After retracing the footsteps/work of Ansel Adams in and around Yosemite Park to learn about landscape photography and advocacy, she planned on inspiring a student art show documenting their local landscapes. But her community and colleagues envisioned greater vistas.

See Sarah’s post-fellowship report and photos here.

Sarah writes:

After completing my fellowship to Yosemite, I sat down with the head of the Norwich Free Academy Foundation, Kathy McCarthy, who is an amazing support of our students and teachers. She mentioned that the Class of 1968 donated money to establish a small gallery called “The Cube” in the Atrium located near the entrance of our on-campus museum and that my project fit well into their original vision for that space.

I began to think about what to put in there – because 2D work just isn’t shown well in the space – and started to reach out to local museums and agencies to see if they had any taxidermy that they could share. I started thinking about the Museum of Natural History dioramas but realized that creating something that looked realistic would be time consuming and stressful.

In talking with my can-do colleagues at lunch one day, we started to throw around the idea of how we could work together to produce such a display. They jumped right in, excited to be part of such a project. These women are amazing, and it felt so good to include three other people in with my fellowship project.

My photo of our local park was printed and attached to the wall in the background. The unified clay class, in partner with my photography class, worked to make pinch pot mushrooms and giant mushrooms, rocks, and a stump out of plaster of paris. The unified arts class worked on making blades of grass out of cardboard and birds.

The Advanced Jewelry and Metals class worked on making whatever their hearts desired when they saw the display put together! One student donated a pin tailed duck mount to be hung, and my boyfriend, who is a graduate of NFA and a Environmental Conservation Officer with the State of Connecticut loaned us his coyote mount to be the central focus. I worked on the birch trees and vines as well as collecting leaves and brush

The display in The Cube is bright, eye catching, and engaging. Students ask so many questions about what is inside of it and who made everything. It is a wonderful welcome to our gymnasiums and the museum. It helps guide people to view the series of photographs on display in the upper level of the building!

Thank you so much. This opportunity afforded to me [through Fund for Teachers] has been not only transformative to my teaching practice, but also the lives of my students as we learned together about the importance of publicly held lands for our wellbeing and our civic duty to protect them!

The post The Art of Nature and the Nature of Art first appeared on Fund for Teachers.

Click here for a complete list of grant recipients.

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Thomas Houston | Sturgis Charter Public School West – Cape Cod, MA
Gather resources and learning about the historiography of the Irish Independence movement in the Republic of Ireland and Northern Ireland to create a model International Baccalaureate paper 2 for the Independent Movements unit.

“As a student and teacher of history I have learned with increasing clarity that the memory of history is almost as important as the actual events themselves. This historical memory; how we teach students about the past, and how that changes – the historiography – is fascinating to explore with students. The Irish Independence movement carries a lot of historical memory in Ireland and informs actions that people take today. It played a huge role in the Troubles in Northern Ireland and is now being reassessed again in Ireland due to the centenary anniversaries of the events of the Independence struggle and the discussions over what Brexit will mean for Northern Ireland and the border with the Republic. “

Darlene Martino | Wayne Primary – Ontario Center, NY
Participate in puppetry workshops for teachers in San Francisco, CA and Eugene, OR to introduce puppets as tools for students to build social skills, experience other perspectives, tackle difficult conversations, express opinions, and resolve conflicts.

“Compared to previous youngsters I have worked with over the past two decades of my career, many of my current students are profoundly more emotionally needy. My students are hungry for conversation, they ask for opportunities to work with peers, and they are eager to find connection with others. I see a need to nurture resilience, develop active listening skills, and grow empathy among students and am optimistic that I have found a solution in puppetry. I believe that this highly engaging medium will help students build civic skills, experience other perspectives, tackle difficult conversations, express opinions, reduce prejudice, and resolve conflicts.”

Rachel McMinn | Success High School – Meriden, CT
Bryce McMinn | Orville H. Platt High School | Meriden, CT
Research notorious crimes of the 19th and 20th century in the United Kingdom to create cross-curricular learning through the lens of technology in the field of forensics and the role of investigative journalism in solving crime.

“Our fellowship focuses on real-life examples of crimes that were investigated by pioneers of forensic science and journalism in England. We will visit, photograph and 3D survey the the crime scenes for the late 1800 serial killers of London. We will also visit crime labs, and interview historians, detectives and newspapers to discuss crime scene evaluation, handling of suspects, and collection and analysis of evidence collected from the crime scenes. We will learn the role of the media reporting to determine how this helped/hindered identifying and apprehending suspect(s). This will be high interest content that will be used to engage students and teach to the appropriate level of rigor in our classrooms.”

Amare McPherson & StaceyAnn Palma
New Beginnings Family Academy | Bridgeport, CT
Document best practices associated with the Reggio Emilia experienced-based pedagogy where it was founded in Italy to implement its progressive, student-led and focused learning experiences with PK-8 students at an urban charter school.

