Established in 1854, Norwich Free Academy includes in its mission: “[to] study all that is beautiful in nature and art, and [be] prepared for the highest usefulness and the purest happiness.” Fund for Teachers Fellow Sarah Lefrancois fulfilled that mission and more with her 2022 fellowship.

After retracing the footsteps/work of Ansel Adams in and around Yosemite Park to learn about landscape photography and advocacy, she planned on inspiring a student art show documenting their local landscapes. But her community and colleagues envisioned greater vistas.

See Sarah’s post-fellowship report and photos here.

Sarah writes:

After completing my fellowship to Yosemite, I sat down with the head of the Norwich Free Academy Foundation, Kathy McCarthy, who is an amazing support of our students and teachers. She mentioned that the Class of 1968 donated money to establish a small gallery called “The Cube” in the Atrium located near the entrance of our on-campus museum and that my project fit well into their original vision for that space.

I began to think about what to put in there – because 2D work just isn’t shown well in the space – and started to reach out to local museums and agencies to see if they had any taxidermy that they could share. I started thinking about the Museum of Natural History dioramas but realized that creating something that looked realistic would be time consuming and stressful.

In talking with my can-do colleagues at lunch one day, we started to throw around the idea of how we could work together to produce such a display. They jumped right in, excited to be part of such a project. These women are amazing, and it felt so good to include three other people in with my fellowship project.

My photo of our local park was printed and attached to the wall in the background. The unified clay class, in partner with my photography class, worked to make pinch pot mushrooms and giant mushrooms, rocks, and a stump out of plaster of paris. The unified arts class worked on making blades of grass out of cardboard and birds.

The Advanced Jewelry and Metals class worked on making whatever their hearts desired when they saw the display put together! One student donated a pin tailed duck mount to be hung, and my boyfriend, who is a graduate of NFA and a Environmental Conservation Officer with the State of Connecticut loaned us his coyote mount to be the central focus. I worked on the birch trees and vines as well as collecting leaves and brush 🙂

The display in The Cube is bright, eye catching, and engaging. Students ask so many questions about what is inside of it and who made everything. It is a wonderful welcome to our gymnasiums and the museum. It helps guide people to view the series of photographs on display in the upper level of the building!

Thank you so much. This opportunity afforded to me [through Fund for Teachers] has been not only transformative to my teaching practice, but also the lives of my students as we learned together about the importance of publicly held lands for our wellbeing and our civic duty to protect them!

Today marks the final Friday in August, the end of summer and the conclusion of most of our our 2022 grant recipients’ fellowships. We’ve proudly introduced you to many of these deserving educators through this Fellow Friday series by grouping them in similar categories (math, literacy, music, world cultures, etc.) But some of our Fellows’ plans defy being pigeonholed. To close out the summer, we share a few of those below…

Click here for a complete list of grant recipients.

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Thomas Houston | Sturgis Charter Public School West – Cape Cod, MA
Gather resources and learning about the historiography of the Irish Independence movement in the Republic of Ireland and Northern Ireland to create a model International Baccalaureate paper 2 for the Independent Movements unit.

“As a student and teacher of history I have learned with increasing clarity that the memory of history is almost as important as the actual events themselves. This historical memory; how we teach students about the past, and how that changes – the historiography – is fascinating to explore with students. The Irish Independence movement carries a lot of historical memory in Ireland and informs actions that people take today. It played a huge role in the Troubles in Northern Ireland and is now being reassessed again in Ireland due to the centenary anniversaries of the events of the Independence struggle and the discussions over what Brexit will mean for Northern Ireland and the border with the Republic. “

Darlene Martino | Wayne Primary – Ontario Center, NY
Participate in puppetry workshops for teachers in San Francisco, CA and Eugene, OR to introduce puppets as tools for students to build social skills, experience other perspectives, tackle difficult conversations, express opinions, and resolve conflicts.

“Compared to previous youngsters I have worked with over the past two decades of my career, many of my current students are profoundly more emotionally needy. My students are hungry for conversation, they ask for opportunities to work with peers, and they are eager to find connection with others. I see a need to nurture resilience, develop active listening skills, and grow empathy among students and am optimistic that I have found a solution in puppetry. I believe that this highly engaging medium will help students build civic skills, experience other perspectives, tackle difficult conversations, express opinions, reduce prejudice, and resolve conflicts.”

Rachel McMinn | Success High School – Meriden, CT
Bryce McMinn | Orville H. Platt High School | Meriden, CT
Research notorious crimes of the 19th and 20th century in the United Kingdom to create cross-curricular learning through the lens of technology in the field of forensics and the role of investigative journalism in solving crime.

“Our fellowship focuses on real-life examples of crimes that were investigated by pioneers of forensic science and journalism in England. We will visit, photograph and 3D survey the the crime scenes for the late 1800 serial killers of London. We will also visit crime labs, and interview historians, detectives and newspapers to discuss crime scene evaluation, handling of suspects, and collection and analysis of evidence collected from the crime scenes. We will learn the role of the media reporting to determine how this helped/hindered identifying and apprehending suspect(s). This will be high interest content that will be used to engage students and teach to the appropriate level of rigor in our classrooms.”

Amare McPherson & StaceyAnn Palma
New Beginnings Family Academy | Bridgeport, CT
Document best practices associated with the Reggio Emilia experienced-based pedagogy where it was founded in Italy to implement its progressive, student-led and focused learning experiences with PK-8 students at an urban charter school.

“Reggio Emilia has a long history of progressive, student-led and focused learning experiences that we as educators can learn from. Reggio Emilia encourages students of all ages to express themselves through their hundred languages, giving voice to the social, and emotional needs and challenges that are particular to students in our urban charter school community. Giving students the power to authentically and constructively express their thoughts, fears, joys and concerns can generate meaningful discussions, observations, ideas, and possible solutions to personal, familial, communal and global issues of impact.”

Krista Peltier | Mohegan Elementary School – Montville, CT
Investigate the differences in Italian, French, British, and Dutch fashion culture — past and present — to inspire self expression, self reflection, and creativity amongst students in their own fashion designs during makerspace.

“Fashion is a method of self expression and who we are as individuals, while also being a creative outlet. Through examination of fashion in France, Italy, England and the Netherlands, I can bring back historical perspectives and cultural differences amongst fashion in different countries to my classroom. I want to inspire my students to create their own pieces of fashion during Makerspace that express who they are as individuals, but also promote self-reflection and their cultural identities to intermix our academic and social emotional learning.”

Michelle She | District of Columbia Public Schools – Washington, DC
Learn to repair broken braillewriters through Perkins’ Braillewriter Repair Workshops; study non-visual and adaptive techniques for personal care through CN Vision Image Consulting, and improve fluency while learning healthy cooking skills in Oaxaca, Mexico, to enrich the personal and educational experience of students with visual impairments.

“One of the biggest problems facing our vision team today is the lack of fully functioning braillewriters. We currently have approximately 30 broken braillewriters in our inventory. As a result, one of my main goals for this professional development project is to learn about the inner workings of a braillewriter and how to repair broken ones. My second goal is to learn adaptive hygiene, grooming, and self-care techniques to teach my students so that they can be more aware of how others perceive them while in public. People who are visually impaired often feel very ‘other,’ and learning some skills to make sure they look their best will help boost their confidence and self-esteem.”

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“Now more than ever, it is imperative that we invest in the most important component of any classroom — the teacher,” said Karen Eckhoff, Executive Director of FFT. “Educators are facing countless challenges every day, and Fund for Teachers is dedicated to further diversifying the ways that we can support them. Our grants represent trust in teachers’ professionalism, creativity, and vision, offering flexibility to meet the unique needs of each classroom, with the students remaining the ultimate beneficiaries as they continue to grow and learn in today’s ever-changing world.”

If you missed any of this summer series, take the time look back and meet many of the other educators whom we highlighted on Fellow Fridays. Their courage, curiosity and creativity could be just the thing to propel you into another schoolyear. We are proud to call these and ALL of our 9,000+ grant recipients Fund for Teachers Fellows.

We are winding up our “Fellow Friday” summer series next week, after focusing on 2022 grant recipients who are pursuing similar categories of learning, such as literature, special education, Holocaust studies, math, conferences, indigenous studies, music education, and even farming. In advance of International Day for the Remembrance of the Slave Trade and its Abolition on Tuesday August 23, today we share FFT Fellows’ varied approaches to the topic of the Transatlantic Slave Trade…

Click here for a complete list of grant recipients.

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Elise Barnes – KIPP Academy Chicago Primary | Chicago
Janae Reynolds – KIPP Zenith | Houston
Compare and contrast enslaved experiences in Ghana and Cape Town through museums, historic sites, and storytelling, to create a unit in which students learn about the art of African storytelling and create personal stories reflecting their heritage.

“What we know about our student population is that we both teach black and brown children. Some of those children are exposed to their family’s culture daily, and others unfortunately do not have that knowledge. When a child knows or understands their story or what brought them to where they are today, they can feel a sense of belonging and self-worth. We believe that through this fellowship, we can give students more of a sense of identity and who they are.”

James Dolan & Brad Vinson
Sparkman High School | Harvest, AL
Research in Ghana, the United Kingdom and Williamsburg, VA sites pertinent to the Atlantic Slave Trade to create location-based videos, lessons, and primary source activities on Triangular Trade that are currently lacking in availability for history teachers.

