elementary students.
    • Art students created pieces using black chalk paper, pastel chalks and glow in the dark paints in space donated by the First Congregational Church.
    • Math students constructed maps and timelines converting the path into mathematical formulations. And,
    • Special education students theorized on past, present and future impact on the local region, specifically Fairport.

One of Jerry’s students designed an I Was There 4-8-24 T-shirt to sell at a local vintage store (image headlining this post). All 100 students in his classes got to do a chalk design, canvas painting and all received a copy of A Few Beautiful Minutes. “The excitement hasn’t died down yet,” Jerry said.

Later this week, his students will present about the eclipse, and their projects, to elementary students and the town’s school board.

“The driving question for this project was: We make decisions all the time. When we make these decisions, are we walking out of the darkness into the light or out of the light into the darkness?” Jerry said. “The choice is ours.” 

You can watch Jerry’s presentation about his Innovation Circle Grant and this particular project here.

Teaching Trauma Recovery by Example

“We have learned that trauma is not just an event that took place sometime in the past; it is also the imprint left by that experience on mind, brain, and body. This imprint has ongoing consequences for how the human organism manages to survive in the present.”

This excerpt from New York Times bestseller The Body Keeps the Score resonates with Michelle Moyer and her students for different reasons. During Michelle’s fifteen-year career as an elementary teacher, she experienced domestic abuse and subsequent diagnoses of Multiple Sclerosis and breast cancer. Her second graders at Mohegan Elementary in Uncasville, CT, also exhibit physical symptoms of trauma caused by a different set of issues, including:

• being bullied by sibling with no adult intervention
• witnessing arguments and verbal abuse between divorced parents
• fear of caregivers, and
• parents’ substance abuse and serious health issues.

“Due to my own life experience with trauma and anxiety, I can identify and understand many of the [trauma-induced] behaviors the students are exhibiting,” wrote Michelle in her grant proposal. “I know the challenges and difficulties associated with processing and moving past these feelings and I want to help my students successfully conquer, or in the very least, begin their journey to conquer them.”

Their mutual path to wholeness involved a Fund for Teachers grant and a rowboat.

Last summer with a $5,000 grant, Michelle learned to row a single shell on lakes in Italy. She designed this unique fellowship to engage in personal trauma recovery as a role model for students with trauma and to revise a social-emotional learning (SEL) curriculum using skills and strategies learned to build a safe, supportive classroom community.

Rowing with a local club was already playing a role in Michelle’s recovery. The activity aligned with the four steps to trauma recovery documented in Dr. Jennifer Sweeton’s book Trauma Treatment Toolbox by:

  1. Providing a safe space of acceptance and individuality;
  2. Fostering community, healthy connections, and a sense of belonging;
  3. Helping to realign emotional systems, and;
  4. Igniting a new self to dream and hope for a joyful and successful future.

Designing this particular fellowship was the next step for her and her students.

“My fellowship provided intensive, guided instruction with a one-on-one coach designed to focus on skills such as self-trust, risk-taking, adapting to unfamiliar circumstances, physical challenges, asking for help, receiving constructive criticism, trusting someone else, potential trauma triggers, and facing failures,” said Michelle. “It encompassed the same four steps I want my students to experience, so this grant supported my own journey through trauma to inform and increase understanding of my students with trauma.”

“My very first day of rowing, was in a coastal boat, which I had zero experience in. I was soooo nervous!” she said. “It was also one of the hottest days of the summer. Being nervous, and now fearing my MS may come into play due to the heat, I hesitated. I paused, took some mindful moments, processed my fear, and said ‘I will NOT allow fear to take this from me.’ I got in the boat. Acclimating to the boat, I began to row. I began to row strong! Best Rowing! Best Rowing! the Italian coach cheered!”

Michelle is now modeling for her students what resiliency and healing look like. She’s also refining an SEL curriculum that includes specific activities to help students begin to think about, define, and create a positive self-identity.

“I want to show them the possibilities truly are endless for their young selves, IF they ALLOW themselves to try!” Michelle said. “Through journals, role play, read alouds, discussions (I researched, bought, and organized many new books), and relationships (making sure I dedicate time to talk and listen to each student), I am committed to connecting and discovering the needs of each student.”

