Our Fellow, Stephanie Graham, embarked on an in-depth study of forced migration of the Stockbridge-Munsee tribe from New York to Wisconsin. Not only did her Fellowship lead her to deepen her understanding of the history of her community but it also helped her and her students grapple with important questions like, Who gets to tell History? To learn more about the Stockbridge-Munsee Tribe, you can learn more on these Tribe-created websites:
Fellow Curated Resources
“In the current teaching and understanding of indigenous peoples, students in my school feel very removed from the stories. I have seen this in my high school art classes in the superficial use of imagery in their practice of making objects. I also see it in their lessons in social studies, where the knowledge is presented as history and not as living culture that continues to be affected by westernized notions of stories, practice, and object relevance. Students should be taught to understand their role in the relationship between past atrocities and the current climate of injustice… However, the ideas are almost too abstract for children to understand because they lack a sense of connection to the land, stories, and practices of their place of living and learning. Our land is not only tied to indigenous history, it is also the home of important figures in black history, including Mumbet, Dubois, and others. It is through that connection to “place” that students will better understand their identity, which is necessary in developing a sense of empathy towards the people from whom the place was stolen.”
Additional Fellow-Created Resources
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Today, millions of people received a “Breaking News” alert from The New York Times with the heading: “Over 500 Native American children died at U.S. schools where they were forced to live between 1819 and 1969, an initial federal inquiry found.” This is old news to FFT Fellow John Goodwin, who teaches U.S. History, Native American History, and an interdisciplinary research and writing course at BASIS Phoenix. In March, his book Without Destroying Ourselves: A Century of Native Intellectual Activism for Higher Education was released and this summer he will further his research to increase students’ exposure to diverse primary history sources.
With his Fund for Teachers grant, John will conduct research at the National Museum of the American Indian (NMAI) in Washington DC to build two project based learning experiences that raise awareness of Indigenous experiences at American Indian boarding schools and enhance the physical and digital presence of one such site in Phoenix.
“So much of Indigenous history is understandably viewed under a dark shadow of colonialism, with all the violence and dispossession that comes along with it,” wrote John in this blog post. “It can be difficult, especially for young students, to work through a careful study of this history with any sense of optimism left. And yet, if we look closely at the words and actions of Indigenous people themselves, we still see it. We see not only a bare sense of resilience and survival but at times a true optimism and an infectious energy that comes from leaders’ ability to highlight and target shared opportunities for growth within struggle.”
The first phase of John’s fellowship will include documenting content and artifacts at the NMAI and taking advantage of the archival databases at the NMAI Cultural Resource Center in Suitland, MD and the National Archives. Afterwards, he will conduct additional research at Phoenix’s Heard Museum before heading to Fort Lewis College in nearby Durango, CO — a four-year college that once served as an American Indian boarding school.
“Using my catalog of observations, images, narratives from visitors, and archival documents in the subject area, I will curate a large collection of materials that will transform the capstone project experience for my students,” wrote John in his grant proposal. “Specifically, students during the final 5 to 6 weeks of the course will work in groups to develop proposals for action that use these public history sites as models, with the goal of improving the Phoenix Indian School Visitor Center, once an American Indian boarding school.”
While today’s news alert elevates once again the tragic experiences of Native American children and their families, John also sees a story of growth and resilience within struggle.
“A lot of the students who went through those schools went on to be leaders in their communities, and in fact in a wide range of American settings, both Native and non-Native spaces,” he said when we reached out to him today. “Often they did so while still maintaining tribal languages and cultural connections. I think the students I teach—and probably most American students—can really learn from those types of stories. I think those stories keep us tapped into what is best and most intriguing about our identity as Americans, without white-washing it or unnecessarily painting it through rose-colored glasses. And for our students here in Phoenix, I see the boarding school site as an often overlooked location that could be highlighted and enhanced as a public history site for students and the wider community.”
Top photograph courtesy of Colorado Public Radio News.
Over the course of my career, I have observed the wide variety of background experiences that students bring to school and how those experiences impact learning. The more confident and savvy learners tend to get the lions’ share of the time, resources, and attention; these same students tend to be from stable homes rarely impacted by poverty and trauma. In my class, every student has a voice, but how do I ensure that they are equally heard and heeded?
Teachers all over the United States are struggling to create and implement working definitions for concepts such as equity, equality, motivation, self-esteem, and self-efficacy. Participating in Fund For Teachers’ Innovation Circle on equity and collaborating with my “fellow” Fellows to elevate every students’ voice brought these definitions sharply into focus for me.
I used my Innovation Circle grant to attend the International Baccalaureate workshop on Social Emotional Learning, which incorporated global perspectives, international mindedness, and equity mindsets. During the two virtual summer seminars, I had an aha moment – the more reticent students didn’t lack the materials or time they needed to successfully complete a 5th Grade Exhibition project, but the confidence that they COULD.
After this fellowship, I now understand that one of the greatest factors in helping students achieve equity is helping them develop self-efficacy.
Students from poverty, trauma, and troubled backgrounds often lack the self-efficacy (the belief that they can do a task) to be successful in school, and, by extension, in life. Parent contacts confirmed this and student surveys bore it out. Therefore, I am now focusing more on the development of student self-efficacy in the process of teaching. I have a new perspective on the balance of process and product, and intensive efforts devoted to building student self-efficacy is transforming a once-difficult class into a one filled with successful, positive, motivated students. (see their work below)
A few takeaways from my seminars and group work with Fellows:
The good news is that self-efficacy can be nurtured in four ways:
More good news: 94% of my fifth graders are participating in Exhibition, compared with 75% in past years. The IB Fifth Grade Exhibition is scheduled for May 19. We started work on September 2, and we will continue to move forward with Exhibition projects with the 32 kids who are participating. Self-efficacy work is woven into the process, and also with the two students who chose not to participate in Exhibition. The equity portion is having them BELIEVE that they can do it, so that they WILL do it.
Caroline Belden, author and social justice advocate, explains it this way, “Equality is leaving the door open for anyone who has the means to approach it. Equity is ensuring there is a pathway to the door for those who need it.”
As teachers, we have the power to create that pathway for our students. Teachers want all of our students to succeed, to become productive citizens, and to become lifelong learners. Equity in the classroom, developed through self-efficacy, will help all students to succeed.
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Janet Key is a three-time FFT Fellow: In 2011, she attended the Clarice Smith National Teacher Institute at the Smithsonian American Art Museum in Washington, DC; in 2014, she returned to Washington to participate in the Smithsonian Science Education Academy for Physical Sciences (pictured); and in 2021, she received an Innovation Circle Grant to virtually attend the three-day International Baccalaureate conference titled “Your Exhibition” to develop fifth graders research and presentation strategies on a transdisciplinary theme, a required component of the IB Primary Years Programme. Janet is a proud Milwaukee Public Schools teacher since 1985, and retirement is on a distant horizon. She currently teaches at Lowell International Elementary School, in kindergarten through fifth grade classrooms.