“As citizens of the United States, slavery is everyone’s history. The Atlantic Slave Trade is a hard subject to teach, but even harder without resources to supplement. Visiting the locations of the Slave Trade and learning from their local environs will help us showcase their histories to our students. We plan to include primary sources such as maps, pictures of artifacts, and first-hand accounts that can be used in our classrooms, and uploaded on the internet for mass consumption. We plan to interview experts, in videos and outside of videos, to obtain information on the Slave Trade during the 16th and 17th centuries then and its continual impact on the world today.”

Pratia Jordan | O’Donnell Middle School – Houston, TX
Retrace the transatlantic journey through historical sites in Africa, Europe and North America to create multi-modal, 3D virtual learning experiences that allow students to deepen content knowledge and make personal connections to the past and its continued relevance to our present.

“When discussing the content and context around the transatlantic slave trade it is imperative that I get it right, because for some students I am talking about a place they call home. Many of my African students who were born in Africa or are 1-2 generations removed have a strong sense of identity, heritage and pride in their tribe and culture connected to Africa. My sense of responsibility has also been heightened knowing that the lessons I create will not just impact the 120 students I serve in my classroom, but thousands of students who will be taught using the curriculum I am revising for the entire district. I intend to breathe new life into our TST curriculum with the results of this fellowship by seeking out and bringing back vibrant, personal, relevant and multi-dimensional information, primary sources, artifacts and audio-visual documentation on the content such as interviews with historians, residents of West Africa and my own personal blog/vlog.”

Garrett Griffin | East Rock Community Magnet School – New Haven, CT
Ray Walters & Kurt Zimmerman| Highville Charter School – New Haven, CT
Experience UNESCO sites associated with the enslavement of people in Connecticut, Louisiana, as well as related museums in Massachusetts and Washington D.C. to facilitate culturally-relevant and emotionally-thoughtful classroom conversations about the Trans Atlantic Slave Trade.

“Having a diverse collection of books is essential in any school library, but I think it’s especially important in a school with such little diversity. The graphic novel books are some of the most popular reading materials in the library: The combination of the written word and pictures make them accessible to all students, even those whose reading comprehension is below grade-level. I believe understanding the culture will help when students have questions about Japanese culture and beliefs that frequently come up while they are reading manga, and help in the decision-making process to bring appropriate, engaging materials to the students who desire it.”

Daniel Warner & Valen Warner
East High School | Memphis, TN
Explore understandings and experiences of Black identity abroad by examining the legacy of the Transatlantic slave trade; abolitionist & anti-lynching campaigns in England; and the emergence of African American artists and intellectuals to Paris to create interdisciplinary curricula on Black identity & belonging throughout the African diaspora.

“Our students bring an impressive depth of knowledge about their own varied experiences as Black Americans to the classroom, and as teachers who strive to value the cultural experiences of our students, we have geared previous professional development toward this subject…Yet both we and our students find ourselves limited in our knowledge of the Black experience abroad. We want to begin our study of the questions raised by our students in our classrooms by looking at Black identity and experience in England and France, with special attention to Black Americans who have chosen to depart the United States to seek personal respite from discrimination and exclusion in the United States.”

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“Now more than ever, it is imperative that we invest in the most important component of any classroom — the teacher,” said Karen Eckhoff, Executive Director of FFT. “Educators are facing countless challenges every day, and Fund for Teachers is dedicated to further diversifying the ways that we can support them. Our grants represent trust in teachers’ professionalism, creativity, and vision, offering flexibility to meet the unique needs of each classroom, with the students remaining the ultimate beneficiaries as they continue to grow and learn in today’s ever-changing world.”

Join us next week for our final installation of “Fellow Friday” for the year!

Today we continue our “Fellow Friday” summer series — despite knowing that many of you are completing your first few days of school. Let these peers be inspiration for you to begin thinking about what YOU could learn and where next summer with a Fund for Teachers grant! These FFT Fellows who designed learning around various aspects of literature…

Click here for a complete list of grant recipients.

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Drew Bicknell-Gates
Mohegan Elementary School | Uncasville, CT
Experience Key West’s influence on Ernest Hemingway’s writing and explore my own creativity at Walt Disney World, culminating in a writing retreat aboard a train, to motivate my students to grow in their writing and creative-thinking skills through inspiration in their everyday lives. (Pictured at Hemingway’s studio)

“As a special education teacher, I often struggle with how to balance teaching incredibly structured programs to meet the needs of my students receiving special education services with creative teaching that I know will be more engaging for my students. Creative people are able to think critically about problems and come up with unique solutions, skills which are gained through practice and experience. I want to help my students build these crucial skills to help them set a foundation on which they can continue to learn for the rest of their lives.”

Stephanie Brown | Floyd I. Marchus High School – Concord, CA
Research in England key sites from Jane Austen’s life and the novel “Northanger Abbey” to design a curriculum that incorporates the use of social thinking curriculum to make novels and their focus on interior thoughts accessible to neuro-diverse students.

“The ability to imagine how another person thinks and feels is a long-recognized weakness among students on the Autism spectrum. However, reading literature improves one’s capacity for empathy and strengthens one’s theory of mind. How, then, do we accommodate students with these challenges so that they may access contemporary literature? The modern novel depends heavily on understanding the thoughts and feelings of others. The very insight the modern novel is meant to provide, then, is potentially inaccessible to students with communicative disorders like autism. My fellowship seeks to make novels and their focus on the “interior” thoughts individual accessible to such students.”

Kim Buckley | East Lyme High School – East Lyme, CT
Get firsthand knowledge of Shakespeare and Bronte by visiting English sites in which they lived and worked and also access the knowledge of experts there to improve anti-racist teaching by adding counternarratives that address the problematic nature of White-centered texts, specifically canonical texts by these authors.

“One genuine problem of my practice is making Shakespeare and Brontë relevant to my students and supporting their engagement with these writers who they see as outdated. Furthermore, I want to address the passivity of students in my classroom to get them actively engaged in their learning through performance. Finally, I want to continue to improve my anti-racist teaching by adding counternarratives and addressing the problematic nature of White-centered texts, specifically canonical texts by Shakespeare and Brontë, an approach that will benefit students not only in my AP classes but also in my other classes as well.”

Kaycee Hallett | Mohawk School District – Sycamore, OH
Interview therapeutic horticulturists and horticulture therapists in Denver, Knoxville and Nashville to create for highly capable students addressing eating disorders the opportunity to utilize plant care/gardening for personal stress management and demonstrate the ability to practice health enhancing behaviors through skills learned.

“Having a diverse collection of books is essential in any school library, but I think it’s especially important in a school with such little diversity. The graphic novel books are some of the most popular reading materials in the library: The combination of the written word and pictures make them accessible to all students, even those whose reading comprehension is below grade-level. I believe understanding the culture will help when students have questions about Japanese culture and beliefs that frequently come up while they are reading manga, and help in the decision-making process to bring appropriate, engaging materials to the students who desire it.”

Brook Hopkins | Soddy Daisy High School – Soddy Daisy, TN
Explore cities in Northern and Central Europe that are the settings for two popular graphic novels pertaining to individual experiences of the Holocaust to build a greater understanding of the systematic way the Nazis exterminated more than six million Jews and help students feel connected to the victims, perpetrators, and bystanders of the Holocaust and its terrible place in our history.

“Great age-appropriate literature, especially graphic novels, create a literary space where students of all reading levels can grow intellectually, emotionally and with empathy in their views of others who differ from themselves within our world. These two graphic novels: Maus: A Survivor’s Tale and Anne Frank’s Diary and The Graphic Adaptation (adapted by Ari Folman) are the focus for an enhanced literary unit and the structure and itinerary of my fellowship. My experiences will deepen my content growth, empathy, and ability to help my students feel connected to the victims, perpetrators, and bystanders of the Holocaust and its terrible place in our history.”

René Peña-Govea | June Jordan School For Equity – San Francisco, CA
Attend the Tin House Summer Workshop at Reed College in Portland, OR, to hone writing, workshopping, and editing skills that inform student writing workshops and provide them additional spaces for self-expression.

“As a teacher-librarian, I am well-versed in encouraging and teaching literacy, but not so much in teaching or holding space for creative writing. I would like to add to my experience as a student of creative writing so I can put myself in my students’ shoes as well as observe skillful teachers to hone my own skills as a writing teacher. My goals are to engage with creative writing as a student in a writers’ workshop and then put my teaching hat on to dissect what the writing faculty is doing. I will then bring those skills back to my school to open creative writing workshops, clubs, or other spaces up for students.”

Victoria Rosenburg | St. Matthew’s Parish School – Pacific Palisades, CA
Explore Great Britain’s geography, cultural landmarks, and historic sites to revitalize a middle school English curriculum with a unit on heritage and literature that expands a nature writing component and brings Shakespeare’s works to life.

“While I am very lucky that my family has been able to trace our ancestry, many of my students do not have access to information about their ancestry. I have taught students who are American Born Descendent of Slaves, who are refugees, and who come from chosen families. I am cognizant of these different backgrounds and aware of how that can impact a student’s experience when participating in a unit on ancestry or heritage. My learning plan, and in turn, the revitalization of my 6th-Grade unit, will be focused on cultural heritage – the traditions, artifacts, history, and stories that are passed down from generation to generation. By refocusing my unit, I broaden the opportunities for students to make connections, experience engagement, and feel included.”