“Reggio Emilia has a long history of progressive, student-led and focused learning experiences that we as educators can learn from. Reggio Emilia encourages students of all ages to express themselves through their hundred languages, giving voice to the social, and emotional needs and challenges that are particular to students in our urban charter school community. Giving students the power to authentically and constructively express their thoughts, fears, joys and concerns can generate meaningful discussions, observations, ideas, and possible solutions to personal, familial, communal and global issues of impact.”

Krista Peltier | Mohegan Elementary School – Montville, CT
Investigate the differences in Italian, French, British, and Dutch fashion culture — past and present — to inspire self expression, self reflection, and creativity amongst students in their own fashion designs during makerspace.

“Fashion is a method of self expression and who we are as individuals, while also being a creative outlet. Through examination of fashion in France, Italy, England and the Netherlands, I can bring back historical perspectives and cultural differences amongst fashion in different countries to my classroom. I want to inspire my students to create their own pieces of fashion during Makerspace that express who they are as individuals, but also promote self-reflection and their cultural identities to intermix our academic and social emotional learning.”

Michelle She | District of Columbia Public Schools – Washington, DC
Learn to repair broken braillewriters through Perkins’ Braillewriter Repair Workshops; study non-visual and adaptive techniques for personal care through CN Vision Image Consulting, and improve fluency while learning healthy cooking skills in Oaxaca, Mexico, to enrich the personal and educational experience of students with visual impairments.

“One of the biggest problems facing our vision team today is the lack of fully functioning braillewriters. We currently have approximately 30 broken braillewriters in our inventory. As a result, one of my main goals for this professional development project is to learn about the inner workings of a braillewriter and how to repair broken ones. My second goal is to learn adaptive hygiene, grooming, and self-care techniques to teach my students so that they can be more aware of how others perceive them while in public. People who are visually impaired often feel very ‘other,’ and learning some skills to make sure they look their best will help boost their confidence and self-esteem.”

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“Now more than ever, it is imperative that we invest in the most important component of any classroom — the teacher,” said Karen Eckhoff, Executive Director of FFT. “Educators are facing countless challenges every day, and Fund for Teachers is dedicated to further diversifying the ways that we can support them. Our grants represent trust in teachers’ professionalism, creativity, and vision, offering flexibility to meet the unique needs of each classroom, with the students remaining the ultimate beneficiaries as they continue to grow and learn in today’s ever-changing world.”

If you missed any of this summer series, take the time look back and meet many of the other educators whom we highlighted on Fellow Fridays. Their courage, curiosity and creativity could be just the thing to propel you into another schoolyear. We are proud to call these and ALL of our 9,000+ grant recipients Fund for Teachers Fellows.

The post Final Fellow Friday first appeared on Fund for Teachers.

Click here for a complete list of grant recipients.

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Elise Barnes – KIPP Academy Chicago Primary | Chicago
Janae Reynolds – KIPP Zenith | Houston
Compare and contrast enslaved experiences in Ghana and Cape Town through museums, historic sites, and storytelling, to create a unit in which students learn about the art of African storytelling and create personal stories reflecting their heritage.

“What we know about our student population is that we both teach black and brown children. Some of those children are exposed to their family’s culture daily, and others unfortunately do not have that knowledge. When a child knows or understands their story or what brought them to where they are today, they can feel a sense of belonging and self-worth. We believe that through this fellowship, we can give students more of a sense of identity and who they are.”

James Dolan & Brad Vinson
Sparkman High School | Harvest, AL
Research in Ghana, the United Kingdom and Williamsburg, VA sites pertinent to the Atlantic Slave Trade to create location-based videos, lessons, and primary source activities on Triangular Trade that are currently lacking in availability for history teachers.

“As citizens of the United States, slavery is everyone’s history. The Atlantic Slave Trade is a hard subject to teach, but even harder without resources to supplement. Visiting the locations of the Slave Trade and learning from their local environs will help us showcase their histories to our students. We plan to include primary sources such as maps, pictures of artifacts, and first-hand accounts that can be used in our classrooms, and uploaded on the internet for mass consumption. We plan to interview experts, in videos and outside of videos, to obtain information on the Slave Trade during the 16th and 17th centuries then and its continual impact on the world today.”

Pratia Jordan | O’Donnell Middle School – Houston, TX
Retrace the transatlantic journey through historical sites in Africa, Europe and North America to create multi-modal, 3D virtual learning experiences that allow students to deepen content knowledge and make personal connections to the past and its continued relevance to our present.