I teach three levels of English Learners:
Students in that last group — known as Long Term English Learners (LTELs) — may have been born in this country, but they have hit a plateau in academic English language acquisition. These students need robust, rigorous and culturally relevant curriculum and instruction to help them catch up to their “English Only” peers. Without it, they remain the most likely to drop out and least likely to go to college of any of the subgroups at our Title 1 school.
I used my Innovation Circle Grant to work on to finding innovative ways of blending language development with the arts in order to start closing gaps and opening opportunities for these students.
With a $1,000 grant and alongside peers in the Art & Equity Innovation Circle, I participated in the “Clay: The Remix” workshop at Penland School of Craft in Penland, NC, to learn how to use simple tools in the creation of poetry, street art and prints, then transfer those images to clay, to empower students with a new platform for public voice.
I had no idea that my teacher in my learning experience would be a prominent artist who would transform me and my students. Potter Roberto Lugo shared his slides and the story of his trajectoy as an artist, he spoke about the worth of every person, about putting hidden heroes onto fine porcelain, about “ghetto” being another word for “resourcefulness” and about the need for people from different backgrounds to come together for conversation. At this moment, I knew Roberto Lugo would resonate with my students. I took his ideas, expressed in a 60 second documentary called Meet Roberto Lugo: the Hip-Hop Potter and ran with them. In doing so, I learned to be more resourceful, which included getting ideas from my Circle Members on how to convert my project from ceramics to 2-D posters.
I first taught students about Roberto Lugo and exposed them to his elaborate pottery. Then, students designed 2-D teapots, vases, teacups and sneakers in his style but with their own “hidden heroes” highlighting their heritage as they developed their academic English skills. Students chose the winning art after listening to classmates give “elevator pitches” for their submissions. The pieces tell counter-narratives of grandparents, sisters, brothers, aunties. uncles and cultural celebrities. They honor those who have passed and those who are still alive. To my delight, some student “winners” were previously among the most disengaged students.
Students’ final exam was to write a letter to Lugo. Those letters, along with sample essays and artwork impressed Lugo so much that he highlighted them on his Instagram page. He is also planning to set up a Zoom meeting with the students.
Last week, Robert Lugo himself acknowledged students’ work on his Instagram site, sharing this video with the words:
Y’all if you need some inspiration today look at the work of these young artists lead by their teacher @fer_sha_fer_sha. I just can’t believe I’m an inspiration for these kids. All we tend to think about ourselves is our faults and not our contributions. Thank you for reminding me that I am somebody and I want to remind you that you are too.
Day of the Dead is actually a two-day holiday in Mexico when families celebrate life and death simultaneously. From October 31 – November 2, people create ofrendas (or offerings) adorned with items such as foods, photos and items once enjoyed by family members who have died. This year, in the wake of COVID and also their Fund for Teachers fellowship, Rebecca Gauna and Sasha Villagrana decided to host a community-wide Day of the Dead Celebration at Chicago’s Robert Lindblom Math and Science Academy High School.
With their $10,000 FFT grant last summer, Becci and Sasha researched in Nayarit, Oaxaca, and Chiapas, Mexico, indigenous history, traditions, and folklore to inform learning for a Latino culture course, facilitate collaborations with English Language Learners in the special education program, and engage Spanish speaking parents. (Learn more about their experiences at Becci and Sasha‘s post-fellowship reporting.)
This fall, they began implementing their own learning with their students by creating a religious syncretism curriculum for their Latino Culture Colloquium. They also created an advisory lesson that was used school wide to talk about cultural identity. The community-wide Day of the Dead Family Night last week featured an ofrenda (above), performances by the Latino Dance Crew, and five craft stations in which students and their families created sugar skulls, made marigold flowers, and had their faces painted. Students led each activity and explained the significance and symbolism at each station.
“Many Mexican Americans who were born in the United States (including our students) often have a deep sense of feeling connected to Mexico yet have only visited a handful of times,” said Sasha. “The variety of the culture and languages we experienced within each state of Mexico really is so diverse that it is often hard for many Mexican Americans to comprehend or even understand how different it can be. This experience opened my eyes to how diverse the culture and language of Mexico really is and how little many of our students may even know about their family origins.”
“Indigenous groups in Mexico have been oppressed for centuries and this is clear when looking at poverty, access to healthcare, levels of education etc. in highly indigenous areas in Oaxaca and Chiapas,” Becci added. “Their stories too often go unheard when examining the history and culture of Mexico. We want to highlight the importance of indigenous subcultures within the dominant culture of Mexico and bring back inspiration for how marginalized communities maintain their culture and identity.”
Going forward, Sasha and Becci plan to create an interdisciplinary project between the school’s Latino Culture Colloquium, students in the school’s special education program, the art department and the library through a bilingual story time. The teachers also established contacts with a nonprofit in Chiapas called Sueninos and a nonprofit in the Puerto Vallarta region called Entre Amigos through which will participate in language exchanges and cultural “intercambios,” as well as topics around dual identities and immigrant rights. We will also pursue our relationship with the Mexican Museum of Art in order to conduct an art and identity workshop.
“Our fellowship provided us with pictures, anecdotes, and most importantly, local perspectives and insights into our course units which will help students feel pride and connection with their heritage and engage with the material,” said Becci.
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Becci Gauna has taught Global Civics, Honors Psychology, Honors Sociology, US History, and World History. She has also helped design and develop her school’s Latino Culture program and sponsors the school’s Latino Dance team. Sasha Villagrana has been a New York City public alternative high school teacher for six years — two of which were in prison to a range of incarcerated youth populations facing the most severe challenges. She has also served Lindbom’s bilingual coordinator, foreign language department chair, and has taught the Latino Culture Colloquium, as well as Chinese.
The initial learning goals for my fellowship focused on my relative lack of knowledge about geological science. When I lead my students through explorations of the geological timescale, fossils, and distribution of resources, I stick close to published curricula to ensure that I provide them with factual information. With my Fund for Teachers grant, I sought to contextualize this science in our geographic space of the Western US and to learn enough to provide connections to which my students can relate. I planned a two-week RV road trip itinerary circling from Portland, Oregon, down the coast to Los Angeles, over to Arizona, and up through Utah and Idaho.