Lorrie Storozuk | Tolland Intermediate School – Tolland, CT
Journey through two National Parks and part of the Nez Perce Historic Trail in Montana and Wyoming to experience the historical setting of the book Thunder Rolling in the Mountains and enrich learning about Native American history for an integrated English Language Arts/Social Studies curriculum unit

“By sharing personal visuals, photographs, and current stories of travel from the region, I can show students the evidence that people eventually understood how the Native Americans’ lifestyle and culture is connected to their homeland and the natural resources because, not only did the U.S. government protect the land of the region by creating several National Parks, but also preserved the Nez Perce National Historic Trail from 1877, and we are still able to visit it today.”.

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“Now more than ever, it is imperative that we invest in the most important component of any classroom — the teacher,” said Karen Eckhoff, Executive Director of FFT. “Educators are facing countless challenges every day, and Fund for Teachers is dedicated to further diversifying the ways that we can support them. Our grants represent trust in teachers’ professionalism, creativity, and vision, offering flexibility to meet the unique needs of each classroom, with the students remaining the ultimate beneficiaries as they continue to grow and learn in today’s ever-changing world.”

We look forward to introducing you to more 2022 FFT Fellows next Friday!

The Individuals with Disabilities Education Act defines special education as: “Specially designed instruction, at no cost to parents, to meet the unique needs of a child with a disability.” Those needs run a wide gamut, with the essential similarity being students who are not best served in a “general education” setting. Teachers called to this sector of school communities often work in non-traditional environments and employ out-of-the-box skill sets to most effectively impact their students and their families. So it should be no surprise that the Fund for Teachers fellowships these teachers design are equally as unconventional. Meet a few of our 2022 FFT Fellows pursuing experiential learning to benefit their special education communities.

Click here for a complete list of grant recipients.

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Melissa Florio & Carissa Miller
Emerson-Williams Elementary School |Wethersfield, CT
Complete a yoga/mindfulness retreat in Portugal’s Sintra National Park to learn techniques for supporting children exposed to trauma and replicate these strategies within the school setting so students can develop emotional regulation skills that empower them to thrive socially, emotionally, and academically.

“Trauma impacts the brain and the body. Students who are dysregulated are unable to access the executive functions they need to pay attention, emotionally regulate, and problem-solve. By attending this retreat, we will gain techniques that will help students calm their amygdala so that they can be successful learners in the classroom.”

Sam Gurung | Hanes Elementary School – Irving, TX
Complete a Spanish immersion program while staying with a host family in Cusco, Peru, to learn culturally-relevant information that enhances communication with Spanish speaking special education students and their families.

“I am excited for the prospect of innovating in collaboration with my students and the school community as a whole to bridge the gap (specifically the communication gap) between the special education students and general education students, and monolingual students and bilingual students. The fellowship will enable me to design learning experiences for my students where we will make personal connections, work in collaboration and communicate effectively with one another, while also reflecting on our progress, ways I can improve and celebrate our actions, talents and abilities.”

Ryan McGoff | East Boston High School – Boston, MA
Complete intensive language lessons in Medellin and Cartegena, Colombia, to enhance fluency and develop culturally-responsive curriculum for English Language Learners with disabilities.

“By approaching this learning experience through the framework of Culturally and Linguistically Sustaining Practices (CLSP), my goal is to gain a deeper grasp of the cultural, political, social, and economic influences that shape these realities. Additionally, I hope to be responsive to the conditions of a student’s lived experiences and the histories that created them..”

Laure O’Keefe | The Anna Westin House – Saint Paul, MN
Interview therapeutic horticulturists and horticulture therapists in Denver, Knoxville and Nashville to create for highly capable students addressing eating disorders the opportunity to utilize plant care/gardening for personal stress management and demonstrate the ability to practice health enhancing behaviors through skills learned.

“This grant is to provide students the opportunity to utilize plant care or gardening as a personal stress management plan and demonstrate the ability to practice health enhancing behaviors through skills learned. Discussion of personal container gardens and life-long benefits of plant care or gardening will precede selection of a particular garden type (fragrant, colorful, textural, herbal) and the beginning of the plant selection process to create a that personal garden. That little patch of nature will sit on the student’s table and our class will be full of lush plants to feed our hearts and calm our minds and hand “

Michelle She | DC Public Schools – Washington, DC
Learn to repair broken braillewriters through Perkins’ Braillewriter Repair Workshops; study non-visual and adaptive techniques for personal care through CN Vision Image Consulting; and improve fluency while learning healthy cooking skills in Oaxaca, Mexico, to enrich the personal and educational experience of students with visual impairments.

“My passion as an educator is to give my students the tools they need to become meaningful contributors to society. As someone with a visual and physical disability myself, I can say that we are often the ones in need of others’ help, and nothing is more powerful than realizing that we, too, can make a positive difference in others’ lives..”

Jeff Timberlake | Guild Elementary School – East Boston, MA
Investigate in Medellin, Colombia, the Metrocable and railway system, learning how it became a symbol of transformation for low-income communities, to inspire English Language Learners and students with special and/or high needs to harness their unique strengths and interests so they have the best opportunity to be productive and thrive in a rapidly changing world.

“All students need to harness their own unique strengths and interests and reflect the myriad of opportunities that exist so they have the best opportunity to be productive and thrive in a rapidly changing world. This is especially vital to the students in my school which is made up of 71 English language learners (ELLs), 25% students with “disabilities,” and 92% “high needs” because they have a difficult time integrating into their communities and the wider society.”

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“Now more than ever, it is imperative that we invest in the most important component of any classroom — the teacher,” said Karen Eckhoff, Executive Director of FFT. “Educators are facing countless challenges every day, and Fund for Teachers is dedicated to further diversifying the ways that we can support them. Our grants represent trust in teachers’ professionalism, creativity, and vision, offering flexibility to meet the unique needs of each classroom, with the students remaining the ultimate beneficiaries as they continue to grow and learn in today’s ever-changing world.”

We look forward to introducing you to more 2022 FFT Fellows next Friday!

To introduce you to our newest grant recipients, we’ve started Fellow Friday. Last week, we highlighted seven teachers who designed and are pursuing fellowships around Indigenous Studies. Today, we meet a group of Fellows who chose different avenues of pursuing a range of subjects supporting music education.

Click here for a complete list of grant recipients.

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Mark Billota | Roger Ludlowe Middle School – Fairfield, CT

Enroll in a series of virtual master classes in music composition and arranging from world renowned composers and musicians to develop skills that facilitate music composition that engage students in musical performances.

“There are times when a need arises for me to actually compose a part/song or arrange something for my students in a different format or style, but I’m lacking the skill set to do so, as this was something only briefly touched upon in my undergraduate studies and really not at all in my graduate studies. My students will really benefit from my ability to arrange “fun” pop songs they recognize on my own in a way that matches their current skill set.”

Jason Malli | Vinal Technical High School – Middletown, CT

Attend the Summer World Music Pedagogy Workshop at West Virginia University, SPLICE Institute for Arts and Technology Innovations at Western Michigan University, and Restorative Practices Online at the University of Maine to create opportunities for student self-expression-fostering performance as an experiential, self-paced, recreational, therapeutic, inter-leveled, individualized workshop.

“I’ve struggled to find effective and expedited manners to foster individual and group relationships that honor individuality and learning styles and also induce the curiosity, inquiry, and hunger to learn for sake of growth. Connecting to students in ways of mutual respect during such traumatic times to inspire them to want to
really learn enough to get them to become metacognitive learners is crucial and if that can happen in their
arts elective, those skills can transfer into their entire life long learning makeup.”

Michael Peters, Kim Shaker & Holly Sisk  | Tahlequah Middle School – Tahlequah, OK
Participate in the Broadway Teachers Workshop in New York City to receive intensive, innovative and immersive instruction from professional artists to give students a chance to express themselves through musical and technical theatre and address their need to experience love and belonging.

“While most of my assignments have a heavy component of choice (how to interpret the prompt assigned, what subject they want to photograph), students often struggle to tell their story. I want to study storytellers and artifacts from the past to see how first peoples documented their lives and connect that storytelling to the work my students do with photography. . I want them to experience the beauty of natural surroundings and I want to help them see the beauty in their everyday surroundings. I want them to experience how their everyday surroundings impact the story of their lives.”

Kathryn Morse &  Karin Mitchell| Groton Middle School – Groton, CT
Research in Trinidad and Tobago music rooted in the Trans-Atlantic Slave Trade to create strong historical connections and deeper cultural understanding for students, teachers and parents alike, as they discover the many commonalities within the school’s diverse cultural mix through music.

“We designed this grant to broaden our knowledge of world drumming, specifically African drumming, Steel Pan, and the development of the many other styles of drumming which emerged from the African and East Indian religious, cultural celebrations. We hope to use this new knowledge to create strong historical connections and deeper cultural understanding for individuals within our community, students, teachers and parents alike, as we discover the many commonalities within our diverse cultural mix through music.”

“Now more than ever, it is imperative that we invest in the most important component of any classroom — the teacher,” said Karen Eckhoff, Executive Director of FFT. “Educators are facing countless challenges every day, and Fund for Teachers is dedicated to further diversifying the ways that we can support them. Our grants represent trust in teachers’ professionalism, creativity, and vision, offering flexibility to meet the unique needs of each classroom, with the students remaining the ultimate beneficiaries as they continue to grow and learn in today’s ever-changing world.”

We look forward to introducing you to more 2022 FFT Fellows next Friday!

To introduce you to our newest grant recipients, we’ve started Fellow Friday. Last week, we highlighted two teachers from Manilus, NY, who designed their fellowship to impact English Language Learners. Today, we meet Fellows pursuing justice, injustices, history, art, sciences and lifestyles of Indigenous Peoples.

Click here for a complete list of grant recipients.