“When discussing the content and context around the transatlantic slave trade it is imperative that I get it right, because for some students I am talking about a place they call home. Many of my African students who were born in Africa or are 1-2 generations removed have a strong sense of identity, heritage and pride in their tribe and culture connected to Africa. My sense of responsibility has also been heightened knowing that the lessons I create will not just impact the 120 students I serve in my classroom, but thousands of students who will be taught using the curriculum I am revising for the entire district. I intend to breathe new life into our TST curriculum with the results of this fellowship by seeking out and bringing back vibrant, personal, relevant and multi-dimensional information, primary sources, artifacts and audio-visual documentation on the content such as interviews with historians, residents of West Africa and my own personal blog/vlog.”

Garrett Griffin | East Rock Community Magnet School – New Haven, CT
Ray Walters & Kurt Zimmerman| Highville Charter School – New Haven, CT
Experience UNESCO sites associated with the enslavement of people in Connecticut, Louisiana, as well as related museums in Massachusetts and Washington D.C. to facilitate culturally-relevant and emotionally-thoughtful classroom conversations about the Trans Atlantic Slave Trade.

“Having a diverse collection of books is essential in any school library, but I think it’s especially important in a school with such little diversity. The graphic novel books are some of the most popular reading materials in the library: The combination of the written word and pictures make them accessible to all students, even those whose reading comprehension is below grade-level. I believe understanding the culture will help when students have questions about Japanese culture and beliefs that frequently come up while they are reading manga, and help in the decision-making process to bring appropriate, engaging materials to the students who desire it.”

Daniel Warner & Valen Warner
East High School | Memphis, TN
Explore understandings and experiences of Black identity abroad by examining the legacy of the Transatlantic slave trade; abolitionist & anti-lynching campaigns in England; and the emergence of African American artists and intellectuals to Paris to create interdisciplinary curricula on Black identity & belonging throughout the African diaspora.

“Our students bring an impressive depth of knowledge about their own varied experiences as Black Americans to the classroom, and as teachers who strive to value the cultural experiences of our students, we have geared previous professional development toward this subject…Yet both we and our students find ourselves limited in our knowledge of the Black experience abroad. We want to begin our study of the questions raised by our students in our classrooms by looking at Black identity and experience in England and France, with special attention to Black Americans who have chosen to depart the United States to seek personal respite from discrimination and exclusion in the United States.”

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“Now more than ever, it is imperative that we invest in the most important component of any classroom — the teacher,” said Karen Eckhoff, Executive Director of FFT. “Educators are facing countless challenges every day, and Fund for Teachers is dedicated to further diversifying the ways that we can support them. Our grants represent trust in teachers’ professionalism, creativity, and vision, offering flexibility to meet the unique needs of each classroom, with the students remaining the ultimate beneficiaries as they continue to grow and learn in today’s ever-changing world.”

Join us next week for our final installation of “Fellow Friday” for the year!

The post Fellow Friday | Transatlantic Slave Trade first appeared on Fund for Teachers.

Click here for a complete list of grant recipients.

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Drew Bicknell-Gates
Mohegan Elementary School | Uncasville, CT
Experience Key West’s influence on Ernest Hemingway’s writing and explore my own creativity at Walt Disney World, culminating in a writing retreat aboard a train, to motivate my students to grow in their writing and creative-thinking skills through inspiration in their everyday lives. (Pictured at Hemingway’s studio)

“As a special education teacher, I often struggle with how to balance teaching incredibly structured programs to meet the needs of my students receiving special education services with creative teaching that I know will be more engaging for my students. Creative people are able to think critically about problems and come up with unique solutions, skills which are gained through practice and experience. I want to help my students build these crucial skills to help them set a foundation on which they can continue to learn for the rest of their lives.”

Stephanie Brown | Floyd I. Marchus High School – Concord, CA
Research in England key sites from Jane Austen’s life and the novel “Northanger Abbey” to design a curriculum that incorporates the use of social thinking curriculum to make novels and their focus on interior thoughts accessible to neuro-diverse students.

“The ability to imagine how another person thinks and feels is a long-recognized weakness among students on the Autism spectrum. However, reading literature improves one’s capacity for empathy and strengthens one’s theory of mind. How, then, do we accommodate students with these challenges so that they may access contemporary literature? The modern novel depends heavily on understanding the thoughts and feelings of others. The very insight the modern novel is meant to provide, then, is potentially inaccessible to students with communicative disorders like autism. My fellowship seeks to make novels and their focus on the “interior” thoughts individual accessible to such students.”

Kim Buckley | East Lyme High School – East Lyme, CT
Get firsthand knowledge of Shakespeare and Bronte by visiting English sites in which they lived and worked and also access the knowledge of experts there to improve anti-racist teaching by adding counternarratives that address the problematic nature of White-centered texts, specifically canonical texts by these authors.

“One genuine problem of my practice is making Shakespeare and Brontë relevant to my students and supporting their engagement with these writers who they see as outdated. Furthermore, I want to address the passivity of students in my classroom to get them actively engaged in their learning through performance. Finally, I want to continue to improve my anti-racist teaching by adding counternarratives and addressing the problematic nature of White-centered texts, specifically canonical texts by Shakespeare and Brontë, an approach that will benefit students not only in my AP classes but also in my other classes as well.”