As I researched sites of interest along this route, I noticed the prevalence of Indigenous cultural sites, museums, and partnerships between the National Parks and Indigenous Nations. After a day of planning and writing, I shared my excitement with my 9- and 11-year-old children, who would be my travel partners. My daughter’s reaction added another primary learning target: “There are still Native Americans?” I was aghast that her formal learning in elementary school and our casual learning as a family had left her with this thought.
My itinerary shifted to ensure that we learned together both about modern Indigenous culture and the events that lead us to the intentional erasure of history.
I approached this learning with humility, respect, and an understanding that the lands I was planning to visit were taken from people who lived in and cared for these places since time immemorial. Three sites in particular stand out for providing opportunities to learn from Indigenous people: The Heard Museum in Phoenix, the visitors center in Bryce Canyon National Park, and the Utah Museum of Natural History in Salt Lake City.
The Heard Museum (picture courtesy of kid101.com) is an art museum with a beautiful collection of traditional and modern American Indian art. It houses a powerful collection that showcases the diversity and commonalities of Indigenous art and craft. The portion of the museum that left us in quiet contemplation, however, was not the stunning artwork. Upstairs, there is an exhibit that documents the experience of American Indian boarding schools. Through a collection of historic documents, photographs, and recorded interviews, the exhibit conveys the horror of the intentional cultural genocide, as well as the resilience of the students, who found ways to preserve their identity. Our visit coincided with news reports of the mass graves in Canada.
With this experience center of mind, we continued north through the Grand Canyon National Park, the Navajo Nation, and into Bryce Canyon National Park (top picture). In the Bryce Canyon Visitors Center, there is an exhibit called Native American Perspectives. Through interviews, representatives from several nations communicated a clear theme: You are always on Indigenous land. These parks which are your vacation that you will enjoy for a week are sacred. We have lived here for tens of thousands of years and we are still here.
Traveling onward, we visited the Utah Museum of Natural History. The Native Voices exhibit again showed the rich cultural history and the dispossession of land and resources. This exhibit had an additional focus: “We are among you. We are not limited to reservations. We are thriving, preserving our heritage, and teaching our children to continue our legacy ever stronger into the future.
At the Heard Museum, there is a placard referring to Navajo weaving that stuck with me. It reads:
“All at once, hundreds of years of songs, prayers, and traditions come together in every contemporary Navajo textile. All at once, an artist’s idea crystalizes. All at once, the artist’s years of training and practice combine to make the idea a reality.”
Together, these three exhibits provided me with a perspective of the “all at once” message that I internalized on this fellowship: I personally benefit from a brutal history of genocide and dispossession. I am always on Indigenous land. I have an opportunity and responsibility to incorporate this history and contemporary reality into my students’ learning.
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Melody Childers (pictured on her fellowship at the Grand Canyon) teaches middle school science at Beaverton Academy of Science and Engineering in Beaverton, Oregon. She enjoys writing curriculum that present students with an opportunity to learn about current scientific challenges in a solutions-focused context. Melody has worked with the Bonneville Environmental Foundation on solar, hydrogen, and renewable natural gas technology project-based units. She sees outdoor recreation as a pathway to develop a stewardship mindset in students.
Forty years ago, the United Nations declared September 21 the International Day of Peace to, according to the event website, “provide a globally shared date for all humanity to commit to Peace above all differences and to contribute to building a Culture of Peace.” FFT Fellow Amanda Hope (Dallas) committed her Fund for Teachers grant to this same cause last summer by examining in Birmingham, Montgomery and Selma, AL, various methods of civic engagement utilized in the Civil Rights Movement. She chose to conduct this research to then teach students at Moseley Elementary not only learn what it means to be a citizen, but also what it means to be an active and engaged citizen who strives to make a positive impact on their communities and nation. We asked her a few questions about her learning and plans for student learning this year:
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Given the current political climate of our country, teaching civic education in schools is imperative. Students need to not only learn what it means to be a citizen, but also what it means to be an active and engaged citizen who strives to make a positive impact on their
communities and nation.
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One experience I had during my fellowship was learning about my own family members who were some of the unsung heroes of the Civil Rights Movement in Alabama. Words cannot express the pride I felt when I saw my two uncles, Ulysses Blackmon, Jr. and James Gildersleeve, featured in an exhibit at the National Voting Rights Museum in Selma, AL. Seeing my uncles being honored reminded me that anyone, no matter their social standing, can play a role in the greater collective good.
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[minti_dropcap style=”circle”]A[/minti_dropcap] My specific plans are to reintroduce my students to the “Good Citizens” unit that is a part of our curriculum. The goal of this project is for students to identify what a citizen is and develop an understanding of their roles as citizens in the classroom, school, community, state, and nation. The product of this unit will be a multi-media presentation that will be exhibited on our classroom website. I want this unit to be an opportunity for them to learn not only about the roles of citizens in a society, but I also want them to learn that citizenship is a right that has been denied to many. I will do this by specifically focusing on the civil rights denied to African Americans in the American South and their struggle to be recognized as full citizens. Our study of the Civil Rights Movement with a focus on the state of Alabama will allow my students to gain a deeper understanding of how civic engagement can be used as a tool to shape
legislation and pressure lawmakers to protect the rights of all U.S. citizens regardless of their race, class, religion, sexuality, gender, etc. I want my students to see how everyday citizens can unite and organize around a problem and/or injustice in our communities and our society-at-large. My plan is to introduce my students to how citizens can utilize civic engagement strategies to push policy makers to create and implement change for the greater good.
[minti_dropcap style=”circle”]A[/minti_dropcap] I would definitely like to use this fellowship as a means of getting my students more involved with our community. My plan is to get students to start thinking about a problem or injustice within our school community and begin to brainstorm ways to get involved and put their ideas into action. I think allowing my students to determine a problem and figure out ways to address it will allow for them to feel a sense of connection and autonomy regarding how we decide to civically engage.
[minti_dropcap style=”circle”]A[/minti_dropcap] My fellowship taught me that achieving peace is always active and never passive and that everyone plays a role. I hope to instill within my students the value of seeing themselves as vital and active stakeholders in the pursuit of peace and justice in our communities, nation, and world.
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Amanda Hope is a K-5th grade Gifted/Talented Program teacher at Nancy Moseley Elementary in Dallas, Texas. Amanda has served as a classroom teacher for nearly 10 years. She most recently received the 2020-2021 Campus Teacher of the Year award at her school. In addition to teaching, Amanda is a senior policy fellow with Teach Plus, an organization that empowers teachers to advocate for policy changes at local, state, and federal levels to increase equitable opportunities for students. You can follow Amanda on @crayonsandsacapuntas.