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Anthony Bergstrom | East Hartford High School – East Hartford, CT

While exploring the historic geography of the Grand Canyon, Bryce Canyon and Zion National Park, research the history of the Native American people’s to engage students in the study of indigenous cultures, Westward Expansion and the Progressive Era.

“The impact that westward expansion has had on the Native American tribes of the west is profound. While exploring these national parks, my focus will be on the history of the tribes that inhabited these lands (and continue to), their culture and the impact that westward expansion had on them.”

Rachel Clement  | Two Rivers Public Charter School – Washington, DC

Interview tribal leaders and members of the Patawomeck, Rappahannock, Piscataway, and other indigenous nations of Maryland and Virginia to build community-school relationships and create resources that draw connections between indigenous perspectives and restorative justice practices.

“As an associate member of the VA-state-recognized Patawomeck Indian Tribe, I would like to draw on my connections to indigenous community within the Virginia, Maryland, DC region to learn more about East Coast indigenous concepts of justice, local to our area. My hope is that in deepening my (and my network of educators’) relationships with local indigenous community and ancestral restorative justice systems, I can benefit both the areas of cultivating a truly restorative culture at school, as well as deepening relationships
and knowledge of our local communities.”

John Goodwin | BASIS Phoenix – Phoenix, AZ

Conduct research at the National Museum of the American Indian in Washington DC to build two project-based learning experiences that raise awareness of Indigenous experiences at American Indian boarding schools and enhance the physical and digital presence of one such site in our city.

“I will create an extensive database of materials concerning the history of American Indian boarding schools, as well as the presentation of Native American history to the public. In the classroom, my students’ capstone project will require groups to design a two-pronged proposal for teaching materials, on the one hand creating digital history lesson plans to share with educators interested in implementing primary sources on the topic, and on the other hand proposing enhancements to the public history visibility and utility of an under-utilized site in our city.”

Jen Kennedy | College Park High School – Pleasant Hill, CA
Photograph the Southwest landscape (day & night) and also ancient cliff dwellings to document the relationship of First Peoples to the land and demonstrate for career & technical education students how migration & relationship to the land is a common theme in humanity.

“While most of my assignments have a heavy component of choice (how to interpret the prompt assigned, what subject they want to photograph), students often struggle to tell their story. I want to study storytellers and artifacts from the past to see how first peoples documented their lives and connect that storytelling to the work my students do with photography. . I want them to experience the beauty of natural surroundings and I want to help them see the beauty in their everyday surroundings. I want them to experience how their everyday surroundings impact the story of their lives.”

Emily Schmidt | Bronx High School of Science – Bronx, NY
Participate in the Earthwatch expedition “Amazon Riverboat Exploration” in Iquitos, Peru, surveying biodiversity and contributing to community-based conservation projects with the indigenous Cocama people, to broaden students’ perspectives of science to include field biology and indigenous science.

“Participating in this expedition will allow me to take part in many different methods of studying animal populations in the field and see how the data are being used to support not only the local biodiversity but also the livelihoods of the indigenous Cocama people. In fact, the project is located in the Tamshiyacu-Tahuayo community reserve, which was the first community reserve established in Peru. Community reserves are protected areas that explicitly benefit local communities as well as wildlife and are managed by indigenous groups.”

Lorrie Storozuk | Tolland Intermediate School – Tolland, CT
Journey through two National Parks and part of the Nez Perce Historic Trail in Montana and Wyoming to experience the historical setting of the book Thunder Rolling in the Mountains and enrich learning about Native American history for an integrated English Language Arts/Social Studies curriculum unit.

“By sharing personal visuals, photographs, and current stories of travel from the region, I can show students the evidence that people eventually understood how the Native Americans’ lifestyle and culture is connected to their homeland and the natural resources because, not only did the U.S. government protect the land of the region by creating several National Parks, but also preserved the Nez Perce National Historic Trail from 1877, and we are still able to visit it today.”

Catherine Teulings | North End Middle School – Waterbury, CT
Explore in Australia how Aboriginal art expresses the soul to introduce students to this art form as a tool for promoting self-reflection and deep learning while also building stronger bridges of understanding across cultures.

“This fellowship will offer an opportunity for me to incorporate a different art form into my curriculum, one that offers another way for students to express themselves. Aboriginal art will create ways to be involved emotionally and personally in their art, seeing themselves as part of the art, as well as being part of a solution. This will also give them the sense that they are part of the greater world, and can solve real problems through being creative, and collaborative with their classmates.”

Sunny Zheng-Herb | William Smith High School – Aurora, CO
Explore Native Alaskan arts and culture in Alaska to incorporate elements of this art tradition in the classroom through the teaching of 3D art forms and elevate awareness of non-Western arts practices.

“While my school has offered a few classes centering on local Ute, Apache and Navajo cultures, no class has ever touched on Alaska Native peoples. I believe that the introduction of Alaska Native art traditions in my school will engender new ways of viewing and creating art, more space for mindful practice in the classroom, and opportunities for community and self empowerment through the celebration of diverse and oft-effaced cultures.”

“Now more than ever, it is imperative that we invest in the most important component of any classroom — the teacher,” said Karen Eckhoff, Executive Director of FFT. “Educators are facing countless challenges every day, and Fund for Teachers is dedicated to further diversifying the ways that we can support them. Our grants represent trust in teachers’ professionalism, creativity, and vision, offering flexibility to meet the unique needs of each classroom, with the students remaining the ultimate beneficiaries as they continue to grow and learn in today’s ever-changing world.”

We look forward to introducing you to more 2022 FFT Fellows next Friday!

I teach three levels of English Learners:

• those emerging from the Newcomer program
• those who have been in the country 4-7 years, and
• those who have not reached English fluency after more than seven years of American schooling.

Students in that last group — known as Long Term English Learners (LTELs) — may have been born in this country, but they have hit a plateau in academic English language acquisition. These students need robust, rigorous and culturally relevant curriculum and instruction to help them catch up to their “English Only” peers. Without it, they remain the most likely to drop out and least likely to go to college of any of the subgroups at our Title 1 school.

I used my Innovation Circle Grant to work on to finding innovative ways of blending language development with the arts in order to start closing gaps and opening opportunities for these students.

With a $1,000 grant and alongside peers in the Art & Equity Innovation Circle, I participated in the “Clay: The Remix” workshop at Penland School of Craft in Penland, NC, to learn how to use simple tools in the creation of poetry, street art and prints, then transfer those images to clay, to empower students with a new platform for public voice.

Lugo’s teapot of Ralph Ellison

I had no idea that my teacher in my learning experience would be a prominent artist who would transform me and my students. Potter Roberto Lugo shared his slides and the story of his trajectoy as an artist, he spoke about the worth of every person, about putting hidden heroes onto fine porcelain, about “ghetto” being another word for “resourcefulness” and about the need for people from different backgrounds to come together for conversation. At this moment, I knew Roberto Lugo would resonate with my students. I took his ideas, expressed in a 60 second documentary called Meet Roberto Lugo: the Hip-Hop Potter and ran with them. In doing so, I learned to be more resourceful, which included getting ideas from my Circle Members on how to convert my project from ceramics to 2-D posters.

I first taught students about Roberto Lugo and exposed them to his elaborate pottery. Then, students designed 2-D teapots, vases, teacups and sneakers in his style but with their own “hidden heroes” highlighting their heritage as they developed their academic English skills. Students chose the winning art after listening to classmates give “elevator pitches” for their submissions. The pieces tell counter-narratives of  grandparents, sisters, brothers, aunties. uncles and cultural celebrities. They honor those who have passed and those who are still alive. To my delight, some student “winners” were previously among the most disengaged students.

Students’ final exam was to write a letter to Lugo. Those letters, along with sample essays and artwork impressed Lugo so much that he highlighted them on his Instagram page. He is also planning to set up a Zoom meeting with the students.

Last week, Robert Lugo himself acknowledged students’ work on his Instagram site, sharing this video with the words:

Y’all if you need some inspiration today look at the work of these young artists lead by their teacher @fer_sha_fer_sha. I just can’t believe I’m an inspiration for these kids. All we tend to think about ourselves is our faults and not our contributions. Thank you for reminding me that I am somebody and I want to remind you that you are too.

As part of the Innovation Circle Grant program, participants create learning units based on their independent research and collaborative ideation. Download Lisa’s “Who Deserves to be in a Museum” curriculum here.

Lisa Shafer is an English Language Development teacher at Skyline High School in Oakland, CA. She also has taught journalism, the graduate capstone course and English at other high schools. She is a three-time Fund for Teacher Fellow and is a former participant in the Japanese Exchange and Teaching Program (JET). She loves incorporating journalism, storytelling and civic engagement into her lessons for English Learners.

Day of the Dead is actually a two-day holiday in Mexico when families celebrate life and death simultaneously. From October 31 – November 2, people create ofrendas (or offerings) adorned with items such as foods, photos and items once enjoyed by family members who have died. This year, in the wake of COVID and also their Fund for Teachers fellowship, Rebecca Gauna and Sasha Villagrana decided to host a community-wide Day of the Dead Celebration at Chicago’s Robert Lindblom Math and Science Academy High School.

With their $10,000 FFT grant last summer, Becci and Sasha researched in Nayarit, Oaxaca, and Chiapas, Mexico, indigenous history, traditions, and folklore to inform learning for a Latino culture course, facilitate collaborations with English Language Learners in the special education program, and engage Spanish speaking parents. (Learn more about their experiences at Becci and Sasha‘s post-fellowship reporting.)