She is also leveraging her personal growth to see her students through a new lens and guide a pedagogy switch from behavior management to behavior modification. “No more reacting to behaviors,” she said, “but leaning-in to them with the student to understand ‘the why.’”

“Through therapy, personal reflection, and exercise I am only now discovering myself, my authentic self,” said Michelle. “It has been a long and difficult journey, but very rewarding. One that equipped me to help my students on a new level — especially vital in this new world of pandemics. I want to be that one person, that one place, where my students have the chance to find out how the beautiful the world really is!”

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Michelle Moyer is a second-grade teacher who has taught in Hawaii, Massachusetts, and Connecticut. She believes teaching and learning in the elementary classroom should be meaningful, integrative, value-based, challenging, and active. Michelle empowers her students through comprehensive SEL and restorative practices, collaborative environments, and high standards. A teacher for 15 years, her career accomplishments include being an FFT Fellow and earning a master’s degree in education.

“Teachers Like Us” Spy Engaging History of Women

Kicking off Women’s History Month, we share this fascinating fellowship designed by two teachers from Alpine, Texas.

“An American woman with a prosthetic leg, a Black woman born into poverty and segregation, and a Sufi Muslim Indian woman facing prejudice, were not satisfied to stand still or conform,” wrote Cory Cason and Renee Parson in their 2023 Fund for Teachers grant proposal. “Stories of historical figures serve as powerful role models and as high school U.S. and world history teachers we are in a unique position to use them as a classroom tool. Their compelling stories will inspire our students to look beyond their own circumstance as they ‘see’ the world and help cultivate the characteristics of empathy, resilience, adaptability, and courage we wish to see in our students.”

Thus began this teaching team’s quest to follow Virginia Hall, Josephine Baker and Noor Inayat Khan through Europe. Why these women in particular? Because in addition to their public personas as author, entertainer and princess, they also became exceptional WWII spies.

Dead, Old and Irrelevant?

Renee and Cory live in a remote corner of West Texas and teach at a school where sports and organizations such as Future Farmers of America characterize the cadence of the school life and the surrounding community. The history teachers (in addition to coaching track and field, history fair, and UIL academic contests) realized that students’ awareness of the wider world and appreciation of historical events were lacking.

“If we do not tell compelling narratives, our students will not be affected,” said Renee. “We believed that discovering
the stories of historical figures could be used as a strategy to create empathetic global citizens, but it’s difficult to use
historical figures as role models if we and our students cannot relate to them as real people.”

Renee and Cory designed a Fund for Teachers fellowship to:

  1. Become experts on Virginia Hall, Noor Inayat Khan and Josephine Baker,
  2. Create substantive authentic teaching materials, and
  3. Navigate international travel in search of history

to use historical figures as role models by cultivating a real connection to these women and inspire an interest in the world beyond Alpine High School’s campus. The end result would be a new unit called “Spies Like Us.”

Sleuthing Out Surprising Facts

The International Spy Museum in Washington DC kicked off the transatlantic fellowship, where all three women are featured in the “Sisterhood of Spies – Celebrating Women in Espionage” exhibit. Their narratives are told and artifacts are on display, including Baker’s sheet music with invisible ink, a clandestine Mark II radio and transmitter, the type used by Khan and Hall’s Order of the British Empire award.

Next, a flight to London, where the British Special Operations Executive (SOE) recruited Hall and Kahn. A day trip to the Beaulieu Finishing School revealed the site where British SOE spies (including Hall and Kahn) mastered radio communication, weapons and sabotage.

Chunneling to Paris provided the opportunity to visit The Pantheon Mausoleum, where Baker is one of the few women and the first woman of color to be memorialized, as well as visit the Parisian streets and arrondissements where the three women lived and worked — including Avenue Foch where Khan was arrested and interrogated at Gestapo Headquarters. Additional stops included:

From every stop, Cory and Renee sent missives to students via social media to report on their findings.

Cluing In in the Classroom

Renee and Cory are translating their experiences into a spy school for students set in the high plateau of the Chihuahuan Desert between the Glass and Davis Mountain Ranges. Students are creating podcasts about women involved in World War II espionage and hosting a dinner party or tea at which students “interview” these same individuals for a cumulative report.

Along the way, the teachers’ content knowledge and mindset expanded as much as the students’:

  • The independent bookstore and public libraries asked them to speak about their fellowship; and
  • The duo is producing a podcast about the entire experience and impact.