Sixty-six years ago today, fourteen-year-old Emmett Till was lynched and shot for allegedly flirting with a young white woman at her family’s store in Money, MS. His body was recovered from the bottom of the Tallahatchie River three days later. Brandon Barr‘s students in Chicago are the same age as Till was when he died. Brandon felt that similarity would resonate with his English students in a powerful way. This FFT Fellow plans to add anecdotes and artifacts gathered from his exploration of sites associated with Till’s murder, as well as Civil Rights sites in Memphis, to develop a unit focused on his life and the legacy of his death. Brandon shared his motivation and plans for students below…
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As a veteran middle school teacher, a lot has changed over the course of my career, including learning standards, forms of standardized testing and the novel uses of emerging technology. For the most part, I have been able to navigate these changes well. One change that I have not been as quick to adapt to is creating curricular opportunities for students to think about why advocating for equity is important in history and in the present day.
The Civil Rights Movement is rife with historical moments that are sad and unfortunate. I have seen a number of my colleagues, and I include myself in this, who have taught in a way that victimize African Americans. While it is true that many African Americans were victims of living in segregated and oppressive societies, the Civil Rights Movement is also rife with examples of individuals asserting their collective power and resistance in fighting oppression. I am looking to reframe how I have taught history from the this time period to focus more on empowerment while also improving the accessibility of learning materials and increasing engagement for all learners. My students need to see examples of what it means to fight for justice in order to be ready to engage in “good trouble” when they encounter injustices and inequity in the future.
To that end, every year I try to teach about Emmett Till because his death has a significant legacy; it is often evoked when injustices happen in the present. I want to make the case study that I do with students more robust and highlight the actions of both Till’s mother and uncle. Both acted in ways that demonstrate agency and upstander behaviors, and my goal is to highlight their actions rather than leave my students focusing solely on the brutality of Till’s death. I think I can teach this history in a deeper way that shows the impact that direct confrontation of inequity and injustice can have when deployed in a strategic fashion. That’s why I designed this particular fellowship and joined Fund for Teachers’ Equity cohort with an Innovation Circle Grant. Next week, I will visit the National Civil Rights Museum in Memphis and the Emmett Till Interpretive Center in Sumner, MS, to strengthen my instructional approach to this period of his history using an equitable lens for how the information is shared and presented to my students.
In thinking specifically about equity, there is the principle of direct confrontation that dictates that there is no path to equity that does not involve a direct confrontation with inequity. When we think about the historical legacy of the Civil Rights Movement, we see the power of individuals actively confronting inequity. The actions of individuals created real change because of their engagement and advocacy. I want my students to understand that African Americans lived (and in many instances still live) in environments that sought to diminish their collective power and privilege. I want students to see the creativity that many individuals demonstrated in finding solutions that fought inequity and dramatically improved the quality of life that African Americans can have in the United States because of their direct action. By extension, I want students to think about problems in the world today that stem from inequity and reflect on how they may use their collective voices and actions to induce change.
In 2010, Brandon received a Fund For Teachers grant to explore Holocaust and WWII sites, meet with survivors, and build a relationship with a partner school in Berlin, Germany. From that experience, he became a regional consultant for IWitness and was present for the 70th anniversary of the liberation of Auschwitz. Read more about that experience on his blog published by Facing History & Ourselves. (Photo of Brandon courtesy of the USC Shoah Foundation.Top photo of Emmett Till courtesy of the Southern Poverty Law Center.)
When the pandemic grounded our 2020 grant recipients’ plans, we wrestled with ways to continue honoring their passion and professionalism. The spaces normally filled with updates from teachers actively pursuing self-designed fellowships fell silent. That is, until we handed our Fellows a microphone.
Even prior to the pandemic, experts widely acknowledged that America’s students were experiencing a mental health crisis. A 2017 CDC report showed that suicide was the second-leading cause of death for 15-24 year olds. Add incidents of self-harm into the equation and the outlook is even more bleak. The average age a student begins self-harming habits is 13 and 45% of people use cutting as their method of self-injury. And who has the most exposure to students during these years? Ostensibly, its teachers.
Earlier this year, the Brookings Institution published an article titled “Educators are key in protecting student mental health during the COVID-19 pandemic.” Cassi Clausen, teacher and founder of The Open School in Mission Viejo, CA, realized she was not equipped for this challenge. In 2018 Cassi received a Fund for Teachers grant to Attend the annual Sudbury Schools Conference in Kingston, NY, to learn best practices for supporting at-risk students. Using one of Fund for Teachers’ new Innovation Grants, she spent the summer in dialogue with psychology Dr. Thomas D’Angelo, an expert in pre-teen and teen mental health and self-harm practices, to shift her personal understanding of self-harm and learn how to create safe spaces for struggling students.
When the pandemic grounded our 2020 grant recipients’ plans, we wrestled with ways to continue honoring their passion and professionalism. The spaces normally filled with updates from teachers actively pursuing self-designed fellowships fell silent. That is, until we handed our Fellows a microphone.
Almost thirty FFT Fellows have since shared their stories on Fund for Teachers – The Podcast. By first talking about their backgrounds and then their fellowship plans and/or impact, these teachers are elevated as the inspiring architects of their careers, classrooms and school communities.
In this episode we visit with Veronica Wylie, high school science teacher at Wylie is a high school chemistry and physical science teacher in Hazlehurst High School. She designed a Fund for Teachers fellowship to earn a diving certification to complete archaeology and marine life trainings with the organization Diving With a Purpose, a nonprofit that partners with the National Association of Black Scuba Divers on submerged heritage preservation and conservation projects worldwide with a focus on the African Diaspora.
She is also a Ph.D. candidate in education leadership and administration at Jackson State University in Jackson, Mississippi. Her latest of three graduate degrees is a Master of Arts in Teaching chemistry student at Illinois State University. She interned this summer with NASA’s Office of STEM Engagement in Houston and also started collaborating with teams as a Fellow at Harvard’s Antiracist Science Education Project through the Department of Molecular and Cellular Biology. One of our first questions to her was, “When do you have time to teach?” to which she replied, “I teach whenever I can, wherever I can, about whatever is relevant.”