This fall, they began implementing their own learning with their students by creating a religious syncretism curriculum for their Latino Culture Colloquium. They also created an advisory lesson that was used school wide to talk about cultural identity. The community-wide Day of the Dead Family Night last week featured an ofrenda (above), performances by the Latino Dance Crew, and five craft stations in which students and their families created sugar skulls, made marigold flowers, and had their faces painted. Students led each activity and explained the significance and symbolism at each station.

“Many Mexican Americans who were born in the United States (including our students) often have a deep sense of feeling connected to Mexico yet have only visited a handful of times,” said Sasha. “The variety of the culture and languages we experienced within each state of Mexico really is so diverse that it is often hard for many Mexican Americans to comprehend or even understand how different it can be. This experience opened my eyes to how diverse the culture and language of Mexico really is and how little many of our students may even know about their family origins.”

“Indigenous groups in Mexico have been oppressed for centuries and this is clear when looking at poverty, access to healthcare, levels of education etc. in highly indigenous areas in Oaxaca and Chiapas,” Becci added. “Their stories too often go unheard when examining the history and culture of Mexico. We want to highlight the importance of indigenous subcultures within the dominant culture of Mexico and bring back inspiration for how marginalized communities maintain their culture and identity.”

Going forward, Sasha and Becci plan to create an interdisciplinary project between the school’s Latino Culture Colloquium, students in the school’s special education program, the art department and the library through a bilingual story time.  The teachers also established contacts with a nonprofit in Chiapas called Sueninos and a nonprofit in the Puerto Vallarta region called Entre Amigos through which will participate in language exchanges and cultural “intercambios,” as well as topics around dual identities and immigrant rights. We will also pursue our relationship with the Mexican Museum of Art in order to conduct an art and identity workshop.

“Our fellowship provided us with pictures, anecdotes, and most importantly, local perspectives and insights into our course units which will help students feel pride and connection with their heritage and engage with the material,” said Becci.

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Becci Gauna has taught Global Civics, Honors Psychology, Honors Sociology, US History, and World History. She has also helped design and develop her school’s Latino Culture program and sponsors the school’s Latino Dance team. Sasha Villagrana has been a New York City public alternative high school teacher for six years — two of which were in prison to a range of incarcerated youth populations facing the most severe challenges. She has also served Lindbom’s bilingual coordinator, foreign language department chair, and has taught the Latino Culture Colloquium, as well as Chinese.

One year ago, my community suffered a devastating loss, which called into question the very systems upholding the safety of the neighborhoods my students and I call home. In the wake of this tragedy, street art has been popping up around the community. This art is varied and unique, giving a platform to unheard voices. It is empowering, celebrates diversity, and represents an outcry for justice. I began to wonder how I could include these amazing pieces in my classroom to foster conversation, create an opportunity for my students to share, listen, and learn from one another, and connect with what I’m teaching in Algebra.

Through this fellowship, I will travel to Philadelphia, home to the nation’s largest public art program. I will explore the Philadelphia Mural Arts Program, learning about the ways that one community has used art to ignite change. My primary activity while traveling will be to explore the murals of Philadelphia, the world’s largest open-air art gallery. I will participate in three different walking tours, led by professional guides and local experts:

• The “Mural Mile City Center” tour will introduce me to the stories of Philadelphia’s culturally rich downtown.
• The “West Philadelphia” tour will teach me about leaders and change-makers who faced tremendous barriers and
  paved the way for change in Philadelphia for years to come.
• Lastly, the “Morals & Murals: Tales from Our Hood” tour will use art to teach me about the experiences of life in Philadelphia from one of its very own community members.

Once home, I will reframe my Linear Functions unit through the lens of art – drawing inspiration from both the established art scene of Philadelphia and new works of street art appearing in my own community.

My ultimate goal is to explore how art can empower personal expression, celebrate who we are, and move us forward, while also deepening connections to foundational Algebraic understanding.

I will utilize what I’ve learned to reframe my Linear Functions unit, a foundational skill for Algebra and higher-level math, through the lens of art. I hope that through this reimagining, I will be able to better engage my students in learning, make my curriculum more representative of my students and their experiences, and connect the content to my students’ realities. As we move further into our unit, exploring art will drive our mathematical learning. We will use graphing software to recreate parts of the murals that sparked the students’ interests, exploring how modifying the slope, y-intercept, or domain of a function changes the design of a piece.

After using Philadelphia’s murals to explore linear functions, students will leverage their mathematical understanding and creative inspiration to create their own piece of original “linear artwork.” They will first design their art using graphing software, and then bring their artwork to life on the walls of our school. My principal has already given her permission for a student mural, and I colleagues in the art department who are willing and eager to collaborate with me on this endeavor.

I work in a district where, according to our most recent state-wide test, only 29.3% of students are proficient at math. We know that algebra is a gateway to graduation and future success in college and careers, so our school has responded by doubling the amount of time our students spend learning math. Even so, students are still struggling. Despite my best efforts to bring the world into our classroom, many students wonder, “Why do we have to learn this?” It can be challenging to find authentic opportunities to connect social justice to my curriculum. This problem is complex and I certainly don’t have all of the answers. But I do know that when students feel disconnected from the content being taught, their engagement, and ultimately learning, suffers. If students feel that what they’re learning doesn’t matter, some don’t buy into what’s happening in the classroom. If the world around my students feels like it is imploding, and I as an educator do nothing to address it, I am tone deaf to the lives they lead.

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Emily Kjesbo-Johnson teaches high school math and drama at Washington Technology Magnet School in Saint Paul, MN. She has been teaching since 2008 after working as a Peace Corps volunteer in Uganda and an AmeriCorp volunteer on Saint Paul’s West Side. Emily holds an undergraduate degree from Bethel University and a Masters in Teaching from Hamline University. She is also a two-time FFT Fellow.

• In 2019, Emily captured in virtual reality Thailand’s history, culture and architecture to create case studies for the analysis of geometric properties and theorems set amidst the rich backdrop of the Southeast Asian nation. Here is her summary of this fellowship.
• In 2014, she used a grant to explore how Apartheid continues to affect issues of racial injustice, self worth, motivation and academic achievement to inform discussions on social justice and build a math curriculum based on the principals of reconciliation. Watch her presentation about this experience here.

Emily was awarded one of Fund for Teachers’ new Innovation Grants to undertake her research in Philadelphia this summer. Click here for additional Innovation Grant recipients and to be inspired by their plans.

The flatlands of Oakland — where most of my students live — have often been described as a war zone. Nearly every student of mine has lost at least one family member, classmate or friend to gun violence. My students face discrimination for their race, gender, country of origin, religion, immigration status, and usually a combination of these. I have students who are refugees and immigrants from Yemen and Iraq, Burma and Vietnam, Guatemala and El Salvador. Additionally, because of the pervasiveness of gun violence, racism, poverty, and grief in our city, experts estimate that 30 percent or more of Oakland children suffer from PTSD, my immigrant students are now in a state of heightened uncertainty and fear with deportations on the rise. What’s more, my students belong to a generation that is increasingly suffering from tech addiction.

It’s not hard to see why I designed my Fund for Teachers fellowship around the need for more mindfulness, social-emotional learning and focus-building activities in our school. My two-week fellowship at the Penland School of Craft mixed the arts, writing, and mindfulness with an innovative movement program in the peaceful Blue Ridge Mountains. My time spent there also allowed me to build my own practice of slowing down to live more fully and intentionally so that I can help my students do the same.

Why Penland and not a more standard mindfulness program that attracts many Fund for Teachers Fellows? Why not Thailand or Japan? I was more interested in going to Penland because it combines mindfulness with the arts and writing. I also believe we need to build bridges between rural America and urban America, between a red state and a blue state. Another benefit of this particular workshop is the way Penland embraces the word “craft.” This was clear when I read the school director explain why his institution changed its name from “Penland School of Handicrafts” to “Penland School of Craft” in a recent blog post.

[minti_blockquote]”The word craft,”he wrote, “suggests process, skill, commitment, and perfected attention.” The director added that those values are what the school promotes for the world. “They suggest an ideal, not something specific.” Penland’s values are the same I hope to instill in my students. My time at the rural artist community helps me do that.[/minti_blockquote]

My days were spent immersed in a clay workshop and evenings I participated in “movement” courses. I also conducted field research by talking to artists and other educators about the creative process, even those who are in different workshops than mine. Most of my action research, however, took place in Catherine White’s “Woodfiring & the Expressive Hand” course. In that intensive course, I made all types of pottery and discussed the creative process. It is here that I experienced one of my most profound lessons. “That badness becomes part of your goodness,” was a quote from my teacher that I inscribed in the foot of a bowl that I’d apparently “ruined.” Instead of throwing it out, I looked at the unintended grooves and found a way to accentuate them because they looked like the Penland mountains. I want my teaching to evolve like my learning. I want to be more daring with my lessons, turning them into something good — even better — if they fail to go as expected. I want students to also learn this way.

Now, with distance learning, the way that my FFT fellowship helped me with mindfulness is even more important. I am partnering with several teachers to provide mindful literature lessons to my students. Just this week, we did a nice lesson on embodiment. We did a full body scan to focus our awareness on our own body. We then wrote poetry based on Elizabeth Acevedo’s poem “Afro-Latina” in which we explored how she came to love parts of her body and identity that originally caused her shame and learned to love her mixed heritage. The partnership with the ceramics teacher is on hold due to distance learning! However, I am using ceramics in my own life to continue to center myself so that I can be more present with my students.