Kaycee Hallett | Mohawk School District – Sycamore, OH
Interview therapeutic horticulturists and horticulture therapists in Denver, Knoxville and Nashville to create for highly capable students addressing eating disorders the opportunity to utilize plant care/gardening for personal stress management and demonstrate the ability to practice health enhancing behaviors through skills learned.

“Having a diverse collection of books is essential in any school library, but I think it’s especially important in a school with such little diversity. The graphic novel books are some of the most popular reading materials in the library: The combination of the written word and pictures make them accessible to all students, even those whose reading comprehension is below grade-level. I believe understanding the culture will help when students have questions about Japanese culture and beliefs that frequently come up while they are reading manga, and help in the decision-making process to bring appropriate, engaging materials to the students who desire it.”

Brook Hopkins | Soddy Daisy High School – Soddy Daisy, TN
Explore cities in Northern and Central Europe that are the settings for two popular graphic novels pertaining to individual experiences of the Holocaust to build a greater understanding of the systematic way the Nazis exterminated more than six million Jews and help students feel connected to the victims, perpetrators, and bystanders of the Holocaust and its terrible place in our history.

“Great age-appropriate literature, especially graphic novels, create a literary space where students of all reading levels can grow intellectually, emotionally and with empathy in their views of others who differ from themselves within our world. These two graphic novels: Maus: A Survivor’s Tale and Anne Frank’s Diary and The Graphic Adaptation (adapted by Ari Folman) are the focus for an enhanced literary unit and the structure and itinerary of my fellowship. My experiences will deepen my content growth, empathy, and ability to help my students feel connected to the victims, perpetrators, and bystanders of the Holocaust and its terrible place in our history.”

René Peña-Govea | June Jordan School For Equity – San Francisco, CA
Attend the Tin House Summer Workshop at Reed College in Portland, OR, to hone writing, workshopping, and editing skills that inform student writing workshops and provide them additional spaces for self-expression.

“As a teacher-librarian, I am well-versed in encouraging and teaching literacy, but not so much in teaching or holding space for creative writing. I would like to add to my experience as a student of creative writing so I can put myself in my students’ shoes as well as observe skillful teachers to hone my own skills as a writing teacher. My goals are to engage with creative writing as a student in a writers’ workshop and then put my teaching hat on to dissect what the writing faculty is doing. I will then bring those skills back to my school to open creative writing workshops, clubs, or other spaces up for students.”

Victoria Rosenburg | St. Matthew’s Parish School – Pacific Palisades, CA
Explore Great Britain’s geography, cultural landmarks, and historic sites to revitalize a middle school English curriculum with a unit on heritage and literature that expands a nature writing component and brings Shakespeare’s works to life.

“While I am very lucky that my family has been able to trace our ancestry, many of my students do not have access to information about their ancestry. I have taught students who are American Born Descendent of Slaves, who are refugees, and who come from chosen families. I am cognizant of these different backgrounds and aware of how that can impact a student’s experience when participating in a unit on ancestry or heritage. My learning plan, and in turn, the revitalization of my 6th-Grade unit, will be focused on cultural heritage – the traditions, artifacts, history, and stories that are passed down from generation to generation. By refocusing my unit, I broaden the opportunities for students to make connections, experience engagement, and feel included.”

Lorrie Storozuk | Tolland Intermediate School – Tolland, CT
Journey through two National Parks and part of the Nez Perce Historic Trail in Montana and Wyoming to experience the historical setting of the book Thunder Rolling in the Mountains and enrich learning about Native American history for an integrated English Language Arts/Social Studies curriculum unit

“By sharing personal visuals, photographs, and current stories of travel from the region, I can show students the evidence that people eventually understood how the Native Americans’ lifestyle and culture is connected to their homeland and the natural resources because, not only did the U.S. government protect the land of the region by creating several National Parks, but also preserved the Nez Perce National Historic Trail from 1877, and we are still able to visit it today.”.

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“Now more than ever, it is imperative that we invest in the most important component of any classroom — the teacher,” said Karen Eckhoff, Executive Director of FFT. “Educators are facing countless challenges every day, and Fund for Teachers is dedicated to further diversifying the ways that we can support them. Our grants represent trust in teachers’ professionalism, creativity, and vision, offering flexibility to meet the unique needs of each classroom, with the students remaining the ultimate beneficiaries as they continue to grow and learn in today’s ever-changing world.”

We look forward to introducing you to more 2022 FFT Fellows next Friday!

The post Fellow Friday | Literature first appeared on Fund for Teachers.

Click here for a complete list of grant recipients.

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Melissa Florio & Carissa Miller
Emerson-Williams Elementary School |Wethersfield, CT
Complete a yoga/mindfulness retreat in Portugal’s Sintra National Park to learn techniques for supporting children exposed to trauma and replicate these strategies within the school setting so students can develop emotional regulation skills that empower them to thrive socially, emotionally, and academically.