The New York Times today reported that “remains of as many as 751 people, mainly Indigenous children, were discovered at the site of a former school in the province of Saskatchewan, a Canadian Indigenous group…jolting a nation grappling with generations of widespread and systematic abuse of Indigenous people.” FFT Fellow Lavie Raven (North Lawndale College Preparatory High School – Chicago) pursued this topic with his Fund for Teachers grant, researching the First Nations tribe ‘Namgis, which inhabited Northern Vancouver Island in British Columbia as early as 500 B.C. After learning about Canada’s colonization of Indigenous People, Lavie used his grant to document ‘Namgis restorative justice practices and historic folk artwork and collaborate with teens there to create hip-hop based murals, audio projects and performances that document cultural survival. His Chicago students, as well as students around the country with whom he collaborates on public art projects, continue to benefit from these experiences. Our thanks to Lavie for sharing more about his fellowship and its impact…
I teach World Studies, United States History, and Performative Policy Debate at my school. Our history department works intensely to develop interdisciplinary projects that involve another major discipline and the arts. This is reflected in much of the work I do at my school, as I also am an active hip-hop muralist and run the after-school hip-hop arts club. Through these programs I seek to provide students with opportunities to braid participatory research, social justice concerns, and the arts in creating ‘calls to action’ about issues they identify as relevant for social change.
Our social studies department makes an active effort to expose students to various cultural narratives in regards to European colonization. We prioritize indigenous North American and African narratives, as these have been historically marginalized in traditional history textbooks. We often have to collate a collection of readings from various sources to illustrate the class of cultures, and solidarity between cultures in resisting the violence of colonization. Many of these sources are incomplete or only offer a surface survey of the struggles and accomplishments of indigenous communities. And hardly any have a contemporary component, comparing communities’ histories and their methods of cultural survival.
I was fortunate to meet members of the ‘Namgis community several years ago, and found out about their intensive work on restorative justice in regards to demanding truth and reconciliation from the Canadian government and, in particular, in helping elders and adults heal from the wounds suffered in residential schools. I am actively involved in three organizations at my school: the Peace Warriors, the Performative Debate team, and the University of Hip-Hop (the last two of which I sponsor/coach). Students in our classes, and particularly in these organizations have often paralleled the struggles of African-American communities with those of indigenous peoples, and our students self-identify with those struggles, from the past into the present-day.
I designed my Fund for Teachers fellowship to visit the indigenous ‘Namgis community of Alert Bay, a small island north to Vancouver Island, to work with community activists, traditional artists, museum curators, and ‘Namgis youth to create art work and music that represents cultural survival. Every day, I observed successful resistance to colonialism and neo-colonialism, and discovered ways the local community addressed historical violence experienced in residential schools and discrimination in Canadian society (a primary reason many whom I meet refuse to celebrate Canada Day). The interviews I conducted and my critical inquiry into injustice through hip-hop arts seeded a student pen-pal program and widened my own skills in presenting examples and models of testimonial evidence for argumentation to our debate team. In addition, I:
I accumulated massive awesomeness…SEVEN murals painted with teens and elementary school kids, beautiful interviews and pictures with women making potlatch blankets for their families, an great interview with Barb Cranmer who just finished editing her film about the residential school here, a personal escort and tour through the Umista Cultural Center, a lunch session tomorrow with Connie Watts who designed the thunderbird at Vancouver airport, rapping cypher with youth in front of one of the murals we painted, intersections with two arts collectives doing hip-hop work, and a bunch more fun.
Personally, this fellowship bridged a huge gap in my own and my students’ knowledge of a powerfully resonant cultural society. I have tied the work of the ‘Namgis community center, museum and school to the work our students do with local centers and cultural institutions. I look forward to the new ideas our debate team, school artists and restorative justice clubs can enact while bearing witness to the survival and reconciliation practices of another community.
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The summer after his fellowship, Lavie continued his research with a Fulbright US Distinguished Award in Teaching to study the integration of Māori folkloric arts in New Zealand. As a mural artist he has worked with youth to create culturally conscious murals that have been displayed at museums, cultural centers, and community organizations. Raven believes in providing youth with a multi-disciplinary approach toward life that holistically engages their academic skills, celebrates their talents and artistic abilities, and empowers youth desires to bring positive change to society. Lavie also represented Fund for Teachers as a keynote speaker at the 2017 Extra Yard for Teachers Summit event hosted by the College Football Playoff Association.
On Monday, we shared the work of an FFT Fellow to educate his Tulsa students about the 1921 Tulsa Race Massacre for the first time. Today, as Pride Month begins, we elevate another lesser-known, yet seminal event in our nation’s quest for social justice — this time for the LGBTQ+ community.
On June 27-28, 1969, New York City police raided Stonewall Inn, a Greenwich Village bar known for its gay, lesbian and transgender patrons. The BBC story “Stonewall: A riot that changed millions of lives” proposed that Stonewall was to the gay rights movement what Rosa Parks was for the civil rights one. “And just as Ms Parks’ refusal to give up her seat on a bus in Alabama to a white man had the effect of animating the civil rights movement 14 years before,” wrote author author Tom Geoghegan, “so Stonewall electrified the push for gay equality.”
Five miles south of Stonewall Inn sits Eleanor Roosevelt High School, with the mission of “challenging students to act with courage, integrity and leadership [while] preparing them to embrace the moral, social, and intellectual challenges to come.” Leading this work is Tony Cacioppo, humanities teacher and faculty advisor for the Gender & Sexuality Alliance.
In 2015, Tony was named the Live Out Loud Educator of the Year for ensuring his LGBTQ+ students receive the highest quality education and feel supported emotionally and socially throughout the process. To support this work, he designed a Fund for Teachers fellowship to explore how London schools give voice to the LGBTQ community in their curriculum and to strengthen representation and support of LGBTQ students and their allies.
“Statistics show that when compared to heterosexual students, queer students all across the country miss more days of school, experience higher levels of depression and other mental health issues, and are much more likely to drop out of school,” wrote Tony in his grant proposal. “I want my school to do more to fight this trend.”
Tony’s guiding questions throughout his month-long tour of the United Kingdom included:
His exemplars were individuals and organizations at the forefront of the effort to expand the inclusion of LGBTQ voices and issues in schools through the 2017 Children and Social Work Act in England, which requires all schools to teach sex and relationship education (SRE) from the age of 11 on, with plans in place to begin this fall. Tony’s itinerary included:
- An interview with a former SRE educator/current staff member at Stonewall (a London advocacy helping to make schools more LGBTQ inclusive) that led to introductions at Stonewall’s School Champions network, where staff have been trained on best practices for LGBTQ inclusion.
- Meeting with Peter Tatchell, a longtime human rights activist and founder of The Peter Tatchell Foundation that turned into a strategy session on implementing his recommendations for inclusion of marginalized students at Eleanor Roosevelt High School.
- Workshops through Bish Training, a group that specializes in providing SRE training for schools, and Brook, an organization dedicated to ensuring the sexual health and well being of young people, which yielded best practices to better support the development of healthy sexual identity in adolescents and teenagers. And,
- Discussions with Dr. Polly Haste, the Head of training and Practice for the Sex Education Forum, focusing on ensuring that LGBTQ content is embedded into curriculum rather than discussed for one day so that the school can say it has “covered” the topic.