“Sometimes when you do something for a long time, you take it for granted,” said Cory. “Admittedly history was becoming a bit boring for me. But as we traveled, I fell in love with history all over again. Experiencing history outside of the classroom and in the present was an adventure. I found that even though this was my first big trip overseas in 25 years, I was able to take advantage of every moment offered.”

Celebrating Lunar New Year

In the aftermath of the pandemic, Christine Mitchell’s faith in the goodness of others flagged. She saw the same disillusionment in her students. Their school community is an isolated one, with little diversity in race, culture or worldview. Covid exacerbated this insular attitude and emphasized the social and emotional challenges teens already face.

“I felt beaten down by our society and hoped that an experience like this fellowship would bring the sparkle back to teaching others; it was still there, just harder to keep bright.”

In honor of Lunar New Year (beginning Saturday, February 10), we share this visual documentation of Christine’s trek to Bhutan, the Southeast Asian country with a negative carbon footprint and a Gross National Happiness index, to help students mirror and develop a greater sense of communal compassion through deeper thinking, reflection and planful action.

Code Talkers Challenge & Inspire Fund for Teachers Fellow

Thanks to FFT Fellow Tim Barry for his reflection on his two Fund for Teachers fellowships inspired by students’ curiosity and focused on elevating the experiences of Native Americans during World War II.

I am in my sixteenth year as a Special Education Teacher and have spent fifteen of those years teaching middle
school. Based on students’ needs, much of my time is spent teaching and supporting students in English and social studies classes. Our 7th-grade students read Code Talkers, by Joseph Bruchac and Farewell to Manzanar, by Jeanne Houston as part of our English curriculum that explores the importance and impact of identity. In 8th grade, we read All Quiet on the Western Front, by Erich Maria Remarque. The beauty of this subject matter is that it fosters intellectual curiosity in our students. They want to know more, they want to ask questions, and oftentimes, these questions create dialogue and a spirit of inquiry that extends into authentic, teachable moments.

As a student of history, I am very familiar with the Pacific and European Theaters of World War II. Admittedly, the story of the Navajo was one that I was aware of, but not well-versed in. When reading Code Talkers, the idea that is most foreign and confusing to our students revolves around “why?”

Why would the Navajo be so loyal to a country that attempted to erase their culture? Why would these people be willing to save the country, with nothing in return?

As Code Talkers is our students’ first introduction to the World War I & II subject matter, it is the ideal opportunity to take an anchor text and extend the discussion beyond the pages of a book. This is not just a story of what the Navajo did, but an introduction to WHO the Navajo are. This fellowship provided me with an opportunity to gain first-hand knowledge of how their culture and identity impacted their role in World War II and bring back an authentic experience to the students.

Having previously completed a Fund for Teachers fellowship to Manzanar in 2018 to examine life in and around Japanese Relocation Camps in Utah and Colorado, I was awarded a second grant last summer to engage with the Navajo Nation in Arizona and New Mexico. I examined the importance of cultural identity and explored how that identity empowered them to overcome marginalization by the U.S. Government and embrace the role as Code Talkers in World War II.

Read more about Tim’s 2023 fellowship here.

The highlight of my fellowship was hearing Peter MacDonald speak at the National Code Talkers Day event. Mr. MacDonald, at 94, is the youngest of the three living Code Talkers. He told the story of his enlistment at the age of 15 and the pride he felt in being Navajo and wearing the Marine Corps uniform. During his speech, he implored the Navajo youth to continue learning, protecting, and using the Navajo language despite its challenges because language is the key to sovereignty.

As I spoke to members of the Navajo Nation, I began to question my qualifications to teach about the Code Talkers’ story. This was not due to any unfavorable reception of my fellowship; quite the opposite, everyone I interacted with was welcoming and willing to share their knowledge. My concern revolved around doing justice to their culture, community, and the Code Talkers. Ultimately, it will drive me to deepen my learning and seek experts to share their stories.

The experiences I returned with have allowed me to provide authentic insight and perspectives to increase and enhance my students’ comprehension within our Code Talker unit. I gathered a variety of vetted, leveled texts to enrich academic discussions among students of varying ability levels. Most importantly, I have created relationships with people who can offer a cultural background vastly different from my students and foster a climate of understanding.