“Trauma impacts the brain and the body. Students who are dysregulated are unable to access the executive functions they need to pay attention, emotionally regulate, and problem-solve. By attending this retreat, we will gain techniques that will help students calm their amygdala so that they can be successful learners in the classroom.”

Sam Gurung | Hanes Elementary School – Irving, TX
Complete a Spanish immersion program while staying with a host family in Cusco, Peru, to learn culturally-relevant information that enhances communication with Spanish speaking special education students and their families.

“I am excited for the prospect of innovating in collaboration with my students and the school community as a whole to bridge the gap (specifically the communication gap) between the special education students and general education students, and monolingual students and bilingual students. The fellowship will enable me to design learning experiences for my students where we will make personal connections, work in collaboration and communicate effectively with one another, while also reflecting on our progress, ways I can improve and celebrate our actions, talents and abilities.”

Ryan McGoff | East Boston High School – Boston, MA
Complete intensive language lessons in Medellin and Cartegena, Colombia, to enhance fluency and develop culturally-responsive curriculum for English Language Learners with disabilities.

“By approaching this learning experience through the framework of Culturally and Linguistically Sustaining Practices (CLSP), my goal is to gain a deeper grasp of the cultural, political, social, and economic influences that shape these realities. Additionally, I hope to be responsive to the conditions of a student’s lived experiences and the histories that created them..”

Laure O’Keefe | The Anna Westin House – Saint Paul, MN
Interview therapeutic horticulturists and horticulture therapists in Denver, Knoxville and Nashville to create for highly capable students addressing eating disorders the opportunity to utilize plant care/gardening for personal stress management and demonstrate the ability to practice health enhancing behaviors through skills learned.

“This grant is to provide students the opportunity to utilize plant care or gardening as a personal stress management plan and demonstrate the ability to practice health enhancing behaviors through skills learned. Discussion of personal container gardens and life-long benefits of plant care or gardening will precede selection of a particular garden type (fragrant, colorful, textural, herbal) and the beginning of the plant selection process to create a that personal garden. That little patch of nature will sit on the student’s table and our class will be full of lush plants to feed our hearts and calm our minds and hand “

Michelle She | DC Public Schools – Washington, DC
Learn to repair broken braillewriters through Perkins’ Braillewriter Repair Workshops; study non-visual and adaptive techniques for personal care through CN Vision Image Consulting; and improve fluency while learning healthy cooking skills in Oaxaca, Mexico, to enrich the personal and educational experience of students with visual impairments.

“My passion as an educator is to give my students the tools they need to become meaningful contributors to society. As someone with a visual and physical disability myself, I can say that we are often the ones in need of others’ help, and nothing is more powerful than realizing that we, too, can make a positive difference in others’ lives..”

Jeff Timberlake | Guild Elementary School – East Boston, MA
Investigate in Medellin, Colombia, the Metrocable and railway system, learning how it became a symbol of transformation for low-income communities, to inspire English Language Learners and students with special and/or high needs to harness their unique strengths and interests so they have the best opportunity to be productive and thrive in a rapidly changing world.

“All students need to harness their own unique strengths and interests and reflect the myriad of opportunities that exist so they have the best opportunity to be productive and thrive in a rapidly changing world. This is especially vital to the students in my school which is made up of 71 English language learners (ELLs), 25% students with “disabilities,” and 92% “high needs” because they have a difficult time integrating into their communities and the wider society.”

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“Now more than ever, it is imperative that we invest in the most important component of any classroom — the teacher,” said Karen Eckhoff, Executive Director of FFT. “Educators are facing countless challenges every day, and Fund for Teachers is dedicated to further diversifying the ways that we can support them. Our grants represent trust in teachers’ professionalism, creativity, and vision, offering flexibility to meet the unique needs of each classroom, with the students remaining the ultimate beneficiaries as they continue to grow and learn in today’s ever-changing world.”

We look forward to introducing you to more 2022 FFT Fellows next Friday!

The post Fellow Friday | Special Education first appeared on Fund for Teachers.

Click here for a complete list of grant recipients.

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Mark Billota | Roger Ludlowe Middle School – Fairfield, CT

Enroll in a series of virtual master classes in music composition and arranging from world renowned composers and musicians to develop skills that facilitate music composition that engage students in musical performances.

“There are times when a need arises for me to actually compose a part/song or arrange something for my students in a different format or style, but I’m lacking the skill set to do so, as this was something only briefly touched upon in my undergraduate studies and really not at all in my graduate studies. My students will really benefit from my ability to arrange “fun” pop songs they recognize on my own in a way that matches their current skill set.”