“One unexpected result was being told by several of the professionals that I spoke to that when it comes to addressing the mental and physical health needs of young people, doing certain things badly is worse than not doing them at all,” said Tony. “We must be extremely careful and thoughtful when talking to students about healthy relationships, sexuality and gender, drug use and eating disorders, etc. We don’t want to do more damage to an already fragile student who is in need of support.”
“This fellowship helped me to see that there is amazing work going on all over the world if you take the time and have the opportunity to go exploring,” said Tony. “The people that I met and learned from were not just other classroom teachers; they were activists and advocates who care about the same things I do–namely the well-being of young people–and have chosen another path for helping to achieve a similar goal. This showed me the power of educators forming partnerships with anyone who is willing to help.”
“As teachers we get extremely focused on what is going on directly in front of us and with the things that we need to do by the end of the day, week, semester, or year,” he continued. “This project gave me to the opportunity to step out of my own small world and see the big picture. I now recognize that lesson plans and grades have their place, but that teaching can truly be powerful and transformative when it supports who students are and helps them become the people that they are meant to be.”
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Listen to Tony’s acceptance speech at the Live Out Loud Educator of the Year Award Ceremony.
Today marks the 100th anniversary of the Tulsa Race Massacre, a historic event that occurred in the town where Kyle Peaden taught students who knew nothing about it. We are grateful he shared his design process that led to his fellowship and its outcomes…
In my 2012 Fund for Teachers grant proposal, I wrote:
I see history repeating itself. I see that my students do not know or comprehend of the hate and bigotry that violated our city in the early 20th century in what is regarded as one of the most destructive race riots in the 20th century. While my students may not be involved in the repulsive actions of racist groups of individuals in the past, I can see hints of the same distance from understanding. Students are letting bullying and anger fill the voids where communication, discussion, and understanding should be. I hope to bring about understanding of racism, hate, and intolerance by contrasting the history of South Africa to the history of our city. By visiting South Africa to show the history and recent developments in Apartheid and segregation I can bring students to look closer at their own local history. This quiet city holds scars and wounds from one of the largest race riots in America and it remains a difficult subject to face. These wounds are ignored, and the impact of the race riots still linger. By bringing students to my experiences in South Africa I believe they will be able to use an unbiased process of examination to the history of South Africa and eventually to our history.
Sometimes it is too difficult for a child to think that something so awful could have happened in their home town. A sense of favoritism holds strong in their heart that would leave them less willing to hear or realize what happened here not too long ago in their own backyard. It is my hope to go to South Africa to learn firsthand why one person can do terrible things to another and how the goodness in humanity can prevail. I hope to bring a community of students closer to understanding what did happen, what can happen, and what we can do to make sure none of that will happen here ever again. By looking at examples of strength, ignorance, and hope abroad in South Africa and right here in our own back yard these students will work through questions dealing with morality and morality that can help their own understanding of such subjects.
My exploration started at home in Tulsa. I wondered how a city could recognize and reconcile the immense tragedy of the 1921 Tulsa Race Massacre. This question took me on a journey over 8,700 miles away to South Africa. South Africa is a country that exemplifies the evils of racism and the hope that can bring a society from those dark times. I wanted to study the culture of South Africa, its art, food, and people, so that I could gather a greater understanding of what happened and how the country has adjusted from Apartheid.
My journey began near Johannesburg where I spent a week in Soweto, the largest and arguably most influential townships during the resistance against Apartheid. During my stay I met the most welcoming people during my whole stay in Africa. I couldn’t resist the opportunity to teach a lesson at a local art school as soon as I found one and my work with Emilia Potenza, the curator at the National Apartheid Museum, gave me a greater background understanding to the reasons and history behind Apartheid. Not far from this epicenter of struggle I visited the Cradle of Humankind where the fossilized remains of our direct ancestors are found. From Johannesburg I traveled through Kruger National Park driving amongst natures most raw surroundings to the Drakensberg Mountains. The Drakensberg site is home to thousands of Bushmen paintings throughout the mountain ranges. After hiking and documenting these ancient works of art I continued south toward the Cape of Good Hope.
In Cape Town I visited the many cultural and historical sites that represent so much of this diverse country. The blend and recognition of cultures reminded me so much of the country I grew up. I started to understand and recognize the steps towards reconciliation in South Africa and a small step to what might be needed at home. The art and history of this wonderful country helped me to see what steps my students and I can take to repair and resolve our troubled past. While my journey is a personal one, I know that the impact of my steps and my efforts will help students to further their own passage through the difficult topics of race, racism, hate, and hope. In my exploration our dark history nearly broke my heart, the people of South Africa filled it with joy, and my students carry it forward with hope.
I stayed in Tulsa teaching for another two years and my wife and I moved to Wisconsin. I ended up working with the Title I program at the Wisconsin Department of Public Instruction because I felt like much of what I learned is the systems and structures established during Apartheid had some of the deepest impacts on South Africa and the black community of Tulsa. I wanted to work on addressing those policies and by working at the state level I could work towards a more equitable education system.
My Fund for Teachers experience has helped to inform the decision making and policies in programs I work with. By acknowledging the impacts of multiple landscapes and their relationships with race I am more prepared for the injustices that our youth face. Wisconsin has some of the largest gaps for students of color and our state agency has made the work of closing those gaps one of our highest priorities. Personally, I work not only with Title I-A but in programs that support incarcerated students, students that are placed in foster care/out-of-home care, and I am a part of some of the equity work occurring in our agency. I’ve worked on teams that developed and train all staff in our agency on equity to build a foundational experience for our work. I think it is from the experiences in South Africa, learning from the Apartheid museum, the cradle of humanity, Soweto, and the people (most importantly the people!) that could tell their story that helped me build an understanding of how I can listen and work towards a more equitable education system for all our students.
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Kyle recommends the John Hope Franklin Center for Reconciliation as a starting point for those wanting to know more about the Tulsa Race Massacre. He also encourages us all to reframe language you might hear this week referring to the event as the Tulsa Race Riots. “I’ve learned since my fellowship that the word riot incorrectly places blame on Tulsa’s Black community, which acted in response to an unlawful arrest and subsequent rounding up of 6-8,000 Black Tulsans – many for up to eight days,” he said.
One year ago, my community suffered a devastating loss, which called into question the very systems upholding the safety of the neighborhoods my students and I call home. In the wake of this tragedy, street art has been popping up around the community. This art is varied and unique, giving a platform to unheard voices. It is empowering, celebrates diversity, and represents an outcry for justice. I began to wonder how I could include these amazing pieces in my classroom to foster conversation, create an opportunity for my students to share, listen, and learn from one another, and connect with what I’m teaching in Algebra.