This fellowship allowed me to be a “newcomer,” which is what my most recently enrolled students are called in my English Language Development class. I was a newcomer in the ceramics studio and to a special vocabulary that wood firers share. All but one of my classmates had had years of experience with clay. My teaching is consequently transformed because I felt the need to create safe spaces for students to question and make mistakes in an environment similar to the one I experienced on my fellowship. Lucy Morgan, who founded Penland in the 1920s, said this about her school: “I’ve never known a place where one experiences such a feeling of liberation, of a taking for granted that mistakes are a normal part of the learning process; of tolerant acceptance of people as they are, yet faith in their desire and ability to grow.” We must build similar environments for all learners, especially English learners.

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This was Lisa’s third FFT fellowship. With her first grant in 2008, Lisa traveled to Japan to research its high schools, teenagers and media; in 2015, she studied multiculturalism in Australia, New Zealand and Tonga, where she explored with a journalist Sydney’s minority populations with multimedia storytelling. You can read more about that experience here.

Lisa Shafer is passionate about delivering an equitable education to all students and giving them the opportunity to voice their opinions through journalism, debate and public speaking. Armed with a Master’s degree in journalism from the University of Michigan, Lisa currently teaches English at Skyline High School in Oakland, CA. Prior to that, she taught journalism at Oakland’s Media Academy of Fremont High School and worked as a professional journalist at several newspapers, including the Toledo Blade, the Philadelphia Inquirer and the Contra Costa Times. She started teaching in 2001. 

On the final day of their fellowship, Alice Laramore and Kat Atkins-Pattenson shared with us their reflection on a four-week, 9,000 mile road trip along the United States/Mexico border exploring language arts, visual arts, immigration and identity. Thank you, Team Paredes Que Hablan (or Walls That Speak) for sharing your experiences and hope for future students.

Our students cross borders every day. They switch from home language to school language and back again.Their warm presence, giggles, and questions invite new families inside our school buildings. And, everywhere they go, our students carry the imprint of their family members who came to Boston for refuge, for freedom, for opportunity. Every time these young people change spaces, they reconcile their identities and pasts with their presents and futures.

We know that for students to truly succeed academically, they must see mirrors of themselves in our curricula – art, media, and text – and validation of their identities in our classroom spaces. While we can empathize with our students, as white female teachers, we do not truly understand the depth of our students’ experiences. To effectively understand our students’ experiences, we need to cross borders ourselves and experience the displacement our students have experienced traversing these borders.

Today, the last day of our trip, we are energized by the Borders and Identity Unit that we have built and will use to launch the year with our students. We are flooded with all that we’ve seen in our seven cities. We are entrenched in the creative part of teaching, the part that involves being an interesting, engaged individual to better support the interesting, engaged individuals in our classrooms. The part that means we learn something new in order to teach something new. The experience of being a learner better prepares a teacher to teach, and this summer was an opportunity for us to authentically learn about murals on different borders, to confront not knowing and to investigate, to use art as a lens into community.

Watch in this video the artistic expression Kat and Alice captured in three countries and seven cities to help students answer the question: “How do we show other people the depth of our past and the strength of our future?”

This month, we immersed ourselves in adult project-based learning. We’ve tried lots of new things, from food to cloud-mountain hiking to driving to places we’d never been (while blogging) to talking about art from sunrise to sunset. And we’ve done the whole thing together. Often, in our classrooms, we create groups that we believe will benefit from the individuality of each member. We build in scaffolds meant to allow the group to discover each individual’s strengths and to make empathy a non-negotiable. Though we embarked with empathy and respect already in place, our twenty-six days together have illuminated the strengths and areas of growth (thanks, BPS, for the language) of our partnership. We both value efficiency, and, in the face of less-than-such (e.g., when the internet goes as turtle-pace, when people get motion sick, when you walk up the wrong side of the mountain, etc.), we have learned much about each other. That knowledge has made us better collaborators and better friends.

In San Francisco, where we started our trip, we were oriented to the idea of looking. This was not just because there was so much to look at in The Mission, but also because we did our first day with a guide, who was able to re-frame what we had seen and interpreted in the context of history and community. Carla made us cognizant of how much we needed other people’s knowledge and understanding to build our own. The Pacoima (L.A.) murals added a layer of “looking around corners” to that concept. On the hottest day of our trip, we spent the majority of it seeking out art on the walls of automotive dealerships and in the parking lots of community centers. It wasn’t always going to be all in one alley. In San Diego, a park once occupied by people and now occupied by art, had us looking for four hours and not seeing enough. We returned home those nights googling Aztec symbols and stories, trying to learn enough to know something.

Tucson and Dr. Acosta gave us yet another frame through which to experience our learning. Freedom of education does not mean freedom to learn about the American Revolution and the Civil War through a lens of whiteness. Precious Knowledge, to our generation of “urban baby teachers,” is a reflection of our intentions. Though we (the generation of “urban baby teachers”) are in no way united in our vision or our understanding of social justice, the power of conviction in ideas, history, and lifting stories and voices drove us into the work of education. We wonder if Dr. Acosta knows how many teachers who are only five or six years in are tracking his legal battle and celebrating his victories, most recently the repeal of Arizona’s ban on ethic studies which a district court deemed racist and targeting of Mexican Americans.

In Santa Fe, we absorbed the International Folk Art Market, how artists envision and reimagine, how tradition can morph modern and can accommodate the present day without reneging its roots. This mirrors the murals we’ve seen and the art of Frida Kahlo, taking symbols from the past and bringing them to life in the now. In Mexico City, we saw so much. Teotihuacan, Frida, Diego, the Anthropology Museum, street art, the culinary art of Pujol, the stained glass and craters of Toluca. With American eyes and feet, we navigated the city, and learned all that we still had to learn.

It is hard to classify this experience, and even harder to know all that it will bring to our classrooms. It falls somewhere in the vicinity of sabbatical – an intentional, purposeful break that brings new insight – but also touches the realm of professional development, continuing education, and a creative project. We envision a unit with three parts. First, with our students, we will read several memoirs that broadly address the topic of borders and walls, thinking with our students about potential barriers and how to scale them. Second, we will all generate and share memoirs from our own lives on the same topic. The author of each memoir will formulate his or her own theme about the topic, communicating a piece of knowledge gained from navigating–either adeptly or crudely–a border. Finally, after examining many primary sources collected on our trip and within Boston, students will co-construct a mural combining the themes of their memoirs to create a community creation.

The idea of “insider and outsider” has been, in many ways, the crux of our travels. We asked questions and navigated our identity as visitor, as white visitor, as American, as woman. In our classrooms we are often the the outsiders to the communities in which we teach. However our ethnicities and upbringing reflect the dominant histories and tools that are demanded from dominant culture. In this unit, we hope to illuminate these walls, supporting students to name them, scale them, and ultimately paint them. As humanities teachers, we believe that providing students vocabulary and time to think and discuss the world and its issues leads to a brighter, more creative, and smarter future than the two of us can imagine. Solutions lie in the writing, in the art, in the conversations, and in the relationships that students create. Just as we wrote in our FFT proposal, students must see themselves reflected in curriculum, in physical space, and in pedagogy in order to be successful. Because we do not physically reflect our students’ identities, we think constantly about how to make all other facets of our teaching affirming. This unit and this project will be a launching point for discussions about personal identity, community, and what comes next.

In Mexico City, the San Francisco Bay Area, Los Angeles, San Diego, Tucson and Santa Fe, this fellowship made space for us to be learners. After the twelfth grade, those opportunities almost always come with one (or many) literal costs. And Fund for Teachers (along with the school year calendar) gave us the time, space and finances to learn more in a way that will support our students, but also in a way that sustains us as teachers, professionals, and individuals. It made it possible for us to end the trip feeling rejuvenated rather than depleted. There is a constant push for teachers to continue professional development; it is indeed essential. But driving this profession development experience (and literally driving more than 900 miles) meant that we could pace our learning and reflection, and that we could intentionally choose meaningful experiences that hit our “zone of proximal development.”

If you’d like to know more about our trip, we’ve been writing the whole time. Read our blog at www.writingisthinking.org

In Solidarity,
Kat + Alice

Alice is a 7th grade Humanities/Special Education teacher at the Lilla G. Frederick Pilot Middle School in Dorchester, MA. She infuses arts into her Humanities classes, most recently taking students to do pop-up Shakespearean theater in several Boston Public libraries. She works on a cross curricular team of teachers who study the intersection of English Language Learning and Special Education to build inclusive writing experiences in all contents.        

Kat is a 7th grade Humanities teacher at Gardner Pilot Academy K-8 School, a Pilot School in the Boston Public Schools. Katharine was a 2012-13 Donovan Urban Teaching Scholar at Boston College where she earned her Master’s in Secondary Education. Prior to becoming a teacher, Katharine built a college access program in rural Pennsylvania that continues to help first generation and undocumented students find the appropriate post-secondary fit while developing college and financial literacy
within the community.

On this day in 1911, Suffragettes stormed Parliament in London. All were arrested and chose prison terms. Their leader was Emmeline Pankhurst – the focus of Eric Reid-St. John‘s fellowship.

Eric, a theatre teacher at Spain Park High School in Hoover, AL, researched Pankhurst and the suffrage movement they incited. While in London, he found in Trafalgar Square the location of the 1908 rally for which Mrs. Pankhurst was also arrested (pictured). He then studied with three avant-garde theatres, laying the groundwork for his students’ creation of a play about Lady Constance Lytton, an English aristocrat who disguised herself as a working woman to support suffragettes.