Jason Malli | Vinal Technical High School – Middletown, CT

Attend the Summer World Music Pedagogy Workshop at West Virginia University, SPLICE Institute for Arts and Technology Innovations at Western Michigan University, and Restorative Practices Online at the University of Maine to create opportunities for student self-expression-fostering performance as an experiential, self-paced, recreational, therapeutic, inter-leveled, individualized workshop.

“I’ve struggled to find effective and expedited manners to foster individual and group relationships that honor individuality and learning styles and also induce the curiosity, inquiry, and hunger to learn for sake of growth. Connecting to students in ways of mutual respect during such traumatic times to inspire them to want to
really learn enough to get them to become metacognitive learners is crucial and if that can happen in their
arts elective, those skills can transfer into their entire life long learning makeup.”

Michael Peters, Kim Shaker & Holly Sisk  | Tahlequah Middle School – Tahlequah, OK
Participate in the Broadway Teachers Workshop in New York City to receive intensive, innovative and immersive instruction from professional artists to give students a chance to express themselves through musical and technical theatre and address their need to experience love and belonging.

“While most of my assignments have a heavy component of choice (how to interpret the prompt assigned, what subject they want to photograph), students often struggle to tell their story. I want to study storytellers and artifacts from the past to see how first peoples documented their lives and connect that storytelling to the work my students do with photography. . I want them to experience the beauty of natural surroundings and I want to help them see the beauty in their everyday surroundings. I want them to experience how their everyday surroundings impact the story of their lives.”

Kathryn Morse &  Karin Mitchell| Groton Middle School – Groton, CT
Research in Trinidad and Tobago music rooted in the Trans-Atlantic Slave Trade to create strong historical connections and deeper cultural understanding for students, teachers and parents alike, as they discover the many commonalities within the school’s diverse cultural mix through music.

“We designed this grant to broaden our knowledge of world drumming, specifically African drumming, Steel Pan, and the development of the many other styles of drumming which emerged from the African and East Indian religious, cultural celebrations. We hope to use this new knowledge to create strong historical connections and deeper cultural understanding for individuals within our community, students, teachers and parents alike, as we discover the many commonalities within our diverse cultural mix through music.”

“Now more than ever, it is imperative that we invest in the most important component of any classroom — the teacher,” said Karen Eckhoff, Executive Director of FFT. “Educators are facing countless challenges every day, and Fund for Teachers is dedicated to further diversifying the ways that we can support them. Our grants represent trust in teachers’ professionalism, creativity, and vision, offering flexibility to meet the unique needs of each classroom, with the students remaining the ultimate beneficiaries as they continue to grow and learn in today’s ever-changing world.”

We look forward to introducing you to more 2022 FFT Fellows next Friday!

The post Fellow Friday | Music Education first appeared on Fund for Teachers.

Click here for a complete list of grant recipients.

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Anthony Bergstrom | East Hartford High School – East Hartford, CT

While exploring the historic geography of the Grand Canyon, Bryce Canyon and Zion National Park, research the history of the Native American people’s to engage students in the study of indigenous cultures, Westward Expansion and the Progressive Era.

“The impact that westward expansion has had on the Native American tribes of the west is profound. While exploring these national parks, my focus will be on the history of the tribes that inhabited these lands (and continue to), their culture and the impact that westward expansion had on them.”

Rachel Clement  | Two Rivers Public Charter School – Washington, DC

Interview tribal leaders and members of the Patawomeck, Rappahannock, Piscataway, and other indigenous nations of Maryland and Virginia to build community-school relationships and create resources that draw connections between indigenous perspectives and restorative justice practices.

“As an associate member of the VA-state-recognized Patawomeck Indian Tribe, I would like to draw on my connections to indigenous community within the Virginia, Maryland, DC region to learn more about East Coast indigenous concepts of justice, local to our area. My hope is that in deepening my (and my network of educators’) relationships with local indigenous community and ancestral restorative justice systems, I can benefit both the areas of cultivating a truly restorative culture at school, as well as deepening relationships
and knowledge of our local communities.”

John Goodwin | BASIS Phoenix – Phoenix, AZ

Conduct research at the National Museum of the American Indian in Washington DC to build two project-based learning experiences that raise awareness of Indigenous experiences at American Indian boarding schools and enhance the physical and digital presence of one such site in our city.

“I will create an extensive database of materials concerning the history of American Indian boarding schools, as well as the presentation of Native American history to the public. In the classroom, my students’ capstone project will require groups to design a two-pronged proposal for teaching materials, on the one hand creating digital history lesson plans to share with educators interested in implementing primary sources on the topic, and on the other hand proposing enhancements to the public history visibility and utility of an under-utilized site in our city.”

Jen Kennedy | College Park High School – Pleasant Hill, CA
Photograph the Southwest landscape (day & night) and also ancient cliff dwellings to document the relationship of First Peoples to the land and demonstrate for career & technical education students how migration & relationship to the land is a common theme in humanity.