My Fund for Teachers fellowship reinforced the importance of self-discovery and lessons presenting themselves. My experience initially concentrated on enhancing my understanding of Code Talkers, which evolved into a story of the preservation of language, culture, and identity that is still challenging today.

When experiencing new cultures, we cannot rely solely on academics studying from a distance. It is critical to interact with communities directly to ensure that shared knowledge is culturally relevant.

Additionally, the fellowship enhanced my desire to explore and foster a sense of intellectual curiosity with my colleagues. The opportunity it provides for teachers to enrich their learning and share the inspiration of self-study rekindles much of the excitement that brought many of us into teaching.

Fund for Teachers

Navajo Code Talker statue with Window Rock in the background

Happy Halloween “Tomb” You

Halloween can be a scary time for teachers, due students’ sugar highs, costumes gone wrong, and the  “ghosting” of students” the day after. For Jinafer Brown’s French students, the learning takes on a fatal feel, as well.

Jinafer used a Fund for Teachers grant to explore the mysterious megalithic stone structures in Western Europe, gather evidence from French forensic scientists and archeologists on the origins of the civilizations that built these structures and create an inquiry-based unit to improve students’ science literacy skills.

This fellowship focused on death is rooted in data: 79% of students at Jenks High School scored below proficient at in science. Additionally, an Academic State Standards for World Languages that Jinafer struggles to meet is “expanding students’ knowledge of other disciplines while using the language to develop critical thinking.” Researching Neolithic stones in Western Europe and the French forensic evidence of their origins offered the perfect mix of science and language (and also speaks to the free reign our grant recipients have when crafting their unique fellowships).

Read our 2022 Halloween post about FFT Fellows’ research of Jack the Ripper here

At Carrowkeel Mounds near Sligo, Ireland, I was able to explore freely without any restrictions other than my own fear. Believe it or not, I did muster the courage to skinny into the tomb behind me. It was for science!

Enter If You Dare — And She Did

Last summer on her Fund for Teachers fellowship, Jinafer documented:

Her research included filming the sites for VR headsets, touring museums — such as the Archeology Museum of Dublin, where remains of “bog people” from AD 20 are on display — and interviewing docents. Jenifer participated in a workshop about the first villages of France at Paris’ Musée d’Archéologie Nationale in conjunction with annual European Archaeology Days and joined summer solstice celebrations at stone circles in Scotland.

Her Haunting Question

Throughout her learning, one question haunted her: “Should I be here?”

“I found that I had an internal debate as to whether or not funeral sites should be excavated. Should the remains of these kings and respected leaders be disturbed and viewed by thousands of visitors each day or should they remain closed out of respect for their cultures and their beliefs?” said Jinafer. “My professional mindset is that one’s intention makes all the difference. If one is studying these remains in order to make connections and remember the culture of that civilization, this is honorable.”

Demystifying the Megaliths

Jinafer created this fantastic website for students to discover the “Mysteries of the Megaliths.” Here they will view videos and interviews in the French language.

“I gathered PDFs and hard-copy books that explain the Neolithic civilizations in French. I collected articles and 360-degree photos that allow students to examine artifacts extracted from tombs in Ireland, Scotland, and France. Using Virtual Reality headsets [which Jinafer secured with a second grant], these materials will come to life.”

Using a THIRD grant, Jinafer purchased friction kits and students will follow the science lab friction experiment procedures in French.

“In small groups, students will propose prototypes of sleds and other means to Move a Megalith, she said. “Community partners (retired engineers and business owners) will work with students to build their prototypes. Last, in a school-wide event, students will carry out their experiments to see if they can move a megalith using only materials available in the Neolithic era.”

Take advantage of the website, that includes Jinafer’s FFT grant proposal, here.

 

 

 

 

 

 

 

2024 Fund for Teachers Grant Application Opens

For hundreds of teachers, today changes everything. Because today, Fund for Teachers’ 2024 grant application opens. Empowered by experiential learning fueled by $5,000 (for individuals) or $10,000 (for teams of two or more), our grant recipients are inspired to rethink their practice and reignite their passion for teaching, which consequently impacts their classrooms, school communities and careers for years to come.