“Through research, I found that I could relate a lot to Constance,” said Rachel Ponder, who played the lead. “However, most of all, I was so in awe of her dedication towards the suffrage movement. Being a part of this creative process has inspired me both as a woman and as a human being.”

 

Ponder and 23 students representing each grade spent three months researching the suffrage movement in the United States and Britain before collaborating on a script and set. Each performer created a character journal comprised of photos, newspaper articles and other primary resources they uncovered. An Oxford professor who authored a book on Lytton Skyped into class to inform students’ research, as well.

“Current events were on my mind when I began this process and they continue to bring about a sense of urgency surrounding women’s rights,” said Eric. “My students took the history of this topic and explored its correlation with today’s headlines. They created a story that allowed people to see that the expansion of equal rights is the natural progression of a free society.”

Reviews are in, and at a state theatre competition, Ponder won Best Actress, her cast mates won Best Actor, Best Supporting Actress and Best Ensemble and Deeds Not Words was named Best in Show.

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Update from Eric:

“Several of our seniors from that year’s show have gone on to study theatre at various universities, including Viterbo in Wisconsin (our lead actress from Deeds Not Words studies musical theatre there), University of Alabama in Tuscaloosa; Samford University and Birmingham-Southern in Birmingham; and Emory in Atlanta.

That ended up being my last year teaching in Alabama, as I took a position at a school in Middlebury, VT, the following year. This marks my second year directing the Addison Repertory Theatre at the Hannaford Career Center teaching ART – a class that allows students from area schools to focus on either technical theatre or performance during the school day.

The techniques of devised theatre that I studied along with the suffragettes while in England that summer still impact the way I teach. The students and I have created two plays using devised methods over the past year; one took fables and folk tales and turned them into a children’s show that we toured to five local elementary schools, while the other challenged students to develop a series of short plays that were presented to sold-out crowds over two nights.

The theatre creation techniques I learned will continue to affect the way I teach for years to come. The research into the suffragettes will always continue to influence the way I view the struggle for equal rights. (I have also since been able to take my mother and daughter to the Women’s Rights National Park in Seneca Falls, NY, and have now attended two Convention Days there, annual celebrations that commemorate the first conference on women’s rights in the US).

Thank again for thinking of Deeds Not Words. I believe that was one of the most immediate and important works I’ve been a part of.”

Each Friday, we highlight one of our 2019 Fellows — their inspiration, itinerary, and plan for transforming student learning going forward. Today, however, we celebrate the completion of our first fellowship of the year!

Kristin Gladish (Newcomer Program – Indianapolis) obtained permission from her administration to embark on her fellowship during the first week of May — the only time UCLArts & Healing offers facilitator training for Beat the Odds, a trauma-informed program that integrates activities from group drumming and counseling to build core strengths such as team building, leadership, stress management, empathy and gratitude.

“In short, my fellowship was amazing!” said Kristin. “As a student, then practicing as the facilitator, I learned how to mix in drum circle facilitation with affirmations, rhythm games, and activities to increase students’ focus, listening, self-awareness, and self-expression. The goal behind all of this is to incorporate counseling techniques into drum circles and help students who have experienced trauma.”

For Kristin, that includes all of her students — refugees or newly arrived immigrants hailing from 15 countries and speaking 21 languages. Of her 257 music students in grades 2-10, 100 percent are minorities and qualify for free and reduced lunch.

An extension of her fellowship includes working with a local “Beat the Odds” trainer, which will help Kristin build local partnerships and community collaborations. In addition to the musical implications of her fellowship, she is also learning how to measure the results of the program through documented observations, pre- and post- student surveys, video evidence of musical/rhythm/social improvements, and attendance and grade data.

Kristin, who holds a bachelor and Master’s degree in Vocal Music, wasted no time implementing her fellowship. For the final three weeks of school, she is introducing the new drumming curriculum on instruments she also purchased with FFT grant money.

“Every country has some sort of drumming, and each student, no matter what language they speak, can learn to play a rhythmic pattern together and to keep a beat together,” said Kristin. “Beyond that, students will learn methods to relieve stress and to express their
feelings through drumming and words — valuable coping methods for students who experienced trauma and violence in their home countries and come to school struggling with inattention, depression, PTSD and anxiety.”

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Kristin has taught music for 11 years in Lousiana, Texas, and now Indiana. She was the 2019 Teacher of the Year, and was a Top 10 Finalist for the Indianapolis Public Schools District Teacher of the Year. Kristin has completed her Level 1 Orff Training, and enjoys sewing and hiking in her free time.

Brown’s demonstration of trendacis mosaics

Tammy Friedman believes the link between art and its history can help build bridges among different cultures, including the culture of a school. Cloonan Middle School in Stamford, CT, is experiencing a sharp increase in English Language Learners who speak Spanish at home. Realizing the lack of relationship between herself and students’ parents, Tammy turned to art (and a Fund for Teachers fellowship) to bridge the gap.

Last summer, Tammy developed under Barcelona artist Martin Brown skills to create “trencadis” mosaics popularized by Antoni Gaudi. Trendacis literally means “chopped,” referring to the fragmented shards and recycled materials pieced together to form images and/or patterns. When not in Brown’s class, Tammy embarked on daily field trips across Barcelona, exploring Gaudi’s masterpieces, such as those at Park Güell.

Tammy’s goals for this fellowship were:

1. to develop a bond with families,
2. teach students something they may not know about themselves and their culture, and
3. make them proud of their heritage.

With her new expertise, Tammy led 100 art students (40% of whom are Hispanic) in the creation of four 30 x 56 murals, which were installed around the school last week.

“The four mosaics represent Pablo Picasso, Salvador Dali, Frida Kahlo, and Antoni Gaudi, including inspirational quotes from the artists,” said Tammy. “In addition, students painted cubist self-portraits, personal cultural art, surreal collages, surreal hands, and street art. This fellowship inspired me with new creative ideas to share with my students, not for just one year, but for years to come.”

“Tammy is one of three teachers at our school who have received Fund for Teachers fellowships and I can’t say enough about how they return re-energized and with experiences that are relevant to kids, which has a huge impact on how they respond,” said David Tate, principal at Cloonan Middle School. “Tammy’s project is particularly relevant, as our school’s single largest demographic is students from Latino homes, so for them to see this aspect of their culture on permanent display is huge.”

A group photo of students who created each mosaic is mounted alongside their artworks, which were praised by the mayor and the superintendent during a special showing.

Tammy chose for one mosaic Dali’s quote, “Intelligence without ambition is a bird without wings.” We love how Tammy embodies this quote as a role model for her students — taking her belief in the power of art from her classroom to Barcelona and back again to foster cultural pride and community relationships.

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Tammy has taught for 29 years, first with special education, then third grade, middle school Language Arts, and now Fine Arts. Recently she received a Spotlight Award for Teachers, one of 20 recipients nominated by peers and awarded from across the Stamford Public School district.

[minti_dropcap style=”box”]W[/minti_dropcap]hen Heather Ely purchased the college text book for her first music history course, she eagerly flipped through looking for female composers — and found none. Almost ten years later when creating the curriculum for her music students at Lake Park Elementary in Bethany, OK, available resources highlighted the same male composers who dominated her own education. She wondered, “Are there truly this few women who influenced music composition worth noting?”

Anna Beer’s book Sounds and Sweet Airs: The Forgotten Women of Classical Music  provided a definitive answer and the basis for Heather’s Fund for Teachers fellowship. Last summer, she explored in five European countries the lives of women highlighted in Beer’s work to compare struggles with male counterparts and enrich students’ understanding of women’s compositional voices in four periods of music history.

“Beer recounts the sexism and frustrations that these women faced in the pursuit of their art and questions the impact of the loss of their legacies in our cultural heritage,” said Heather. “Gender determined so much of what the classical music world classifies as canonical, but Beer exposes the dangers of silencing these prolific voices in our society.”

Heather’s efforts to amplify their voices began in Venice with Baroque period, studying the life of composer Barbara Strozzi and her male contemporary, Antonio Vivaldi. A night train took her to Vienna and the Classical period, where she examined the legacy of Marianna Martines compared to Joseph Haydn. Leipzig, Germany, and the Romantic period presented opportunities to evaluate the relationship between piano prodigy, Clara Schumann, and her composer husband, Robert Schumann. Renegade musicians from the Impressionist and Modern periods came to life in Paris’ bohemian Ninth Arrondissement, artists such as Nadia and Lili Boulanger. Finally, the Women’s Suffragette movement in London provided the backdrop for Heather’s consideration how Elizabeth Maconchy and Benjamin Britten’s experiences differed, despite having the identical education.

This fall, music education for second-fifth graders has #balanceforbetter, the theme of this year’s International Women’s Day celebrated globally tomorrow, March 8. Specific changes Heather made post-fellowship include:

• Examination of a different musical period she researched per grade
• Researching what life was like for one male composer and one female composer during the musical period they study
• Listening to and analyzing  works of both male and female composers from the musical
  period being studied
• Exploring history trunks she created with artifacts from her fellowship, and,
• Publication of a book by fourth and fifth graders containing research of a male or female composer.

“This fellowship awakened a passion and thankfulness for the lives of all the women who came before me and fought for all the freedom and rights I enjoy today,” said Heather. “It also gave me a greater desire to share the narratives of people from all races and cultures. I know that this experience has changed my view of my abilities as both an educator and leader. I am more excited to take risks if it means better understanding and growth for my students and for me.”