“While most of my assignments have a heavy component of choice (how to interpret the prompt assigned, what subject they want to photograph), students often struggle to tell their story. I want to study storytellers and artifacts from the past to see how first peoples documented their lives and connect that storytelling to the work my students do with photography. . I want them to experience the beauty of natural surroundings and I want to help them see the beauty in their everyday surroundings. I want them to experience how their everyday surroundings impact the story of their lives.”

Emily Schmidt | Bronx High School of Science – Bronx, NY
Participate in the Earthwatch expedition “Amazon Riverboat Exploration” in Iquitos, Peru, surveying biodiversity and contributing to community-based conservation projects with the indigenous Cocama people, to broaden students’ perspectives of science to include field biology and indigenous science.

“Participating in this expedition will allow me to take part in many different methods of studying animal populations in the field and see how the data are being used to support not only the local biodiversity but also the livelihoods of the indigenous Cocama people. In fact, the project is located in the Tamshiyacu-Tahuayo community reserve, which was the first community reserve established in Peru. Community reserves are protected areas that explicitly benefit local communities as well as wildlife and are managed by indigenous groups.”

Lorrie Storozuk | Tolland Intermediate School – Tolland, CT
Journey through two National Parks and part of the Nez Perce Historic Trail in Montana and Wyoming to experience the historical setting of the book Thunder Rolling in the Mountains and enrich learning about Native American history for an integrated English Language Arts/Social Studies curriculum unit.

“By sharing personal visuals, photographs, and current stories of travel from the region, I can show students the evidence that people eventually understood how the Native Americans’ lifestyle and culture is connected to their homeland and the natural resources because, not only did the U.S. government protect the land of the region by creating several National Parks, but also preserved the Nez Perce National Historic Trail from 1877, and we are still able to visit it today.”

Catherine Teulings | North End Middle School – Waterbury, CT
Explore in Australia how Aboriginal art expresses the soul to introduce students to this art form as a tool for promoting self-reflection and deep learning while also building stronger bridges of understanding across cultures.

“This fellowship will offer an opportunity for me to incorporate a different art form into my curriculum, one that offers another way for students to express themselves. Aboriginal art will create ways to be involved emotionally and personally in their art, seeing themselves as part of the art, as well as being part of a solution. This will also give them the sense that they are part of the greater world, and can solve real problems through being creative, and collaborative with their classmates.”

Sunny Zheng-Herb | William Smith High School – Aurora, CO
Explore Native Alaskan arts and culture in Alaska to incorporate elements of this art tradition in the classroom through the teaching of 3D art forms and elevate awareness of non-Western arts practices.

“While my school has offered a few classes centering on local Ute, Apache and Navajo cultures, no class has ever touched on Alaska Native peoples. I believe that the introduction of Alaska Native art traditions in my school will engender new ways of viewing and creating art, more space for mindful practice in the classroom, and opportunities for community and self empowerment through the celebration of diverse and oft-effaced cultures.”

“Now more than ever, it is imperative that we invest in the most important component of any classroom — the teacher,” said Karen Eckhoff, Executive Director of FFT. “Educators are facing countless challenges every day, and Fund for Teachers is dedicated to further diversifying the ways that we can support them. Our grants represent trust in teachers’ professionalism, creativity, and vision, offering flexibility to meet the unique needs of each classroom, with the students remaining the ultimate beneficiaries as they continue to grow and learn in today’s ever-changing world.”

We look forward to introducing you to more 2022 FFT Fellows next Friday!

The post Fellow Friday | Indigenous Studies first appeared on Fund for Teachers.

I teach three levels of English Learners:

• those emerging from the Newcomer program
• those who have been in the country 4-7 years, and
• those who have not reached English fluency after more than seven years of American schooling.

Students in that last group — known as Long Term English Learners (LTELs) — may have been born in this country, but they have hit a plateau in academic English language acquisition. These students need robust, rigorous and culturally relevant curriculum and instruction to help them catch up to their “English Only” peers. Without it, they remain the most likely to drop out and least likely to go to college of any of the subgroups at our Title 1 school.

I used my Innovation Circle Grant to work on to finding innovative ways of blending language development with the arts in order to start closing gaps and opening opportunities for these students.

With a $1,000 grant and alongside peers in the Art & Equity Innovation Circle, I participated in the “Clay: The Remix” workshop at Penland School of Craft in Penland, NC, to learn how to use simple tools in the creation of poetry, street art and prints, then transfer those images to clay, to empower students with a new platform for public voice.

Lugo’s teapot of Ralph Ellison

I had no idea that my teacher in my learning experience would be a prominent artist who would transform me and my students. Potter Roberto Lugo shared his slides and the story of his trajectoy as an artist, he spoke about the worth of every person, about putting hidden heroes onto fine porcelain, about “ghetto” being another word for “resourcefulness” and about the need for people from different backgrounds to come together for conversation. At this moment, I knew Roberto Lugo would resonate with my students. I took his ideas, expressed in a 60 second documentary called Meet Roberto Lugo: the Hip-Hop Potter and ran with them. In doing so, I learned to be more resourceful, which included getting ideas from my Circle Members on how to convert my project from ceramics to 2-D posters.