PreK-12 teachers from across the country are invited to propose a summer fellowship that is:

  1. professionally centered on students, and
  2. personally supports their development as experts and exemplars for students and colleagues alike.

Our application deadline is January 18, 2024, and members of the 2024 FFT Fellow cohort will be notified on April 4, 2024.

Start Your Application Here

Are You Eligible?

YES, if you:

  • Teach full-time in a public/private/charter or religious school with at least 50% of instruction in a classroom or classroom-like setting (including a library, gym or pull-out scenario);
  • Will return to the classroom the following year; and,
  • Have completed three years of teaching by the conclusion of the 2023-24 school year.

What’s Your Re?

This year, we’re asking potential applicants to consider “What’s your Re-?” In other words, what could a Fund for Teachers grant help you accomplish? 

  • Reengage students in learning that centers them? 
  • Recharge from burnout? 
  • Reconsider narratives you’ve taught? 
  • Revisit topics that once held your curiosity and could inspire your students? 

During the next few months, Fund for Teachers will offer webinars and workshops designed to facilitate fellowship proposals that have the best chance of being awarded. (Watch our website for updates and registration links).

We also encourage applicants to take advantage of our Online Learning Center, which has links to the scoring criteria, grant writing tips, and a timeline for managing the process.

“Fund for Teachers is the country’s largest investor in teachers’ professional learning, with approximately 10,000 educators awarded $32,000,000 in grants for self-designed fellowships since 2001,” said Karen Eckhoff, executive director. “Now it’s time to add to our cohort of teacher leaders committed to their profession and their students’ learning.”

How to Help Morocco

Ariadne Prior-Grosch and Tom Bradway both teach at the Academy for Software Engineering in Manhattan, NY. This summer, they used a $10,000 Fund for Teachers grant to explore Enduring Issues and Crosscutting concepts in 10th-grade global history and earth science curricula across the African continent to highlight content connections, interdisciplinary learning opportunities and culturally responsive case studies and develop project-based learning units that integrate themes in global history and earth science. Three weeks after they returned home, Morocco experienced a 6.8 magnitude earthquake. We appreciate this reflection and their desire to give back to the people who welcomed them so warmly.

We ended our fellowship journey in Morocco less than three weeks ago, staying in Marrakech and visiting the High Atlas Mountains. Every person we met was incredibly excited to tell us about the deep history of Marrakech and its peoples and excited to know that we would incorporate what we learned into our classrooms.

In the mountains, we visited the town of Imlil, a gateway for hikers and the ancestral home of the Amadigz (Berber) people. We were welcomed into our guide’s home for a delicious meal and shown around their hillside farmlands and innovative water management systems. Now, the photos and videos coming out of the rural communities in the High Atlas Mountains and the city of Marrakech are devastating following the 6.8 magnitude earthquake on September 8th with the loss of life now over 2800 people…2800+ people who all had families, friends and loved ones. 

Earthquakes are not unknown in Morocco, but the last seismic event of this magnitude was in 1960 in the region of Agadir, about 150 miles from Marrakech. Morocco sits on the African (or Nubian) Plate which has an active convergent tectonic plate boundary to the north with the Eurasian plate.

However, the epicenter of this earthquake was in the southern part of the country in the High Atlas Mountains. The timing of the earthquake at night (11:11PM) made it all the more deadly given that many people were asleep in their homes, houses which are often made of mud bricks or unreinforced masonry that came tumbling down, unable to withstand that level of tremors. These rural mountain communities don’t have the infrastructure, resources, or access to medical facilities to respond to a tragedy of this magnitude so the response from international aid organizations is critical. 

In the historic Medina of Marrakech, the streets are narrow and winding, an incredible network of bustling markets, stores, homes, and mosques; many of the buildings are 1000 years old! The earthquake brought some of these historic structures crashing down, left gaping cracks in others and rained debris as people tried to flee to open areas. People are now sleeping outside in the open in the city squares and in the middle of rotaries as they fear for the structural integrity of their homes, or their homes are no longer standing.

Our hearts break for everyone who has lost a loved one in this tragedy and hope that the international aid organizations and foreign governments step up to provide rescue teams and emergency assistance to help the people of Morocco recover from this natural disaster.