Through this fellowship, I will travel to Philadelphia, home to the nation’s largest public art program. I will explore the Philadelphia Mural Arts Program, learning about the ways that one community has used art to ignite change. My primary activity while traveling will be to explore the murals of Philadelphia, the world’s largest open-air art gallery. I will participate in three different walking tours, led by professional guides and local experts:
Once home, I will reframe my Linear Functions unit through the lens of art – drawing inspiration from both the established art scene of Philadelphia and new works of street art appearing in my own community.
My ultimate goal is to explore how art can empower personal expression, celebrate who we are, and move us forward, while also deepening connections to foundational Algebraic understanding.
I will utilize what I’ve learned to reframe my Linear Functions unit, a foundational skill for Algebra and higher-level math, through the lens of art. I hope that through this reimagining, I will be able to better engage my students in learning, make my curriculum more representative of my students and their experiences, and connect the content to my students’ realities. As we move further into our unit, exploring art will drive our mathematical learning. We will use graphing software to recreate parts of the murals that sparked the students’ interests, exploring how modifying the slope, y-intercept, or domain of a function changes the design of a piece.
After using Philadelphia’s murals to explore linear functions, students will leverage their mathematical understanding and creative inspiration to create their own piece of original “linear artwork.” They will first design their art using graphing software, and then bring their artwork to life on the walls of our school. My principal has already given her permission for a student mural, and I colleagues in the art department who are willing and eager to collaborate with me on this endeavor.
I work in a district where, according to our most recent state-wide test, only 29.3% of students are proficient at math. We know that algebra is a gateway to graduation and future success in college and careers, so our school has responded by doubling the amount of time our students spend learning math. Even so, students are still struggling. Despite my best efforts to bring the world into our classroom, many students wonder, “Why do we have to learn this?” It can be challenging to find authentic opportunities to connect social justice to my curriculum. This problem is complex and I certainly don’t have all of the answers. But I do know that when students feel disconnected from the content being taught, their engagement, and ultimately learning, suffers. If students feel that what they’re learning doesn’t matter, some don’t buy into what’s happening in the classroom. If the world around my students feels like it is imploding, and I as an educator do nothing to address it, I am tone deaf to the lives they lead.
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Emily Kjesbo-Johnson teaches high school math and drama at Washington Technology Magnet School in Saint Paul, MN. She has been teaching since 2008 after working as a Peace Corps volunteer in Uganda and an AmeriCorp volunteer on Saint Paul’s West Side. Emily holds an undergraduate degree from Bethel University and a Masters in Teaching from Hamline University. She is also a two-time FFT Fellow.
Emily was awarded one of Fund for Teachers’ new Innovation Grants to undertake her research in Philadelphia this summer. Click here for additional Innovation Grant recipients and to be inspired by their plans.
Reflecting on today’s birthday of Malcolm X, we share the thoughts of an FFT Fellow used her grant to research past and present resistance movements (but in Mexico) to use these as a model for student writing and meaningful resistance to injustice in local communities. Sara Boeck Bautista teaches English at Leaders High School in Brooklyn, NY, and works to make language arts a catalyst for social change in her students’ lives. She chose to research grassroots political and social movements in Mexico, where movements have often hinged on the words and actions of young people and other oppressed groups. “I wanted to document, study, and model these grassroots movements by people in society who, like my students, have historically felt that their voices didn’t matter.”
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As a social justice educator, the struggle to continue moving forward in the face of increasing inequity and continual global and local problems is difficult. My studies in central and southern Mexico with a Fund for Teachers grant not only gave me countless practical materials, texts, artifacts, interviews, and photographs to bring back to my students, but it also revitalized my passion for social justice and renewed my belief that the struggle of social justice is worth it.
Over the course of six weeks, I met women’s rights activists who are providing support for women in indigenous communities in central Mexico, professors who are committed to lifting up the indigenous culture into the space of the dominant culture of formal education, LGBTQ activists and scholars who know that change will come and believe that the system can be changed, and ordinary women and men who work to empower families and inspire gender equity by helping their communities walk away from the legacy of machismo.
In Mexico, I learned at length about the ties between the history of colonization and the current daily challenges of indigenous and other oppressed people (queer, Black, women, and those at the intersections of these identities). In my class, we have continued to explore the ties between history and our present by studying the role that science fiction and Afrofuturism in particular have on supporting visions outside of the norm that seek to liberate oppressed people. In my class this semester, students are reading Octavia Butler’s 1993 science fiction novel Parable of the Sower and are considering their own relationship to change in their lives and in this pandemic and racial uprising. The lessons I learned six years ago in Mexico are still embedded in my mind as we grapple with the recent turmoil in the US political system, justice system, and educational system.
In response to the colonial legacy of oppression, I have framed my thinking as decolonizing and reindeginizing my classroom and my approach to social change. This looks like lifting up oppressed voices and honoring the vast knowledge, creativity, and expression that has come from oppressed communities and honoring the creativity it takes for those who are not free to imagine a future of liberation.
What sticks with me in reading Parable of the Sower and reflecting on my experience learning about the Zapatistas, in particular, is the power that change and autonomy can have even if it is not done through the powers of government. In Chiapas, I met people who are making their own utopias in spite of the colonialist legacies that still exist in Mexico. But the autonomous communities in Chiapas are a living example of an intentionally developed autonomous community. The main character in Parable of the Sower also develops and creates her own intentional community, envisioning and creating her own sacred space outside of the oppressive systems in her world. The connections are endless and endlessly inspiring.
To quote Octavia Butler, “All that you touch you change. All that you change changes you. The only lasting truth is change.”
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In recognition of Sara’s professionalism and student impact, Expeditionary Learning awarded her it’s highest honor in 2019 – The Klingenstein Award. Listen to her acceptance speech here (starts at 4:05).
Our high school is co-located in a converted elementary school building that still feels very much like an elementary school building (low sinks, low toilets, tiny lockers, a gym the size of a glorified broom closet). As our school prepared to open for in-person, synchronous learning this fall, COVID-19 reminded us just how small our school is. It was difficult for administrators and the janitorial staff to accommodate the maximum of ten learners in a classroom.
Meanwhile, students often speak about the resources at the more elite public schools in our area. And many a student laments his or her school choice in spite of our strong test scores and STEAM offerings because our high school (now their high school) does not resemble anything they’ve ever seen on television. There weren’t feral cats, rats and cockroaches on Riverdale. Nor were there methadone clinics and brownfield sites located on the same block of the TV high school.