Heather with her fourth grade music students

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Heather is an elementary music teacher in northwest Oklahoma City for Putnam City Schools. She has spent all four years of her teaching career at Lake Park Elementary, and currently serves on her school’s leadership team as the Specials Team Leader. Heather enjoys helping her students explore culture and history through music. You can see more images from her fellowship on Instagram @elys_musicalmusings2018,  where we found this image and accompanying description:

This year marks the 100th anniversary of women getting the vote in the U.K. The Museum of London chronicles the bravery of the women involved in this movement. One such women was composer Dr. Ethel Smyth. Ethel was very close with Emmeline Pankhurst, and in 1912, she was arrested for her militant efforts to get the vote. Ethel and many other women were sent to Holloway Prison for their actions. What happened next is just my favorite! Women in the prison yard began singing “The March of the Women” which was composed by Ethel. She heard them and from her cell began to conduct their voices with her toothbrush! What resilience and courage these woman had! Thankful that their efforts prevailed so that I might have the rights I have today!

Last night’s Oscars telecast inspired some awards of our own. Without further ado, we present a few of our 2018 Fellows who designed learning experiences around the performing arts…

Most Creative Use of Funds
Diana D’Emeraude | Canyon Vista Middle School – Austin

Rehearsing a script in a Shakespeare class with U.K. teachers

To make the most of her 42-day stay across the pond, Diana found hostels with private rooms and pet-sat in three different homes — including one that had two cats and four chickens. Saving money on accommodations meant she could apply her $5,000 grant toward participating in a Shakespeare training program for teachers at the Globe Theatre in London, and attending 15 plays, ten classes, six tours, a conference, and multiple museums. Her goal was to create curricular units for middle and high school language arts/theatre teachers that help students develop critical thinking skills in the classroom and beyond.

“Taking classes on teaching Shakespeare with U.K. teachers helped me compare notes on their schools, how they taught, learn engaging activities, learn about and teach the plays and more about the English language,” said Diana. “Attending an International Theatre Teacher Conference helped me learn how theatre is taught in other countries and ways to improve my teaching, and classes at the Globe Theatre helped me learn more, not only of Shakespeare’s plays but also of other works written in that era.”

With her new knowledge, Diana started a Shakespeare Club where students explore the Bard’s plays, his style of writing, the importance of his works, the era, and how to perform monologues, scenes and the plays.

Best Sequel
Warren Pemsler, Ari Hauben and Chris Busch | McKinley South End Academy – Boston

Chris with some political street art at The Graffik Museum

In 2007, this teaching team was awarded a Fund for Teachers grant to tour art museums, theatres, stages and facilities in England, and then meet with outreach departments at museums in the Netherlands, to expand on their school’s partnerships with the Huntington Theatre and Institute of Contemporary Art. Eleven years later, these same teachers returned to London on their second FFT fellowship to explore London’s street art, contemporary art, and theatre communities to develop in-depth performing and visual arts units in collaboration with Boston Public School’s pilot Fab Lab.

Warren would like to thank his colleagues for their learning:

“Honestly, it was the collaboration with my colleagues that brought out new energy and ideas. By immersing ourselves in the content we teach and meeting with professionals who do similar things in London, we have planned new avenues to make our curriculum more vital to our students. After 28 years of teaching, I feel like I am embarking on a journey that will sustain me professionally and personally for years to come! I couldn’t be more thankful!”

This teaching team is working with students to create four large murals of the artists and playwrights they read and admire on exterior walls of the school building. This will lead to four “openings” for the school and neighborhood, as well as T-shirts so students can show off their work to the wider world.

Best Supporting Teacher
Christine Jamerson | Roseburg High School, Rosburg, OR

Onstage at Radio City Music Hall

Christine designed her fellowship around information she learned from a previous workshop with Eric Jensen called “Teaching with Poverty in Mind.” There, she learned that the working memory of students who experience poverty is very limited. As a drama teacher, Christine knew how memorizing lines and stage directions helps build one’s working memory, in addition to self-efficacy and self-confidence. Therefore, she participated in the Broadway Teachers Workshop in New York City and learned strategies for using theatre to support brain and soft-skill development.

“I learned so much about technical design, directing, and running a smooth program in the few short days I was at the workshop, it just blows me away.” said Christine. “I feel like my world has been opened up to different approaches I can take with my plays and musicals, and it all benefits my program. I have also gained a lot of confidence – I’m not only bringing new approaches, but I’m implementing them well.”

In order to reach the largest number of students possible, Christine and her theatre department formed an improv troupe open to all. They perform at assemblies, football game halftimes, and local middle schools.

Best Transformation
John Matthiessen | Branford High School – Branford, CT

John arrived at the Globe Theatre’s “Teaching Shakespeare Through Performance” workshop as a 58-year-old literature teacher and completed his fellowship as Ophelia, Hamlet’s love interest. He explains:

“Our director told us he was going to cast us ‘against type,’ and consequently, I was cast as Ophelia. Playing a teenage girl was a stretch. To do this, I had to not only overcome a certain amount of self-consciousness and stage fright, but also try to imagine and portray the emotions experienced by this doomed young girl. I was very proud of my final performance!”

John’s English students now spend less time interpreting text and more time in creative activities to demonstrate their understanding. Although he still includes rigorous reading and writing activities, he now concludes some units with a final role-play presentation (like the one he did) as a major grade. He’s found this kind of active, student-centered assessment makes learning a more social activity alongside their peers than the typical summative assessments.

The BIG winners are the students, whose learning changes from text to technicolor after their teachers return from summer fellowships. In her Best Supporting Actress acceptance speech last night, Regina King called herself an example of “what it looks like when support and love is poured into someone.” We believe the students of our Fellows look (and feel) the same way.

Pictured above: David Williams (Bacon Academy – Colchester, CT) who attended the Teaching Shakespeare Through Performance course at the Globe Theatre in London to learn practical approaches for engaging students from a variety of backgrounds and academic levels.

Pixar’s Coco familiarized many with the tradition of Dia de los Muertos, or “Day of the Dead.” And before Nancy MacBride‘s fellowship to Oaxaca, Mexico, the annual holiday inspired Voluntown Elementary’s singular art project honoring Latin American history and culture. Now, the celebration honoring life and death is just one in a series of year-long art opportunities linked with Latin culture in a preK-8 school that only offers 60 hours of social studies instruction annually.

“Voluntown, CT, is a rural, homogenous community with only one school (ours) where only 1% of students have other languages spoken at home,” explained Nancy. “The insular culture creates challenges for children to learn about different cultures and accept the differences in others. I felt our students needed cultures, not walls, so I designed a fellowship to make it happen.”

Usually Fellows’ implementation of their summer grants begins upon their return to the classroom, but Nancy started the learning when she applied for her FFT grant in the fall of 2017.

• Through the school’s PTO and a local Mexican restaurant’s sponsorship, three groups of Mexican folk artists visited the school.
• Older students read Esperanza Rising in English and created ofrendas, or altars, for loved ones who’ve passed away.
• Kindergarteners created multi-media collages of a Mexican desert landscape.
• Second graders learned Zapotec weaving techniques.
• Fourth graders read and illustrated a Mexican legend and painted portraits of Frida Kahlo.
• Fifth graders created metallic masks inspired by Pre-Columbian versions.
• Multiple grades watched PBS’ “Craft in America” episodes on Mexican art and were introduced to an artisan Nancy would meet on her fellowship.

The “pre-learning” culminated in a community Noche Mexicana last spring, attended by students, their families and government dignitaries.

This summer, students followed Nancy (a working artist herself) via Instagram as she lived out the learning they shared the year before. Nancy spent a month in Oaxaca, staying in a community that caters to local artisans, taking language classes, sketching World Heritage Sites and experiencing Pre-Columbian and folk art in surrounding museums and cultural centers. She practiced weaving through the Weaving Oaxaca initiative alongside a twelve-year-old teacher whose family has dyed natural wools and created art for generations; she also worked with Zapotec ceramist Adrian Martinez for a week. The highlight was visiting the artist studio of Magdalena Pedro Martinez, whom students came to know through the “Craft in America” series.

This fall, Nancy’s experiences in Mexico continue to inspire projects and discussions with students. Fifth graders are preparing to create wooden assembled animals inspired by Mexican alebrijes. Sixth graders are creating their own versions of sculptures modeled after artifacts Nancy brought back from Josefina’s Oaxacan workshop. And beginning this week, students of all ages will have the opportunity to join a new Spanish Club Nancy initiated as an elective.

Perhaps more importantly, students have a new appreciation for “our neighbors to the south,” according to Nancy. As a volunteer with the Voluntown Peace Trust, she collaborates with the Hartford Catholic Worker to bring urban minority children out of the city to enjoy the surrounding nature. Nancy’s leadership as a role model through this effort, combined with the cross-disciplinary learning she provides, is creating a new culture in the school community.

“My admiration of artists from other cultures helps break down the walls and build bridges to other cultures for students,” she said. “My Fund for Teachers fellowship wasn’t just about the place visited, or knowledge, skills and capabilities I gained; it also moved appreciation of Mexican culture from my head to my heart and that passion is now spreading to my students.”

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Nancy (pictured with a state selectman and superintendent at Noche Mexicana) has taught art for 31 years, a career that has included teaching sculpture to widows and orphans in Zambia and earned her Connecticut’s Outstanding Elementary Art Teacher award. She frequently exhibits her own work in galleries and museums, which you can see on her website. (Top picture of students dressed as Frida and her fawn at the Noche Mexicana.)