This Mother Jones article provides multiple ways to support relief efforts in Morocco through organizations such as Doctors Without Borders, UNICEF and Global Giving. Read more about Ariadne and Tom’s fellowship here and follow their learning on Instagram at @mspglovesrocks and @bradwaysenduringissues.

One Teacher’s “What I Did This Summer”

The  day after Labor Day is synonymous with the official return to the classroom and the age-old prompt: “What did you do this summer?” FFT Fellow Kelsi Horner is hoping students at Shawnee Mission East High School in Prairie Village, KS, ask HER that question. With two colleagues, Kelsi engaged in an immersive experience of the language, history, and culture of Costa Rica to improve Spanish language skills and explore the impact of colonization on Latin American cultures to strengthen relationships with English Language Learners and build culturally responsive, relevant lessons for all students. Kelsi writes:

“Returning to work brings the “what did you do this summer” questions. This summer I had the pleasure of FINALLY getting to execute our 2020 Fund for Teachers fellowship!

Way back in 2020, myself Kristen Reyes, Nancy Blackburn and I applied for a Fund for Teachers grant. We all taught some form of World Regional Studies and wanted to improve our knowledge so that we could improve our instruction to help our students. Well two months after we applied, COVID happened. And our fellowship was put on hold, all the way until this June! Our timing was not the only thing that changed. Due to some political unrest, we decided our location needed to change and Fund for Teachers trusted us.

In June, we finally left for our fellowship! Our first stop was Monteverde. We stayed with three different Costa Rican families and attended Spanish immersion classes in the morning. Both my family and my teacher were very patient (and for that I am very grateful!)!

In the afternoons we tried to learn whatever Monteverde could teach us about environmental geography- from the El Trapiche Tour in Santuario Ecologico, a night walk through Bosque Eterno de los Ninos (lots of creepy crawlies!), and even learned some history (while atop some horses).

We had one more stop before departing- Sarchi! We stopped in Sarchi as it was the birth place of the oxcart (also where they paint them nice and pretty)! A pretty significant item in terms of the movement of goods and a nice way to conclude our adventures.

I cannot say enough good about Fund for Teachers – they are an organization that TRUSTS teachers and wants to keep teachers in the classroom. I hope to let everyone I know, know that this organization exists and that they should take part in it and dream up their own fellowship! Thank you, Fund for Teachers, for making this come true for us! We can’t wait to take this information back to our schools in the next few weeks. Teacher friends- ASK ME! I will help give you all the info you could possibly need! It’s worth it. 

Kelsi Horner is an instructional coach at Shawnee Mission East High School in Prairie Village, Kansas. While currently teaching Student Success Skills, she has taught everything in the social studies world from World Regional Studies to Economics to AP US History. In addition to her work in the classroom, she also assists in the creation of district-wide social studies and world language curriculums. In her free time, Kelsi enjoys entertaining her corgi, Stella.

Enter to Learn, Learn to Serve

In celebration of Teacher Appreciation Week, we want to share our own appreciation for this thank you note from 2023 FFT Fellow David Cruickshank.

With his grant, David plans to research the Japanese culture that has no widespread access to firearms and has built a $2.6 billion flood protection system described as a modern marvel. Then, he’ll build and teach a criminal justice and disaster management trade curriculum for the State of Connecticut Technical High School System’s Criminal Justice and Protective Services program.

Upon returning from his fellowship, David proposed a unique implementation plan.

“I have a very exciting idea that I hope to develop and implement in our pilot program’s Emergency Operations Center, the emergency management curriculum, and push out to other programs — running a simulated disaster in the US with the emergency management procedures of Japan rather than those of FEMA.

I would like to develop a lesson that follows what my students have learned about US disaster management with the way Japan handles disaster management and then compare the two styles with a fictitious disaster and compare and contrast them. I envision the lesson lasting close to two weeks with first learning about the disaster management system and response structure in place in Japan, then simulating a response, and then using it as a springboard to compare and contrast the two systems before the ultimate assignment of challenging the students to design their own “perfect” disaster response framework. I think that encouraging students to not only learn about other cultures but then use that learning to see there are other ways of doing what they thought there was no other way to do, and then create something even different from that, will be mind-bending for them.”

The service-learning aspect of this fellowship, as well as its potential to create a state- and nation-wide emergency response system powered by students, is mind-bending for us, as well! We look forward to seeing the impact made by this FFT Fellow and his students.