A major gap exists in our city and in our school district and in our adjacent school community.
And those gaps are exacerbated by COVID-19 and the ongoing struggle for Black lives. Furthermore, our school is located in an area exposed to 95% more hazardous waste and waste water discharge and PM 2.5 and ozone than the rest of the US. When compared to the locations of elite (public and independent) schools located within five miles of our school, the percentiles that gauge environmental and demographic risks to public health drop to below 50%. It doesn’t take a genius to overlay the demographic information and quickly surmise that the elite schools are located in more affluent, white communities, or are composed of predominantly white students and staff, compared to our school.
Clearly, something’s wrong here.
I want to know why educational, economic, environmental, and public health gaps exist in my community by traveling to our seat of government and seeking answers.
With my Fund for Teachers grant this summer, I will follow a trail of important civil rights sites from New York City to Delaware, West Virginia, Washington DC, and Virginia to analyze the lasting impact of Brown v. Board of Education on students’ economic, environmental, and educational opportunities.
I did not know until I started researching this fellowship
the number of cases that made up Brown v. Board of Education.
The problems are so vast, but I can distill it into the questions my students asked me after the insurrectionists overran the Capitol police force and simply walked out of the building joyous, and unscathed by the same state apparati that wreaked havoc on black and brown bodies just a few short months prior.
Why is it different for us?
Why have Black and Brown students been treated differently than White students since the founding of this republic?
Why did (does) the promise of Brown v. Board of Education go unfulfilled in classrooms across America?
Why are my students exposed to more air pollutants, more toxins in the soil, more asbestos and lead, more vermin carrying infectious disease?
And how can we operationalize this knowledge to bring about change in our school community?
Students will benefit from the clear history and timeline of the economic, educational, and environmental injustices taught to them through the accounts of those who experienced the same injustices but fought back.
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Patrick Callahan (pictured with students at Buckingham Palace thanks to a grant through ACIS) is an Sloan Award winning science educator at the Bronx Center for Science and Mathematics. He is a Math for America Master Teacher Fellow and a recent finalist for the Big Apple NYC DOE Award. He has taught for 11 years in the South Bronx. He is currently the Science Department Chair and Director of Enrichment Programs.
As Naima Hall tells it, she had a hard time finding her way in the world of work. For a while she did construction work, then bartended. Only after a few more minutes into our conversation did she mention that this phase of her career came after she worked for the International Trade Division of Tiffany & Co. and directed New York City’s Sister City Program through the United Nations. These roles, while high-profile, left her empty.
“I felt like my life wasn’t real,” she said. “I had titles and positions that sounded interesting. And I felt like a blank slate. My family was proud, but I couldn’t get through the cognitive dissonance of achieving but feeling empty.”
Her next step came from an unlikely source – Craig’s List.
“The Helen Keller School for the Blind placed an ad for volunteers,” Naima said. “When I arrived, the social connectedness was there, the good cause, the good mission. “I think I knew I was on the brink of an aha moment, but had questions about vocational sustainability and next steps.”
Her answer came quickly. After a few weeks, the principal of Helen Keller saw Naima’s potential and volunteered to write her recommendation for the master’s program in deaf and hard of hearing education at Hunter College. She eventually added this degree to her bachelor’s degree in communications and master’s degree in urban policy and planning to become an itinerant service provider for New York City’s Department of Education. As a teacher in the largest education program in the world serving students who are blind and visually impaired from preschool to 21 years of age, Naima goes onsite to provide braille and advocacy work for students who integrated into a general population setting. She turns print material into braille, either by hand or electronically, and makes tactile models of concepts using embossing tools and haptic construction materials to help students comprehend teachers’ instruction. She also teaches students how to advocate for themselves and ensures that schools are compliant in their educational delivery to this specialized population.
“I make stuff, teach stuff and get out of the way,” she laughed.
To expand the state’s core curriculum and further support her students, Naima used a 2018 Fund for Teachers grant to explore French historic sites attributed to the inventor Louis Braille and investigate French-inspired multisensory, experiential learning opportunities.
Read more about Naima’s fellowship here.
“Not a day that goes by that my students and I are not in proximity to the embossed system of writing Louis created during his life,” said Naima. “This fellowship was a career apex and reaffirmed my passion and sense of purpose within my own vocation.”
This experience, especially a teary eyed moment at Louis Braille’s grave, provided the inspiration to push through a difficult career aspiration – earning certification as a Library of Congress Certified Braille transcriber last fall. Fewer people pass this accreditation than the CPA or the bar percentagewise, making it one of the most difficult certifications to earn in the world.
The moral to Naima’s story? Don’t settle and don’t sell out.
“Sometimes young people jump in and stick in it for too long. I just kept leaving,” she said. “People looked at me like I was bananas when I left Tiffany & Co. and the United Nations. I couldn’t tell them why I left, but I knew I couldn’t stay, but I thought, “If I am dying on a long arc, I don’t want to go out with this being it. There’s a difference between quitting and reclaiming your life.”
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Naima invites everyone to follow virtually the New York City Braille Challenge, on March 8-10, 2021. This annual, city-wide event has four components: the academic competition, a braille experience, parent workshops and interactive activities.
For two decades, Fund for Teachers has respected the power of teachers to determine their own learning and, subsequently that of their students. For each of those twenty years, that respect came in the form of grants – more than $30 million – to fuel fellowships in the United States and around the world. As Fund for Teachers enters our third decade, we are pleased to continue supporting our cohort of Fellows and adding to our programming portfolio.
We are excited to announce Innovation Circles, a new $1,000 grant opportunity specifically for any FFT Fellow who received a fellowship grant prior to 2021.
Each Circle is organized around one of three topics: Social Emotional Learning, Equity or Art & Design. Fellows who are accepted will join a Circle with their self-identified learning goal or problem of practice. Each meeting will be used to help Fellows navigate the process of devising solutions. Participants will meet virtually, twice early in the summer and then go on to pursue individual learning experiences before reconvening with their Circle colleagues once every two weeks between August and November. Some meetings will be with small working groups and some as a larger cohort. It is our hope that self-designed learning, paired with Fellow collaboration, will inspire teachers to continue to refine and reimagine teaching and learning in their schools. If you have something you want to learn, and you know that an experience with other Fellows will allow you to navigate the complexities of implementation, apply to be part of an Innovation Circle. Grants must be used for teacher learning and implementation.
The application for Innovation Circle Grants opened March 1 and closes April 1st. To be considered for the role of lead Fellow for a particular Circle, send a resume and short cover letter, including the name of the Circle and why you are interested in taking the lead, to liza@fundforteachers.org. Circle participants and leads will be informed by April 29th.