I first taught students about Roberto Lugo and exposed them to his elaborate pottery. Then, students designed 2-D teapots, vases, teacups and sneakers in his style but with their own “hidden heroes” highlighting their heritage as they developed their academic English skills. Students chose the winning art after listening to classmates give “elevator pitches” for their submissions. The pieces tell counter-narratives of  grandparents, sisters, brothers, aunties. uncles and cultural celebrities. They honor those who have passed and those who are still alive. To my delight, some student “winners” were previously among the most disengaged students.

Students’ final exam was to write a letter to Lugo. Those letters, along with sample essays and artwork impressed Lugo so much that he highlighted them on his Instagram page. He is also planning to set up a Zoom meeting with the students.

Last week, Robert Lugo himself acknowledged students’ work on his Instagram site, sharing this video with the words:

Y’all if you need some inspiration today look at the work of these young artists lead by their teacher @fer_sha_fer_sha. I just can’t believe I’m an inspiration for these kids. All we tend to think about ourselves is our faults and not our contributions. Thank you for reminding me that I am somebody and I want to remind you that you are too.

As part of the Innovation Circle Grant program, participants create learning units based on their independent research and collaborative ideation. Download Lisa’s “Who Deserves to be in a Museum” curriculum here.

Lisa Shafer is an English Language Development teacher at Skyline High School in Oakland, CA. She also has taught journalism, the graduate capstone course and English at other high schools. She is a three-time Fund for Teacher Fellow and is a former participant in the Japanese Exchange and Teaching Program (JET). She loves incorporating journalism, storytelling and civic engagement into her lessons for English Learners.

The post Who Deserves to be in a Museum? first appeared on Fund for Teachers.

With their $10,000 FFT grant last summer, Becci and Sasha researched in Nayarit, Oaxaca, and Chiapas, Mexico, indigenous history, traditions, and folklore to inform learning for a Latino culture course, facilitate collaborations with English Language Learners in the special education program, and engage Spanish speaking parents. (Learn more about their experiences at Becci and Sasha‘s post-fellowship reporting.)

This fall, they began implementing their own learning with their students by creating a religious syncretism curriculum for their Latino Culture Colloquium. They also created an advisory lesson that was used school wide to talk about cultural identity. The community-wide Day of the Dead Family Night last week featured an ofrenda (above), performances by the Latino Dance Crew, and five craft stations in which students and their families created sugar skulls, made marigold flowers, and had their faces painted. Students led each activity and explained the significance and symbolism at each station.

“Many Mexican Americans who were born in the United States (including our students) often have a deep sense of feeling connected to Mexico yet have only visited a handful of times,” said Sasha. “The variety of the culture and languages we experienced within each state of Mexico really is so diverse that it is often hard for many Mexican Americans to comprehend or even understand how different it can be. This experience opened my eyes to how diverse the culture and language of Mexico really is and how little many of our students may even know about their family origins.”

“Indigenous groups in Mexico have been oppressed for centuries and this is clear when looking at poverty, access to healthcare, levels of education etc. in highly indigenous areas in Oaxaca and Chiapas,” Becci added. “Their stories too often go unheard when examining the history and culture of Mexico. We want to highlight the importance of indigenous subcultures within the dominant culture of Mexico and bring back inspiration for how marginalized communities maintain their culture and identity.”

Going forward, Sasha and Becci plan to create an interdisciplinary project between the school’s Latino Culture Colloquium, students in the school’s special education program, the art department and the library through a bilingual story time.  The teachers also established contacts with a nonprofit in Chiapas called Sueninos and a nonprofit in the Puerto Vallarta region called Entre Amigos through which will participate in language exchanges and cultural “intercambios,” as well as topics around dual identities and immigrant rights. We will also pursue our relationship with the Mexican Museum of Art in order to conduct an art and identity workshop.

“Our fellowship provided us with pictures, anecdotes, and most importantly, local perspectives and insights into our course units which will help students feel pride and connection with their heritage and engage with the material,” said Becci.

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Becci Gauna has taught Global Civics, Honors Psychology, Honors Sociology, US History, and World History. She has also helped design and develop her school’s Latino Culture program and sponsors the school’s Latino Dance team. Sasha Villagrana has been a New York City public alternative high school teacher for six years — two of which were in prison to a range of incarcerated youth populations facing the most severe challenges. She has also served Lindbom’s bilingual coordinator, foreign language department chair, and has taught the Latino Culture Colloquium, as well as Chinese.

The post Ofrendas, Fellows and Day of the Dead first appeared on Fund for Teachers.